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Fiber
Art
: Following the Thread |
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| Created
on July 5, 2002 |
Peggie
Hartwell (born 1939) Excerpt of interview conducted by Patricia Malarcher in New York City, June 2002. |
This interview was funded by Nanette L. Laitman as part of the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Art in America. |
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MS. HARTWELL: Quilting is a living art, when you touch fabric,
it's like, you can touch a piece of velvet, and that says one thing to
you, and you can touch a piece of cotton and that will say another thing
to you. Fabric has a life of its own; it has an energy of its own. All
due respect to all the water colorists and people with oils and acrylics,
but there is something about the cloth that it has a soul; it sings to
you and even if it doesn't -- even babies you know, when they, -- I saw
a baby crying in her fathers arm and she was just doing this; she was
rubbing her hand up and down his shirt because it talks to you; it can
be soothing if it's smooth; it can be sensuous if it's satin and smooth;
it can be rough if burlap; it can make a statement for you if you take
burlap and you put it on a figure. Well you don't like that figure; that's
a very harsh figure because you've made that figure out of burlap; the
way I did with those figures in back of my aunt, you know. They did not
deserve fine stitching. And so, I put those people, who were so mean to
her when she had AIDS, I put them the way I saw them, small and jagged
ends. So children, they feel that in fact, and they play with dolls; they
know it's comforting; that's why Linus in Peanuts had, as a security,
his blanket because it talks to you. |
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