About the Downtown Gallery records

In November 1926, Halpert and business partner Berthe (Bea) Kroll Goldsmith opened Our Gallery at 113 West 13th Street for the purpose of promoting a group of progressive American artists, many of whom were friends of Edith and Samuel Halpert. The following year, at the suggestion of William Zorach, the gallery changed its name to Downtown Gallery--emphasizing its Greenwich Village location, unique for the time--and the name survived despite relocation to midtown Manhattan (to 43 East 51st Street in 1940, to 32 East 51st Street in 1945, and to the Ritz Tower Concourse at 465 Park Avenue in 1965).

The Downtown Gallery specialized in contemporary American art. An early gallery brochure states: "The Downtown Gallery has no prejudice for any one school. Its selection is driven by quality--by what is enduring--not by what is in vogue." Some of the artists affiliated with the Downtown Gallery from its early years were Stuart Davis, "Pop" Hart, Yasuo Kuniyoshi, Charles Sheeler, Max Weber, and William and Marguerite Zorach. In its original location, the gallery served as a place where artists (many of whom lived and worked in the neighborhood), collectors, and others interested in American art met in the evenings for coffee, conversation, and sometimes lectures or other formal programs. Holger Cahill (1887-1960) entered into a partnership with Halpert and Goldsmith in 1929 when they founded the American Folk Art Gallery, the first ever of its kind; the American Folk Art Gallery opened on the second floor of the Downtown Gallery in 1931. Folk art was an important feature of the gallery throughout its history, though the name American Folk Art Gallery does not appear to have been used consistently. Because the profit margin was high and Abby Aldrich Rockefeller bought avidly for her growing collection, folk art revenues subsidized contemporary art exhibitions and helped the gallery survive the Depression. The Daylight Gallery, also run by Halpert and Goldsmith, opened in 1930 in a separate structure behind the main gallery, and continued until the Downtown Gallery moved to East 51st Street in 1940. Its purpose was to exhibit painting and sculpture to best advantage in a gallery designed to diffuse light perfectly and to demonstrate how works of art may be used as architectural embellishments in a modern building. Other subsidiary galleries operated by the Downtown Gallery were the John Marin Room, opened in 1950 and run by John Marin, Jr., and the Ground-Floor Room, 1951, "dedicated to the adventurous, less experienced collector willing to gamble on his taste and ours."

From the beginning, Halpert endeavored to hold prices at reasonable levels; she employed aggressive marketing and advertising techniques learned from her career in business and banking, offering extended payment plans without interest to buyers of modest means. She recognized the value of placing representative works by Downtown Gallery artists in important art museums and public collections, even if a price reduction was necessary to achieve this goal.

After purchasing Goldsmith's share of the business in 1935, Halpert, needing to earn a profit, reorganized the gallery as a more overtly commercial venture. The roster of artists was reduced to twelve. Those eliminated tended to be younger artists, most of whom were supported by WPA work. Eventually, the roster expanded; new additions were usually artists not based in New York, whom Halpert learned of through her work as an adviser to the WPA Federal Art Project. Halpert had long courted Alfred Stieglitz's artists, and in the years following his death in 1946 a number of them affiliated with the Downtown Gallery. Another change was that the Downtown Gallery no longer represented only living American artists; the gallery began handling a number of estates, most notably that of Arthur Dove. In 1953, the roster of Downtown Gallery artists shifted dramatically when Halpert entered into an agreement with Charles Alan. Alan had been hired in 1945 with the understanding that he was being trained to run the Downtown Gallery upon Halpert's retirement five years in the future. Eight years later, it became apparent that Halpert was not going to retire; without consulting the artists, she transferred representation of all artists who had joined the Downtown Gallery since 1936 to the newly established Alan Gallery.

Exhibitions at the Downtown Gallery included both solo exhibitions and group shows usually built around a theme; most lasted about a month. Annual exhibitions (sometimes titled anniversary exhibitions) opened the exhibition season each fall and showcased the gallery's artists. The Downtown Gallery's Christmas show, a long-standing event that encouraged purchases of original art for holiday gift giving, was eagerly anticipated as it featured fine artwork at very reasonable prices. Between 1927 and 1935, the Downtown Gallery was the site of the American Print Makers Society annual exhibitions. During its forty-seven years in operation, the Downtown Gallery organized many important, influential exhibitions. American Ancestors (1931) presented American folk art as the precursor to and direct influence on the contemporary art featured by the Downtown Gallery. The title was used for a number of subsequent exhibitions and became a synonym for folk art. American Folk Art Sculpture: Index of American Design, Federal Art Project (1937) featured drawings by WPA artists recording objects that documented America's material culture and artistic heritage. Along with the Index of American Design drawings, the exhibition included a number of the original sculptures from the Downtown Gallery's inventory and borrowed from folk art collector Abby Aldrich Rockefeller.

William Harnett: "Nature-Vivre" (1939) reintroduced the nineteenth-century artist whose trompe l'oeil paintings had been collected by Halpert over a period of years expressly for this purpose. Between 1947 and 1949, a controversy ensued over paintings--some of which had been sold by the Downtown Gallery--with the signature of William Harnett but discovered by San Francisco Chronicle art critic Alfred Frankenstein to be the work of Harnett's student, John Peto. Halpert had purchased the questionable pieces in good faith, completely unaware of the added signatures, and she defended her attributions, despite evidence to the contrary. Frankenstein publicized his discovery widely; while neither Halpert nor the Downtown Gallery were named directly, their identity was apparent to his well-informed readers. The situation was further inflamed when additional articles by Frankenstein failed to include new evidence favorable to Halpert and the Downtown Gallery.

Another major exhibition was American Negro Art, 19th and 20th Centuries (1941-1942), the first show of its kind held at a commercial gallery. Held at the Downtown Gallery, the exhibition was sponsored by a committee of prominent citizens including Mayor Fiorello La Guardia, Archibald MacLeish, A. Philip Randolph, and Eleanor Roosevelt. Among its aims were to raise money for the Negro Art Fund, to promote museum acquisitions of work by black artists, and to encourage galleries to represent the living participants. In addition to providing its facilities, the Downtown Gallery donated all sales commissions to the Negro Art Fund and added Jacob Lawrence to its roster of artists.

