Armory Show dinner menu signed by guests, 1913 Mar. 8
Marsden Hartley outside a cave in Les Baux, Provence, France., ca. 1931
Frida Kahlo and Diego Rivera, ca. 1933
Sculptor Una Hanbury and subject Georgia O'Keeffe, 1967
Sculpture class at Pennsylvania Academy of the Fine Arts, ca. 1888
Stuart Davis in New Mexico, 1923
David Smith, ca. 1942
The Ideographic Picture exhibition, Betty Parsons Gallery, 1947 Jan. 20 - Feb. 8
Juan Gris , 1932 Feb.
Certificates of Authenticity, between 1832 and 1836
Armory show button and tie tack, 1913
International Exhibition of Modern Art, New York, N.Y., 1913
Irving Blum (b. 1930)
Irving Blum to David Herbert, ca. 1959 Jan.
Marcel Breuer (b. 1902 d. 1981)
Marcel Breuer to Edward Larrabe Barnes, 1946 Mar. 26
Alexander Calder (b. 1898 d. 1976)
Alexander Calder to Ben Shahn., 1949 Feb. 24
Mary Cassatt (b. 1844 d. 1926)
Mary Cassatt to John Wesley Beatty, 1909 Oct. 6
Frederic Edwin Church (b. 1826 d. 1900)
Frederic Edwin Church to Martin Johnson Heade, 1871 Mar. 1
John Singleton Copley (b. 1738 d. 1815)
John Singleton Copley to Ozias Humphry, 1775 July 2
Joseph Cornell (b. 1903 d. 1972)
Joseph Cornell diary page, 1945 Feb. 26-27
Dorothy Dehner (b. 1901 d. 1994)
Concerning photograph of David Smith, ca. 1942, 1978 Jan. 4
Marcel Duchamp (b. 1887 d. 1968)
Marcel Duchamp to Jean Crotti, 1918 July 8
Thomas Eakins (b. 1844 d. 1916)
William O'Donovan in his studio, 1891 May
Desmond Fitzgerald (b. 1846 d. 1926)
Desmond Fitzgerald, 1925
F. Scott Fitzgerald
F. Scott Fitzgerald to Charles Green Shaw, 1927 June 21
Marsden Hartley d. 1943 Sept. 2)
Marsden Hartley to Rockwell Kent, 1912 Sept. 22
Leo Holub (b. 1916)
Imogen Cunningham on my back porch San Francisco, 1972
Leo Holub (b. 1916)
Richard Diebenkorn, visiting artist and professor at Stanford University, 1963
Winslow Homer (b. 1836 d. 1910)
Winslow Homer to J. Eastman Chase, 1882 Feb. [?]
Edward Hopper (b. 1882 d. 1967)
Edward Hopper to Frank Knox Morton Rehn, 1926 Sept. 15
Rockwell Kent (b. 1882 d. 1971)
Rockwell Kent to Frances Kent, ca. 1926 Sept. 13
Alexander Liberman (b. 1912)
Betty Parsons, ca. 1965
Jervis McEntee (b. 1828 d. 1891)
Diary, Vol. IV, June 16, 1883- July 31, 1889
Francis Davis Millet (b. 1846 d. 1912)
Francis David Millet, 1908
Joan Miró (b. 1893 d. 1983)
Abstract self-portrait, 1961 Nov. 21
Samuel Finley Breese Morse (b. 1791 d. 1872)
Samuel Finley Breese Morse, New York, N.Y. letter to Elizabeth Breese, 1827 Jan. 20
Lilla Cabot Perry (b. 1848 d. 1933)
Bridge in Giverny, France, between 1899 and 1909
Lilla Cabot Perry (b. 1848 d. 1933)
Flower Bed at Giverny, France, between 1899 and 1909
Lilla Cabot Perry (b. 1848 d. 1933)
Studio of Claude Monet, Giverny, France, between 1899 and 1909
Jackson Pollock (b. 1912 d. 1956)
Jackson Pollock letter to Betty Parsons, ca. 1951
Ad Reinhardt (b. 1913 d. 1967)
Artists' Equity Ball, 1947 Apr. 30
Kay Bell Reynal (b. 1905 d. 1977)
Mark Rothko at work, 1952
Kay Bell Reynal (b. 1905 d. 1977)
Alfred Stieglitz, ca. 1940
Musya Sheeler
Charles Sheeler, Edward Steichen and John Marin, 1958
Everett Shinn (b. 1876 d. 1953)
Everett Shinn's personal account book listing titles and prices of his contributions to the 'Eight Show' at Macbeth Galleries, 1908
Doug Stewart
Wendell Castle, 1969
Wayne Thiebaud (b. 1920)
Café Flowers, Caged Condiments, Cupcakes Java and Sinkers and Other Food, ca. 1995
Mark Tobey (b. 1890 d. 1976)
Mark Tobey to Windsor Utley, 1959
Worthington Whittredge (b. 1820 d. 1910)
Completed commissions and other pictures, ca. 1860
Andrew Wyeth (b. 1917)
Andrew Wyeth letter to Hazel Lewis, 1950 Oct. 12

Illustrated memoir of service in the U.S. Army in France

Fifty years ago, in Detroit, the Archives of American Art was founded by E. P. Richardson, then director of the Detroit Institute of Arts, and Lawrence A. Fleischman, a young collector and patron of the arts. Richardson, author of a pioneering work on American art, realized that there were few places a researcher could go to find primary source material on the subject and that scholars often had to travel great distances to find original documents to support their work.

The Archives was founded to facilitate their research by microfilming papers housed in repositories across the country and depositing the films at their offices. This proved such a success that it was suggested that the Archives should itself become a repository for the original documents that obviously needed a home. From those early gifts in the 1950s, the Archives, since 1970 a bureau of the Smithsonian Institution, has grown into a manuscript repository that is the single most important resource in the world for the study of the visual arts in America.

Celebrating Fifty Years: The Archives of American Art, 1954-2004 honors the vision of the Archives' founders by displaying fifty extraordinary documents from our rich collections.