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Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006

A Finding Aid to Park Place, The Gallery of Art Research, Inc. Records and Paula Cooper Gallery Records, 1961-2006, in the Archives of American Art, by Sarah Haug

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Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund

Table of Contents:


Historical Information

The artists' cooperative Park Place, The Gallery of Art Research, Inc. opened in November 1965 at 542 West Broadway, showing the work of ten young contemporary artists. The cooperative did not represent an art movement, but frequently exhibited large-scale, non-figurative, geometric paintings and sculptures.

Many of the gallery's artists had attended art school in California and shared similar ideas about art, community, and collaboration. Since 1962, they had been informally exhibiting together at 79 Park Place and other various New York City locations under the name Park Place Gallery. With the successes of their informal exhibitions, and the loss of their lease at 79 Park Place, the group formalized their cooperative under the umbrella non-profit, Art Research, Inc. in 1965.

The cooperative was comprised of five sculptors, five painters, and five collectors. Members included sculptors Mark di Suvero, Peter Forakis, Robert Grosvenor, Tony Magar, and Forrest Myers; painters Dean Fleming, Tamara Melcher, David Novros, Edwin Ruda, and Leo Valledor; and collectors Virginia Dwan, Allen and Betty Guiberson, J. Patrick Lannan, Vera List, and John and Lupe Murchison. The collectors each donated an artwork by one of the artists for sale in the gallery, as well as financed the gallery's annual operating budget. As compensation, each collector was given one major work of art by each artist every year.

Paula Cooper (nee. Johnson) joined Park Place Gallery in 1966 and she became director in late 1966-early 1967. Previously, from 1964-1966, she ran Paula Johnson Gallery, showing artwork by Bob Thompson and other young artists.

Park Place, The Gallery of Art Research, Inc. had its first group show in February 1966. In addition to showing art, the gallery occasionally held jazz sessions and other art-related gatherings. The gallery physically closed at the end of July 1967. However, Paula Cooper continued managing the sale of artwork and organized exhibitions at various locations. The final exhibition of Park Place Gallery artists was held at M.I.T. in late spring of 1968.

Paula Cooper opened Paula Cooper Gallery in Soho at 96 Prince Street in 1968. Her gallery is often credited as being the first gallery in Soho and thus paved the way for the migration of uptown galleries to the neighborhood. From the beginning, the gallery showed primarily conceptual and minimalist art and she continued representing some of the Park Place artists. Artists represented by Paula Cooper Gallery and found in this collection include Jennifer Bartlett, Dara Birnbaum, Peter Campus, Michael Hurson, Zoe Leonard, Robert Mangold, Elizabeth Murray, Cady Noland, Adrian Piper, Ulrich Rückriem, Edwin Ruda, Alan Shields, the estate of Tony Smith, Joseph White, Chris Wilmarth, Kes Zapkus, and many others. The gallery continues to operate in Chelsea on West 21st Street.

Sources consulted include "Reimaging Space: the Park Place Gallery Group in 1960s New York" by Linda Dalrymple Henderson, published by Blanton Museum of Art, 2008; and, "Art and Space: Park Place and the beginning of the Paula Cooper Gallery," by Liza Kirwin, 2007 (http://www.aaa.si.edu/exhibitions/paula-cooper).

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Overview of the Collection

Scope and Contents

The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 49.8 linear feet and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

The collection is divided in three series, one series for each gallery represented in this collection. The records in each series are not comprehensive and do not represent the full scope of operations at each gallery. Due to the original arrangement of materials, some records related to Park Place Gallery are found in Series 3, and scattered records related to Paula Cooper Gallery are found in Series 2. Researchers are encouraged to reference both series.

Series 1, Paula Johnson Gallery records, contains six folders and includes an artist file for Bob Thompson; two ledger pages of accounts receivables; scattered exhibition announcements and flyers; two photographs of artwork by Vernon Lobb; tax records, and a handful of legal organizational records.

Park Place, The Gallery of Art Research, Inc. records are filed in Series 2 and is arranged in five subseries: correspondence, business files, artists' files, financial records, and printed materials. The correspondence is between gallery employees and clients, museums, and other galleries regarding artwork inquiries, sales and exhibitions. Business files are limited in scope and include documents related to the founding of the gallery, a guest book, and one folder of legal and financial records. Artists' Files for eight of the ten Park Place Gallery artists are found: Dean Fleming, Peter Forakis, Tony Magar, Tamara Melcher, Forrest Myers, David Novros, Edwin Ruda, and Leo Valledor. Not present in this collection are files for Mark di Suvero and Robert Grosvenor. Artists' Files contain a variety of materials including artists' statements, bibliographies, biographies, correspondence, exhibition flyers, interview transcripts, clippings and other printed materials, and photographic materials. Financial Records include check ledgers, a general ledger, paid bill receipts, sales invoices, tax forms, and other miscellaneous financial and banking records. Printed Materials include newspaper clippings, gallery announcements, an interview transcript, a handwritten gallery floor plan, and a poster for the 1964 Park Place Invitational Show drawn by Mark di Suvero with artists' names handwritten by Robert Grosvenor.

The bulk of the collection is the records of Paula Cooper Gallery, Series 3. This series contains similar materials as Series 2 and is arranged in the same five subseries. Correspondence includes responses to appraisal requests (1968-1997) and copies of outgoing gallery correspondence from 1985-1999. Business Files contain documentation related to advertising and renovations to the gallery, as well as an artwork inventory book from the early years of the gallery's operation. The bulk of this series is comprised of Artists' Files which contain varied materials such as correspondence with artists, museums, and galleries regarding installations, artwork fabrication, and other business; biographies and bibliographies; exhibition files; printed materials; and photographic materials of artwork and installations. There is considerable documentation for artists Jennifer Bartlett, Peter Campus, Zoe Leonard, Elizabeth Murray, Alan Shields and the estate of Tony Smith. Sales invoices, consignment records, payment ledgers, cancelled checks and other financial materials are found in Financial Records. Printed Materials are comprised of some newspaper and magazine clippings, an interview transcript, and a copy of a manuscript.

Arrangement and Series Description

The collection is arranged as 3 series:

Subjects and Names

This collection is indexed in the online catalog of the Archives of American Art under the following terms:

  • Subjects:
    • Bartlett, Jennifer, 1941-
    • Campus, Peter, 1937-
    • Fleming, Dean
    • Forakis, Peter
    • Leonard, Zoe
    • Magar, Anthony, 1936-
    • Melcher, Tamara
    • Murray, Elizabeth, 1940-
    • Myers, Forrest Warden, 1941-
    • Novros, David, 1941-
    • Ruda, Edwin, 1922-
    • Shields, Alan, 1944-
    • Smith, Tony, 1912-1980
    • Valledor, Leo
  • Subjects-Topical:
    • Art galleries, Commercial
  • Types of Materials:
    • Interviews
    • Photographs
    • Transcripts
  • Names:
    • Cooper, Paula, 1938-
    • Di Suvero, Mark, 1933-
    • Grosvenor, Robert, 1937-
    • Thompson, Bob, 1937-1966
    • Park Place Gallery Art Research, Inc.
    • Paula Cooper Gallery
    • Paula Johnson Gallery

Provenance

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records were donated by Paula Cooper, director of the galleries, in two accessions in 2006 and 2009.

