You are here

Archives of American Art Blog

Read the first-hand perspectives from the staff who preserve and document the history of the visual arts in America.

  • In the previous blog post of this series, Sarah Schmerler described how her friend Martin Wilner’s work inspired a series of drawings made while riding the New York City Subway. When I asked Wilner to tell us more about his projects, he began by citing Henry Mosler’s diary, on view in the exhibition A Day in the Life: Artists’ Diaries from the Archives of American Art.
  • Bernarda Bryson Shahn’s appointment book in the show A Day in the Life: Artists’ Diaries from the Archives of American Art, is filled with events. None of the entries are simple reminders of upcoming appointments—nearly every word in the book is adorned, embellished, or festooned in some manner.
  • Although some artists I’ve spoken to recently do keep proper diaries, most have found other diary-like activities that document their joys, concerns, interests and goings-on. For many, posting updates on social media satisfies that need.
  • Joseph Cornell found beauty in everyday life and everyday objects. His diary entry from July 10, 1948 helps us understand how his incredible outlook enabled him to make the elegant artwork he constructed from bits and pieces of the prosaic.
  • One of my favorite images from A Day in the Life: Artists’ Diaries from the Archives of American Art, is Helen Torr Dove and Arthur Dove’s diary from 1936. Dove made colored spheres which may signify the phases of the moon, and also noted the temperature and barometric pressure the Doves were experiencing.

Pages

Subscribe to The Archives of American Art Blog