National collector Josh T. Franco shares highlights from the Marjorie Kreilick papers that confirm her commitment to craft
Oral history interviews conducted with Native artists are highlighted by Ben Gillespie, the Arlene and Robert Kogod Secretarial Scholar for Oral History at the Archives of American Art.
Gerald and Bente Buck West Coast Collector Matthew Simms reflects on two new collections of women artists now at the Archives of American Art.
National collector Josh T. Franco writes about the large addition to the Emanuel Martínez Papers, illuminating his work with incarcerated youth and involvement in the Chicano movement.
Jacob Proctor, the Gilbert and Ann Kinney New York Collector, highlights the Michèle C. Cone Papers, recently acquired by the Archives. The following essay was originally published in the Spring 2022 issue (vol. 61, no. 1) of the Archives of American Art Journal.
Matthew Simms, the Gerald and Bente Buck West Coast Collector, highlights the Consuelo Jiménez Underwood Papers, recently acquired by the Archives. The following essay was originally published in the Fall 2021 issue (vol. 60, no. 2) of the Archives of American Art Journal.
Jacob Proctor, the Gilbert and Ann Kinney New York Collector, highlights the Art in General Records, recently acquired by the Archives. The following essay was originally published in the Fall 2021 issue (vol. 60, no. 2) of the Archives of American Art Journal.
National collector Josh T. Franco highlights the Nela Arias-Misson Papers, recently acquired by the Archives. The following essay was originally published in the Fall 2021 issue (vol. 60, no. 2) of the Archives of American Art Journal.
Oral Historian Ben Gillespie details the Archive's Pandemic Oral History Project, conducted during the summer of 2020. The following essay was originally published in the Spring 2021 issue (vol. 60, no. 1) of the Archives of American Art Journal.
Processing archivist Rihoko Ueno highlights the Toshiko Takaezu Papers, recently acquired by the Archives. The following essay was originally published in the Fall 2020 issue (vol. 59, no. 2) of the Archives of American Art Journal.