Separated and Related Materials

Related collections found among the holdings of the Archives of America include a sound recording of a lecture given by Paula Cooper (Museum of Fine Arts, Boston sound recordings, May 18, 1983-February 8, 1984); audio tapes which include Paula Cooper (Bruce D. Kurtz video and audio recordings and papers, 1966-1995); and two silent 16mm films by Kenny Schneider (Park Place Gallery artists films, 1967.)

How the Collection was Processed

The collection was processed to a minimal level and a finding aid prepared by Sarah Haug in 2011-2012, with funding provided by the Smithsonian Institution Collections Care Preservation Fund. Minimal processing included arrangement to the series, subseries, and folder levels. Generally, items within folders were simply verified with folder titles, but not arranged further. Folder titles were transcribed from original folder headings; additional information provided by the processing archivist was written in brackets. The collection was rehoused in archival containers and folders. Staples and other fasteners were not removed, but materials were removed from binders or damaged binding when necessary.

Where found, Social Security numbers on documents were redacted. Social Security numbers were covered on the original and the document was photocopied. The originals were removed from the collection and replaced with the redacted photocopies.

How to Use the Collection

Restrictions on Use

Use of original papers requires an appointment.

Ownership & Literary Rights

The Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce requires written permission from Paula Cooper, 534 West 21st Street, New York, NY 10011.

How to Cite this Collection

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.

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Detailed Description and Container Inventory

Series 1: Paula Johnson Gallery, 1963-1967 (Box 1; 6 folders)

This series is comprised of six folders of records from the Paula Johnson Gallery, including an artist file for Bob Thompson; two ledger pages of accounts receivables; scattered exhibition announcements and flyers; two photographs of artwork by Vernon Lobb; tax records, and a handful of legal organizational records.

Folders are arranged alphabetically by folder title.

Box Folder
1 1 Accounts, 1964-1965
1 2 Artists' File, Bob Thompson, 1963-1965
1 3 Financial and Tax Records, 1966-1967
1 4 Photographs, circa 1964-1965
1 5 Printed Materials, circa 1965
1 6 Sirota, Krause and Gleason, 1964-1966

Series 2: Park Place, The Gallery of Art Research, Inc., 1961-1973, 1989 (Boxes 1-4, 50-51, OV 52; 4.1 linear feet)

Additional records related to Park Place Gallery are found in Series 3; researchers are encouraged to reference both series.

The series is arranged as 5 subseries:

2.1: Correspondence, 1964-1968

The Park Place Gallery correspondence is between the former director John Gibson, Paula Cooper, and gallery assistants to clients, museums, and other galleries regarding artwork inquiries, sales, and exhibitions. Also found is one folder of requests for Park Place Gallery buttons. Folders are arranged alphabetically by correspondent's last name; button inquiries are filed at the end of the subseries.

Box Folder
1 7 Correspondence, A-B, 1965-1968
1 8 Correspondence, C-D, 1966-1968
1 9 Correspondence, Denver [and Misc.], 1966-1968
1 10 Correspondence, E-G, 1965-1968
1 11 Correspondence, H-M, 1964-1968
1 12 Correspondence, N-R, 1965-1968
1 13 Correspondence, S-T, 1965-1968
1 14 Correspondence, U-Z, 1965-1968
1 15 Park Place Gallery Buttons, 1966-1967

2.2: Business Files, 1965-circa 1970

Found are documents related to the founding of Park Place, The Gallery of Art Research, Inc., a guest book, and one folder of various legal and financial records. Folders are arranged alphabetically by folder title.

Box Folder
1 16 Beldock, Levine and Hoffman, 1965-1968, circa 1970
1 17 Guest Book, 1965-1966
1 18 Park Place, The Gallery of Art Research, Inc., circa 1965-1967
1 19 Park Place, The Gallery of Art Research, Inc. Organizing Documents, 1965-1967

2.3: Artists' Files, 1961, 1964-1973

Files for eight of the ten Park Place Gallery artists are found here: Dean Fleming, Peter Forakis, Anthony (Tony) Magar, Tamara Melcher, Forest Myers, David Novros, Edwin Ruda, and Leo Valledor. There are no files for Mark di Suvero and Robert Grosvenor; however, a handful of artwork slides are found. Additional material related to Edwin Ruda is located in Series 3. Materials are varied and include artists' statements, bibliographies, biographies, correspondence, exhibition flyers, interview transcripts, clippings and other printed materials, and photographic materials. Folders are arranged alphabetically by artist's last name; photographic materials are generally found at the end of the artists' materials. Folders containing materials regarding multiple Park Place Gallery artists and miscellaneous artists are arranged at the end of the subseries.

Box Folder
1 20-21 Fleming, Dean, 1965-1973 (2 folders)
1 22 Fleming, Dean and Anthony Magar Exhibition (Dec. 19, 1965 - Jan. 20, 1966), circa 1965-1966
1 23 Forakis, Peter, 1966-1968 (Includes original color drawings)
1 Forakis, Peter,
1 24 Correspondence, 1961, 1966-1973
1 25 Teaching Jobs, 1966-1967
1 26 Slides, 1966, 1971
1 27 Magar, Anthony, Photographs, 1960s
1 28 Melcher, Tamara, circa 1966-1967
1 29 Melcher, Tamara, Slides, 1966
1 30 Melcher, Tamara and David Novros, Slides (Duplicates), circa 1964-1966
Box Folder
2 1 Myers, Forest, 1965-1974
2 Myers, Forest,
2 2 Albany Mall Photos, Model, circa 1970-1973
2 3 Anti-War Negatives, circa 1968-1973
2 4 Correspondence, 1969-1973
2 5-6 Photographs (1964-1970), circa 1964-1972 (2 folders)
2 7 Slides, 1966-1971
2 8 Slides of Early Pieces, 1966, 1971
2 9 Novros, David, circa 1966-1970
2 10 Novros, David, Slides, 1966
2 11-12 Ruda, Edwin, Photographs of Early Work (1964-1967), circa 1964-1968 (2 folders)
2 13-14 Valledor, Leo, circa 1965-1971 (2 folders)
2 15 Valledor, Leo, Slides, circa 1964-1967
2 Park Place Gallery Artists,
2 16 Original Park Place Gallery Photo Book and Biographies, circa 1964-1968
2 17 Photographic Materials, circa 1965-1967
2 18-20 Photographs, circa 1964-1968 (3 folders)
2 21 Slides, circa 1965-1967
2 22 Transparencies, 1965-1966
2 Miscellaneous Artists,
2 23 Biographies, circa 1967-1969
2 24 Slides, 1966-1971

2.4: Financial Records, 1965-1972

Financial Records include check ledgers, a general ledger, paid bill receipts, sales invoices, tax forms, and other miscellaneous financial and banking records. Folders are arranged alphabetically by folder title.

