Hunter Drohojowska-Philp highlights the Eileen Cowin papers, recently acquired by the Archives of American Art. The following essay was originally published in the spring 2016 issue (vol. 55, no. 1) of the Archives of American Art Journal.
This is the first in a series of entries that highlight new acquisitions, beginning with Mary Savig, curator of manuscripts, on the Robert Ebendorf papers. The following essay was originally published in the spring 2016 issue (vol. 55, no. 1) of the Archives of American Art Journal.
Archivist Rihoko Ueno examines the friendship of Miné Okubo and Kay Sekimachi through their letters.
Blogs across the Smithsonian will give an inside look at the Institution’s archival collections and practices during a month long blog-a-thon in celebration of October’s American Archives Month.
With Halloween fast approaching, digital projects librarian Bettina Smith offers up some suggestions for easy DIY costumes inspired by the Archives’ collections.
We continue to celebrate Asian Pacific American Heritage Month with a post by archivist Rihoko Ueno, who looks at one of Miné Okubo’s major artistic subjects: the cat.
For Asian Pacific American Heritage Month, archivist Rihoko Ueno examines how the life and work of artist Miné Okubo was affected by being detained in an internment camp during World War II.
Elana Hain, Smithsonian American Art Museum intern, and Mary Savig, curator of manuscripts at the Archives of American Art, explore perspectives of the life of Yasuo Kuniyoshi through oral history interviews with those who knew him. “Artist Teacher Organizer: Yasuo Kuniyoshi in the Archives of American Art” is on view in the Lawrence A. Fleishman Gallery through July 10, 2015.
The Ivan C. Karp papers and OK Harris Works of Art gallery records, 1960–2014, recently donated to the Archives of American Art, are highlighted here by deputy director Liza Kirwin and archivist Cathy Gaines.
For Veterans Day, Kelly Quinn, the Terra Foundation Project Manager for Online Scholarly and Educational Initiatives, looks at the contributions of artist Anna Coleman Ladd in aiding soldiers disfigured during World War I.
