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    Image for Series 2.1:Writings, 1933-1967
    From Series 2.1:Writings, 1933-1967

    Series 2: Aline Saarinen Professional Papers, 1906-1969 (Boxes 4-14, 15, OV 16; 9.8 linear) feet)

    Series consists of files stemming from Aline Saarinen's professional activities as an art critic, author, and television correspondent, and as a member of arts-related and other committees.

    The Aline Saarinen Professional Papers series is arranged into six subseries:

    2.1: Writings, 1933-1967

    Subseries consists of manuscripts, typescripts, notes, notecards and clippings of Aline Saarinen's writings. Her writings include: articles on art and architecture for The New York Times and other publications, including a manuscript of her article on Eero Saarinen with his annotations in the margins and her notebook from her interview with him; samples of her early art criticism and early writings, including some short stories and college essays; lectures and speeches on art, architecture and related topics, including ones on Eero Saarinen, art collectors and collecting, modern art, culture and visual arts, and writing biography; scripts for television shows; notes on project ideas and plans developed and presumably shared with her literary agent, Bernice Cozzens; and other creative writing such as fiction, a play, and poems (some of which may have been written by her and others of which may have been transcribed by her) and personal writing such as a piece on the suicide of woman she knew in passing, Ruth Gornick.

    Writings are arranged alphabetically by type.

    Box Folder
    4 15 Article for Harper's Magazine, "Uncle Sam as an Art Expert," 1954
    4 16 Articles on Architecture, undated
    4 17 Articles on Architecture - Clippings, 1950, 1954
    4 18 Article on Art, undated
    4 19-20 Articles on Art - Clippings, 1949-1963 (2 folders)
    4 21 Articles on Art for McCall's, 1967
    4 22 Article on Eero Saarinen, 1953
    4 23 Article on Eero Saarinen - Notebook, 1953
    4 24 Articles and Stories, Miscellaneous, undated
    4 25 Articles, Miscellaneous - Clippings, 1947, 1949
    4 26 Early Art Criticism - Clippings, 1934
    4 27-29 Early Writings, 1933-1935 (3 folders)

    Box Folder
    5 1-3 Fiction, Miscellaneous, undated (3 folders)
    5 4 Lecture, "Art Collecting in America", circa 1950s
    5 5 Lecture on "Style", Vassar College, 1966
    5 6 Lectures and Speeches, 1950s-1960s
    5 7-18 Lectures and Speeches, Notecards, 1950s-1960s (12 folders)
    5 19 Play, "The Correct Collections", 1952
    5 20 Poetry (by Aline Saarinen and others?), 1962
    5 21 Project Ideas and Plans, 1950s
    5 22 Television Script, "The American Image" (written by Aline Saarinen and John Lord), undated (Not scanned)
    5 23 Television Script, "Venus in Venice", 1964 (Not scanned)
    5 24-26 Television Scripts, Miscellaneous, 1960s (3 folders; not scanned)
    5 27 Writing on Ruth Gornick's Suicide, 1959

    2.2: Research Material for The Proud Possessors, 1906-1967 (bulk 1956-1959)

    Series consists of files stemming from Aline Saarinen's work researching and writing her book, The Proud Possessors, which was published by Random House in 1958. Files consist of notes, manuscripts, correspondence, photographs and printed material on art collectors, as well the application for a Guggenheim grant (which was awarded to Saarinen in 1957), Eero Saarinen's notes on the book, a scrapbook of correspondence received in response to the publication of the book (of particular note is Peggy Guggenheim's negative response to the chapter on her), and clippings of reviews and other articles about the book after its publication. Among the correspondents are Bernard Berenson, Dorothy Miller, Bernice Cozzens, Albert Ten Eyck Gardner, Alfred H. Barr (?), Edward Steichen, Francis Brown, Hiram Haydn, Daniel Cotton Rich, John Goldsmith Phillips, George Heard Hamilton, Dorothy Sieberling, Saul Steinberg, Sam N. Behrman, Jean Lipman, Irving Hoffman, Electra Webb, Henry Allen Moe, Peggy Guggenheim, Alice B. Toklas, H. P. Roche, Cy Sulzberger, Clifford Odets, and Alfred A. Knopf.

