About the Walter Pach papers

Walter Pach was born in New York City, July 11, 1883. His father, Gotthelf Pach, was a prominent commercial photographer who, along with his family, ran the New York firm of Pach Bros. The company did the bulk of the photographic work for the Metropolitan Museum of Art, and the young Pach often accompanied his father on museum assignments. In 1903, Pach graduated from the City College of New York with a degree in art. He also studied with Robert Henri at the New York School of Art and went abroad to paint with William Merritt Chase in the summers of 1903 and 1904.

In 1907, Pach moved to France and soon became part of the Gertrude and Leo Stein circle. As an artist and critic, he moved among the Parisian avant-garde, exhibiting with them and writing about their work and new artistic vision. Pach also wrote on such established artists as Claude Monet, whom he interviewed in 1908 for Scribner's Magazine.

Pach married artist Magdalene Frohberg in February 1914, and their son Raymond was born at the end of that year. The Pachs lived primarily in New York, but spent time abroad from 1928 to 1932. Intermittently, they lived on the West Coast, where Pach taught at the University of California at Berkeley. In the 1920s he taught at the University of Mexico on a Schilling Fund grant, lecturing and writing on Native American art. He took an active interest in organizing exhibitions and raising money for a museum to be dedicated to the indigenous art of the Americas. In addition, he was a friend of José Clemente Orozco and Diego Rivera and helped organize the Mexican chapter of the Society of Independent Artists, the New York-based organization he founded in 1917 with Walter Arensberg and Marcel Duchamp.

While not well known today as a painter, Walter Pach devoted much of his creative effort to painting. He considered himself both an artist and a writer, even though friends like art historian Bernard Berenson urged him to devote all his time to writing. Among his writings are monographs on a wide range of subjects, social commentary on the art world, and a book on museum structures. Among is first publications were a series of brochures produced for the 1913 Armory Show, including Odilon Redon; and, in the same year, A Sculptor's Architecture, a book about the work of Raymond Duchamp-Villon, a close friend whom he admired greatly. In 1923, Pach wrote Georges Seurat, a book later cited by art historian John Rewald as an important early text on the artist. Masters of Modern Art and the monograph Raymond Duchamp-Villon were published the following year, and in 1928 Pach's well-known indictment of opportunistic artists and corruption in the art world, Ananias, or The False Artist, created a stir in art circles. Pach considered Vincent Van Gogh to be a seminal figure in the development of modern art and was the first historian to lecture on him in America. In 1936, he published his well-received monograph, Vincent Van Gogh. His recollections of a life spent in art, Queer Thing, Painting appeared in 1938. Ingres was published in 1939, as well as Masterpieces of Art, written for the 1939 New York World's Fair, for which Pach was exhibition director. His Art Museum in America, published in 1948, called into question the relevance, responsibility, and future direction of the American art museum. He long championed the artists of Mexico and published an essay on Diego Rivera in 1951 for the National Museum of Fine Arts, Mexico, for its 50-year retrospective exhibition on the artist. The Classical Tradition in Modern Art, Pach's la st book, was published posthumously in 1959.

Pach's fluency in French, German, and Spanish allowed him to understand and interpret new avant-garde ideas developing in Europe and to translate them for an English-speaking audience. His language skills also allowed him to communicate personally with many noted artists in Europe and Mexico and to mediate between gallery dealers and museum curators on their behalf. His correspondence with major figures in 20th-century art are a fascinating and important source of information, not only about the artists themselves but about the art world in general during the first half of this century.

Date

Event

1883

Born July 11, New York City, son of Frances Wise Pach and well-known commercial photographer, Gotthelf Pach, of the firm Pach Bros.

1903

Graduated from the City College of New York. Studied painting with Leigh Hunt, Robert Henri, and William Merritt Chase. Trip to Europe with Chase's class.

1904

Trip to Holland and England with Chase's class. Purchased Hokusai Manga book (artist's manual). Saw Sir Frank Brangwyn's extensive collection of Japonaiseries.

1906

Presented first art history lecture, Westfield State Normal School, Westfield, Mass.

1907

Moved to France. Met Gertrude and Leo Stein. Painted Portrait of Japanese Painter Moriye Ogihara.

1908

"Cézanne," by Walter Pach, the first American article on the subject, published in December issue of Scribner's.

1909

"Portrait of Walter Pach," by Gertrude Stein.

1911

"Albert P. Ryder," by Walter Pach, published in January issue of Scribner's.

1912

Met with Arthur B. Davies and Walt Kuhn to begin preparations for the Armory Show. Was responsible for the exhibition's European operations. Completed Portrait of Gigi Cavigli (exhibited at the Armory Show the following year). "Pierre-Auguste Renoir," by Walter Pach, published in May issue of Scribner's.

1913

Exhibited 5 paintings and 5 etchings in "The International Exhibition of Modern Art" (Armory Show), which opened in New York City on February 13. Served as administrator, publicist, and gallery lecturer for the Armory Show Chicago with Kuhn for the run of the exhibition. At the close of the show, Matisse, Brancusi, and Pach were hanged in effigy by the students of the School of the Art Institute of Chicago.

1914

Married Magdalene Frohberg, a German artist. Resumed residence in the United States. Traveled to France to secure works for important modern art shows in New York City at the Carroll Gallery and Montross Gallery's Matisse exhibition. Birth of son, Raymond.