Box Folder
3 1 Accounting Information, Misc., 1967-1970
3 2-3 Cancelled Checks (Jan. - Nov. 1967), 1967 (2 folders)
3 4 Check Ledgers (Dec. 1965 - Apr. 1968), 1965-1968 (Oversized materials housed in Box 50, Folders 1-3)
3 5 Deposit Receipts (Dec. 1965 - Apr. 1968), 1965-1968
3 6 General Ledger (Feb. - Sept. 1968), 1968
3 7 Insurance, 1966-1968
3 8 John Gibson Suit, 1966-1970
3 9 Multiples, Inc. [Bills], 1967
3 10-18 Paid Bills (Oct. 1965 - Dec. 1968), 1965-1968 (9 folders)
3 19 Paid Bills, John D. Schiff, 1965-1967
3 20 Paid Bills, Treitel-Gratz Co., Inc., 1966-1967
3 21-22 Petty Cash, 1966-1967 (2 folders)
Box Folder
4 1 [Sales Invoices (1966) and Quarterly Invoices to Patrons], 1965-1967
4 2 Sales Invoices (1967), 1967
4 3 Statement of Revenue and Expenses (Sept. 16, 1968 - Aug. 31, 1969), 1969
4 4 Tax Bulletins, 1966-1972
4 5 Taxes (1966), 1966-1967
4 6 Taxes (1967), 1967-1968
Box Folder
50 1-3 Check Ledgers (Dec. 1965 - Apr. 1968), 1965-1968 (3 ledgers; Oversized materials from Box 3, Folder 4)

2.5: Printed Materials, 1964-1972, 1989

Printed Materials include newspaper clippings, gallery announcements, a handwritten gallery floor plan, a poster for the 1964 Park Place Invitational Show drawn by Mark di Suvero with artists' names handwritten by Robert Grosvenor, and a 1988 interview transcript with Paula Cooper discussing Park Place Gallery. The bulk of printed materials related to specific artists are filed in the Artists' Files subseries. Folders are arranged alphabetically by folder title.

Box Folder
4 7-8 Clippings, 1965-1972 (2 folders; Oversized materials housed in Box 51, Folders 1-2)
4 9 DropCity Magazine, "The Being Bag," circa late 1960s
4 10 Interview Transcript with Paula Cooper re: Park Place (1988), 1989
4 11 Miscellaneous, 1960s
4 12 Park Place Gallery Announcements, 1966-1970
4 13 Park Place Gallery Floor Plan, circa 1966 (Oversized material housed in OV 52)
4 14 Park Place Invitational Show Poster (Mar. - Apr. 1964) [Names handwritten by Robert Grosvenor], 1964 (Oversized material housed in OV 52)
Box Folder
51 1-2 Oversized Newspaper Clippings, 1965-1972 (2 folders; Oversized materials from Box 4, Folder 7 and arranged at bottom of box due to fragility)
Box
OV 52 Park Place Gallery Floor Plan, circa 1966 (Oversized material from Box 4, Folder 13)
OV 52 Park Place Invitational Show Poster (Mar. - Apr. 1964) [Names handwritten by Robert Grosvenor], 1964 (Oversized material from Box 4, Folder 14)

Series 3: Paula Cooper Gallery, 1962-2006 (Boxes 4-49, 51; 45.7 linear feet)

Additional records related to Paula Cooper Gallery are found in Series 2; researchers are encouraged to reference both series.

The series is arranged as 5 subseries:

3.1: Correspondence, 1968-1999

Correspondence contains responses to appraisal requests (1968-1997) and outgoing gallery correspondence (1985-1999). Nearly all of the outgoing correspondence is photocopied letters from the gallery to clients, museums, and other galleries regarding inquiries into artists and artwork. Folders are arranged alphabetically by type of correspondence, then roughly chronological according to original order.

Box Folder
4 15 Artwork Valuations (1968-1978), 1968-1978
4 16 Artwork Valuations (1979), 1979
4 17 Artwork Valuations (1980), 1980-1981
4 18 Artwork Valuations (1981), 1980-1982
4 19 Artwork Valuations (1982), 1981-1982
4 20 Artwork Valuations (1983), 1983
4 21 Artwork Valuations (1984), 1983-1984
4 22 Artwork Valuations (1985), 1984-1985
4 23 Artwork Valuations (1986), 1985-1987
4 24 Pending Evaluations, 1986-1987
4 25 Artwork Valuations [1987], 1986-1987, 1989
4 26-27 Artwork Valuations (1988), 1987-1989 (2 folders)
Box Folder
5 1 Artwork Valuations (1989), circa 1984-1989
5 2 Insurance Evalutions, 1989-1990
5 3 Artwork Valuations (1990), 1987-1990
5 4 Artwork Valuations (1991), 1987-1991
5 5 Artwork Valuations (1994), 1993-1994
5 6 Artwork Valuations (1995), 1994-1995
5 7 Artwork Valuations (1996), 1994-1996
5 8 Artwork Valuations (1997), 1997
5 9-10 Pending Appraisals, 1987-1999 (2 folders)
5 11-16 Outgoing Correspondence (Jan. - June 1985), 1985 (6 folders)
Box Folder
6 1-6 Outgoing Correspondence (July - Dec. 1985), 1985 (6 folders)
6 7-18 Outgoing Correspondence (Jan. - Dec. 1986), 1985-1986 (12 folders)
6 19 Outgoing Correspondence (Jan. 1987), 1987
Box Folder
7 1-10 Outgoing Correspondence (Jan., Apr. - Dec. 1988), 1988 (10 folders)
7 11-19 Outgoing Correspondence (Jan. - Sept. 1989), 1988-1989 (9 folders)
Box Folder
8 1-3 Outgoing Correspondence (Oct. - Dec. 1989), 1988-1989 (3 folders)
8 4-15 Outgoing Correspondence (Jan. - Dec. 1990), 1990 (12 folders)
Box Folder
9 1-12 Outgoing Correspondence (Jan. - Dec. 1991), 1991 (12 folders)
9 13-15 Outgoing Correspondence (Jan. - Mar. 1992), 1992 (3 folders)
Box Folder
10 1-9 Outgoing Correspondence (Apr. - Dec. 1992), 1992 (9 folders)
10 10-21 Outgoing Correspondence (Jan. - Dec. 1993), 1993 (12 folders)
10 22-23 Outgoing Correspondence (Jan. - Feb. 1994), 1994 (2 folders)
Box Folder
11 1-10 Outgoing Correspondence (Mar. - Dec. 1994), 1994 (10 folders)
11 11-21 Outgoing Correspondence (Jan. - Nov. 1995), 1995 (11 folders)
Box Folder
12 1 Outgoing Correspondence (Dec. 1995), 1995
12 2-13 Outgoing Correspondence (Jan. - Dec. 1996), 1995-1996 (12 folders)
12 14-25 Outgoing Correspondence (Jan. - Dec. 1997), 1997 (12 folders)
12 26-37 Outgoing Correspondence (Jan. - Dec. 1998), 1998-1999 (12 folders)

3.2: Business Files, 1968-1996, bulk 1980s-1990s

The bulk of the business files are related to advertising and renovations to the gallery. Materials include correspondence, bills, and mockups. Also found is an artwork inventory book, scattered insurance materials, and other general business records. The records found here do not represent the totality of the gallery's daily operations. Folders are arranged alphabetically by folder title.

