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  • Symposium

    Contemporary Art and the Archive

    Ray Johnson letter to Lucy R. Lippard
    Ray Johnson letter to Lucy Lippard, May 3, 1969, from the Lucy R. Lippard Papers, ca. 1940-2006

    Saturday, November 15, 2008
    10:00 a.m. – 5:15 p.m.

    Elebash Recital Hall (View Map)
    CUNY Graduate Center
    365 Fifth Ave. at 34th St.
    New York City

    Sponsored by the Smithsonian’s Archives of American Art and the Ph.D. Program in Art History at The Graduate Center of the City University of New York (CUNY).

    In the field of contemporary art, the archive has become an increasingly important point of departure for practicing artists, critics, curators, and historians.  The efflorescence of archives in the modern period has left a material record of cultural production to which artists have responded in a variety of modes, ranging from reverence to contempt.  At the same time, new media and technologies have challenged conventional notions of the archive, leading curators to ask, among other questions: What does it mean to make an archive for an artist whose works were not tangible things but rather “happenings” or other transitory events? What are the technical challenges involved in creating an archive of video or electronic works when the long–term preservation of those media is completely untested? Finally, what is the place of “archival” research in the historical study of contemporary art?

    The symposium is free and open to the public.
    Reservations required: contact Mary Savig at 202-633-7959 or savigm@si.edu

    Program Schedule

    10:00 a.m. Coffee and Tea
    10:15 a.m. Opening Remarks

    John W. Smith
    Director, Archives of American Art, Smithsonian Institution, Washington, D.C.
    10:30–11:45 a.m. Morning Speakers

    Johanna Burton
    Associate Director and Senior Faculty Member, Whitney Independent Study Program, Whitney Museum of American Art, New York City

    “Outside the Archive: Keeping Recent Art Contemporary”

    Katy Siegel
    Associate Professor
    Hunter College, New York City

    “Lost”

    Andrew Perchuk
    Assistant Director, Contemporary Programs and Research
    The Getty Research Institute, Los Angeles, California

    “Stuff near art”

    11:45–1:00 p.m. Lunch Break
    1:00–2:00 p.m. Keynote Address

    Douglas Crimp
    Fanny Knapp Allen Professor of Art History
    University of Rochester, Rochester, New York

    “Before Pictures”

    2:00–3:30 p.m. Afternoon Speakers

    Julie J. Thomson
    Associate Curator of Education
    Nasher Museum of Art, Duke University, Durham, North Carolina

    “Nothing in the Archive, Nothings and the Archive: Ray Johnson’s 1961 and 1962 Nothings

    Mitra Monir Abbaspour
    Doctoral candidate
    The Graduate Center, City University of New York (CUNY)

    “Contemporary Lebanese Artists Curate History with Photographic Archives”

    Michael Lobel
    Associate Professor and Director, MA Program in Art History
    Purchase College, State University of New York

    “Contemporary Art History and the Archive”

    3:30–3:45 p.m. Afternoon Break
    3:45–4:15 p.m. Respondent

    Claire Bishop
    Associate Professor, Ph.D. Program in Art History, The Graduate Center of the City University of New York

    4:15–5:00 p.m. Panel Discussion

    Ingrid Schaffner
    Senior Curator
    Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania

    Terence Gower
    Artist

    Sara VanDerBeek
    Artist
    5:00–5:15 p.m. Closing Remarks

    Kevin Murphy
    Professor of 19th- and 20th-Century European and American Architecture and Theory
    Ph.D. Program in Art History, The Graduate Center of the City University of New York


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