Edith Gregor Halpert played important roles in a number of exhibitions and major art projects that were not connected with the Downtown Gallery. She served as organizer and director of the First Municipal Exhibition of American Art, Atlantic City, New Jersey, in 1929. Beginning in 1932, Halpert was extensively involved with Radio City Music Hall arts projects. She conceived, organized, and handled publicity for the First Municipal Art Exhibition (also known as the Forum Exhibition) sponsored by Mayor Fiorello La Guardia and held at Radio City Music Hall in 1934. As an adviser to the WPA Federal Art Project, Halpert spent the summer of 1936 in Washington, D.C., developing its Exhibition and Allocation Program, which registered works of art arriving from regional project centers and selected pieces for traveling exhibitions that circulated throughout the country. In 1937, she formed the Bureau for Architectural Sculpture and Murals, a central clearinghouse from which architects could review and select work by artists and sculptors experienced in working in architectural settings. Halpert served as curator of the art section of the American National Exhibition, sponsored by the United States Information Agency and the U.S. Department of Commerce; she traveled to the Soviet Union with the exhibition, installed the show, and gave daily gallery talks in Russian. In 1952, to promote art history, Halpert established the Edith Gregor Halpert Foundation. Its activities included assisting universities to fund scholarships for the study of contemporary American art and championing the rights of artists to control the sale and reproduction of their work. For her "outstanding contribution to American art," Halpert received the Art in America Award in 1959. She also received a USIA Citation for Distinguished Service in 1960, and the University of Connecticut awarded her its First Annual International Silver Prize for "distinguished contribution to the arts" in 1968.

In addition to being an art dealer, Edith Gregor Halpert was also a collector of contemporary American art and American folk art. For many years, Halpert and the Corcoran Gallery of Art, Washington, D.C., discussed a gift of a substantial number of paintings to form the nucleus of a new wing to be called the Gallery of 20th-Century American Art. After numerous disagreements and misunderstandings by both parties, the plan was abandoned. While negotiations were still in progress, the Edith Gregor Halpert Collection was exhibited in two installments, 1960 and 1962, at the Corcoran Gallery of Art. During the following two years, portions of her collection traveled to Santa Barbara, Honolulu, and San Francisco. Other exhibitions, drawn completely from the Edith Gregor Halpert Collection, include American Modernism: The First Wave, Painting from 1903-1933, presented at Brandeis University Museum of Art, 1963; Six Decades of American Art, shown at Leicester Galleries, London, 1965; Image to Abstraction, held at Amon Carter Museum, 1967; and Edith Halpert and the Downtown Gallery, exhibited at the University of Connecticut, 1968. The Edith Gregor Halpert Collection was eventually sold at auction by Sotheby Parke-Bernet, 1973.

Dr. Dianne's Tepfer's dissertation (1989) on Edith Gregor Halpert was an invaluable resource in arranging and describing the records of Downtown Gallery; her chronology was consulted often in constructing this Historical Note.

Date

Event

1900

born Edith Gregoryevna Fivoosiovitch to Gregor and Frances Lucom Fivoosiovitch, Odessa, Russia

1906

arrived in New York City with recently widowed mother and older sister; family name changed to Fivisovitch

1916

employed as a comptometer operator at Bloomingdale's department store; studied drawing with Leon Kroll and Ivan Olinsky at the National Academy of Design; further shortened name to Fein

1916-1917

attended life drawing and anatomy classes taught by George Bridgeman at the Art Students' League; employed in foreign and advertising offices, R. H. Macy department store

1917

met artist Samuel Halpert at John Weichsel's People's Art Guild

1917-1918

employed as advertising manager, Stern Brothers department store

1918-1919

employed as systematizer (efficiency expert), investment firm of Cohen, Goldman

1918

married Samuel Halpert

1919-1920

employed as systematizer, investment firm of Fishman & Co.; attended writing courses, Columbia University

1921-1925

employed as personnel manager, systematizer, and head of correspondence at investment banking firm of S. W. Strauss & Co.; eventually appointed to the board of directors

1924

first exposed to folk art at the home of sculptor Elie Nadelman

1925

visited Paris with Samuel Halpert (June-September)

1926

visited Ogunquit, Maine, with Samuel and was further exposed to antiques and folk art; other summer guests included artists Stefan Hirsch, Bernard Karfiol, Walt Kuhn, Yasuo Kuniyoshi, Robert Laurent, Katherine Schmidt, Niles Spencer, and Marguerite and William Zorach; opened Our Gallery, devoted to modern American art, at 113 West 13th Street with business partner Berthe Kroll Goldsmith

1927

separated from Samuel, who moved to Detroit to teach at the Society for Arts and Crafts; changed name of Our Gallery to Downtown Gallery, at the suggestion of William Zorach

1928

Abby Aldrich Rockefeller first visited the Downtown Gallery; published George O. "Pop" Hart: 24 Selections from His Work by Holger Cahill, first of a projected series of ten Downtown Gallery monographs

1929

initiated divorce proceedings in Detroit; founded the American Folk Art Gallery, the first of its kind, with business; partners Berthe Kroll Goldsmith and Holger Cahill; served as organizer and director of the First Municipal Exhibition of American Art, Atlantic City

1930

divorce granted; present at the death of Samuel Halpert; opened the Daylight Gallery in a separate structure behind the Downtown Gallery specially designed to display works of art under optimal conditions; published Max Weber by Holger Cahill, second (and last) of the Downtown Gallery monographs

1931

opened the American Folk Art Gallery on second floor of the Downtown Gallery

1932

purchased house in Newtown, Connecticut; became extensively involved with Radio City Music Hall arts projects

1934

conceived, organized, and handled publicity for the First Municipal Art Exhibition, also called the Forum Exhibition, sponsored by Mayor Fiorello La Guardia and held at Radio City Music Hall

1935

bought Goldsmith's share of the business and, as sole owner, reorganized the gallery

1936

served as adviser to WPA Federal Art Project, charged with developing the Exhibition and Allocation Program

1937

formed Bureau for Architectural Sculpture and Murals

1939

organized Nature-Vivre; exhibition of paintings by the rediscovered William Harnett, rekindling interest in trompe l'oeil painting

1940

Downtown Gallery moved to 43 East 51st Street; cataloged and installed the Abby Aldrich Rockefeller Collection of American Folk Art at Williamsburg, Virginia

1941

American Negro Art, 19th and 20th Centuries

1945

Downtown Gallery moved to 32 East 51st Street; hired Charles Alan as assistant director

1946

Downtown Gallery began representing former Alfred Stieglitz artists Charles Demuth, Marsden Hartley, John Marin, and Georgia O'Keeffe

1947-1949

embroiled in controversy over paintings with the signature of William Harnett but discovered to be the work of Harnett's student John Peto

1950

opened the John Marin Room, operated by John Marin, Jr.

