Staff Voices

For Asian Pacific American Heritage Month, archivist Rihoko Ueno examines how the life and work of artist Miné Okubo was affected by being detained in an internment camp during World War II.

Elana Hain, Smithsonian American Art Museum intern, and Mary Savig, curator of manuscripts at the Archives of American Art, explore perspectives of the life of Yasuo Kuniyoshi through oral history interviews with those who knew him. “Artist Teacher Organizer: Yasuo Kuniyoshi in the Archives of American Art” is on view in the Lawrence A. Fleishman Gallery through July 10, 2015.

The Ivan C. Karp papers and OK Harris Works of Art gallery records, 1960–2014, recently donated to the Archives of American Art, are highlighted here by deputy director Liza Kirwin and archivist Cathy Gaines.

For Veterans Day, Kelly Quinn, the Terra Foundation Project Manager for Online Scholarly and Educational Initiatives, looks at the contributions of artist Anna Coleman Ladd in aiding soldiers disfigured during World War I.

Curator of Manuscripts, Mary Savig, on artists and models who inspire as they strike a pose.

Think you’ve got what it takes to be an artist’s model? Vogue with us on Instagram and Twitter using #StrikeAPose.

Elizabeth Botten, curator of the exhibition Artists and Their Models, considers a group of reference photographs used by Violet Oakley in the making of the Dante Window.

Rihoko Ueno, archivist and co-curator of the exhibition Monuments Men: On the Front Line to Save Europe’s Art, 1942–1946, on view through April 20, 2104, examines Monument Man Walter Horn’s connection to the recovery of the Imperial Regalia of the Holy Roman Empire, and a cache of gold coins.

Rihoko Ueno, co-curator of the exhibition Monuments Men: On the Front Line to Save Europe’s Art, 1942–1946, examines the conditions inside mines throughout Germany and Austria where the Nazis stored caches of looted artwork and artifacts. She will be participating in a Twitter chat on March 11 at 2:30 p.m. ET.

Deputy Director Liza Kirwin explores an illustrated letter—currently on view in the Lawrence A. Fleischman Gallery—both elegiac and hopeful.

Kelly Quinn, the Terra Foundation Project Manager for Online Scholarly and Educational Initiatives, introduces a new series, Tip of the Hat, which takes a light-hearted look at artists and their headgear.