1915

Publication of The John Quinn Collection, catalog of a collection Pach was instrumental in assembling.

1916

Founded Society of Independent Artists in collaboration with Marcel Duchamp, Walter Arensberg, and others. Adviser to collector Walter Arensberg.

1917

Designed sets for Wallace Stevens's play, Bowl, Cat and Broomstick, produced at the Neighborhood Playhouse, New York City. Arranged a Gino Severini exhibition at Stieglitz's 219 gallery, New York City.

1918

"Universality in Art," by Walter Pach, published in February issue of Modern School. "Jean Le Roy," by Walter Pach, published in October issue of Modern School

1919

"The Schamberg Exhibition," by Walter Pach, published in May 17 issue of the Dial. Wrote introduction for Odilon Redon, the catalog for a graphics show at Albert Roulliers Gallery, Chicago.

1920

"The Art of the American Indian," by Walter Pach, published in January 20 issue of the Dial. His paintings abandoned the cubist-futurist mode and returned to a more naturalistic style.

1921

Publication of History of Art: Ancient Art, volume 1, by Elie Faure, translated by Walter Pach.

1922

Lecturer, University of Mexico, where he developed a strong interest in Pre-Columbian art. Lectured at Société Anonyme. Publication of History of Art: Mediaeval Art, volume 2, by Elie Faure, translated by Walter Pach. Contributed a chapter, "Art," to Civilization in the United States: An Inquiry by Thirty Americans, edited by Harold E. Stearns.

1923

Publication of Georges Seurat by Walter Pach. Publication of The Art of Cineplastics and History of Art: Renaissance Art, volume 3, by Elie Faure, translated by Walter Pach. "Georges Seurat," by Walter Pach, published in March issue of the Arts.

1924

Publication of Masters of Modern Art, by Walter Pach. Publication of Raymond Duchamp-Villon, by Walter Pach. Publication of History of Art: Modern Art, volume 4, by Elie Faure, translated by Walter Pach. "The Greatest American Artist," by Walter Pach, published in January issue of Harper's Magazine.

1926

"Graveur Américain," by Léon Rosenthal, an article about Pach's graphics (illustrated with an original etching, New York), published in September issue of Byblis, Miroir des Arts du Livre et de L'Estampe. "Brancusi," by Walter Pach, published in December 1 issue of the Nation. Instructor, New York University.

1927

"What Passes for Art," by Walter Pach, published in June issue of Harper's Magazine

1928

Publication of Ananias, or The False Artist, by Walter Pach. Pach family relocated to Europe.

1929

"The Evolution of Diego Rivera," by Walter Pach, published in January issue of Creative Art. "John Ruskin and Walter Pach: Defenders of the Faith," by W.H. Downes, published in August issue of American Museum Art.

1930

Publication of An Hour of Art, by Walter Pach. Publication of History of Art: The Spirit of the Forms, volume 5, by Elie Faure, translated by Walter Pach. "Notes sur le classicisme de Delacroix," by Walter Pach, published in June issue of L'Amour de L'Art.

1931

Solo exhibition at Kraushaar Gallery, New York City, with review published in March 21 issue of Art News. "Raymond Duchamp-Villon," by Walter Pach, published in May issue of Formes XV.

1932

"Le Classicisme de Barye," by Walter Pach, published in November issue of L'Amour de L'Art Returned to the United States.

1933

"Address at the Worcester Opening of International, 1933," by Walter Pach, published in January issue of Parnassus. "Georges Rouault," by Walter Pach, published in January issue of Parnassus. "American Art in the Louvre," by Walter Pach, published in May issue of Fine Arts 20. "On Owning Pictures," by Walter Pach, published in August issue of Fine Arts 20. "Rockefeller, Rivera and Art," by Walter Pach, published in September issue of Harper's Magazine.

1934

Organized Maurice Prendergast retrospective for Whitney Museum of American Art.

1935

Exhibition at Knoedler Gallery, New York City included Walter Pach's Respice, Adspice, and Prospice, a fresco commissioned for the City College of New York by the Class of 1903.

1936

Exhibition of watercolors at Kleemann Galleries, New York City. Publication of Vincent Van Gogh, by Walter Pach." The Raphael from Russia," by Walter Pach, published in January issue of Virginia Quarterly Review. "First Portfolio of American Art," by Walter Pach, published in October 3 issue of Art News. Wrote foreword to First Exhibition in America of Géricault, catalog of exhibition at Marie Sterner Gallery, New York City. "The Outlook for Modern Art," by Walter Pach, published in April issue of Parnassus. Article about Pach's City College mural published in February issue of City College Alumnus Magazine.

1937

Publication of The Journal of Eugène Delacroix, translated by Walter Pach. Publication of Thomas Eakins, by Walter Pach, catalog of exhibition at Kleemann Gallery, New York City.

1938

Publication of Queer Thing, Painting: Forty Years in the World of Art, by Walter Pach. "Delacroix Today," by Walter Pach, published in January issue of Magazine of Art.

1939

Publication of Ingres, by Walter Pach. Appointed general director, "Masterpieces of Art" exhibition, New York World's Fair.

1940

Publication of Masterpieces of Art, New York World's Fair, 1940, Official Illustrated Catalogue, by Walter Pach.

1941

Solo exhibition at Schneider-Gabriel Gallery, New York City.

