Fiber Art: Following the Thread, Archives of American Art, Smithsonian Institution
 

 

Fiber Art :
Following the Thread
Created on
July 5, 2002
Peggie Hartwell (born 1939)
Excerpt of interview conducted by Patricia Malarcher in New York City, June 2002.
This interview was funded by Nanette L. Laitman as part of the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Art in America.

MS. HARTWELL: Quilting is a living art, when you touch fabric, it's like, you can touch a piece of velvet, and that says one thing to you, and you can touch a piece of cotton and that will say another thing to you. Fabric has a life of its own; it has an energy of its own. All due respect to all the water colorists and people with oils and acrylics, but there is something about the cloth that it has a soul; it sings to you and even if it doesn't -- even babies you know, when they, -- I saw a baby crying in her fathers arm and she was just doing this; she was rubbing her hand up and down his shirt because it talks to you; it can be soothing if it's smooth; it can be sensuous if it's satin and smooth; it can be rough if burlap; it can make a statement for you if you take burlap and you put it on a figure. Well you don't like that figure; that's a very harsh figure because you've made that figure out of burlap; the way I did with those figures in back of my aunt, you know. They did not deserve fine stitching. And so, I put those people, who were so mean to her when she had AIDS, I put them the way I saw them, small and jagged ends. So children, they feel that in fact, and they play with dolls; they know it's comforting; that's why Linus in Peanuts had, as a security, his blanket because it talks to you.
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