    The material on John Quinn includes correspondence between Saarinen and Jeanne Foster Roberts; letters to Foster from Quinn and his sister, Julia Anderson; a copy of a letter to Foster from William Butler Yeats and a drawing of Quinn possibly by Yeats; material relating to Roger Casement, Foster, and Florence Farr; and photographs of Quinn and Foster, and Quinn with Constantin Brancusi, Picasso and Mme Picasso, Henri Pierre Roche and Erik Satie.

    The material on Edward Root includes correspondence between Root and his father, Elihu, dating from 1903 to 1936; letters to Root from Charles Culver, Robert de Forest, Frederick James Gregg, Ernest Lawson, George Luks, Duncan Phillips, and Grace Root, dating from 1909 to 1936; and copies of two letters to Edward Christiana, dated 1949.

    Files are typically arranged according to format and then alphabetically according to name of collector.

    Box Folder
    6 1 Guggenheim Grant, 1956-1957
    6 2 Correspondence, 1957
    6 3-5 Correspondence, 1958 (3 folders)
    6 6-10 Scrapbook of Correspondence, 1958-1959 (5 folders)
    6 11 Correspondence, 1959
    6 12 Correspondence, 1960
    6 13 Correspondence, undated
    6 Berenson, Bernard
    6 14 Correspondence, 1953, 1956
    6 15-16 Correspondence, 1957 (2 folders)
    6 17-18 Correspondence, 1958 (2 folders)
    6 19 Correspondence, 1959
    6 20 Correspondence, undated
    6 21 Aline Saarinen Writings, 1959
    6 22 Printed Material, 1959
    6 Collector Files
    6 23 Cone, Claribel and Etta, 1949-1956 (Not scanned in entirety)
    6 24 Freer, Charles Lang, 1957-1958
    6 25 Gardner, Isabella Stewart, 1957-1959
    6 26-27 Gilcrease, Thomas, 1948-1958 (2 folders; not scanned in entirety)
    6 28-29 Guggenheim, Peggy, 1949, 1956-1958 (2 folders; not scanned in entirety)
    6 30 The Havemeyers, 1957
    6 31 Hirshhorn, Joseph H., 1956-1958 (Not scanned in entirety)
    6 32-36 Ingersoll, R. Sturgis and Johnson, John G., 1939-1958 (5 folders; not scanned in entirety)
    6 37 Morgan, J. Pierpont, 1957
    6 38-41 Quinn, John, 1956-1962 (4 folders)
    6 42 Quinn, John - Miscellaneous Original Papers, 1918-1927, undated
    6 43 Quinn, John - Material Relating to Roger Casement, 1959, undated
    6 44 Quinn, John - Material on Jeanne Robert Foster, 1959, undated
    6 45 Quinn, John - Material Relating to Florence Farr, 1906
    6 46-47 The Rockefellers, 1928, 1955-1958 (2 folders)
    6 48-49 Root, Edward Wales, 1956-1958 (2 folders)
    6 50 Root, Edward Wales - Original Correspondence, 1903-1949
    6 51 Root, Edward Wales - Memorial Exhibition, 1957
    6 52 The Steins, 1957-1959
    6 53 Webb, Electra Havemeyer, 1957-1958
    6 54-55 Webb, Electra Havemeyer - Printed Material, 1953-1955 (2 folders)

