William Trost Richards papers, 1848-1920

A Finding Aid to the William Trost Richards Papers, 1848-1920, in the Archives of American Art, by Erin Corley

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Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.

Table of Contents:



Biographical Information

William Trost Richards was born in Philadelphia, Pennsylvania, in 1833. From 1850 to 1858 he worked as a designer and illustrator of ornamental metalwork, and briefly studied draughtsmanship and painting with the German artist Paul Weber. Richards was also an active member of the Forensic and Literary Circle of Philadelphia during the early 1850s. In 1852 he had his first exhibition at the Pennsylvania Academy of Fine Arts and a year later was elected a full Academician. He had great interest in landscapes and geological subjects, and spent summers sketching in the Catskills and Adirondacks. From 1855 to 1856 Richards toured Europe with William Stanley Haseltine and Alexander Lawrie, and was influenced by the Dusseldorf school of landscape painters.

Richards married aspiring poetess Anna Matlack in 1856, and they settled in Germantown, Pennsylvania, where they had eight children, five of which survived to adulthood. In 1858 he attended an exhibition of British art in Philadelphia, and was greatly influenced by the works of Pre-Raphaelite painters. He began painting outdoors, executing precise, naturalistic, yet atmospheric, landscapes. In 1862 he joined the National Academy of Design, and in 1863 joined the Society for the Advancement of Truth in Art, an American Pre-Raphaelite organization. From 1868 to 1874, Richards spent summers on the East Coast and began focusing on marine subjects painted in watercolor, exhibiting often with the American Watercolor Society. Richards also traveled to Europe several times, and lived there from 1879-1880 while trying to find a new direction for his artwork. In 1881 he built a summer house for his family in Newport, Rhode Island and moved there permanently in 1890. His wife Anna died in 1900, and he continued to paint landscapes and seascapes until his death in 1905.

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Overview of the Collection

Scope and Contents

The William Trost Richards papers measure 1.8 linear feet and date from 1848-1920. The collection documents Richards' personal life and his career as a landscape and seascape painter. The collection consists of correspondence, writings, business files, printed material, photographs, and other miscellaneous materials.

Correspondence files date from 1851 to 1917 and include family correspondence between Richards and his wife Anna as well as with their children. Of note are letters written by William Trost Richards to his wife while he was in Europe, which include many illustrations of his travels. Also found is general correspondence of a personal and professional nature between Richards and friends, artists, art dealers, and collectors, many of whom played a prominent role in Philadelphia society. Writings include essays written by Richards, homemade magazines written and illustrated by the Richards family, and writings by his wife Anna and others. Business files contain financial, legal, and real estate records, and printed material contains an exhibition catalog from 1976, news clippings, and event programs. Miscellany found in this collection include artwork by others, and inventory of paintings by others, compiled by Richards, and an interview transcript with Miriam Thayer Richards. Photographs include images of Richards, his wife Anna, and their home in Newport, Rhode Island.

Arrangement and Series Description

The collection is arranged into 6 series:

Subjects and Names

This collection is indexed in the online catalog of the Archives of American Art under the following index terms. People, families and organizations are listed under "Subjects" when they are the topic of collection contents and under "Names" when they are creators or contributors.

Subjects-Topical:

  • Landscape painting -- 19th century -- Pennsylvania -- Germantown
  • Marine painting -- 19th century -- Rhode Island -- Newport
  • Landscape painters -- Pennsylvania -- Germantown
  • Marine painters -- Rhode Island -- Newport

Types of Materials:

  • Photographs
  • Daguerreotypes

Names:

  • Wilcox, William H.
  • Avery, Samuel Putnam, 1822-1904
  • Coates, Edward Hornor, 1846-1921
  • Eakins, Thomas, 1844-1916
  • Lambdin, George Cochran, 1830-1896
  • Lanman, Charles, 1819-1895
  • Whitney, George, D. 1885

Provenance

The bulk of the collection was donated in 1980 by Mrs. James B. Conant, Richards's granddaughter. The Archives microfilmed this portion of the collection on reels 2296-2299 upon receipt. The inventory of paintings by others was donated by Victor Spark in 1954 and filmed on reel 3470.

Separated and Related Materials

Also available on microfilm at the Archives are the Geoge Whitney papers relating to William Trost Richards, 1875-1885, which includes 112 watercolors and an oil painting by William Trost Richards. These items were lent anonymously in 1979 and returned to the lender after they were filmed. They are available on reels 1497.

How the Collection was Processed

The entire collection was fully processed, arranged, and described by Erin Corley in 2005 and scanned in 2010 with funding provided by the Terra Foundation for American Art.


How to Use the Collection

Restrictions on Use

Use of original papers requires an appointment.

Ownership & Literary Rights

The William Trost Richards papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

Available Formats

The collection was digitized in 2010 and is available via the Archives of American Art's website.

How to Cite this Collection

William Trost Richards papers, 1848-1920. Archives of American Art, Smithsonian Institution.