1951

opened the Ground-Floor Room, for works by new artists

1952

established the Edith Gregor Halpert Foundation

1953

transferred representation of newer Downtown Gallery artists to the Alan Gallery

1954

published The ABCs for Collectors of Contemporary Art by John I. H. Baur

1959

traveled to Moscow as curator of the art section, "American National Exhibition," and gave daily gallery talks in Russian; received Art in America Award

1960

exhibited selections from the Edith Gregor Halpert Collection at the Corcoran Gallery of Art, Washington, D.C.; awarded USIA Citation for Distinguished Service and the Merit Award Emblem

1962

second exhibition of the Edith Gregor Halpert Collection at the Corcoran Gallery of Art; began discussions, ultimately abandoned, for the transfer and installation of a large gift of paintings from the Edith Gregor Halpert Collection to a special wing of the Corcoran Gallery of Art

1963

American Modernism: The First Wave, Painting from 1903-1933, an exhibition based entirely on the Edith Gregor Halpert Collection, Brandeis University Museum of Art

1965

Downtown Gallery moved to smaller quarters, Ritz Tower Concourse, 465 Park Avenue; open by appointment only; Six Decades of American Art, from the Edith Gregor Halpert Collection, Leicester Galleries, London

1967

Image to Abstraction, an exhibition based entirely on the Edith Gregor Halpert Collection, Amon Carter Museum, Fort Worth, Texas

1968

the Downtown Gallery ceased to be the exclusive representative of Abraham Rattner, Ben Shahn, Georgia O'Keffe, and Max Weber, and the estates of Stuart Davis, and Marguerite and William Zorach were withdrawn from the gallery; Edith Halpert and the Downtown Gallery exhibition at the Museum of Art, the University of Connecticut; awarded the First Annual International Silver Prize medal for "distinguished contribution to the arts," University of Connecticut

1970

died, New York City

1970-1973

the Downtown Gallery continued limited operation under the direction of niece, Nathaly Baum

1972-1978

the Downtown Gallery records donated to the Archives of American Art by Nathaly Baum, executor of the Edith Gregor Halpert estate

1973

Sotheby Parke-Bernet auction sale of the Edith Gregor Halpert Collection

1997-1999

arrangement, description, and microfilming of Downtown Gallery records and publication of this finding aid funded by a grant from the Henry Luce Foundation, Inc.

The Downtown Gallery was established in 1926 as Our Gallery and operated under the name Downtown Gallery from 1927 until 1973. Nineteenth-century material consists of items acquired by Edith Gregor Halpert for research purposes or to document works of art in the gallery's inventory. The few records postdating the closing of the gallery relate to the estate of Edith Gregor Halpert.

The extensive records of the Downtown Gallery present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. Edith Halpert, the gallery's founder and director, was an influential force in the American art world for a large part of the twentieth century.

Personal papers are intermingled with the business records of the Downtown Gallery. Many of the artists represented by the gallery were Halpert's personal friends, and over the years she developed social relationships and friendships with many clients. These relationships are reflected by the contents of the records, especially the correspondence, some of which is purely personal. In addition, there are a small number of letters from relatives, photographs of Halpert's family, home and friends, and limited information about her country house and personal finances.

The Downtown Gallery records consist largely of correspondence with collectors, including Edgar and Bernice Chrysler Garbisch, Preston Harrison, Mr. and Mrs. Maxim Karolik, William H. Lane, Abby Aldrich Rockefeller, Beram K. Saklatwalla, Robert Tannahill, and Electra Havemeyer Webb; with dealers, including robert Carlen, Landau Gallery, Leicester Galleries, Mirski Gallery, and Isabel Carleton Wilde; and with large numbers of curators and museum directors, including many affiliated with university museums. In addition, there is correspondence concerning routine gallery business and administrative affairs.

Artist files and an extensive series of notebooks (American Folk Art Gallery notebooks, artist notebooks, and publicity notebooks) compiled by gallery staff contain a wide variety of material and are a rich source of information about individual artists and the Downtown Gallery's exhibition history.

Business records include exhibition records, stock records, sales records, transit records, financial records, lists of artwork and clients, legal documents, minutes, insurance records, research files, and architectural plans.

Writings by Edith Gregor Halpert consist of articles on American folk art, speeches, and short stories; also included are her school notebooks and "Daily Thoughtlets" compiled at age seventeen. All writings by other authors are on art subjects, and most are texts or introductions for exhibition catalogs.

Among the miscellaneous records are biographical material on Edith Gregor Halpert and Samuel Halpert, works of art by Edith Gregor Halpert and other artists, artifacts, and audiovisual materials. The artifacts include wooden weather vane molds and supporting documentation as well as awards presented to Halpert. Audiovisual materials are 16-mm motion picture films of the Westinghouse Broadcasting Corporation television series, America: The Artist's Eye, produced between 1961 and 1963 in association with Jensen Productions. An additional 16-mm motion picture film includes "tails out" footage of Charles Sheeler at home and at work, circa 1950. A copy of the program about Sheeler, along with the "tails out" material, is also on videocassette. In addition, there is a sound recording of a talk on collecting given by Halpert's client, folk art collector Maxim Karolik, in 1962.

Printed matter consists of items produced by the Downtown Gallery, including exhibition catalogs, checklists, invitations, announcements, and press releases. There are also news clippings about Halpert, the Downtown Gallery, and the Edith Gregor Halpert Collection; other art-related clippings are arranged topically. Miscellaneous printed matter not produced by the Downtown Gallery includes newsletters, press releases, publications of art organizations, and reproductions of artwork. A selection of twenty-five volumes from the personal library of Edith Gregor Halpert has been retained.

The photographs series includes images of people: Edith Gregor Halpert, family, friends, also many images of her dog, Adam, and views of her country home in Newtown, Connecticut. Other photographs of people include portraits of artists, most of whom were affiliated with the Downtown Gallery. There are also photographs of works of art (with a large number of black-and-white negatives, 35-mm color slides, and glass plate negatives) and of exhibitions, of the exterior and interior of the Downtown Gallery, and of an award presented to Halpert. HIDE

This appendix provides an index to the correspondents represented in Series I: Correspondence, 1926-1974, undated. Names and titles indicated are those that appear on the letters. Where appropriate, terms have been standardized and cross-referencing provided. Because filing is not always consistent, researchers are advised to check both the name of an individual and the institution that he or she represented.