1942

"Newly Discovered Ingres: The Lovers," by Walter Pach, published in October issue of Art in America Exhibition at Whitney Museum of American Art, "Between the Wars: Prints by American Artists, 1914-1941," included Walter Pach's etching Saint-Germain-des-Pres (1911). Lecturer, University of Mexico, Schilling Fund grant.

1943

"A Newly Found American Painter: Hermenegildo Bustos," by Walter Pach, published in January issue of Art in America. "Unknown Aspects of Mexican Painting," by Walter Pach, published in October issue of Gazette des Beaux-Arts. Marriage of son, Raymond.

1944

"The Eight, Then and Now," by Walter Pach, published in January issue of Art News. "Problemas del arte americano," by Walter Pach, published in December issue of Origenes.

1946

"La Barricade in America," by Walter Pach, published in July issue of Art News. "On Art Criticism," by Eugène Delacroix (first published in Revue de Paris, May 1829), translated by Walter Pach for catalog of exhibition at Curt Valentin, New York City.

1947

Publication of Picasso, by Juan Larrea, edited by Walter Pach. Publication of "Museums Can Be Living Things," by Walter Pach, in Laurels Number One, Laurel Gallery. Etching, Scopasian Head, by Walter Pach, included in Laurels Number Two, Laurel Gallery.

1948

Publication of The Art Museum in America, by Walter Pach. "The Past Lives On," by Walter Pach, parts 1 and 2, published in October and November issues of American Artist.

1949

"Thus Is Cubism Cultivated," by Walter Pach, published in May issue of Art News.

1950

Contributed a chapter, "The State of the Arts in the Democratic Way of Life: A Postscript," to Perspectives on a Troubled Decade: Science, Philosophy and Religion, 1939-1949, edited by Lyman Bryson, Louis Finkelstein, and R.M. MacIver. Death of wife, Magdalene.

1951

"Reaciones entre la cultura nordeamericana y la ombre de Diego Rivera," a major essay by Walter Pach published in Diego Rivera, 50 años de su labor artistica, exposition de normenaje nacional, Museo nacional de artes plasticas, Mexico City. Married Nikifora.

1953

"A Modernist Visits Greece," by Walter Pach, reprinted in autumn issue of Archaeology.

1954

"John Sloan," by Walter Pach, published in August issue of Atlantic Monthly.

1956

"Introducing the Paintings of George Of (1876-1954)," by Walter Pach, published in October issue of Art News.

1958

Professor, City College of New York. Died, New York City, following an operation for stomach ulcers.

1959

Publication of The Classical Tradition in Modern Art, by Walter Pach.

1986

Exhibition, "Walter Pach, A Retrospective," at Asheville Art Museum, Asheville, North Carolina.

1988

Exhibition, "The Art of Walter and Magda Pach," at Butler Institute of American Art, Youngstown, Ohio. Walter Pach's papers, previously in the possession of Salander-O'Reilly Galleries, acquired by the Archives of American Art with the assistance of the Brown Foundation, Inc.

1990

Exhibition, "Discovering Modernism: Selections from the Walter Pach Papers," at the Archives of American Art, New York City.

1991

Exhibition, "The Paintings of Walter Pach," at Forum Gallery, New York City.

However, selected publications were retained with the Pach manuscript collection because they had an identifiable relevance to Pach and his career. Pach also had a habit of writing in his books, and any book or publication annotated by him was considered to have significant research value and was retained with the Pach Papers. The books and other publications remaining with the Pach Papers are of three types: (1) those written by Pach, (2) those translated by Pach, and (3) those central to Pach's interests and work. Catalogs that appear in the following lists appear under museum, gallery, or auction house name, unless an individual is cited as author.

The remainder of the library received by the Archives was made available to the American Art/Portrait Gallery Library in the National Museum of American Art and the National Portrait Gallery for research use.

Works Written by Walter Pach

American Artist (New York) 12, no. 8 (October 1948). Includes "The Past Lives On," by Walter Pach, pp. 28-31, 64-66. Two copies.

American Artist (New York) 12, no. 9 (November 1948). Includes second installment of "The Past Lives On," by Walter Pach, pp. 40-43, 64. Two copies.

L'Amour de l'Art (Paris), no. 6 (June 1930). Includes "Notes sur le classicisme de Delacroix," by Walter Pach, pp. 241-253.

L'Amour de l'Art (Paris) 13, no. 9 (November 1932). Includes "Le classicisme de Barye," by Walter Pach, pp. 319-320.

Anderson Galleries. Two Masterpieces of Renaissance Painting from the Collection of Carl W. Hamilton. New York, 1929. Includes "Extract from an Article on the Half-Century Celebration at the Metropolitan Museum of Art, by Walter Pach in The Freeman," p. 10.

Art in America (Springfield, Mass.) 31, no. 1 (January 1943). Includes "A Newly Found American Painter," by Walter Pach, pp. 32-43.

Art from Life to Life by Abraham Walkowitz. Girard, Kans.: Haldeman-Julius Publications, 1951. Includes "Walkowitz and Tradition," an appreciation by Walter Pach.

Art News (New York) 45, no. 5 (July 1946). Includes "La Barricade in America," by Walter Pach, pp. 42-43, 60. Two copies.