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Detailed Description and Container Inventory

Series 1: Correspondence, 1851-1917, undated
(Box 1-2; 0.7 linear feet)

This series contains Richards' incoming and outgoing correspondence with family, friends, artists, dealers, and collectors, and is divided into family and general correspondence. Files arranged alphabetically by name of correspondent and chronologically within each folder.

The Correspondence series is arranged into 2 subseries:

This series has been scanned in its entirety.

1.1: Family Correspondence, 1878-1905, undated

Family Correspondence includes letters from William Trost Richards or his wife, Anna M. Richards, to family members. The bulk of this subseries are intimate and detailed letters to their daughter Eleanor (Nelly) Richards Price concerning things such as the family, travels throughout Europe, raising children, clothing, and societal issues. Also found are letters to their son-in-law, William Price, one letter to their son Herbert, letters to their son Theodore and his wife, Miriam Thayer Richards, and letters to Anna's brother, Charles Matlack. Also of note are letters written by William Trost Richards to his wife while he was in Europe, which include many illustrations of his travels. Researchers should note that much of the correspondence was originally undated and was dated much later based on the content of the letter.

Box Folder
1 1 William T. Richards to wife Anna, circa 1878-1885
1 2 Charles Matlack, 1878-1879, 1896-1905, undated
1 3-20 Eleanor Richards Price, circa 1880-1905, undated
(18 folders)
1 21 William Price, circa 1880-1897
1 22 Herbert Richards, 1891
1 23-26 Mr. and Mrs. Theodore W. Richards, 1887-1905, undated
(4 folders)

1.2: General Correspondence, 1851-1917

General Correspondence is with friends, fellow artists, collectors, and others and includes letters to and from William Trost Richards. Correspondence is with artists Fidelia Bridges, George Cochran Lambdin, and William H. Willcox, art dealer Samuel Putnam Avery, and Edward H. Coates, President of the Pennsylvania Academy of Fine Arts. Also found are numerous letters to and from his major patron and collector, George Whitney, and from his friend and patron, Elias Lyman Magoon. Items of note in the miscellaneous correspondence include, an 1877 letter from Thomas Eakins, an 1881 letter from Alexander Lawrie, and an 1883 letter from Charles Lanman.

Box Folder
1 27 Charlotte Augusta Astor, undated
1 28 Samuel P. Avery, 1869-1904, undated
1 29 Fidelia Bridges, undated
1 30 Edward H. Coates, 1886-1905,
1 31 George Cochran Lambdin, 1885-1887
1 32 Elias Lyman Magoon, 1871-1884
Box Folder
2 1-2 James T. Mitchell, 1851-1853
(2 folders)
2 3 Harrison S. Morris, 1898-1905
2 4 Daniel Neall, 1876, 1885, undated
2 5 A. E. Outerbridge, 1887, undated
2 6 George W. Outerbridge, 1894-1902
2 7 John R. Sheridan, 1892-1893
2 8 George F. Shrady, 1900-1905
2 9 Hannah W. Smith, 1866
2 10-22 George Whitney, circa 1860-1885
(13 folders)
2 23 William H. Willcox, 1854, 1879, 1885, undated
2 24-28 Miscellaneous, 1853, 1864-1917, undated
(5 folders)

Series 2: Writings, 1849-1905, undated
(Box 2-4; 0.8 linear feet)

Writings include essays written by Richards in the early 1950s including "Flowers" and "The Spirit of Toil," as well as several essays for the Forensic and Literary Circle of Philadelphia. Also found are unpublished, homemade magazines, created by Richards, Anna, and their children. "London Days: A Homemade Magazine of Literature, Art, Science and Fun" was created while the family lived in London from 1879 to 1880, and upon their return the series was called "Our Own Monthly." Anna home schooled all of their children and these were made as part of their education. All of the magazines are illustrated by William and Anna.

Writings also include works by Anna, such as an edited manuscript of her poem "Chemistry" and annotated editions of her published work, Dramatic Sonnets. Also found is Anna's "commonplace book" filled with quotations, literary excerpts, and her own thoughts. This series also includes writings by others, including an "In Memoriam" poem for Richards by Esther Morton Smith.

The bulk of this series has been scanned. Three volumes of "London Days" are fragile and have not been scanned.