• Abate Associates, Inc., 1956
• Abbot and Land, 1965
• Abbot, B. Vincent, 1944
• Abbot, Bernice, 1957
• Abbot, John E., 1945, 1948
• Abbot Laboratories, 1950, 1952
• ABC Employment Agency, 1951
• Richard Abel and Co., Inc., 1968
• Abendroth, Robert W., 1966-1967
• Abercrombie and Fitch Co., 1962
• Abilene Museum of Fine Arts, undated, 1949, 1954
• Abingdon Square Painters, 1965
• Abraham and Straus, 1930, 1960, 1965-1966, 1968
• Abraham, Mae C., 1965
• Abrahamsen, Mrs. David, 1962
• Abramowitz, M., 1958
• Harry N. Abrams, Inc., 1958-1960, 1965-1966, 1968-1969
• ACA Gallery, undated, 1946-1947, 1949, 1958,1962-1963, 1965-1966, 1968-1969
• Academic Books Store, 1954
• Accademia dei Virtuosi al Pantheon, 1965
• Accurate Envelope Company, 1966
• Ace Window Cleaning Co., 1956, 1964
• Acheson, Alice S. and/or Dean, 1945-1946, 1949, 1957
• Ackerman, John J., 1950
• Ackerman, Sharon, 1963
• Ackley, Edward C., undated, 1943
• Ackley, Edward James, 1961
• Ackley, Edward W., 1955
• Nicholas M. Acquavella Galleries, 1963
• Adams, Ansel, 1961
• Adams, Charles C., 1946
• Adams, Davidson and Company, Inc., 1966-1967
• Adams, F. B., Jr., 1946
• Adams, Lula J., 1943
• Adams, Ray E., 1960
• Adamson, Gordon, 1942
• Addison Gallery of American Art, undated, 1935-1938, 1940-1943, 1945-1958, 1961-1966, 1968
• Adelman, Lucy, 1963
• Adler, Herbert S., 1967-1968
• Adler, Lee, 1967
• Adelstein, Leonard, 1958, 1964
• Adkins, Eugene B., 1966, 1969
• Adler, Henrietta, 1963
• Adler, Herbert S., undated, 1968
• Adler, Lillian, 1960
• Adler, O., 1964
• Adler, Sylvia (Mrs. Jack C.), 1957
• Adlow, Dorothy, 1940, 1941, 1958, 1960
• Adult Education Council of Greater Chicago, 1960
• AEtna Casualty and Surety Company, 1955, 1960-1963, 1967
• Aetna Life, 1968
• Affiliated Photographic Company, 1946
• Affiliated Restauranteurs, Inc., 1956
• Aftergut, Fay, 1961
• Aged Home for Destitute Childless People, 1964
• Agee, Marie N. (Mrs. S. R.), 1958
• Agence Maritime Delamare and Cie., 1964
• Agricultural and Technical College of North Carolina, 1960
• Ahlander, Leslie Judd, 1963
• Ahlen, Gosta, 1963
• Ahrens, George, 1952
• Aichele, Robert E., undated, 1959, 1965, 1967-1969
• Aiken, Mrs. Larry K., 1966
• Air Force, 1943
• Aisenberg, A.D., 1955
• Akeley, Edmund S., 1943
• Akron Art Institute, 1946-1947, 1950-1953, 1956, 1958, 1961-1962, 1967-1968
• Akston, Mr. and Mrs. Joseph James, 1966
• Alabama Polytechnic Institute, 1949
• Alabama, University of (see: University of Alabama)
• Alan, Charles, undated, 1947, 1951, 1953, 1956, 1961
• Alan Gallery, 1953-1955, 1957-1958, 1961-1962 (see also: Landau-Alan Gallery)
• Alaska Methodist University, 1962, 1964
• Alaska, University of (see: University of Alaska)
• Albany Institute of History and Art, 1943, 1946-1947, 1951, 1959, 1962-1963, 1965, 1967
• Albee, Edward, 1964-1965, 1967
• Albert, Adelaide, 1965
• Albert, Mr., 1936
• Alberta, University of (see: University of Alberta)
• Albertina, 1952 (see also: Graphische Sammlung Albertine)
• Alberts, Jane Debran, 1955
• Albion College, 1942, 1953, 1955, 1961, 1964-1965, 1968
• Albright Art Gallery, 1939-1962 (see also: Albright-Knox Art Gallery)
• Albright Art School, 1947 see also: Buffalo Fine Arts Academy)
• Albright-Knox Art Gallery, 1962-1967 (see also: Albright Art Gallery)
• Alderman and Alderman, 1949
• Alderman Studios, 1960
• Aldrich, Larry, 1959
• Larry Aldrich Museum Foundation, Inc., 1966
• Aldrich, Lucy, 1935
• Alemann Films, 1964
• Alexander, Bill, 1963
• Alexander, Lilian (Mrs. E. R.), 1941
• Alexander, Mary (Mrs. William J. R.), undated, 1931
• Alexander, Olga T., 1956
• Alexander, Susan, 1959
• Algase, Benjamin, 1945
• Alger, Mrs. Russell, undated, 1941
• Alhorn, Richard E., 1964
• Allan, Ralph, 1947
• Allara, Pamela E., 1966-1967
• Allegheny Conference on Community Development, 1960
• Allen, Arthur D., 1930
• Allen, Mrs. Curtis, 1960
• Allen, Dorothy Fox, undated
• Allen, Mr. and/or Mrs. Eugene, 1961, 1963
• Allen, Harold, 1947
• Allen, Jennie R. (Mrs. Louis), 1958, 1963-1965
• Allen, Lawrence, undated, 1955-1956, 1959-1961
• Allen, Leith, 1959
• Allen, Phyllis (Mrs. Sidney J.), 1954
• Allen, Theodore E., 1961
• Allen, W. G. Russell, 1937, 1939, 1942, 1953
• Allen's Lane Art Center, 1958
• Allentown Art Museum, 1960-1963, 1965-1966, 1968
• Allerton, Robert, 1942-1943, 1947, 1958, 1960
• Allied Craft, 1960
• Allied Publications, Inc., 1961, 1963, 1965
• Allyn and Bacon, Inc., 1963
• Alpern, Anne X., 1936
• Alpers, Nathan, 1960
• Alpert, Barbara O. (Mrs. Burton), undated, 1957
• Alsdorf Foundation, 1964
• Alsdorf, James W. and/or Marilyn, 1956-1959, 1961
• Alsterlund, Henrietta, 1966
• Altamura, Frank P., 1960
• Alter, M., 1966
• Altha, Joseph Samuel, 1950
• B. Altman, Co., 1956, 1966
