Joseph Cornell Papers, 1804-1986 bulk 1939-1972
From Series 5: Ephemera and Artifacts, 1858-1946
Series 5: Ephemera and Artifacts, 1858-1946 (boxes 18, 23; 0.8 linear feet)
Series consists of various items of ephemera and memorabilia, and various artifacts. Included are Victorian cards, an album of remembrance with entries by various individuals who were friends and acquaintances of the original owner, an autograph book, cartes-de-visite, dried flowers from Lawrence farm, cabinet cards (including one of Fanny Ward), hat pins, leather post cards, tobacco cards, boxes with cloth scraps and dried flowers from Ulysses S. Grant's funeral (which were mementos belonging to Cornell's grandparents), a papier-mache pull-toy horse, a shell box, sheet music, plastic dolls, match boxes, stuffed bird figures, metal pendants, clockhands, wood and cork pieces, beads, and other material. Most, if not all, of this material was accumulated by Cornell in the course of his regular collecting activities. Some of the objects are of uncertain origin and may have belonged to his brother, Robert.
Cornell seems to have used some of these items, including the tobacco cards, sheet music, hat pins, leather post cards, cartes-de-visite, autograph book, and miniature rug samples, in a layout he designed for Good Housekeeping magazine. Other items, including the shell box, papier-mache pull-toy horse, and memento boxes from General Grant's funeral, seem to have been part of the 1982 exhibition, "Joseph Cornell: An Exploration of Sources," at the National Museum of American Art, which presented a select group of boxes and collages in the context of his source materials. (See Series 10 for a letter from the Acting Director of NMAA identifying these materials.)
Other items in this series, such as the wood and cork pieces, the clockhands, and wooden beads, could also constitute some of the found objects that Cornell collected and often used in many of his box constructions. Items, such as dried flowers from Lawrence farm and even the memento boxes of Grant's funeral, could constitute those objects that Cornell often collected as souvenirs and memorabilia relating to a particular event or idea. The dried flowers, for instance, seem to relate to the GC 44 "exploration," of which Cornell's visits to Lawrence farm played a part.
As far as possible, material is arranged in chronological order. For storage and preservation purposes, loose objects that cannot be housed in folders are housed together within smaller boxes, which are then housed in an archival box. For descriptive purposes, loose objects are treated as one file with an item list (provided below).
The bulk of this series has been scanned with the exception of loose objects.
| Box | Folder |
|
|---|---|---|
| 18 | 20 | Album of Remembrance, 1858-1860 |
| 18 | 21 | Cartes-de-visite, 1867-1873 |
| 18 | 22 | Autograph Book (mostly blank), circa 1893 |
| 18 | 23 | Sheet Music, "Summer Girl Song," 1896 |
| 18 | 24 | Leather Postcards, 1906, undated |
| 18 | 25 | Dried Bouquet, circa 1940 |
| 18 | 26 | Dried Flowers from Lawrence Farm, 1946 |
| 18 | 27 | Cabinet Cards, undated |
| 18 | 28 | Hat Pins, undated |
| 18 | 29 | Miniature Rug Samples, undated |
| 18 | 30 | Song Recording (broken), undated |
| 18 | 31 | Tobacco Trade Cards and Designs, undated |
| 18 | 32 | Victorian Cards, undated |
| 18 | 33 | Victorian Valentine Card, undated |
| Box |
|
|
|---|---|---|
| 23 |
Loose Objects, undated (3 small boxes and 1 item; not scanned) First small box contains:
|