Box Folder
13 1-14 Advertising, 1980-1994 (14 folders)
13 Advertising,
13 15 Contracts/Agreements, 1990-1996
13 16-18 Correspondence, 1989-1992 (3 folders)
13 19 Exhibition Announcement Cards and Cost Comparisons, 1989-1990
13 20 Finished Ads (July 1992 - ), 1992
13 21 Graphics/Layouts, 1993-1996
13 22-25 Listings, 1987-1993 (4 folders)
Box Folder
14 Advertising,
14 1 Miscellaneous, 1993-1996
14 2 Prints of Unidentified Artwork, 1996
14 3 Rate Cards, 1990-1991
14 4-5 Schedule and Contracts, 1990-1993 (2 folders)
14 6 Entre Computer Center, 1991
14 Events,
14 7 Announcements and Miscellaneous, circa 1969-1979
14 8 Chamber Music, 1977-1979
14 9 Deborah Hay Performance (Feb. 1979), 1976-1979
14 10 Gertrude Stein Reading, 1975-1979
14 11 Peace Festival Poster, 1970-1971
14 12 Inventory Notebook, circa 1968 - early 1970s
14 13 Opening of New Gallery, 1968, circa 1973
14 Renovations,
14 14 149 Wooster St., 1984
14 15 149 Wooster St. Architectural Plans, 1985
14 16 149 Wooster St. Building Notice Application, 1985
14 17 149-153 Wooster St. Construction, 1990
14 18 149-155 Wooster St. (1985), 1984-1985
14 19 155 Wooster St. Basement Renovation (1990), 1989-1990
14 20 155 Wooster St. Doors to Replace Windows (1986), 1985-1987
14 21 155 Wooster St. First Floor, Harken Plumbing Heating Proposal, 1990
14 22 155 Wooster St. Fourth Floor Floor Plan, Max Gordon, 1988
14 23 155 Wooster St. Fourth Floor Renovations (Aug. 31, 1988 - Sept. 1, 1989), 1989
14 24 155 Wooster St. Revised Drawing, 1985
14 25 Air Conditioning, Nelson Air Devices (July 1982), 1982
14 26 Air Conditioning Repair, Master Cooling Corp. Contract (Apr. 1984), 1984
14 27 Architectural Drawings, circa mid-1980s
14 28 Basement Asbestos Spraying (1984), 1979, 1983-1984
14 29 Basement Construction (Summer 1979), 1978-1979
14 30 Bathroom Renovation (Summer 1978), 1978
14 31 Certificate of Capital Improvement, 1985
14 32 Correspondence, 1993
14 33 Environmental Control Board, 1984
14 34 Fire Exit, NYC Approval, 1984, 1989
14 35 Floor Renovation (Dec. 1989), 1988-1989
14 36 Fourth Floor Renovation, 1988-1989
14 37 Front Door, Landmark Preservation Commission Approval, 1986
14 38 Front Wall and Alarm Area (July 12, 1978), 1978
14 39 Gallery (1973, 1980), 1973-1974, 1978-1980
14 40 Gallery (1974), 1974-1975
14 41 Gallery (1981), Una Architectural Studios, Townsend and Carmello, 1981, 1985
14 42 Gallery Doors (May 8, 1987), 1987
Box Folder
15 Renovations,
15 1 Gallery Renovations (1992), 1992
15 2 Gallery Renovation (1993), 1992-1993
15 3 Gallery Renovation/Improvement (1973-1979), 1972-1979
15 4-6 Gallery Renovation Paid Bills (Sept. 1, 1983 - Aug. 31, 1986), 1983-1986 (3 folders)
15 7 Gallery Renovation, Tri-Cross Contracting, 1981-1984
15 8 Heat Consultant, 1988-1989
15 9 Peter Dechar, Inc. Storage Built-In Cabinet, 1990
15 10 Plans for Fire Door and Sliding Door, 1984
15 11 Re-Lining Gallery Walls (Summer 1989), 1989
15 12 Renovation Costs, 1989
15 13 Skylights, 1981, 1989
15 14 Third Floor, 1977

3.3: Artists' Files, 1962-2006, bulk mid-1970s-early 2000s

This series contains materials gathered by the gallery about the artists in its stable; considerable documentation is found for Jennifer Bartlett, Peter Campus, Zoe Leonard, Elizabeth Murray, Alan Shields, and the estate of Tony Smith. Materials are varied and may include correspondence with artists, museums, and galleries regarding installations, artwork fabrication, and other business; biographies and bibliographies; exhibition files; printed materials; and photographic materials of artwork and installations. The folders are arranged alphabetically by artist's last name; thereafter folders are arranged according to the order of the material upon accession. Photographic materials are generally found at the end of the artists' materials and are arranged in rough chronological order by artwork date.