• Altschul, Arthur, 1967
• Altschul, Louis, 1957, 1961
• Aluner, Paul, 1965
• Alverno College, 1961
• Alverthorpe Gallery, 1958
• Alyea, Dorothy (Mrs. Ethan D.), 1962
• Amato, Sam, 1955
• Ambassador Hotel, 1952, 1957
• Amdale Furnace and Chimney Co., 1965
• Ameniya, Madelein (Mrs. Yosei), undated
• America, 1964
• America Illustrated, 1960
• America-Israel Cultural Foundation, Inc., undated, 1959-1960, 1963, 1965-1969
• America-Israel World's Fair Association, 1964
• American Academy in Rome, undated, 1956-1957
• American Academy of Arts and Letters, undated, 1946, 1954-1956, 1959, 1961-1963, 1965-1968
• American Airlines, 1945, 1966-1967
• American Art and Architecture, 1937
• American Art Dealers Association, Inc., 1932-1933, 1953
• American Art Expositions, Inc., 1959
• American Artist, undated, 1942, 1968
• American Artists Group Incorporated, 1945-1946, 1950, 1958
• American Artists Professional League, undated
• American Association for State and Local History, 1969
• American Association for the United Nations, Inc., 1962
• American Association of Museums, 1964-1965
• American Association of University Women, 1948, 1950
• American Bank and Trust Company, 1968
• American Book Bindery Inc., 1930
• American-British Art Center, Inc., 1944
• American Bureau of Collections, 1965
• American Cancer Society, 1967
• American Chess Foundation, 1960
• American Color Print Society, undated, 1956-1959, 1961-1968
• American Committee for the Casa Italiana Anna Frank, 1963
• American Contemporary Art Exhibition in the U.S.S.R., 1934
• American Contemporary Gallery, 1942-1943
• American Council of Learned Societies, 1943, 1965
• American Craftsmen's Council, 1963
• American Craftsmen's Educational Conference, Inc., 1945
• American Embassy, Israel, 1959
• American Embassy, London, 1963-1965
• American Embassy, Oslo (see: Embassy of the United States of America, Oslo)
• American Embassy, Paris, 1965
• American Examiner, 1956, 1961
• American Factors, Ltd., 1962
• American Federation of Arts, 1944-1947, 1950, 1952-1970
• American Folk Art Gallery, 1941
• American Foundation, 1957
• American Friends of the Hebrew University, Inc., 1956-1958
• American Gallery, 1955-1956
• American Heart Association, Inc., 1966
• American Heritage, 1955, 1958, 1960-1961, 1965, 1967
• American Institute for Research, 1961
• American Institute of Architects, 1959, 1962
• American Institute of Decorators, 1947, 1959
• American Institute of Graphic Arts, 1958
• American International Marine Agency of New York, Inc., 1951
• American Jewish Historical Society, 1961, 1966
• American Library Editions, undated, 1959
• American Magazine of Art, 1942
• American-Marietta Company, 1956
• American Masters Gallery, 1966
• American Miller and Processor, 1947
• American Motors Corporation, 1963
• American Museum in Britain, 1964
• "American National Exhibition in Moscow," 1959
• American Peoples Encyclopedia, 1952
• American Print Makers, 1928, 1930-1931
• American Radiator and Standard Sanitary Corporation, 1940
• American Red Mogen David for Israel, 1961
• American Republic Insurance Company, 1967-1968
• American Shipping Company, Inc., 1957
• American Society for Technion, 1958
• American Society of Composers, Authors and Publishers, 1967
• American University, 1946, 1948-1949, 1952, 1954, 1956
• American University Union, 1935
• American Youth Hostels, Inc., 1949
• Americana, 1932
• Americans for Progressive Israel, 1956-1958
• Amerika, 1949
• Ames, Winslow, 1934, 1949, 1957, 1962, 1966
• Amft, Robert, 1946
• Amherst College, 1955-1959
• Amidar, Gertrude, 1963, 1967
• Amott, H. R., 1950
• Amsel, Edward Lloyd, 1965
• Amsler and Ruthardt, 1929
• Amsterdam Municipal Museums (see: Municipal Museums of Amsterdam; Stedelijk Museum)
• Amsterdamsche Bank N.V., 1960
• Anchorage, undated
• Anchorage Galleries, undated
• Anderson and Company, 1968
• Anderson Art Association, 1945
• Anderson, David, 1950
• Anderson, Gerald, 1967
• Anderson, Harriet, 1960
• Anderson, Jean, 1956
• Anderson, Lee, 1938
• Anderson, M. R., 1952
• Anderson, Margaret W., undated
• Anderson, Marian, 1941
• Anderson, Walter E., 1934
• Anderson, Dr. and Mrs. Walter Palmer, 1964
• Anderson, Wayne V., 1956
• Anderson's Fine Art Collection, 1969
• Andrews, Dr., 1962
• Andrews, Edith, 1941
• Andrews, Edward Demming and/or Faith, 1962-1963
• Andrews, Ruth P., 1959
• Angle, Catherine D., 1949
• Angle, Gertrude F. (Mrs. John E.), undated, 1960
• Anixter, Mrs. William, 1963
• Ankrum Gallery, undated, 1956, 1963-1969
• Annenberg, Walter, 1953
• Annis, Milton, 1957
• Annot Art School, 1934-1935
• Ansbacher, L. J., 1960
• Anselm Gallery, Inc., 1965
• Frederick Anthon Gallery, 1964
• Anthony, C. E., 1959
• Anthony, Leslie C., 1957