    Box
    7 Notes (Notebooks)
    7 1 A-D (Altman, Barnes, Cone, and Dreier), 1955-1958
    7 2 "Freer", 1955-1958
    7 3 "Gardner", 1956-1958
    7 4 "G-H" (Gilcrease, Guggenheim, and Hirshhorn), 1956-1958
    7 5 Havemeyer, 1956-1958
    7 6 "I-L" (Ingersoll, Johnson, Hearst, and Lewisohn), 1955-1958
    7 7 Mellon, 1956-1958
    7 8 "Morgan", 1956-1958
    7 9 "Potter Palmer", 1956-1958
    7 10 "Quinn", 1956-1958
    7 11 R-S (Robinson, Root, and Stein), 1956-1958
    7 12-13 "Rockefeller", 1956-1958 (2 folders)
    7 14 T-W (Thompson, Walters, and Webb), 1956-1958
    7 15 "General Background", 1956-1958
    7 16 "Biblio", 1956-1958
    7 17 Eero Saarinen's Notes on the Book, 1957-1958
    7 18 Miscellaneous Notes, 1956-1957, 1966-1967
    7 19-22 Drafts, 1957-1958 (4 folders)
    7 Photographs
    7 23 Altman, Benjamin, undated
    7 24 Berenson, Bernard, circa 1958
    7 25 Cone, Claribel and Etta, undated
    7 26 Freer, Charles Lang, undated
    7 27 Gardner, Isabella Stewart, undated
    7 28 Gilcrease, Thomas, undated
    7 29 Guggenheim, Peggy, undated
    7 30 Hirshhorn, Joseph H., 1950s
    7 31 Morgan, J. Pierpont, undated
    7 32 Palmer, Mr. and Mrs. Potter, undated
    7 33-34 Quinn, John, 1918-1922, undated (2 folders)

    Box
    8 Photographs
    8 1 The Rockefeller Family, 1957, undated
    8 2 Root, Edward Wales, undated
    8 3 The Stein Family, undated
    8 4 Webb, Electra Havemeyer, 1950s
    8 5 Unidentified, undated
    8 6 Negatives, undated (Not scanned)
    8 7 Printed Material on Collectors, 1955-1957 (Not scanned in entirety)
    8 8 Scrapbook, Clippings on The Proud Possessors, 1958-1959
    8 9 Other Clippings on The Proud Possessors, 1958-1959
    8 10 Book Contract for Italy, 1960
    8 11 Book Jacket, 1958

    2.3: Research Material on Stanford White, 1880s-1969

    Subseries consists of files stemming from Aline Saarinen's research for a planned, but never completed, biography of Stanford White "as an interpreter of the Age of Elegance." Included are: correspondence, notebooks, writings, scattered original material belonging to Bessie White, Stanford White and the firm of McKim, Mead and White, printed material, photographs, and architectural drawings.

    2.3.1: Correspondence, 1959-1969

    Correspondence consists of letters exchanged with Aline Saarinen's literary agent, publisher, scholars, friends and relatives of White, and others, as well as responses to her inquiry about Stanford White published in The New York Times. Correspondence concerns book ideas, research inquiries, her struggles with the work, and related matters. Correspondents include: Bernice Cozzens, Random House, Wayne Andrews, Mrs. Lawrence Grant White (White's daughter-in-law), Welles Bosworth, R. W. G. Vail, Francis Brown, Edward Fowles, Van Wyck Brooks, and Evelyn Nesbit.

    Correspondence is typically arranged chronologically, except for the extended correspondence with her literary agent which is arranged in its own file.

    Box Folder
    8 12 Correspondence - Cozzens, Bernice, 1959-1962, 1969
    8 13-15 Correspondence, 1959 (3 folders)
    8 16-17 Correspondence, 1960 (2 folders)
    8 18 Correspondence, 1961
    8 19 Correspondence, 1962
    8 20 Correspondence, 1963-1971
    8 21 Correspondence, undated

    2.3.2: Notebooks, circa 1959-1962

    Notebooks contain Aline Saarinen's notes on various topics related to Stanford White gathered in the course of her research. Individual notebooks were removed from their original binders at some previous point, and are arranged alphabetically according to subject.