Box Folder
15 15 Artschwager, Richard, 1966-1973
15 Barr, Burt,
15 16 Videography and Installation Instructions, circa 1996
15 17 Complete Bibliography, circa 1994
15 18 Videography and Biographical Sketch, circa 1996
15 19 Press Release, 1993
15 20 Video Synopses, circa 1994-1996
15 21 Reviews, 1986-1994
15 22 The Israel Museum, Jerusalem, 1993-1996
15 23 "The Pool," Deutsche Bank, 1994
15 24 "The Pool," Musee D'Art Contemporain de Montreal, 1993-1994
15 25 Correspondence, 1990-1996
15 26 Mailing List, circa 1993-1996
15 Bartlett, Jennifer,
15 27-28 Walker Art Center, Minneapolis, MN, 1982-1985 (2 folders)
15 29 Cleopatra, 1986
15 30-31 Cesar Pelli Commisssion at Washington National Airport, Arlington, VA, 1993-1997 (2 folders)
15 32 Homan-ji Temple, Chiba, Japan, 1991-1992, 1996
15 33 New Amsterdam Beer, 1993-1994
15 34 [Inquiries], Julie Graham, 1996-1997
15 35-38 [Correspondence], 1985-1997 (4 folders)
15 39 "Jennifer Bartlett: Don't Talk!," Mathieu Carriere, Portmanteau Press, NY, 1992
15 40 Agreements with Paula Cooper Gallery, 1992-1993
15 41 [ISI Drawing], 1993-1994
15 42 Chase Manhattan Bank Offering, 1994
15 43 24 Hours Print Edition, 1993-1996
Box Folder
16 Bartlett, Jennifer,
16 1 In the Garden, Saatchi Collection, 1992-1995
16 2-3 Fia, Inc., 1991-1993 (2 folders)
16 4 24 Hours Abrams Contract, 1991-1995
16 5 Gallery Camino Real (Jan. 1-27, 1994), 1989-1995
16 6 San Francisco International Airport, 1995
16 7 Glass of Water I and Glass of Water II Prints, 1992
16 8 Shadow Prints, 1984-1985
16 9 Naoshima Museum, Japan, 1993
16 10 Eidelson v. Bartlett, 1989-1990
16 11 Bartlett Book ["History of the Universe"], 1980
16 12 At Sands Point, 1986
16 13 La Jolla [Exhibition], 1985
16 14 Brooklyn Museum, Brooklyn, NY, 1985
16 15 Carnegie, circa 1980s
16 16 Viart Corporation, The Capital Group Companies, 1996
16 17 Albright-Knox Art Gallery, Buffalo, NY, 1980
16 18 In the Garden, Margo Leavin Gallery, Los Angeles, CA, 1981
16 19 Up the Creek/To the Island, circa 1982-1985
16 20 The Tate Gallery, London, England, 1981-1983
16 21 Notes for Walker and Volvo, circa 1980s
16 22 The Cleveland Museum of Art, Cleveland, OH, 1985
16 23 Rhapsody Book, Harry N. Abrams, Inc., 1984-1985
16 24-25 Rhapsody, 1976-1986 (2 folders)
16 26 Rhapsody Photos and Instructions, circa 1979
16 27 Announcements and Information, 1973-1984
16 28 Up the Creek/To the Island Descriptions [Disbound material], circa 1982
16 29 Damage/Insurance, 1977-1984
16 30 Books and Writings, 1979-1980
16 31-32 Correspondence, 1973-1985 (2 folders)
Box Folder
17 Bartlett, Jennifer,
17 1 Larson Framing, circa 1970s-1980s
17 2 9th Biennale de Paris, 1975, 1981
17 3 Exhibition Lists, 1979-1982
17 4 In the Garden Drawings, 1981-1983
17 5 Carleton College, Northfield, MN, 1979
17 6 In the Garden Book Party, Harry N. Abrams, Inc., 1982
17 7 History of the Universe, 1985, 1987
17 8 Poem, 1987
17 9 Book, Harry N. Abrams, Inc., Elmore Leonard, 1987-1988
17 10 Long Beach Museum of Art, Long Beach, CA, 1982-1984
17 11 Walker Art Center Loan Forms, 1985-1986
17 12 Walker Art Center, Minneapolis, MN, 1985
17 13 Milwaukee Art Museum, Milwaukee, WI, 1988-1989
17 14 Sonoma State University Prints Exhibition, 1986
17 15 Atlanta Commission, 1977-1981
17 16 Volvo Commission, 1983-1984, 1989
17 17 Denver Commission, 1988-1989
17 18 Saatchi Commission, circa 1980s
17 19 Bartlett Expenses, 1988-1989
17 20 Homan-ji Temple, Chiba, Japan, 1991-1993
17 21 Miscellaneous, circa early 1990s
17 22 Photograph and Slides, circa 1970s-1980s
17 23 Seibu Commission, 1989-1990
17 24 Station Fine Arts Program, Baltimore, MD, 1979-1980
17 25 AT&T Commission, 1983-1984
17 26-27 ISI, Philadelphia, PA, 1978-1983 (2 folders)
17 28 Seibu Commission, Four Seasons, 1989-1990
17 29 Rambert Dance Company Projects, 1989-1990
17 30 Opera Comique, 1986-1987
17 31 Prints, 1980-1984
17 32 Battery Park Garden, 1986-1991
17 33 Swid Powell Design Contract, 1990
17 34 Simca Print Artists, 1990-1991
17 35 Rhapsody Documentation, 1989
17 36 At Sea Japan Print (JBa-5-PRT), 1981-1984
17 37 Graceland Mansion Print (JBa-1-PRT), 1978-1984
17 38 American Dance Festival, 1978-1984
17 39 In the Garden No. 118, 1982-1984
17 40 In the Garden No. 190, 1982-1983
17 41 In the Garden No. 40, 1983-1984
17 42 In the Garden No. 116, 1983-1984
17 43 Elements - Air, Fire, Earth, Water Prints, 1992
17 44 Knoedler Gallery, London, England, 1989-1990
17 45 Play, 1986
17 46 NYC Parks Department Poster, 1989
17 47 Kurata Interview Pending, 1988
17 48 Lincoln Center Film Society Poster, 1989
17 49 Lincoln Center Chamber Music Festival Poster, 1981
17 50 Shipping, 1989
17 51 House With Open Door Shipping, 1988-1989
Box Folder
18 Bartlett, Jennifer,
18 1 Book, la difference, 1989-1993
18 2 Decca CD Cover, Composer Aaron Kernis, 1992-1993
18 3 The Comedian as the Letter C, Citibank, 1991
18 4 Rizzoli Childrens Book, 1991
18 5 Orlando Museum of Art Print Retrospective, Orlando, FL, 1990-1993
18 6 Kotobuki Seating Co., Japan, 1992
18 7 Maier Museum of Art, Randolph-Macon Women's College, Lynchburg, VA, 1977, 1990- 1992
18 8 Art Tower Mito, Japan, 1991
18 9 Pending, 1987-1989
18 10 Simca Print Artists, 1983
18 11 Available Works List with Valuations, 1991
18 12 Pending, Heath Gallery, Atlanta, GA, 1991
18 13 Inventory Notes [Also Includes Inventory Notes for Andre, Serrano and Shields], 1990- 1995
18 14 Returns, 1994-1998
18 15-16 [Exhibitions, Miscellaneous], 1980s-1995 (2 folders)
18 17 At Sands Point Paintings, Exhibition Format, circa 1986
18 18 Homan-ji, Greg Kucera Gallery, Seattle, WA, 1994
18 19 Homan-ji, Gallery Camino Real, Boca Raton, FL, 1996
18 20 Hiram Butler Commission, St. Stephen's Episcopal Church, Houston, TX, 1995-1996
18 21 Homan-ji, Andre Emmerich Gallery, New York, NY, 1995
