Hard Times, 1929-1939
June 1 to September 3, 2010
Exhibited in Archives’ New York City Research Center
A great economic depression was sweeping the United States and the American workers, and the artists too, had their own troubles to worry about. Wages were being slashed, strikes were taking place everywhere. Strong men were selling apples on street corners. The young artist who depended on his hands to eat was catapulted violently from the heights of his ivory tower into the whirlpool of suffering humanity. There was absolutely no private patronage.
—Philip Evergood, 1945
The crash of the stock market in 1929 initiated a chain of events that crippled the American art scene. As money from private patrons and museums evaporated, artists joined the nation’s staggering number of unemployed workers. Beginning in 1933, government–sponsored art programs provided work relief for artists, employing them as muralists, painters, sculptors, art educators, and researchers. It was a decade of social change that accelerated the rise of unions and spirited art organizations.
The toils and triumphs of a wide range of individual artists and art organizations—documented in letters, photographs, journals, business records, and oral history interviews at the Archives of American Art—reveal how American artists survived against the odds.
Hear the voices of HARD TIMES:
- Burgoyne Diller (1906–1965), painter and administrator [Audio clip
| Interview transcript]
- Dorothea Lange (1895–1965), photographer [Audio clip
| Interview transcript]
- Marion Greenwood (1909–1970), mural painter [Audio clip
| Interview transcript]
- William Zorach (1887–1966), sculptor [Audio clip
| About the interview]
- Lee Krasner (1908–1984), painter [Audio clip
| Interview transcript]
- Dora Kaminsky (1909–1977), printmaker [Audio clip
| Interview transcript]
- Edward Chavez (1917–1995), sculptor [Audio clip
| Interview transcript]
- Ibram Lassaw (1913–2003), sculptor [Audio clip
| About the interview] - Lucienne Bloch (1909–1999), painter [Audio clip
| About the interview] - Eugenie Gershoy (1901–1983), sculptor [Audio clip
| Interview transcript]
View Items from This Exhibition
Hard Times, 1929-1939
List of business depressions, 1932
Creator: Grant Wood
Born on a farm in Iowa, painter Grant Wood experienced the economic instability of farming firsthand. In 1931, he made a chronological list of thirteen prior depressions, beginning in 1819. With this list he attempts to put the current depression in context as just another short-lived downturn to endure.
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Hard Times, 1929-1939
Bernard Zakheim and Julia Rogers work on Coit Tower mural, 1934
Creator: Peter Stackpole
In 1934, the PWAP commissioned twenty-six artists to paint murals, titled City Life, for the Coit Tower in San Francisco. While intended to celebrate the city and its citizens, the murals included a political subtext. For example, Bernard Zakheim snuck in images of Karl Marx’s Das Kapital and the Marxist magazine, The New Masses into his mural. Photographs by Peter Stackpole.
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Hard Times, 1929-1939
George Harris and Fred Olmstead working on Coit Tower mural, 1934
Creator: Peter Stackpole
In 1934, the PWAP commissioned twenty-six artists to paint murals, titled City Life, for the Coit Tower in San Francisco. While intended to celebrate the city and its citizens, the murals included a political subtext. For example, Bernard Zakheim snuck in images of Karl Marx’s Das Kapital and the Marxist magazine, The New Masses into his mural. Photographs by Peter Stackpole.
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Hard Times, 1929-1939
A life class for adults at the Brooklyn Museum, under the auspice of the New York City WPA Art Project, ca. 1935
Holger Cahill established the WPA art education program in 1935. Adults could take classes in painting, design, photography, and craftwork—skills that made them more competitive in the job market. Other successful educational programs paired children with mentors and brought therapeutic art programs to patients in hospitals.
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Hard Times, 1929-1939
Index of American Design at Macy's Department Store, NYC, 1938 July 30
Creator: Federal Art Project (N.Y.)
The Index of American Design employed several hundred artists and researchers to discover and document American crafts and decorative arts. Artists painted approximately 22,000 watercolors of handmade objects. The watercolors were exhibited nationwide.
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Hard Times, 1929-1939
Stuart Davis, New York, N.Y. letter to Rockwell Kent, 1938 May 5
Creator: Stuart Davis
Stuart Davis, National Chairman of the American Artists’ Congress, wrote to painter Rockwell Kent asking him to join a committee to support the continuation of federal funding for the arts.
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Hard Times, 1929-1939
Edward Weston letter to Holger Cahill, 1936 Mar. 5
Creator: Edward Weston
Photographer Edward Weston praised the WPA’s efforts to nurture young artists. He wrote, “if a handful of important artists developed or given a chance to work…then the effort will not have been in vain.”
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Hard Times, 1929-1939
Herbert Haseltine letter to Martin Birnbaum, between 1930 and 1962
Creator: Herbert Haseltine
American expatriate sculptor, in France, Herbert Haseltine, wrote to his friend and dealer, Martin Birnbaum, lamenting, “the financial depression, I suppose has got me at last. People come to my studio, admire and admire, but don’t buy.”