• Antique and Decorative Arts League, Inc., 1934
• Antiques Magazine, 1947, 1957
• Antiques on Peaceable St., 1962
• Antles, Marc, 1964
• Anton, Werner, 1958
• Antovel Painting Company, Inc., 1960-1961
• Apollo Magazine, 1964
• Apostolides, Zoë, 1962
• Appel, Benjamin, undated, 1957
• Applebaum, Leon, 1959-1960
• Appleton and Co., Inc., 1962
• Apt, Joan, 1969
• Aqua Sprinkler and Fire Alarm Co., Inc., 1963
• Aquin, Hubert, 1955
• Arakaki, Toshio, 1963
• Aram, Mrs. Philip Werner, 1962
• Archer, Edmund, 1942
• Architectural Catalog Co., Inc., 1961
• Architectural Designs, 1958
• Archives of American Art, 1955, 1958-1959, 1961-1962, 1964-1968
• Archives of Maine Art, 1963
• Archivio Storico d'Arte Contemporanea, 1964
• Arco Van Lines, Inc., 1960
• Arden, Alonzo, 1943
• Arechi Publishing House, 1955
• Arenberg, Albert L., 1954-1956
• Arenberg, Milton K., 1952-1964
• Arens, Egmont, 1940, 1953
• Arensberg, Walter C., 1934, 1937-1939, 1942
• Argraves, Hugh, undated, 1957
• Ariss, Bruce, undated
• Arista Roofing and Sheet Metal Co., 1957, 1962
• Arizona State College, 1956, 1962
• Arizona State University, 1960-1961, 1963-1964
• Arizona, University of (see: University of Arizona)
• Arkansas Arts Center, 1961-1965
• Arkansas, University of (see: University of Arkansas)
• Arleigh Gallery, 1966
• Arlyn Press, Inc., 1956, 1959
• Armbuster, Sally, 1958
• Armitage, Merle, undated, 1931-1932, 1946, 1955, 1960
• "Armory Show 50th Anniversary Exhibition," 1962-1963
• Arms, John Taylor, 1944-1945
• Armstrong, Clark, 1953
• Army and Navy Union, U.S.A., 1958
• Army Medical Purchasing Offices, 1944
• Army Newspaper Group, 1945
• Arnason, H. Harvard, 1959-1960, 1964, 1966
• Arnason, Harvey and Elizabeth, undated
• Arnot Art Gallery, 1967
• Arnstein, Mrs. Daniel, undated, 1957
• Arons, George, 1953, 1955
• Aronson, Cyril, 1946
• Aronson, David, 1953, 1961
• Arrow-Lifschutz, 1966
• Art Academy of Cincinnati, 1959
• Art Accessories, 1968
• Art Adventures, 1961
• Art and Antiques Show, 1945
• Art Appreciation Movement, 1942
• Art Association of Indianapolis, Indiana, 1933-1934, 1945-1946, 1963, 1967 (see also: The John Herron Art Institute)
• Art Bulletin, 1941
• Art Center Gallery, 1956
• Art Centre School, 1949
• Art Collectors and Artists Association, 1948
• Art Dealers Association of America, Inc., undated, 1961-1969 (see also: Colin, Mr. and/or Mrs. Ralph F.)
• Art Digest, 1943, 1946-1947, 1951, 1953-1955
• Art Directors Club of New York, 1962
• L'Art du Mond, 1959
• Art Editors, 1946
• Art for America, 1946
• "Art for the Home Front," 1943-1945
• theARTgallery, 1958, 1960-1961, 1963-1965, 1967-1968
• Art Gallery of Hamilton, 1964
• Art Gallery of Toronto, 1949-1950, 1955-1956, 1960
• Art in America, undated, 1941, 1944, 1946, 1954-1956, 1958-1968
• Art in Industry, 1948
• Art Information Center, undated, 1962, 1964, 1966-1969 (see also: The Artists' Gallery and Art Information Center)
• Art Institute of Chicago, 1941, 1944-1965, 1967, 1969
• Art Institute of Zanesville, Ohio, 1955, 1960
• Art International, undated, 1960-1962
• Art League of Washington, 1934
• Art Mart, undated, 1959
• Art Museum of the New Britain Institute, 1942-1943, 1950, 1952, 1958-1960 (see also: New Britain Institute of Art)
• Art News, 1935, 1941-1943, 1945-1948, 1950, 1953- 1956, 1958-1959, 1961-1962, 1964-1965
• Art Now, 1958
• Art Quarterly, 1938-1939
• Art School of the Detroit Society of Arts and Crafts, 1931-1933 (see also: Society of Arts and Crafts)
• Art School of the John Herron Art Institute, 1951 (see also: John Herron Art Institute)
• Art Students' League of New York, undated, 1934, 1944, 1957, 1959, 1964, 1967-1968
• Art Times, 1959
• Art Today, 1957
• "Art: USA: 59," 1959
• Art Voices from around the World, 1962-1964
• Artcraft Lighting Co., Inc., 1965-1966
• Arte Moderna, undated
• Artex Prints, Incorporated, 1946-1947
• Artforum, 1962-1963
• Artis, S. S., 1965
• Artis, William, 1941
• Artist Jr., 1964, 1967
• Artists Coordinating Committee, 1941
• Artists Equity Association, Inc., 1947-1949, 1951-1952, 1955, 1957-1958, 1960
• Artists Equity Bureau, 1950
• Artists for Victory, Inc., 1944-1946
• Artists' Gallery, undated, 1940, 1947
• Artists' Gallery and Art Information Center, 1962 (see also: Art Information Center)
• Artists Incorporated, 1962
• Artists Information Services, 1963
• Artists League of America, 1947
• Artists' Village in Israel, 1963
• Arts, undated, 1956-1957, 1959, 1961, 1963, 1965
• Arts and Crafts Club of New Orleans, 1930-1931, 1946
• Arts Appreciation, 1946
• Arts Club of Chicago, 1941-1944, 1951, 1954, 1960,1965
• Arts Council of Great Britain, 1956, 1962, 1964
• Arts in Society, undated, 1964-1965
• Arts International, Ltd., 1965
