Fiber Art: Following the Thread, Archives of American Art, Smithsonian Institution
 

 

Fiber Art :
Following the Thread
Created on
July 5, 2002
Claire Zeisler Papers  
Widely acknowledged as one of the most influential fiber artists of the 20th century, Claire Zeisler (1903–1991) expanded the expressive qualities of knotted and braided threads. She studied with Alexander Archipenko and László Moholy-Nagy at the Illinois Institute of Technology and with Chicago weaver Bea Swartchild. In the1950s she created traditional loom weavings, but by 1962 she left the loom to make freestanding fiber sculpture. Her estate transferred 22 scrapbooks that contain her extensive exhibition and publication records, and two sets of files: one set holds her weaving instructions and swatches from the1950s; and the other contains her "workroom files," a combination of step-by-step instructions, drawings, installation notes, and snapshots that document her creative process from about 1967 to 1991.  
Letter from fiber artist Joan Lintault, thanking Ziesler for speaking to her graduate students at Southern Illinois University, September 9, 1983.
Letter from Joan Lintault to Zeisler, September 9, 1983
Pencil sketch and yarn sample, "Red Wrapped and Twisted Stick Samples," August 17, 1983.
"Red Wrapped and Twisted Stick Samples" August 17, 1983, sketch and samples of yarn.
Zeisler's notes for installing her piece, Hirise, at the Whitney Museum of American Art, 1983.
Sketch for Hirise on graph paper, for the Whitney Exhibition, probably ca. 1983-84

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