Art News (New York) 48, no. 3 (May 1949). Includes "Thus Is Cubism Cultivated," by Walter Pach and Jacques Villon, pp. 23-25, 52-53.

Art News (New York) 55, no. 6 (October 1956). Includes "Introducing the Paintings of George Of, 1876-1954," by Walter Pach, pp. 36-38, 62-63. Two copies.

Arts (New York) 3, no. 3 (March 1923). Includes "Georges Seurat," by Walter Pach, pp. 160-174.

Brummer Gallery. Brancusi. Introduction by Paul Morand. New York, November 17-December 15, 1926. Includes article by Walter Pach.

Bryson, Lyman, and Louis Finkelstein, eds. Science, Philosophy and Religion, Second Symposium. New York: Conference of Science, Philosophy and Religion in Their Relation to the Democratic Way of Life, Inc., 1942. Includes "The Artist and the Democratic Way of Life," by Walter Pach, pp. 493-505.

Bryson, Lyman, Louis Finkelstein, and R.M. MacIver, eds. Perspectives on a Troubled Decade: Science, Philosophy, and Religion, 1939-1949. Symposium. New York and London: Harper & Brothers, 1950. Includes "The Stake of the Arts in the Democratic Way of Life: A Postscript," by Walter Pach, pp. 743-755.

Bulletin of the Springfield Museum of Fine Arts (Springfield, Mass.) 21, no. 4 (April-May 1955). Includes "The Portrait of a Painter," by Walter Pach, pp. 2-3. Four copies.

Campbell, Vivian, ed. A Christmas Anthology of Poetry and Painting. Foreword by Walter Pach. New York: Woman's Press, 1947.

Century 87, no. 6 (April 1914). Includes "The Point of View of the Moderns," by Walter Pach, pp. 851-864.

Creative Art: A Magazine of Fine and Applied Art (New York) 11, no. 3 (November 1932). Includes "Marinot, Artist and Artisan," by Walter Pach, and a caricature of him by Aline Fruhauf, p. 203.

Dial (New York) 68, no. 1 (January 1920). Includes "The Art of the American Indian," by Walter Pach, pp. 57-65.

Ehrich Print Gallery. Odilon Redon, 1840-1916: Exhibition of Etchings and Lithographs.

Introduction by Walter Pach. New York, February 18-March 12, 1919. Two copies.

Flannagan, John B. Letters of John B. Flannagan. Introduction by W.R. Valentiner. New York: Curt Valentin, 1942. Walter Pach is a correspondent.

Formes (Paris, English Edition 1, Edition des Quatre Chemins) (January 1930). Includes review by Walter Pach of Idols behind Altars, by Anita Brenner, p. 30.

Formes (Paris, Edition Française 15) (May 1931). Includes "Raymond Duchamp-Villon," by Walter Pach, pp. 84-85.

Galerie Dru Bourgeat et Van Gelder. Peintures, Gouaches et Pastels de Charles Dufresne, Sculptures de Duchamp-Villon. Paris, June 26 (30), 1931. Includes "Raymond Duchamp-Villon (1876-1918)," by Walter Pach. Two copies.

Harper's Magazine 143 (January 1924). Includes "The Greatest American Artists," by Walter Pach, pp. 252-262.

Harper's Magazine 155 (June 1927). Includes "What Passes for Art: Some Reflections on Contemporary Painters," by Walter Pach, pp. 89-97.

Harper's Monthly Magazine. Includes "Rockefeller, Rivera, and Art," by Walter Pach. Tearsheet, dated by hand September 1933.

Kruckman, Herbert L. Of Course You Can Draw. Introduction by Walter Pach. New York: Citadel Press, 1945.

La Follette, Suzanne. Art in America. Introduction by Walter Pach. New York and London: Harper & Brothers, 1929.

M Knoedler and Company. Gros, Géricault, Delacroix. Exhibition of paintings and drawings for the benefit of the Sauvegarde de l'Art Français. Foreword by Walter Pach. New York: November 21-December 10, 1938. Walter Pach was a member of the Honorary Committee.

The Masters of Modern Art. New York: B.W. Huebsch, Inc., 1924. Includes an original etching by Walter Pach as the frontispiece. Two copies, one with dust cover.

Mexico moderno, undated. Partial publication. Includes "Impresiones sobre el a rte actual de Mexico," by Walter Pach, pp. 131-138.

Modern School (Stelton, N.J., Modern School Association of N.A., Ferrer Colony) 5, no. 2 (February 1918). Includes "Universality in Art," by Walter Pach, pp. 46-55.

Modern School (Stelton, N.J., Modern School Association of N.A., Ferrer Colony) 5, no. 10 (October 1918). Includes "Jean Le Roy," by Walter Pach, p. 296. Two copies.

Moriye Ogihara Memorial Book (in Japanese). Paris, 1910. Includes letter in English from Walter Pach to Mr. Tohary.

New Republic (New York) 7, no. 84 (June 10, 1916). Includes "La chair et l'acier," by Walter Pach, p. 149.

Origenes (La Habana, Cuba) (December 1944). Includes "Problemas del arte americano," by Walter Pach, pp. 17-20.

Pach, Walter. Ananias, or The False Artist. New York and London: Harper & Brothers Publishers, 1928. Two copies, one with dust cover.

Pach, Walter. "Apropos of a Recent Publication," in "Notes on Museums." Gazette des Beaux-Arts, undated. Reprint.