18 22 Numark Gallery, Washington, DC, 1996
18 23 Schedule of Exhibitions Outside the Gallery, circa 1996
18 24 Seibu, 1986-1988
18 25 Bard College, Annandale-on-Hudson, NY, 1987
18 26 Detroit Institute of Arts Exhibition (June 10 - Sept. 13, 1987), Detroit, MI, 1987
18 27 Paula Cooper Gallery Exhibition (Feb. 21 - Mar. 21, 1987), circa 1987
18 28 Fia, Inc., 1992-1995
18 29 Up the Creek and To the Island Condition Report, 1985
18 Bartlett, Jennifer, Photographs,
18 30 Portraits of the Artist, circa 1979-1995
18 31 Artwork (1969), circa 1988
18 32 Prints, circa 1980s
18 33 Artwork (1970-1971), circa 1970-1990s
18 34 Artwork (1972), circa 1972-1988
18 35 Artwork (1973), circa 1973-1980s
18 36 Artwork (1974), circa 1974-1988
18 37 Artwork (1975-1976), circa 1975-1990s
18 38 Rhapsody (1975-1976), circa 1975-1990s
18 39 Artwork (1977), circa 1977-1990s
18 40 Installations (1977), circa 1977-1990s
18 41 Graceland Mansion (1978-1979), circa 1978-1990s
18 42 Artwork (1978), circa 1978-1990s
18 43 Artwork (1979), circa 1979-1990s
18 44 Swimmers Atlanta (1979), circa 1979-1990s
18 45 In the Garden (1980), circa 1980-1990s
18 46 In the Garden Drawings (1980), circa 1980-1990s
18 47 Artwork (1980), circa 1980-1990s
18 48 Installation (Jan. 9 - Feb. 7, 1981), circa 1981-1990s
18 49 In the Garden (1981), circa 1981-1990s
18 50 Up the Creek (1981-1982), circa 1981-1990s
18 51 In the Garden (1982), circa 1982-1990s
18 52 To the Island (1982), circa 1982-1990s
Box Folder
19 Bartlett, Jennifer, Photographs,
19 1 Artwork (1983), circa 1983-1990s
19 2 Artwork and Installations (1984), circa 1984-1990s
19 3 Blue House, Unfinished (1985), 1988
19 4 Volvo Corporate Headquarters, circa 1980s
19 5 AT&T Commission (1984), circa 1984
19 6 Installations (1984-1985), circa 1984-1990s
19 7 Installation (Apr. 4-27, 1985), circa 1985-1990s
19 8 Luxembourg Garden Carnegie Institute Installation, circa 1985-1990s
19 9-13 At Sands Point, Nos. 1-52 (1985-1986), circa 1986-1990s (5 folders)
19 14-16 Old House Lane, Nos. 1-34 (1986-1987), circa 1986-1990s (3 folders)
19 17 Four Paintings for Victor Ganz (1987), 1987-1990s
19 18 Artwork (1988), circa 1988-1990s
19 19 Fire Series (1988-1989), circa 1989-1990s
19 20 Fire Series, London (1988-1989), 1989
19 21 Not Fire Series Paintings (1989), 1989
19 22 Black and White Drawings and Prints (1990), circa 1989-1990s
19 23 Artwork (1990), circa 1989-1990s
19 24 Artwork (1991), 1990s
19 25 Installation 3 Views (Jan. 5 - Feb. 2, 1991), circa 1991
19 26 The Four Seasons (1990-1992), 1990s
19 27-28 Air: 24 Hours Series, JBA#735-758 (1991-1992), 1992-1993 (2 folders)
19 29 Artwork (1992), circa 1992-1997
19 30 Commission for Homan-ji Temple, Chiba, Japan (May 1992), 1992
19 31 Air: 24 Hours Series (1993), 1992-1993
19 32 Alphabet Series (1993), 1993
19 33 Alphabet Installation (Jan. 7-29, 1994), 1993-1994
19 34 Artwork (1994), circa 1994
19 35 Earth Series (1995), 1995
19 Bartlett, Jennifer, Transparencies,
19 36 Artwork (1977), circa 1977-1990s
19 37 Artwork (1978), circa 1978-1990s
19 38 Artwork (1978-1979), circa 1978-1990s
19 39 Artwork (1979), circa 1979-1990s
19 40 Artwork (1979-1980), circa 1979-1990s
19 41-42 Artwork (1980), circa 1980-1990s (2 folders)
Box Folder
20 Bartlett, Jennifer, Transparencies,
20 1-2 In the Garden Installation (1981), circa 1981-1990s (2 folders)
20 3 Up the Creek and To the Island Installation (1981-1982), circa 1981-1990s
20 4 Up the Creek (1981-1982), circa 1981-1990s
20 5 To the Island (1981-1982), circa 1981-1990s
20 6-7 In the Garden (1981-1982), circa 1981-1990s (2 folders)
20 8-9 Artwork (1983-1984), circa 1983-1990s (2 folders)
20 10 The Creek Series Dupes (1984), circa 1984-1990s
20 11 AT&T Commission (1984), circa 1984-1990s
20 12 Prints (1984), circa 1984-1990s
20 13 The Island Series (1984-1985), circa 1984-1990s
20 14 Prints (1985), circa 1985-1990s
20 15 Sea Wall (1985), circa 1985-1990s
20 16-17 At Sands Point (1985-1986), circa 1985-1990s (2 folders)
20 18 Artwork (1987), circa 1987-1990s
20 19 Four Paintings for Victor Ganz Dupes (1987), circa 1987-1990s
20 20-22 Old House Lane (1986-1987), circa 1986-1990s (3 folders)
20 23 House With Open Door (1988), circa 1988-1990s
Box Folder
21 Bartlett, Jennifer, Transparencies,
21 1 Artwork (1988), circa 1988-1990s
21 2 Fire Series (1988-1989), circa 1988-1990s
21 3 Artwork (1989), circa 1988-1990s
21 4 Not Fire Series (1989), circa 1989-1990s
21 5 Installations (1989), circa 1989-1990s
21 6 Paintings (1990), circa 1990-1997
21 7 Drawings and Prints (1990), circa 1990-1997
21 8 Fire Paintings Installation (Jan. 1990), circa 1990-1997
21 9 Artwork (1991), circa 1990-1997
21 10 Paintings (1991), circa 1991-1997
21 11-14 Air: 24 Hours Series (1991-1992), circa 1991-1997 (4 folders)
21 15-16 Commission for Homan-ji Temple (1992), circa 1992-1997 (2 folders)
21 17 Alphabet Series (1993), circa 1993-1997
21 18 Paintings (1993), circa 1993-1997
Box Folder
22 Bartlett, Jennifer, Transparencies,
22 1 Prints (1992-1993), circa 1992-1997
22 2-3 Air: 24 Hours Pastels Series (1993), circa 1993-1997 (2 folders)
22 4 Paintings (1994), circa 1994-1997
22 5-6 Transparencies, Earth Series (1995), circa 1995-1997 (2 folders)
22 Bartlett, Jennifer,
22 7 Slides, Homan-ji III, circa 1995-1997
22 8 Photographic Materials, Available Artwork, circa 1980s-1997
22 9 Photographs, Available Plate Pieces, 1972-1988
22 10 Photocopies of Photographic Materials, circa 1980s-1990s
22 11-12 Photograph Book of Commissions [Disassembled], circa 1980s-1990s (2 folders)
22 13 Negatives, Design Portfolio, circa 1990
22 14 Negatives and Contact Prints, circa 1972-1990s
22 15-18 Miscellaneous Color Snapshots and Polaroids of Artwork, 1970s-1990s (4 folders)
Box Folder
23 1 Bennett, Charles, Slides, 1972