Box Folder
2 29 "Flowers," 1850
2 30 Forensic Literary Circle, 1850-1851
Box Folder
3 1 Humbly Dedicated to Marie by Her Friend Will," undated
3 2 "London Days," Vol.1, Part I, 1879
(Not scanned)
3 3 "London Days," Vol.1, Part II, 1880
(Not scanned)
3 4 "London Days," Vol.1, Part III, 1880
(Not scanned)
3 5 "London Days," undated
3 6 "Our Own Monthly," Vol. 2, No. 18, March 5, 1881
3 7 "Our Own Monthly," Vol. 2, No. 19, April 2, 1881
3 8 "Our Own Monthly," Vol. 2, No. 20, May 7, 1881
3 9 "Our Own Monthly," Vol. 2, No. 23, January 7, 1882
3 10 "Our Own Monthly," No. 25, circa 1882
3 11 "Our Own Monthly," Vol. 3, No. 26, April 1, 1882
3 12 "Our Own Monthly," Vol. 3, No. 27, December 9, 1882
3 13 "Our Own Monthly," Vol. 3, No. 28, January 7, 1883
3 14 "Our Own Monthly," Vol. 3, No. 29, Feburary 3, 1883
3 15 "Our Own Monthly," Vol. 3, No. 30, March 3, 1883
3 16 "Our Own Monthly," Vol. 3, No. 31, April 7, 1883
3 17 "Our Own Monthly," Vol. 3, No. 32, May 1883
3 18 "Our Own Monthly," Vol. 3, No. 33, November 3, 1883
3 19 "Our Own Monthly," Vol. 3, No. 34, December 1, 1883
Box Folder
4 1 "Our Own Monthly," Vol. 3, No. 35, January 5, 1884
4 2 "Our Own Monthly," Vol. 3, No. 36, February 2, 1884
4 3 "Our Own Monthly," Vol. 3, No. 38, April 5, 1884
4 4 "Our Own Monthly," Vol. 4, No. 39, January 3, 1885
4 5 "Our Own Monthly," Vol. 4, No. 40, February 7, 1885
4 6 "Our Own Monthly," Vol. 4, No. 41, April 4, 1885
4 7 "Our Own Monthly," Vol. 4, No. 42, November 7, 1885
4 8 "Our Own Monthly," Vol. 4, No. 43, December 5, 1885
4 9 "Our Own Monthly," Vol. 4, No. 44, January 2, 1886
4 10 "Our Own Monthly," Vol. 4, No. 46, March 6, 1886
4 11 "Our Own Monthly," Vol. 4, No. 47, April 3, 1886
4 12 "Our Own Monthly," undated
4 13 "The Spirit of Toil," 1852
4 14 "Sunlight," 1851
4 15 Miscellaneous writings by Richards, 1852, undated
4 16 Anna M. Richards, "Chemistry," undated
4 17 Anna M. Richards, Commonplace Book, Vol. 4, undated
4 18 Anna M. Richards, Dramatic Sonnets, 1881
4 19 Writings by Others, 1849-1860, 1905, undated

Series 3: Business Files, 1865-1920, undated
(Box 4; 3 folders)

Business files include various financial statements for the sale of artwork, purchase of materials, and shipping expenses. Also found are three copies of legal documents concerning Richards' artwork while living in London, and various real estate documents for his property in Pennsylvania and Rhode Island.

This series has been scanned in its entirety.

Box Folder
4 20 Financial Statements, 1865-1920, undated
4 21 Legal Documents, 1879
4 22 Real Estate Documents, 1874-1890, undated

Series 4: Printed Material, 1850-1906, 1976, undated
(Box 4-5; 5 folders)

Printed material includes an exhibition catalog for a Richards exhibition at the Art Association of Newport and numerous clippings concerning Richards' artwork, his death, and a major auction of his work in 1906. Also found are event programs for gatherings of the Forensic and Literary Circle.

This series has been scanned in its entirety.

Box Folder
4 23 Catalog, William Trost Richards, 1976
Box Folder
5 1 Event Programs, Forensic and Literary Circle, 1850-1953
5 2-4 News Clippings, 1871-1906, undated
(3 folders)

Series 5: Miscellany, 1848-1876, undated
(Box 5; 5 folders)

This series contains artwork by others, including small paintings and prints, an award to Richards from the United State Centennial Commission, and a handwritten list of paintings by others, including painter, title, and dimensions of each work. Also found is a transcript of an interview with Mrs. Theodore (Miriam) Richards, primarily discussing her memories of Anna M. Richards.

This series has been scanned in its entirety.

Box Folder
5 5 Artwork by Others, 1848, 1873, undated
5 6 Award Certificate, 1876
5 7 Inventory of Paintings by Others, undated
5 8 Transcript, Mrs. Theodore Richards, undated
5 9 Unidentified Sketch, undated

Series 6: Photographs, circa 1850-1900
(Box 5; 7 folders)

Photographs include portraits of William Trost Richards as a young man, as well as later in his life. Two photographs of note are a daguerreotype of Richards from the 1850s, and a photograph of Richards painting in his studio. Also found are portraits of Anna Richards, two of Richards' children, possibly Theodore and Anna, a pendant with photographs of William and Anna, and photographs of the Richards family home on Conanicut Island.

This series has been scanned in its entirety except for negatives.

Box Folder
5 10-11 William Trost Richards, circa 1850-1900
(2 folders)
5 12 William Trost Richards, Daguerreotype, circa 1850
(See Black Cabinet, Drawer 8: Cased Photographs)
5 13 Anna Matlack Richards, circa 1880s
5 14 Portrait Pendant of W. T. Richards and wife Anna, circa 1860
5 15 Two Richards children, circa 1860s
5 16 Conanicut House, circa 1885
5 17 Negatives, William Trost Richards, circa 1850-1900
(Not scanned)