    Box Folder
    8 22 "Biblio", circa 1959-1962
    8 23 Century, Metropolitan, and Other Clubs, circa 1959-1962
    8 24 "Cheney", circa 1959-1962
    8 25 "CHR" (Chronology), circa 1959-1962
    8 26 "Mackay", circa 1959-1962
    8 27-28 "McK., M. and W. Architecture", circa 1959-1962 (2 folders)
    8 29 "New York", circa 1959-1962
    8 30 "Newport", circa 1959-1962
    8 31 "R. G. W." (Richard Grant White), circa 1959-1962
    8 32-33 "S. W. and Artists", circa 1959-1962 (2 folders)

    Box Folder
    9 1-2 "S. W. General", circa 1959-1962 (2 folders)
    9 "S. W. Jobs"
    9 3 A-B (Astor, Barney, Col. Day, Box Hill, and Breese), circa 1959-1962
    9 4 "Ch-H" (Colony, Fish, Herald Building, and Houses, Miscellaneous), circa 1959-1962
    9 5 I-M (IRT, Judson, Hyde, Knickerbocker, Madison Square, Miscellaneous, and Monuments), circa 1959-1962
    9 6 N-V (NYU, Oelrichs, Reid, Sherry, Tiffany, and Villard), circa 1959-1962
    9 7 "W-Z" (University of Virginia, Washington Arch, Payne Whitney, and William C. Whitney), circa 1959-1962
    9 8-9 "S. W. Murder", circa 1959-1962 (2 folders)
    9 10 "Unsorted", circa 1959-1962
    9 11 Miscellaneous, circa 1959-1962

    2.3.3: Writings, 1959-1960s

    Writings include drafts and manuscripts of chapters for Saarinen's planned biography on White and her article on White for Life Magazine. Also found are scattered research notes, an outline of the planned biography, and various writings on White and architecture by others.

    Box Folder
    9 12-13 Research Notes, circa 1959 (2 folders)
    9 14 Research Notes, "State of Buildings", 1961
    9 15-16 Tentative Chapter Headings and Outline, 1960 (2 folders)
    9 17-18 Notes and Writings, circa 1959-1962 (2 folders)
    9 Drafts
    9 19 "Prologue - in work (Also Prince Henry Version)", circa 1959-1962
    9 20 "Chapter I in work", circa 1959-1962
    9 21 "Chapter II in work", circa 1959-1962
    9 22 "Chapter III in opera", circa 1959-1962
    9 23 "Chapter IV - in opera", circa 1959-1962
    9 24 "Chapter V - in opera", circa 1959-1962
    9 25 "Chapter VI in opera", circa 1959-1962
    9 26 Chapters VII and VIII, circa 1959-1962
    9 27 Chapter XII (Cheneys), circa 1959-1962
    9 28-29 Miscellaneous, circa 1959-1962 (2 folders)
    9 Manuscripts
    9 30-32 Article for Life, 1960s (3 folders)
    9 33 Book, Chapter I (?), 1960s
    9 34 Book, Chapter on Richard Grant White, 1960s
    9 35 Book, Chapter II, 1960s
    9 36 Book, Chapter III, 1960s
    9 37 Book, Chapter IV, 1960s
    9 38 Book, Chapter V, 1960s

    Box
    10 Manuscripts
    10 1 Book, Chapter VI, 1960s
    10 2 Book, Chapter VII, 1960s
    10 3 Book, Chapter, VIII, 1960s
    10 4 Book, Chapter IX, 1960s
    10 5 Book, Chapter XII (Cheneys), 1960s
    10 6 Book, Chapter XIV (Katherine Mackay), 1960s
    10 7-8 Miscellaneous, 1960s (2 folders)
    10 9 Caption Suggestions, undated
    10 10-11 Writings by Others, 1962, undated (2 folders; not scanned in entirety)

    2.3.4: Original Material, 1880s-1936, 1960

    Original material includes certain scattered papers of Bessie White and Stanford White, and scattered office "files" of the architectural firm McKim, Mead and White, which were presumably accumulated by Aline Saarinen in the course of her research. Also found is a microfilm reel of the correspondence of Richard Grant White (approximately 25 letters) and Stanford White (1 letter) held by the Huntington Art Library.

