American
Traditions:
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selections
from the exhibit
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David Goldsmith (19011980) Tin Man, ca.
1930, in the window of Goldsmith's West End Sheet Metal and Roofing
Works in Long Island City, now in the collection of the American Folk
Art Museum. Photographer unknown.
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Fred Smith's Concrete Park in Phillips, Wisconsin, ca. 1985. Photograph by Robert Amft. |
![]() Fred Smith's Concrete Park, Wisconsin, [ca. 1985]. Photograph by Robert Amft, col. 20 x 25 cm. Robert Amft slides and photographs, 1960-1985. Archives of American Art. |
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Photograph of Sister Sarah braiding a chair used the
press package to promote the exhibition New Horizons in American Art
at the Museum of Modern Art, 1936. Photograph by Vincenti-Herlick.
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Painter Charles Sheeler (1883-1965) and his dealer
Edith Halpert, 1953. Photograph by Musya S. Sheeler. Sheeler had a first-rate
collection of folk art and particularly Shaker objects, which he sometimes
included in his paintings.
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Edith Halpert's American Folk Art Gallery, incorporated
on October 9, 1931, was located on the second floor above the Downtown
Gallery at 113 West 13th Street in New York.
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Illustrated letter, December 5, 1959, to folk art
picker Sterling Strauser from painter Victor Joseph Gatto recalling
the day he was born.
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Inez Nathanial Walker, Pail Mail, graphite
and colored pencil on paper.
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Sister Gertrude Morgan's religious proclamations,
ca. 1970.
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Annotated catalogue of the first folk art exhibition
at the Downtown Gallery, American Ancestors, December 14 to 31,
1931.
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Catalogue of weathervanes manufactured by L. W. Cushing
and Sons, ninth edition, c. 1883. Edith Halpert collected wood and iron
weathervane molds produced by this prominent nineteenth-century firm
and in 1954 reproduced six of the most aesthetically desirable models,
each in a limited edition of fifty (Catherine Stover Gaines and Lisa
Lynch, A Finding Aid
to the Downtown Gallery Records, p. 53).
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Created on ... February 13, 2002