23 2 Berlant, Tony, circa 1978
23 Birnbaum, Dara,
23 3 Exhibition Announcements - Other Galleries, 1989, 1992-1993
23 4-5 "Hostage" Video, 1994-1995 (2 folders)
23 6 Kunsthalle Wien, Vienna, Austria, 1994-1995
23 7 Rio Videowall, Rio Shopping/Entertainment Complex, Atlanta, GA, 1988-1989
23 8 Exhibition Information, circa 1988
23 9 Progressive Insurance Company, Cleveland, OH, 1994
23 10-19 Press (1980-1993) [Photocopies], circa 1980s-1990s (10 folders)
23 20 Complete Biography, circa 1991-1993
23 21 Bibliography, circa 1993
23 22 Biography, circa 1992
23 23 "Hostage" Statement, circa 1994
23 24 [Correspondence], 1992-1994
23 25 Biography (dbcom.bio), circa 1991-1993
23 26 dbcom.bib and dbvid.bio [empty folders], circa 1990s
23 27 Four Gates Proposal, circa 1994
23 28 Notes and Correspondence, 1992-1995
23 29 Installations, circa 1992
23 30 Background Information, circa 1994
23 31 Press (1980-1989), 1980s-1990s
23 32 Press (1991-1994), 1990s
23 33 Press, Foreign (1982-1988), 1980s
23 34 Camnitzer, Luis, 1970-1972
23 35 Campus, Peter, [Correspondence], 1989-2002
Box Folder
24 Campus, Peter,
24 1 [Correspondence], 1989-2002
24 2 Works Dispute, 1999-2000
24 3 A Spider Waits, ICA Philadelphia, 1998-1999
24 4 Printed Material, circa 1970s-1990s
24 5 Middlebury College Museum of Art Exhibition (Mar. - May 3, 1998), 1997
24 6 Biennale de Lyon, 1995-1997
24 7 Kunsthalle Bremen, 1997
24 8 Six Fragments (1976) [Printed Material], circa 1970s-1990s
24 9 Anne-Marie Duguet, 1993-1995
24 10 Divers, 1995-1996
24 11 Paula Cooper Gallery Exhibition (Jan. 8 - Feb. 7, 1998), 1998
24 12 Interface, Centre Pompidou, Kolnischer Kunstverein, 1989-1992
24 13 Head of a Sad Young Woman (PC-10V) Video Installation, circa 1970s-1990s
24 14 Head of a Man With Death on His Mind (PC-11V), Coll: Bohen Foundation, circa 1970s- 1990s
24 15 Kiva (PC-12V) Video Installation, circa 1970s-1990s
24 16 Mer (PC-13V) Video Installation, circa 1970s-1990s
24 17 Interface (PC-14V) Video Installation, Coll: Pompidou, circa 1970s-1990s
24 18 Stasis (PC-15V) Video Installation, circa 1970s-1990s
24 19 Optical Sockets (PC-16V) Video Installation, circa 1980s-1990s
24 20 Shadow Projection (PC-17V), Coll: Marlies Black Center for Studies, Bard College, circa 1980s-1990s
24 21 Negative Crossing (PC-18V) Video Installation, circa 1970s-1990s
24 22 Anamesis (PC-19V) Video Installation, circa 1980s-1998
24 23 col (PC-20V) Video Installation, circa 1980s-1990s
24 24 mem (PC-21V) Video Installation, Coll: Thomas Wegner, circa 1975-1990s
24 25 dor (PC-22V) Video Installation, circa 1970s-1990s
24 26 bys (PC-23V) Video Installation, circa 1976-1990s
24 27 sev (PC-24V) Video Installation, circa 1970s-1998
24 28 cir (PC-25V) Video Installation, circa 1990s
24 29 aen (PC-26V) Video Installation, Coll: Bohen Foundation, circa 1990s
24 30 num (PC-27V) Video Installation, circa 1970s-1999
24 31 lus (PC-28V) Video Installation, Coll: Thomas Wegner, circa 1970s-1990s
24 32 Photography Biennial, Rotterdam, Netherlands, 1992
24 33 Pending, 1986-1989
24 34 Weisser Raum, Hamburg, Germany, 1990-1992
24 35 Whitney Museum Showing, 1988
24 36 [Correspondence], 1986, 1993-1994
24 37 New Works Exhibition (Oct. 16 - Nov. 12, 1993), 1993
24 38 Ascan Crone, Hamburg, Germany, 1993
24 39 Divers, 1992-1994
24 40 [Miscellaneous], circa 1992-1993
24 41 Kunsthalle Wien, Vienna, Austria, 1993
24 42 Paula Cooper Gallery Exhibition Lists, circa 1980s
24 43 MIT Exhibition (1983), 1983
24 44 "Black" Exhibition, Kunsthalle Dusseldorf, Germany, 1981, 1983
24 45 Correspondence, 1978-1989
24 46 Press Release, 1998
24 47-50 Press (1977-1998) [Photocopies], circa 1977-1998 (4 folders)
24 51 Laminating and Mounting Information, 1990, 1993
24 52-53 Everson Museum of Art Catalog, circa 1970s-1990s (2 folders)
24 54 Photographic Materials, Available Works, circa 1980s-1998 (Oversized material housed in Box 51, Folder 3)
24 55 Photographic Materials, Artwork (1998), circa 1998
24 Campus, Peter, Photographs,
24 56 The Bohen Foundation Installation (1996-1997), circa 1996-1998
24 57 Artwork (1997), circa 1997-1998
24 58 Paula Cooper Gallery Installation (Jan. 19 - Feb. 17, 1996), circa 1996-1998
24 59 Artwork (1995), circa 1995-1998
24 60 Artwork (1994), circa 1994-1998
24 61 Installations (1993), circa 1993
24 62 Artwork (1992), circa 1992-1998
24 63 Artwork (1990), circa 1990-1998
24 64 Paula Cooper Gallery Installation (Oct. 3 - Nov. 2, 1991), circa 1991-1998
24 65 Paula Cooper Gallery Installation (Feb. 3-24, 1990), circa 1990-1998
24 66 Computer Drawings and Paula Cooper Gallery Installation (1989), circa 1989-1998
24 67 Artwork (1988), circa 1988-1998
24 68 Galleria d'Arte Moderna Installation (May 28 - June 26, 1988), 1988
24 69 Artwork (1987), 1987-1990s
24 70 Work Prints (1987), circa 1987
24 71 Paula Cooper Gallery Installation, Special Matte Finish (Sept. 9-30, 1987), 1988
24 72 Artwork (1986), circa 1986-1990s
Box Folder
25 Campus, Peter, Photographs,
25 1-2 Artwork Nos. 126-145 (1984), circa 1984-1990s (2 folders)
25 3 Artwork (1982-1984), circa 1982-1990s
25 4 Artwork (1982), circa 1982-1990s
25 5 Paula Cooper Gallery Installation (Mar. 4-28, 1981), circa 1981-1990s
25 6 Artwork (1981), circa 1981-1990s
25 7 Artwork (1980), circa 1980-1990s
25 8 Paula Cooper Gallery Installation (Jan. 16 - Feb. 7, 1979), circa 1979-1990s
25 9 Leo Castelli Gallery (1973-1976), circa 1973-1990s
25 10 Walker Art Center Installation (Sept. 30 - Nov. 18, 1979), circa 1979-1990s
25 11 Artwork (1979), circa 1979-1990s
25 12 Kolnischer Kunstverein Installation of mem, Cologne, Germany (1979), circa 1979-1990s
25 13 Artwork (1978), circa 1978-1990s
25 14 Artwork (pre-1977), circa 1970s-1990s
25 Campus, Peter,
25 15 Negatives [and Miscellaneous], circa 1970s-1990s