• Arts Yearbook, 1964
• Ahda Artzt Gallery, Ltd., 1959
• Arvin, Mrs. Gerald M., 1965
• Arwin Galleries, Inc., 1966
• Asbell, Leo, 1954-1955
• Asch, B. M., 1946
• Asch, George, 1946
• Aschenbach, Paul, 1961
• Ascher, Mary, 1961
• Ashe Emeth Memorial Temple, 1929
• Asher, Betty M. (Mrs. Leonard M.), 1961
• Asherman, David G., 1958
• Ashley, Alta, 1965, 1966
• Ashmore, Jerome, 1957
• Ashville School, 1961, 1967
• Asia Society, 1961, 1963-1964
• Askenazy, Dorothy, undated
• Askew, Kirk, 1957
• Asmar, Alice, undated
• Associated American Artists Galleries, 1950, 1953, 1956
• Associated American Artists, Inc., 1940, 1944-1947, 1965-1967
• Associated Blind, Inc., 1957
• Associated Hospital Services of New York, 1960-1964, 1966, 1968
• Associated Merchandising Corporation, 1964
• Association of Art Museum Directors, 1960
• Association of Dealers in American Art, 1947-1948
• Aston, Albert E., 1963
• Astor, Mr. and/or Mrs. Vincent, 1938, 1948, 1951
• Astro Envelope Co., 1963
• Whitney Atchely and Burton Wolf, 1953
• Atelier Chapman Kelley, 1967
• Atha, Joseph S., 1957
• Athenaeum Publishers, 1963, 1965
• Atherton, Mrs. George H., 1957
• Atherton, John, 1947
• Atkins Museum of Fine Arts, 1955-1956
• Atkinson, Marion K. (Mrs. D. T.), 1933-1934, 1936-1937
• Atlanta Art Association, 1951, 1954-1959, 1961-1965 (see also: High Museum of Art)
• Atlanta Art Association and High Museum of Art, 1942 (see also: Atlanta Art Association; High Museum of Art)
• Atlantic Monthly, 1957, 1960, 1965
• Attica Jr.-Sr. High School, 1961
• Auchincloss, Bayard C., 1954
• Alfred Auerbach Associates, 1955-1957
• Auburn University, 1962, 1965, 1968
• Augustana College, 1956
• R. C. Auletta and Co., Inc., 1968
• Ault, Dorothy and/or Lee A., undated, 1947-1949, 1960, 1966, 1968
• Ault, Louise, 1949
• Aument, Henrietta Bruce (Mrs. Carroll), 1948
• Ausstellungsleitung/Museum Fridericianum, 1968
• Austin College, undated, 1959
• Austin Productions Incorporated, 1955
• Avella-Guglietti, Rosina, 1960
• Joan Avenet Galleries, 1954, 1964-1965, 1969
• Avenet, Lester, 1964, 1967-1969
• Avegino, Mrs. L. B., 1961
• Avery, James, 1967-1968
• Ayer, C. M., 1942
• N. W. Ayer and Son, Inc., 1940-1941, 1944-1947, 1952-1954, 1959-1960, 1965
• Ayers, Shirley (Mrs. Lemuel), 1957
• Aylin Advertising Agency, 1955-1956
• Babbidge, Marcia A., undated
• Babcock Galleries, 1957, 1960, 1962-1963
• Babcock, Margaret (Peggy) M., undated, 1960
• Bach, Harry, 1968, 1969
• Bach, Mrs. William J., 1944
• Bachelder, Julia, 1964
• Leo Baeck Temple, 1959, 1961, 1964-1965, 1967
• Baekland, Frederick, 1962
• Baer, Martin, 1937, 1954-1956
• Bahan, Blanche C. and/or Emmons R., undated, 1951, 1954-1955, 1963
• Bahm, Henry, 1959
• Bahr, A. W., 1958
• Baigell, Matthew, 1955-1967, 1968-1969
• Bain and Hoopes, 1955
• Bain, Helen C. (Mrs. Edgar C.), 1966
• Baird, D. Grant, 1959
• Baird, Joseph Armstrong, Jr., 1966
• Bakelite Corporation, 1945, 1953
• Baker and Taylor Co., 1959
• Baker, Ernest Hamlin, 1964
• Baker, John, 1963
• Baker, Keith H., 1960, 1962-1965
• Baker, Marilyn, 1965, 1968
• Baker, Oliver, 1956, 1960
• Oliver Baker Associates, 1962, 1964
• Oliver Baker Studios, 1962-1963
• Baker, Sylvia, 1962
• Baker, Wayne A., 1964
• Bakwin, Dr. and Mrs. Harry, 1965
• Balaceanu, Petre, 1963
• Baldinger, Wallace S., 1950
• Baldini, G. A., 1934
• Balken, Edward Duff, 1931, 1934
• Ball, Barbara Shelvin, 1946
• Ball, Charles, 1961
• Ball, Elizabeth, 1939
• Ball State Teachers College, 1952-1953, 1956-1958, 1960-1962
• Ball, Mrs. T. H., 1953
• Ballard, Frederic L., 1937
• Ballin, Hugo, 1937
• Ballinger, Mrs. Roy A., undated, 1961-1962
• Baltimore Municipal Museum (see: Municipal Museum of the City of Baltimore)
• Baltimore Museum of Art, undated, 1936, 1938-1940, 1943-1944, 1948, 1951-1955, 1959-1966, 1968
• Bamberger, Henry J., 1950
• Bamberger's, 1966-1967
• Bandler, David B., 1953
• Banfer Gallery, 1965
• Bank of Broadway, 1963
• Bank of California, 1966
• Bank of the Commonwealth, 1964
• Bankers Trust Company, 1961
• Banks, James N., 1950
• Banks, Russell, undated, 1969
• Banowit, Samuel W., 1956
• Bantam Books, Inc., 1969
• Baragli, Alvaro, 1963
• Baranik, Rudolf, 1964
• Baranova, Anne, undated, 1962
• Barbee, Stanley N., 1940, 1944-1945, 1947-1949, 1951
• Barclay, Mrs. John, undated, 1955-1956
• Barclay, Josephine E., 1956, 1959
• Bard College, undated
• Bardi, F., 1951
• Bareiss, Walter, 1950, 1961
• Barlow, Elizabeth, 1939
• Barlow, Jarvis, 1953
• Barnard College, 1939, 1955
• Barnard-P. E. A. Theatre Benefit, 1956
• A. S. Barnes and Co., 1965
• Barnes, Albert C., 1930-1931, 1942
• Barnes, Edward Larrabee, 1950-1951
• Barnes, Katrina, undated
• Barnes, Otto W., 1961
• Barnet, Richard, 1961-1963
