Matthew Simms, the Gerald and Bente Buck West Coast Collector, highlights the Chiura Obata Papers, recently acquired by the Archives. The following essay was originally published in the Spring 2020 issue (vol. 59, no. 1) of the Archives of American Art Journal.
Curator of manuscripts Mary Savig highlights the Athena Tacha Papers, recently acquired by the Archives of American Art. The following essay was originally published in the Spring 2020 issue (vol. 59, no. 1) of the Archives of American Art Journal.
Curator of African American manuscripts Erin Jenoa Gilbert highlights the Charles W. and Frances Barrett White Letters and Photographs to Melvin and Lorraine Williamson, recently acquired by the Archives of American Art. The following essay was originally published in the Spring 2020 issue (vol. 59, no. 1) of the Archives of American Art Journal.
Liza Zapol, the Robert and Arlene Kogod Secretarial Scholar in Oral History, highlights the oral history interview she conducted with Martha Wilson. The following essay was originally published in the Fall 2019 issue (vol. 58, no. 2) of the Archives of American Art Journal.
Annette Leddy, the Gilbert and Ann Kinney New York Collector, highlights the Robert Pincus-Witten Papers, recently acquired by the Archives. The following essay was originally published in the Fall 2019 issue (vol. 58, no. 2) of the Archives of American Art Journal.
Curator of African American manuscripts Erin Jenoa Gilbert highlights the Renee V. Cox Papers, recently acquired by the Archives of American Art. The following essay was originally published in the Fall 2019 issue (vol. 58, no. 2) of the Archives of American Art Journal.
National collector Josh T. Franco highlights the George Tooker Papers, recently acquired by the Archives. The following essay was originally published in the Fall 2019 issue (vol. 58, no. 2) of the Archives of American Art Journal.
Join us we look back on the last ten years of the Archives of American Art Blog.
Matthew Simms, the Gerald and Bente Buck West Coast Collector, highlights the Eduardo Carrillo Papers, recently acquired by the Archives. The following essay was originally published in the Fall 2019 issue (vol. 58, no. 2) of the Archives of American Art Journal.
Using the papers of artist Chiura Obata, archivist Rihoko Ueno tells the story of how he established art schools at the Tanforan and Topaz incarceration camps during World War II.
