Staff Voices

Archivist Stephanie Ashley chronicles her experiences working with the Macbeth Gallery Records from processing to digitization. 

This exploration of the correspondence between Aline and Eero Saarinen, by reference specialist Elizabeth Botten, considers why the state of Michigan is so important to their love story. 

Matthew Simms, the Gerald and Bente Buck West Coast Collector for the Archives of American Art, highlights the Loren Madsen papers, recently acquired by the Archives. The following essay was originally published in the fall 2017 issue (vol. 56, no. 2) of the Archives of American Art Journal.

Reference specialist Elizabeth Botten takes a trip through the Archives and finds some unusual roadside attractions.

Curator of manuscripts Mary Savig highlights the Mary Swift papers, recently acquired by the Archives of American Art. The following essay was originally published in the fall 2017 issue (vol. 56, no. 2) of the Archives of American Art Journal. 

Annette Leddy, the Gilbert and Ann Kinney New York Collector for the Archives of American Art, highlights the Robert Alexander Papers and Temple of Man Records, recently acquired by the Archives. The following essay was originally published in the fall 2017 issue (vol. 56, no. 2) of the Archives of American Art Journal.

National collector Josh T. Franco highlights the Naul Ojeda papers, recently acquired by the Archives of American Art. The following essay was originally published in the fall 2017 issue (vol. 56, no. 2) of the Archives of American Art Journal. 

Processing archivist Sarah Mundy explores myths and superstitions about the black cat. 

Reference specialist Elizabeth Botten shares documents that tell the story of the San Francisco Museum of Modern Art’s Artists’ Soap Box Derbies in the 1970s.

Curator of manuscripts Mary Savig highlights the Ben Buchanan Photographs of Artists, recently acquired by the Archives of American Art. The following essay was originally published in the spring 2017 issue (vol. 56, no. 1) of the Archives of American Art Journal.