The latest installment in our Accidental Tourist series—posts written by the reference services staff about notable finds they stumble across while traveling through the Archives of American Art’s collections—looks at an unusual signature.
Curator of manuscripts Mary Savig highlights the Jeff Donaldson papers, recently acquired by the Archives of American Art. The following essay was originally published in the fall 2016 issue (vol. 55, no. 2) of the Archives of American Art Journal.
Latino collections specialist Josh T. Franco highlights the Moses Ros papers, recently acquired by the Archives of American Art. The following essay was originally published in the fall 2016 issue (vol. 55, no. 2) of the Archives of American Art Journal.
Jason Stieber highlights the Galerie Darthea Speyer records, recently acquired by the Archives of American Art. The following essay was originally published in the fall 2016 issue (vol. 55, no. 2) of the Archives of American Art Journal.
For American Archives Month, Barbara Aikens, head of collections processing, takes a deep dive into the finding aid.
New York collector Annette Leddy highlights the Dore Ashton papers, recently acquired by the Archives of American Art. The following essay was originally published in the fall 2016 issue (vol. 55, no. 2) of the Archives of American Art Journal.
National collector Jason Stieber highlights the Albert Bloch papers, recently acquired by the Archives of American Art. The following essay was originally published in the spring 2016 issue (vol. 55, no. 1) of the Archives of American Art Journal.
New York collector Annette Leddy highlights the Dore Ashton papers, recently acquired by the Archives of American Art. The following essay was originally published in the spring 2016 issue (vol. 55, no. 1) of the Archives of American Art Journal.
Hunter Drohojowska-Philp highlights the Eileen Cowin papers, recently acquired by the Archives of American Art. The following essay was originally published in the spring 2016 issue (vol. 55, no. 1) of the Archives of American Art Journal.
This is the first in a series of entries that highlight new acquisitions, beginning with Mary Savig, curator of manuscripts, on the Robert Ebendorf papers. The following essay was originally published in the spring 2016 issue (vol. 55, no. 1) of the Archives of American Art Journal.