• Barnett Arden Gallery, 1944, 1946-1947 (see also: Arden, Alonzo)
• Barnum, J. W., 1967
• Barnum, John, 1962
• Barr, Alfred H., 1943, 1949-1950
• Barrett, J. M., 1959
• Barrie, Erwin, 1934
• Barrin, Barton, Durstine and Osborn, Inc., 1959
• Barriscale, Richard, 1953, 1955
• M. Barrows and Company, Inc., 1961
• Albert Barry and Associates, 1965
• Barry, Carver S., 1956, 1959
• Barry, Harriet R., 1965
• Bartels, Jacqueline, 1957
• Barthé, 1941, 1944
• Bartholet, Mrs. E. Ives, 1961
• Bartholf, Susan P. (Mrs. Herbert B.), 1958
• Bartlett, David, 1962
• Bartlett, Dewey F., 1960
• F. A. Bartlett Tree Expert Company, undated
• Bartlett, Florence Dibbell, 1953
• Bartlett, George V., 1944
• Barton, Bruce, Jr., undated, 1963
• Barton-Cotton, Inc., 1960
• Barton, Francis L., 1968
• Barton, Trumbell, undated
• Barton, Tugwell, 1964
• Barzansky, Charles, 1962
• Barzin, Betty, 1958
• Basave, Marta, 1965
• Basel, Amos S., 1964
• Basic Arts Incorporated, 1950
• Baskerville, Charles, 1946
• Bassenge, Gerda, 1963
• Bassham, Ben, 1965
• Bassler, Frances Sterner (Mrs. Robert E., Jr.), 1996
• Basso, Hamilton, 1957
• Ted Bates and Company, Inc., 1959
• Bath Garden Club, Zorach Fountain Committee (see: Zorach Fountain Committee, Bath Garden Club)
• Battcock, Gregory, 1965
• Batten, Barton, Durstine and Osborn, Inc., 1959
• Batten, H. A., 1937
• Battle Creek Art Center, 1948-1949
• Battle Creek Sanitarium, 1940
• Battle, Lucius D., 1963- 1964
• Bauer, Charles A., 1949, 1961-1962, 1966
• Bauer, Lucie, 1963
• Baughman, Milo, undated
• Bauhaus, Geraldine, 1959
• Baum, Alvin H., 1963, 1967
• Baum, Frederick, 1952-1956, 1958-1959, 1961-1966, 1968 (see also: Rubin, Baum and Levine; Rubin, Wachtel, Baum and Levine)
• Baum, Hank, 1967
• Baum, Harry, 1937, 1947, 1968
• Baum, Nathaly (Mrs. Harry), undated, 1955, 1959-1960, 1962-1964, 1966, 1968
• Baum, Patricia Ann (Patsy), undated, 1957, 1961-1962 (see also: Vanderbes, Patsy Baum)
• Bauman, Gilbert, 1964
• Bauman, Lionel R., 1943, 1967
• Baumann, S. R., 1939
• Baur, John I. H., undated, 1953, 1962, 1965
• Baxter, Elizabeth (Mrs. Eugene H. H.), undated, 1948
• Bayer, William S., 2nd, undated, 1957
• Bayerisches Staatsministerium für Unterricht und Kultus, 1964
• Bayles, Mrs. Peter, 1961
• Baylor University, 1964
• Baylous, George B., 1950
• Baynard, Ed, 1965
• Bayonne Jewish Community Center, 1955-1958, 1961, 1967
• Beacon Hill Thrift Shop, 1958
• Beaird, Jane R., 1963
• Beal, Gifford, 1929 Beal, Rebecca J. (Mrs. James H.), 1950, 1954, 1956, 1959
• Bear, Donald J., 1937, 1945
• Bear, Esther, 1961
• Esther Bear Gallery, 1963-1965
• Bearce, Charles G., 1955
• Beard, Edward (Buddy) A., 1961, 1963-1965
• Beardsley, Walter R., 1958-1959
• Beaton, Mrs. John A., 1956
• Beattie, Beatrice (Mrs. James), 1959
• Beaven, William E., 1963
• Beck, Frances, 1957
• Beck, W. B., undated
• Becker, Benjamin V., 1938
• Becker, Mrs. Clarence, 1960
• Becker. Deana (Mrs. Donald), 1961
• Becker, Elizabeth L. (Mrs. Benjamin V.), undated
• Beckwith, D. D., 1952
• Bedi, Eugene, 1958
• Beekman and Bogue, 1966
• Beerman, Leonard I. and/or Martha, 1961-1962, 1965, 1967-1968
• Behr, Frederick, 1947-1948
• Behrendt, Berthold C., 1953
• Behrman, S., 1934
• Beissinger, Ernest W., 1956
• Bel Aire Motel, 1965
• Belgian Economic Mission, 1949
• Belgian Government Information Center, 1948-1950
• Belgian Relief Fund, Inc., undated
• Belikove, Bernard S. and/or Ruth, 1965, 1967
• Belisle, C., 1962
• Bell Exterminating Co., Inc., 1952, 1955, 1958
• Bell, Myron (Mike), 1958, 1960-1961
• Bellig, Ned, 1966
• Belluschi, Pietro, 1943
• Beloit College, 1953, 1956, 1963-1965
• Ben-Ami, Oved, 1962
• Benay Painting and Decorating, 1955
• Bendel, Bettina, 1955
• Henri Bendel Co., 1955
• Bendelius, Jacqueline, 1959
• Bender, William H., Jr., 1956, 1959-1960
• Bendheim, Robert, 1959
• Bendig, William C., 1957
• Beneduce, Ann K., 1960
• Benenson, Charles B. and/or Peggy, undated, 1952, 1959-1960, 1963, 1965, 1967-1968
• Bengham, Jonathan B., 1966
• Benkert, Ernest G., 1959
• Benn, Ben, 1955
• Bennett College, 1954
• Bennett, E. H., 1946
• Bennett, Mr. and/or Mrs. Edward H., Jr., 1964-1965
• Bennett, Mr. and Mrs. Edward H., Sr., 1965
• Bennett, Mary, 1961
• Bennett, Rainey, 1940, 1943, 1951
• Bennett, Richard M., 1963
• Bennett, Ward, 1956, 1960
• Benning, Mrs. W. D., 1955
• Bennington College, 1939
• Bennitt, Joseph L., 1959
• Bennitt, T. J., undated
• Benson Galleries, 1968
• Benson, Gertrude, 1964
• Bentiglio, Ludovico M., undated
• Bentivoglio, Mirella, 1958, 1959, 1960, 1961, 1962, 1964
• Benton and Bowles, Inc, 1956
• Benton, Emanuel, 1966
• Benton, William H., 1952, 1959, 1961, 1965
• Beranova, Anna, 1959
• Berdeau, Mr. and/or Mrs. Ray, 1944, 1951
• David Berdon and Co., 1962
• Beren, Carl, 196 HIDE