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View by chronological order |
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View by chronological order |
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Teapot from Arthur J. Stone Associates |
1911 |
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Illustrated notes on color from Rudolph Schaeffer's design class |
1926 |
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Jewelry designs, Arthur J. Pulos |
1942 |
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Notes on jewelry design, Arthur J. Pulos |
1943 |
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Bill Brown at Cranbrook Art Academy |
1945 |
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Margret Withers |
1946 |
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Conference of London Goldsmiths |
1947 |
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Marianne Strengell in her studio in Cranbrook Art Academy |
1948 |
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Handwritten address by Arthur Pulos for the Festival of Contemporary Art |
1951 |
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Brochure for the International Conference of Craftsmen in Pottery and Textiles, Dartington Hall, Devon, England |
1952 |
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"The Potter in the New World" by Marguerite Wildenhain |
1952 |
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Marli Ehrman |
1952 |
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“Contemporary Living” exhibition at Wisconsin Union Gallery |
1952 |
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Haystack Mountain School of Crafts, Liberty, Maine, brochure |
1953 |
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“Open Letter to Bernard Leach” from Marguerite Wildenhain |
1953 |
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An address by George Nakashima to the New York Herald Tribune Forum |
1953 |
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American Craftsmen exhibition, University of Illinois, catalog |
1955 |
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Roy Ginstrom and Michael Higgins to the Editor of Time magazine |
1956 |
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Exhibition of works by Designer-Craftsmen of the Mississippi Basin |
1957 |
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Juliana Busbee to Harvey Littleton |
1957 |
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Francis Merritt to Kenneth Quick |
1958 |
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Diary entries regarding Marjorie McIlroy's husband, Frans Wildenhain |
1958 |
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Harvey Littleton working at the wheel at a Craft fair in Wisconsin |
1960 |
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Bernard Leach to Warren MacKenzie |
1961 |
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“Once Upon A Time A Man Named Peter Voulkos” |
1962 |
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“Confession of a Writer's Intention” |
1962 |
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Harvey Littleton trimming the lip of a vase with the glassworker's shears |
1962 |
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Glass Workshop Report |
1962 |
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Group of thirteen people, including Harvey Littleton, at Toledo workshop |
1962 |
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Otto Wittmann to participants in the first Glass workshop held at The Toledo Museum of Art |
1962 |
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Marguerite Wildenhain to Hal Fromhold |
1962 |
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Textile sample |
1963 |
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Ossabaw Island dead tree |
1964 |
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Erwin Eisch to Harvey Littleton |
1964 |
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Artists Experiment With Glassblowing from Wisconsin State Journal |
1964 |
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Monoprint from “Ossabaw Inspirations of Land and Sky” series |
1964 |
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Michael Higgins to Chicago Art Institute |
1965 |
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Frans Wildenhain, Tashiko Takaezu, and Paul Soldner |
1965 |
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Trademark on tracing paper |
1965 |
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William Wyman to Massachusetts College of Art |
1966 |
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Lee Nordness to Wendell Castle |
1966 |
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Design for "Geraniums" |
1966 |
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A commissioned urn |
1967 |
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Interview excerpt of Anni Albers by Sevim Fesci |
1968 |
Interview excerpt from the Oral History Collection of the Archives of American Art |
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The First Annual Whitewater Ceramic Invitational |
1968 |
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Exhibition installation of OBJECTS: USA |
1969 |
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"My Father is a Sculptor" in Jack and Jill |
1970 |
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Mary Ann Scherr at work |
1970 |
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Margret Withers with her tools in her Boston workshop |
1970 |
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"Bob and Roy Ware" at The Candy Store |
1970 |
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William Wyman during a Raku firing |
1970 |
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William Harper's comments on two week session at Penland |
1971 |
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Dale Chihuly and Jamie Carpenter at Pilchuck |
1971 |
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Bill Brown's autograph book |
1971 |
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M.C. Richards to Francis Sumner Merrit |
1972 |
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Dale Chihuly to Francis Merrit, his wife Priscilla and others at Haystack Mountain School of Crafts |
1972 |
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Glaze formulas book no. 37, 1973-1980 |
1974 |
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Toshiko Takaezu throwing |
1974 |
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Harvey Littleton and Erwin Eisch, photographer Herbert Wolf |
1974 |
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Robert Arneson to Barbara Fendrick |
1975 |
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Miy‚ Matsukata |
1975 |
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Polaroid and wrappers from materials used in sculpture |
1977 |
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Sculpture |
1977 |
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Zeisler's notes on the construction of Coil III - A Celebration |
1977 |
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Frans Wildenhain in his studio |
1979 |
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Stockcard for jewelry “Himalaya Range” |
1979 |
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Interview excerpt of John Prip by Robert F. Brown |
1980 |
Interview excerpt from the Oral History Collection of the Archives of American Art |
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Maria De Conceicao with Photographer Joyce Tenneson |
1980 |
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Interview excerpt of Wendell Castle by Robert F. Brown |
1981 |
Interview excerpt from the Oral History Collection of the Archives of American Art |
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Interview excerpt of Vivika Heino by Elaine Levin |
1981 |
Interview excerpt from the Oral History Collection of the Archives of American Art |
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Interview excerpt of Claire Zeisler by Dennis Barrie |
1981 |
Interview excerpt from the Oral History Collection of the Archives of American Art |
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Interview excerpt of Rudy Autio by LaMar Harrington |
1983 |
Interview excerpt from the Oral History Collection of the Archives of American Art |
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Fritz Dreisbach's comments on Penland's Resident Program |
1983 |
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Michael Lucero to Patti Warashina |
1983 |
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Michael Lucero to Patti Warashina |
1983 |
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Albert Paley at work on End Table |
1984 |
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Marvin Lipovsky to Patti Warashina |
1990 |
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Interview excerpt of Beatrice Wood by Paul J. Karlstrom |
1990 |
Interview excerpt from the Oral History Collection of the Archives of American Art |
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Photograph of Beatrice Wood |
1993 |
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Interview excerpt of Merry Renk by Arline M. Fisch |
2001 |
Interview excerpt from the Oral History Collection of the Archives of American Art |