Pach, Walter. Georges Seurat. New York: Arts Monographs, Duffield and Company, 1923.

Pach, Walter. Géricault: First Exhibition in America, Paintings and Drawings. New York: Marie Sterner Galleries, November 16-December 5, 1936.

Pach, Walter. An Hour of Art. Philadelphia and London, J.B. Lippincott Company, 1930.

Pach, Walter. Masterpieces of Art: Catalogue of European and American Paintings, 1500-1900. New York World's Fair, May-October 1940. New York: Art Aid Corporation, 1940.

Pach, Walter. "A Modernist Visits Greece." Archaeology 6, no. 3 (Autumn 1953): 137-141. Reprint.

Pach, Walter. Odilon Redon. New Yor k: Association of American Painters and Sculptors, Inc., 1913.

Pach, Walter. A Sculptor's Architecture. New York: Association of American Painters and Sculptors, Inc., 1913. Two copies.

Pach, Walter. "Unknown Aspects of Mexican Painting." Gazette des Beaux-Arts, undated. Reprint. Three copies.

Pach, Walter. Vincent Van Gogh, 1853-1890: A Study of the Artist and His Work in Relation to His Times. New York: Artbook Museum, 1936. Two copies.

Parnassus (New York) 8, no. 4 (April 1936). Includes "The Outlook for Modern Art," by Walter Pach, pp. 4-8, 43.

Parnassus (New York) 8, no. 6 (November 1936). Includes "Géricault," by Walter Pach, pp. 12-15.

Quips and Cranks (New York, City College of New York) (November 1901). Includes "The Story of Perkins," by Walter Pach, p. 6. Pach was also the editor in chief.

Quips and Cranks (New York, City College of New York) (October 1902). Walter Pach was editor in chief.

La Revue des Arts (Paris), no. 2 (June 1952). Includes "Le classicisme de Delacroix," by Walter Pach, pp. 109-112.

Scribner's Magazine 51, no. 5 (May 1912). Includes "Pierre-Auguste Renoir," by Walter Pach, pp. 606-615.

Simmonds, Harvey. John Quinn: An Exhibition to Mark the Gift of the John Quinn Memorial Collection. New York: New York Public Library, 1968. Includes "Appendix II, Mr. Quinn as a Collector," by Walter Pach, reprinted from Catalogue of the Memorial Exhibition of Representative Works Selected from the John Quinn Collection (New York: Art Center, 1926).

Stearns, Harold E., ed. Civilization in the United States: An Inquiry by Thirty Americans. New York: Harcourt, Brace and Company, 1922. Includ es "Art," by Walter Pach.

Van Gogh, Vincent. Letters to an Artist: From Vincent Van Gogh to Anton Ridder van Rappard, 1881-1885. Translated from the Dutch by Real van Messel. Introduction by Walter Pach. New York: Viking Press, 1936.

La Vie (Paris) 2, no. 36 (September 6, 1913). Includes "L'art aux Etats-Unis," by Walter Pach, pp. 271-276. Two copies.

Virginia Quarterly Review 12, no. 1 (January 1936). Includes "The Raphael from Russia," by Walter Pach, pp. 43-55.

Works Translated by Walter Pach

Delacroix, Eugène. On Art Criticism 1829. Translated by Walter Pach, for Curt Valentin. New York: Marchbanks Press, 1946.

Delacroix, Eugène. The Journal of Eugène Delacroix. Translated by Walter Pach. New York: Covici Friede Publishers, 1937.

Delacroix, Eugène. The Journal of Eugène Delacroix. Translated by Walter Pach. New York: Crown Publishers, 1948. Two copies, one clothbound with dust cover and one leather bound.

Faure, Elie. The Art of Cineplastics. Translated by Walter Pach. Boston: Four Seas Company, 1923.

Faure, Elie. History of Art--The Development of Man as Revealed by Art: Ancient Art. Translated by Walter Pach. New York and London: Harper & Brothers Publishers, 1921.

Faure, Elie. History of Art--The Development of Man as Revealed by Art: Renaissance Art. Translated by Walter Pach. New York and London: Harper & Brothers Publishers, 1923.

Masson, André. Eulogy of Paul Klee. Paris, 1946. Translated by Walter Pach. New York: Curt Valentin, 1950.

Modern School (Stelton, N.J., Modern School Association of N.A., Ferrer Colony) 5, no. 10 (October 1918). Includes "Paris in War-Time," by Elie Faure, translated by Walter Pach, pp. 297-299. Two copies.

Twice a Year: A Book of Literature, the Arts, and Civil Liberties (New York) 5-6 (Winter 1940/Spring-Summer 1941). Includes "Contemporary French Art," by Elie Faure, translated by Walter Pach, with a letter and note.

Selected Publications

American Art Association, Inc. The John Quinn Collection, Paintings and Sculptures of the Moderns. New York, 1927.

American Art Association, Anderson Galleries, Inc. Fine Paintings from the Estates of the Late William D. N. Perine, Charles A. Schieren, Levi Z. Leiter, Dr. H.N. Fraser.... Sale 4080. New York, January 18, 1934.

L'Amour de l'Art (Paris) 13, no. 7 (July-August 1932).

Anderson Galleries. The Collection of Marius de Zayas of New York City: Paintings, Etchings, Drawings, Sculptures. New York, March 23-24, 1923.