    The papers belonging to Bessie White consist of correspondence from her father-in-law, Richard Grant White; scrapbooks on the Washington Centennial and White's Washington Art, and on the Thaw Murder Trial; and written reminiscences of White. The papers belonging to Stanford White consist of lists, notes, and other documents. The McKim, Mead and White documents include memoranda and correspondence; files consisting of correspondence, contracts estimates, and descriptions for various projects (extensive documentation for the Whitelaw Reid residence can be found); and a record book.

    Box
    10 Bessie White Papers
    10 12 Correspondence, 1880s
    10 13 Scrapbook on Washington Centennial and Arch, 1889
    10 14-15 Scrapbook, "Thaw Trial Clippings", 1907-1908 (2 folders)
    10 16 Written Memories, 1926
    10 Stanford White Papers
    10 17 Menu for Dinner Honoring Stanford White, 1884
    10 18 Lists of Works (White's own?), undated
    10 19 "Goods Held in Trust for Stanford White, Esq." (list with drawings), 1902
    10 20 Notes on Furnishings (White's own?), undated
    10 21 "S. W.'s matters, left in the hands of McKim, Mead and White", 1894
    10 22 Legal Document (partial), undated
    10 McKim, Mead and White Documents
    10 23 Memoranda, 1887-1888, undated
    10 24 Memoranda, 1893-1897
    10 25 Memoranda, 1900-1903
    10 26 Memoranda, 1904-1905
    10 27 Correspondence, 1888-1904
    10 28 Correspondence, 1905-1906
    10 29 Correspondence, 1923
    10 30 Correspondence, 1933, 1935
    10 31 The Metropolitan Club, undated
    10 32 Madison Square Presbyterian Church, 1903
    10 33 The Colony Club, undated
    10 34 Actor's Fund Fair, undated
    10 35 Plan for Unidentified Building (blueprint), undated
    10 36 Fairmont Park, 1895
    10 37 Vanderbilt Portal, St. Bartholomew's Church, 1902, 1934
    10 38 Columbian Celebration Awards, undated
    10 39 Arch at Washington Square, 1889
    10 40 Tiffany Building, 1903
    10 41 Whitelaw Reid Residence - Estimate, Proposal, and Report on Progress, 1890-1891
    10 42-43 Whitelaw Reid Residence - Correspondence, 1891 (2 folders)
    10 44 Whitelaw Reid Residence - Correspondence, 1892
    10 45 Whitelaw Reid Residence - Correspondence, 1893
    10 46 Whitelaw Reid Residence - Correspondence, 1894
    10 47 Whitelaw Reid Residence - Correspondence, 1895
    10 48 Whitelaw Reid Residence - Correspondence, 1896-1899
    10 49 Whitelaw Reid Residence - Correspondence, undated
    10 50 Whitelaw Reid Residence - Clipping, 1936
    10 51 Grant Monument, undated
    10 52 University of Virginia, 1923, 1934
    10 53 Arlington Memorial Bridge, undated
    10 54 Record Book, "Antiques at 120 W 30", 1905
    10 55 Microfilmed Correspondence of Richard Grant White (circa 25 letters) and Stanford White (1 letter) from Huntington Library, 1960

    2.3.5: Printed Material, 1890s-1968

    Printed material collected by Aline Saarinen in the course of her research consists primarily of clippings and publications with articles on White, his buildings, and certain people associated with him. Also found is miscellaneous printed material on the Garden City Hotel, Newport, RI, and architecture.

    Box
    10 Clippings
    10 56 Stanford White, 1896-1898
    10 57 Stanford White, 1919, 1931-1936, 1960
    10 58 Stanford White, 1960, 1962
    10 59 Stanford White, undated
    10 60 Stanford White, Auctions, 1934
    10 61 Players' Club, 1890s?
    10 62 Madison Square Presbyterian Church, 1906
    10 63-64 Madison Square Garden, 1890s (2 folders)
    10 65 Madison Square Garden, Horse Show, 1890s
    10 66 New York, 1904
    10 67 Garden of J. L. Breese, 1915
    10 68 Article on Architecture by Lawrence Grant White, 1929
    10 69 Building and Designs of Stanford White, Various, 1932-1968
    10 70 Evelyn Nesbit, 1905, 1954
    10 71 Amelie Rives Chanler, 1895-1897
    10 72 Other Printed Material on Stanford White and His Buildings, 1955-1967 (Not scanned in entirety)
    10 73 Garden City Hotel (Long Island, NY), circa 1894
    10 74 Newport, RI and "The Breakers", 1946-1963 (Not scanned in entirety)
    10 75 Miscellaneous Printed Material on Architecture, 1928-1960 (Not scanned in entirety)
    10 76 Miscellaneous Printed Material, undated