Anderson Galleries. Rare & Important Gobelin & Flemish Tapestries, Furniture, Rugs, Needlework, Arms & Barye Bronzes (Collections of Mr. J.J. Albright). New York, April 16-17, 1926. Annotated by Walter Pach: "Sale in which we bought Barye Jaguar No. 73 of Sale."

Angoulvent, P.-J. La chalocographie du Louvre. Paris: Musées Nationaux, Palais du Louvre, 1926.

Arensberg, Walter Conrad. Poems. Boston and New York: Houghton Mifflin Company, 1914.

Art News: An International Pictorial Newspaper of Art (New York) (February 19, 1927). Record of the sale of the Quinn Collection.

Arts and Decoration (New York) 3, no. 5 (Special Armory Show exhibition number) (March 1913).

Barr, Alfred H., Jr. The Museum of Modern Art First Loan Exhibition, Cézanne, Gauguin, Seurat, Van Gogh. New York: Museum of Modern Art, November 1929.

Basler, Adolphe. Le cafard après la fÃ?ªte: Ou l'esthétisme d'aujourd'hui. Paris: Editions Jean Budry & Cie, 1929.

Basler, Adolphe, and Charles Kunstler. Le dessin et la gravure modernes en France. Paris: Les Editions G. Crès & Cie, 1930.

Baudelaire, Charles. Variétés critiques. Vol.II, Modernité & surnaturalisme esthétique spiritualiste. Paris: Bibliothèque Dionysienne, Les Editions G. Crès & Cie, 1924.

Bell, Clive. Art. New York: Frederick A. Stokes Company, 1913.

Berenson, Bernard. Seeing and Knowing. New York: MacMillan Company, 1953.

Berenson, Bernard. Sketch for a Self-Portrait. New York: Pantheon Books, Inc., 1949.

Bernard, Charles. Esthétique et critique: Notes en marge. Paris: Editions Formes, 1946.

Brooklyn Museum. One Hundred Artists and Walkowitz. New York, February 9-March 12, 1944.

Brooks, Van Wyck. Days of the Phoenix: The Nineteen Twenties I Remember. New York: E.P. Dutton & Co., Inc., 1957.

Brooks, Van Wyck. Makers and Finders. New York: E.P. Dutton & Co., Inc., 1952.

Brooks, Van Wyck. Neland: Indian Summer, 1865-1915. New York: E.P. Dutton & Co., Inc., 1940.

Brooks, Van Wyck. Opinions of Oliver Allston. New York: E.P. Dutton & Co., Inc., 1941.

Brooks, Van Wyck. From a Writer's Notebook. New York: E.P. Dutton & Co., Inc., 1958.

Bulletin of the Metropolitan Museum of Art (New York) 22, no. 8, (August 1927).

Bulletin of the Metropolitan Museum of Art (New York) 33, no. 6, (June 1938).

Bulletin of the Smith College Museum of Art (Northampton, Mass.), no. 13 (May 1932).

"Byblis": Miroir des arts du livre et de l'estampe (Paris, Editions Albert Morancé) (Summer 1928). Includes "Walter Pach , graveur américain," by Léon Rosenthal, pp. 37-38, as well as an original etching by Walter Pach.

Cahiers d'Art 12, nos. 4-5 (1937).

Les Cahiers d'Aujourd'hui (Paris), no. 4 (April 1913).

Calder, Alexander, René Huyghe, Jacques Lassaigne, and François Tabard. 10 tapisseries Michel Cadoret. Paris: Galerie Furstenberg; and New York, André Emmerich Works of Art, undated.

Camera Work (New York, Alfred Stieglitz), no. 32 (October 1910).

Cassou, Jean. Jacques Villon. Paris: Musée National d'Art Moderne, February 5-March 25, 1951.

Catalogue de photographies, d'art moderne, d'art ancien. Druet Photograph Collection. Paris: Librairie de France, undated.

Chap-Book: Semi-Monthly (Chicago) (August 15, 1895). Includes a portrait of Stéphane Mallarmé by F. Vallotton.

Chassé, Charles. Gauguin et le groupe de Pont-Aven. Documents inédits. Paris: H. Floury, 1921.

Les chefs-d'oeuvre des peintres florentins. Vol. 4, Paolo Uccello, Domenico Veneziano, Masaccio et A. Del Castagno. Paris: A. Perche, Petite Collection d'Art, Gowans 41, 1910.

City College Alumnus (Associate Alumni of the College of the City of New York, Inc.) 32, no. 2 (February 1936). Includes article on the Walter Pach mural given to CCNY.

Clark, Eliot. History of the National Academy of Design, 1825-1953. New York: Columbia University Press, 1954.

Clarke, John Lee, Jr. David and Ingres, Paintings and Drawings. Springfield, Mass.: Springfield Museum of Fine Arts, November 20-December 17, 1939.

Coffin, Robert P. Tristram. Strange Holiness. New York: MacMillan Company, 1935.

Colin, Ralph F. Closing Exhibition: Sculpture, Paintings & Drawings. New York: Curt Valentin Gallery, 1955.

Corrard, Pierre (Ã?â?¬ la mémoire de). Poésies. 16 original etchings by Jacques Villon. Paris: La Librairie J. Meynial, 1937.

Courthion, Pierre. Gino Severini. Arte Moderna Italiana 17, Series A, Pittori 13. Milan: Si Vende Presso La Libreria Ulrico Hoepli, 1930.

Cruikshank, George, illus. The Loving Ballad of Lord Bateman. Boston: Roberts Brothers, 1884.

Delacroix, Eugène. Journal de Eugène Delacroix. Vol. 2, 1853-1856. Edited by André Joubin. Paris: Librairie Plon, 1932.

Delacroix, Eugène. Journal de Eugène Delacroix. Vol. 3, 1857-1863. Edited by André Joubin. Paris: Librairie Plon, 1932.

Delacroix, Eugène. Lettres de Eugène Delacroix, First Book (1804-1847). Edited by Philippe Burty. Paris: G. Charpentier, 1880.

Delacroix, Eugène. Lettres de Eugène Delacroix, Second Book (1848-1863). Edited by Philippe Burty. Paris: G. Charpentier, 1880. Two copies.

Delacroix, Eugène. Oeuvres littéraires. Vol. 1, Etudes esthétiques. Paris: Bibliothèque Dionysienne, Les Editions G. Crès & Cie, 1923.

Detroit Institute of Arts. Origins of Modern Sculpture. Detroit, January 22-March 3, 1946.

De Zayas, Marius, and Paul B. Haviland. A Study of the Modern Evolution of Plastic Expression. New York: "291," 1913.

Diehl, Charles. Manuel d'art byzantin. Paris: Librairie Alphonse Picard et Fils, 1910.

Dufy, Raoul. Les Alliés, Petit panorama des uniformes. Vol. 1. [Paris], circa 1915. Woodcut enclosed with booklet.

L'Elan. (Paris), no. 1 (April 15, 1915); no. 2 (May 1, 1915); no. 3 (May 15, 1915); no. 4 (June 1, 1915); no. 5 (June 15, 1915); no. 6 (July 1, 1915); no. 7 (December 15, 1915); no. 8 (January 1916); no. 9 (undated).

Elia, Olga. Pitture murali e mosaici nel Museo Nazionale di Napoli. Rome: La Libreria Dello Stato, 1932.

Escholier, Raymond. Gros: Ses amis et ses Elèves. Illustrated. Paris: Librairie Floury, 1936.

Farwell, Beatrice. The Metropolitan Museum of Art Miniatures, Eugène Delacroix, 1798-1863. New York: Distributed by Book-of-the-Month Club, 1955.

Faure, Elie. Histoire de l'art: L'art antique. Paris: H. Floury, 1909.

Faure, Elie. Histoire de l'art: L'art antique. Paris: Les Editions G. Crès & Cie, 1924.

Faure, Elie. Histoire de l'art: L'art médiéval. Paris: H. Floury, 1911.

Faure, Elie. Histoire de l'art: L'art médiéval. Paris: Les Editions G. Crès & Cie, 1921.

Faure, Elie. Histoire de l'art: L'art moderne. Paris: Les Editions G. Crès & Cie, 1921. Two copies.

Faure, Elie. Histoire de l'art: L'art renaissant. Paris: H. Floury, 1914.

Faure, Elie. Histoire de l'art: L'esprit des formes. Paris: Les Editions G. Crès & Cie, 1927.

Faure, Elie. Méditations catastrophiques. Paris: Jean Flory, 1937.

Faure, Elie. Paul Gauguin. New York: Association of American Painters and Sculptors, Inc., 1913. Faure's n ame is crossed out, and Walter Pach has changed it to Bela Lasar.

Faure, Elie. Soutine. Paris: Les Editions G. Crès et Cie, 1929.

Faure, Jean-Pierre. Alger capitale. Paris: Bibliothèque du Hérisson, Société Française d'Editions Littéraires et Techniques, undated.

Flaubert, Gustave. Trois contes. Paris: Bibliothèque-Charpentier, 1913.

Flexner, James Thomas. The Pocket History of American Painting. New York: Pocket Books, Inc., by arrangement with Houghton Mifflin Company, 1950.

Focillon, Henri. The Life of Forms in Art. New Haven, Conn.: Yale University Press, 1942.

Frénaud, André. Les mystères de Paris. Preface by Paul Eluard and signed etching by Jacques Villon. Paris: Editions du Seuil, undated.

Galerie Craven. Octobre, Hommage � Picabia. Paris, October 1-29, 1953.

Galerie La BoÃ?«tie. Salon de "La Section d'Or". Preface by René Blum. Paris, October 10-30, 1912.

Galeries Georges Petit. Exposition Ingres. Paris, April 26-May 14, 1911.

Galleries M. Knoedler and Company, Inc. El Greco: Loan Exhibition for the Benefit of the Greek War Relief Association. New York, January 17-February 15, 1941. Two copies. Pach was a lender to the exhibition.

Gallery Der Sturm. Die Futuristen. Berlin, undated.

Gauguin, Paul. Noa-Noa. Translated by Walt Kuhn. New York: Association of American Painters and Sculptors, Inc., 1913. Two copies.

Gertrude, Gertrude S. Lemons and Poppies. New York: Thomas Seltzer, 1923.

Gleizes, Albert. Du cubisme et des moyens de le comprendre. Paris: Editions "La Cible," 1920.

Gleizes, Albert. Peinture et perspective descriptive. Sablons, France: Editions Moly-Sabata, 1927.