    2.3.6: Photographs, 1880s-circa 1960

    Photographs include ones of Stanford White and his family, his clients, Anne, Louise, and Robert Cheney, and his one-time mistress, Evelyn Nesbit; and ones of buildings and residences designed by White or McKim, Mead and White, many of which were photographed by Wayne Andrews. Also found are photographs of interiors and slides and negatives of certain photographs of buildings and residences.

    Box Folder
    11 1 Stanford White and His Family, 1880s-1890s
    11 2 The Cheney Family, 1880s?
    11 3 Evelyn Nesbit, 1890s-1902
    11 4-10 Buildings and Residences Designed by Stanford White, 1960, undated (7 folders; not scanned in entirety)
    11 11-12 Residences in Newport, RI Designed by Stanford White and McKim, Mead and White, 1960, undated (2 folders; not scanned in entirety)
    11 13-15 Residences Designed by Stanford White and McKim, Mead and White, 1960, undated (3 folders; not scanned in entirety)
    11 16 Views of Interiors, Various, undated
    11 17 Views of Interiors, Unidentified, undated
    11 18 Slides, Buildings Designed by Stanford White and McKim, Mead and White, circa 1960 (Not scanned)
    11 19 Negatives, Buildings Designed by Stanford White and McKim, Mead and White, circa 1960 (Not scanned)

    2.3.7: Architectural Drawings, undated

    Included are reproductions and negatives of architectural drawings for various buildings and residences, which date from 1884 to 1903, designed by White or McKim, Mead and White.

    Box Folder
    11 20 Reproductions of Architectural Drawings, undated (See also OV 16)
    11 21 Negatives, Architectural Drawings, undated (Not scanned)

    Box
    OV 16 Oversize, Reproductions of Architectural Drawings, undated (See Box 11, F20)

    2.4: NBC Correspondent Files, 1961-1971 (Not scanned)

    Subseries consists of files kept by Aline Saarinen while working as a television correspondent for NBC on such shows as "Today", "Sunday", and "The Hunter-Brinkley Report", reporting on mainly art-related topics. Files include correspondence, printed material, notes, scripts, clippings, motion picture films and video transfers, and photographs. Also included are printed material on Eero Saarinen and photographs of his work.

    Files are arranged alphabetically according to subject or format.

    Box Folder
    11 22 The 101 Ranch (Oklahoma), 1965
    11 23 Amon Carter Museum, 1963
    11 24-27 Astronauts, 1965 (4 folders; see also Box 15)
    11 28 Biltmore House and Gardens, circa 1965
    11 29 "Blacks and Art", undated
    11 30-32 Clippings, 1964-1971 (3 folders)
    11 33 Clippings, Articles by Aline Saarinen, 1964, 1966
    11 34 Computer Art, 1966
    11 35 Correspondence, 1963-1971
    11 36 Correspondence, Miscellaneous, 1967, undated
    11 37 Engagement Calendar, 1965
    11 38 Federal Building Design, 1965

    Box
    12 Films
    12 1-2 "Art Special" Sunday Show: Eyes Opening (video transfer), 1964 May 24 (2 folders)
    12 3-4 The Metropolitan Museum with John Lindsay (video tranfer), 1970 (2 folders)
    12 5 "Mobile Homes" (16 mm film), undated
    12 6 "Out-Take" (16 mm film), undated
    12 7 Gemini 9 Material, circa 1966
    12 8 Held, John, 1964
    12 9