Gowans, Adam L., comp. Lyric Masterpieces by Living Authors. London and Glasgow: Gowans and Gray, Ltd., 1908.

La Grande Revue (Paris) 12, no. 24 (December 25, 1908). Includes "Notes d'un peintre, by Henri Matisse.

Grappe, Georges. Edgar Degas. Berlin: Erschienen bei der Verlagsanstalt fur Litteratur und Kunst, undated.

Gsell, Paul. Millet. Paris: Les Editions Rieder, 1928.

Henry, Daniel. Der Weg zum Kubismus. Munich: Delphin-Verlag, 1920.

Hokusai. Manga (Two books of studies, text in Japanese). undated.

Hôtel Drouot. Art océanien, Art africain, Art américain, Asie et Malaisie. Paris, Sale 11, November 7-9, 1929.

Hôtel Drouot. Collection Maurice Gangnat. Catalog of works by Renoir, Cézanne, and Vuillard. Paris, Sales 9, 10, and 11, June 24-25, 1925.

Hôtel Drouot. Estampes, dessins, aquarelles: Anciens et modernes. Paris, Sale 9, April 22, 1931.

Hôtel Drouot. Estampes et dessins: Livres sur les arts. Paris, Sale 12, November 23, 1929.

Hôtel Drouot. Tableaux, aquarelles, dessins. Paris, Sale 1, May 30, 1921.

Hôtel Drouot. Tableaux et dessins par J.-A.-D. Ingres: Collection de Monsieur Henry Lapauze. Paris, Sales 7 and 8, June 21, 1929.

Hôtel Drouot. Tableaux, pastels, aquarelles, dessins, eaux-fortes & lithographies. Paris, Sale 8, December 21, 1929.

Institute of Contemporary Art.Jacques Villon, Lyonel Feininger. Contributions by Jacque s Villon, George Heard Hamilton, Thomas B. Hess, and Frederick S. Wight. Boston, undated.

International Association of American Painters and Sculptors, Inc. International Exhibition of Modern Art. New York, 1913. This copy of the Armory Show catalog (New York venue) is heavily annotated by Pach.

Jacques Seligmann & Co, Inc. Twenty Years in the Evolution of Picasso, 1903-1923. New York, November 1-20, 1937.

Janis, Harriet, and Sidney Janis. Picasso, The Recent Years, 1939-1946. New York: Doubleday & Company, Inc., 1946.

John Quinn, 1870-1925: Collection of Paintings, Water Colors, Drawings & Sculpture. Huntington, N.Y.: Pidgeon Hill Press, 1926.

Joubin, André. Journal de Eugène Delacroix. Vol. 1, 1822-1852. Paris: Librairie Plon, 1932.

Keller, Jean, and Raymond Duchamp-Villon. Les sémaphores: Bouffonnerie sensorielle en un acte. ChÃ?¢lons-sur-Marne, France: Imprimerie-Librairie de L'Union Républicaine, 1918.

Klossowski, Erich. Katalog einer Auswahl Franz�¶sischer Meister. Munich: Kunstsalon W. Zimmermann, undated.

Kruse, Alexander, and Alfred Kreymborg. Two New Yorkers. Edited by Stanley Burnshaw. New York and Boston: Bruce Humphries, Inc., 1958.

Lassaigne, Jacques, and Jacques Villon. Jacques Villon: Peintres et sculpteurs d'aujourd'hui. Paris: Collection "Signe," Editions de Beaune, 1950.

Lebel, Robert. Léonard de Vinci: Ou la fin de l'humilité. Paris: Presses du Livre Français, 1952.

Le Roy, Jean. Le Cavalier de Frise: PoÃ?«mes inédits de Jean Le Roy. Preface by Jean Cocteau. Paris: François Bernouard, 1928.

Le Roy, Jea n. Le prisonnier des mondes: Poèmes. Paris and Rome: Société d'Editions Mansi & Cie, dated 1913 by Pach.

Lichtenstein, Isaac, and Abraham Walkowitz. Jewish Artists. New York: Machmadim Art Editions, Inc., 1946.

Low, Theodore L. The Museum as a Social Instrument. New York: Metropolitan Museum of Art, for the American Association of Museums, 1942.

Marin, John. Letters of John Marin. Edited by Herbert J. Seligmann. New York: Privately Printed for An American Place, 1931.

Maugard, Adolfo Best. Manuales y tratados metodo de dibujo, Tradicion, resurgimiento y evolucion del arte mexicano. Mexico City: Departamento Editorial de la Secretariad Educacion, 1923.

Meier-Graefe, Julius. Courbet. Munich: R. Piper & Co. Verlag, 1921.

Meier-Graefe, Julius. Eugène Delacroix: BeitrÃ?¤ge zu einer Analyse. Munich: R. Piper & Co. Verlag, undated.

Meier-Graefe, Julius. Impressionisten: Guys, Manet, Van Gogh, Pissarro, Cézanne. Munich and Leipzig: R. Piper & Co. Verlag, 1907.

Meier-Graefe, Julius. Pyramide und Tempel. Berlin: Ernst Rowohlt Verlag, 1927.

Meier-Graefe, Julius. Renoir. Leipzig: Klinkhardt & Biermann Verlag, 1929.

Meier-Graefe, Julius. Der Vater. Berlin: S. Fischer V HIDE