25 16 Photo Projections, 1997
25 17 Castoro, Rosemarie, 1969-1970
25 18 Dearing, James, circa 1974-1975
25 19 Diao, David, 1969-1972
25 20 Dobosen, Gary, circa 1970
25 Fisher, Joel,
25 21 Correspondence, 1971-1977
25 22 Exhibitions, circa 1970-1975
25 23 Photographs, 1970s
25 24 Gilbert-Rolfe, Jeremy, 1977-1979
25 25 Ginnever, Charles, circa 1970
25 26 Ginnever, Charles, Louis Kahn's Comments on Ginnever's Sculpture, 1970
25 27 Goldberg, Michael, Slides, 1969-1970
25 28 Hall, David, 1969-1970
25 29 Hollingworth, Keith, 1971-1975
25 30-36 Hollingworth, Keith, Photographs, circa 1968-1973 (7 folders)
25 37 Huot, Robert, 1963-1979
Box Folder
26 Hurson, Michael,
26 1 Correspondence and Prices List, 1993-1994
26 2 Joe Fawbush Edition, 1987-1988
26 3 Grenfell Press, circa 1990s
26 4 "The Last Home Show" (Fall 1992), circa 1992
26 5 Dia, circa 1988-1992
26 6 Robert Moskowitz Drawings, circa 1980s-1991
26 7 Thurman Buzzard Essay, circa 1982
26 8 "Red and Blue" Play, 1979-1980
26 9 Paula Cooper Gallery Exhibition List (Feb. 10 - Mar. 6, 1982), 1982
26 10 Correspondence, 1978-1985
26 11 Clocktower Gallery, Chicago, IL (Feb. 23 - Mar. 25, 1984), 1984
26 12 Petersburg Press, Inc., 1984-1987
26 13 Jackson, Richard, circa 1977
26 14 James, Laurie, 1971
26 15 Kirschenbaum, Bernard and George Kuehn, 1968-1972
26 16 Kotik, Jan, 1970s-1984
26 17 Kuehn, [George?] Gary, 1968-1972
26 Kuehn, George,
26 18 (Up to And 1970), circa 1969-1972
26 19 Photographs of Box Piece (1969-1971), circa 1969-1971
26 20-22 Photographs, circa 1971-1972, undated (3 folders; Oversized material housed in Box 51, Folder 4)
26 23 Leavengood, David, Photographs, circa 1971 (Oversized materials housed in Box 51, Folder 5)
26 Leonard, Zoe,
26 24 Mouth open, teeth showing (ZL-51-SC) Documentation and Instructions, 2003
26 25-30 Correspondence, 1992-2002 (6 folders)
Box Folder
27 Leonard, Zoe,
27 1 Paula Cooper Gallery Exhibition (Mar. 21 - Apr. 19, 2003), 2003
27 2 Galerie Jennifer Flay, Paris, France, 1993-2001
27 3 Paula Cooper Gallery Exhibition (Oct. 21 - Nov. 25, 2000), 2000
27 4 Creative Capital Grant, circa 1999-2000
27 5 Baltimore Museum, 2000
27 6 Sleuth Exhibition (June 1999), 1998-1999
27 7 Philadelphia Museum of Art, 1998-2000
27 8 The Agency, London, England (Sept. 2002), 2002-2003
27 9 Dye Transfer Prints Care, circa 1990s-2000s
27 10 Herzliya Museum of Art, Israel, 2002
27 11 Centre National de la Photographie, 1997-1998
27 12 Hamilton, Canada, 2001-2002
27 13 Kunsthaus Glarus, Switzerland, 1995-1997
27 14 Project Yankee, MassMoCA, MA, 2002-2003
27 15 Paris Photo, 2002
27 16 Gallery Anadiel, Jerusalem, Israel, 1997
27 17 Christian Scheidemann, 1996-1999
27 18 Vera Vita Gioia, 1997
27 19 The Watermelon Woman at Groningen Museum, Netherlands, 1995-1996
27 20 Wiener Secession, 1995-1997
27 21 Galerie Jennifer Flay, Paris, France, 1999-2000
27 22 Kunsthalle Basel, Switzerland, 1996-1997, 2002
27 23 Nicholas Krups, Basel, Switzerland (June 2003), 2002
27 24 Peter Pakesch, Basel Kunsthalle (Glarus/Vienna) [and Miscellaneous Correpondence], 1996- 1997
27 25 Shoshana Wayne Gallery, Santa Monica, CA, 1994-1996
27 26 Zanders, 1994
27 27 The Fae Richards Photo Archive, 1996-1997
27 28 The Fae Richards Photo Archive, Artspace, San Francisco, CA, 1996-1997
27 29 The Fae Richards Photo Archive, Tate Modern, London, England (Oct. 2002), 2002
27 30 The Watermelon Woman, 1995-1996
27 31 The Watermelon Woman Original Contracts, 1995-1997
27 32 The Morgue (Pneumonia Death) by Andres Serrano, Ugo Ferranti Gallery, Rome, Italy, circa 1990s
27 33 Centre National d'Art Contemporain de Grenoble, France, 1992
27 34 documenta und Museum Fridericianum, 1991-1992
27 35 Lichtenstein, Roy, 1976
27 Mangold, Robert,
27 36-39 Exhibition Announcements, Postcards and Posters, 1983-1991 (4 folders)
27 40 [Works List], circa 1991
27 41 Traveling Exhibition, 1984-1985
27 42 The Baltimore Museum of Art, Baltimore, MD, 1987
27 43 Brooke Alexander Sales, 1990
27 44 Bonnefantenmuseum, Netherlands, 1989
27 45 Damage (Dec. 1988), 1988-1989
27 46 Paula Cooper Gallery Exhibition Lists, 1984
27 47 Cleveland Center for Contemporary Art Exhibition, Cleveland, OH, 1990
27 48 "Robert Mangold: Frames of Reference", 1990
27 49 New Work, undated
27 50 From John Weber Gallery, New York, NY, 1986
27 51 New Works (1988), circa 1988
27 52 Crown Point Press (1987), circa 1987
27 53 Parasol Press (1988), circa 1988-1989
27 54 Cooper & Alexander, 1989
27 55 Correspondence, 1983-1988
Box Folder
28 1 Mazzello, 161 Mulberry St., Slides, 1971
28 Murray, Elizabeth,
28 2 Exhibition Announcements and a Polaroid, undated
28 3 [Administrative], 1987-1996
28 4 Johnson County Community College, Kansas (Sept. 1993), 1991, 1993
28 5 Print Retrospective to Travel, Barbara Krakow Gallery, Boston, MA, 1989
28 6 Pending, 1989
28 7 Wexner Center (Nov. 1991 - Feb. 1992), 1991
28 8 Murrays Not in Show, circa 1980s
28 9 Roberta Smith, "Motion Pictures" Drafts, circa 1980s
28 10 Exhibition History, 1986
28 11-12 [Correspondence], 1988-1996 (2 folders)
28 13 Art Journal (Spring 1991), 1991
28 14 MTA Commission, New York, 1993-1995
28 15 Museum of Modern Art, New York, 1995
28 16 Dallas Museum of Art Guest List, circa 1986
28 17 Gallery Floor Plans, circa 1980s-1990s
28 18 Harry N. Abrams, Inc., 1986
28 19 MIT/Dallas Museum of Art, 1983-1987
28 20 Kunstmuseum Luzern, Switzerland, 1986
28 21 Carnegie-Mellon Exhibition (Oct. 25 - Dec. 13, 1986), 1986
28 22 Paula Cooper Gallery Exhibition List, 1981, 1983
28 23 Portland Center for Visual Arts Exhibition, Portland, OR (1983), 1982-1983
28 24 Return of the Sausages Agreement, 1984
28 25 Knight Gallery Exhibition, Charlotte, NC (1984), 1983-1984
28 26 Correspondence, 1975-1985
28 27 Interview Transcripts, circa 1970s-1990s
28 28-29 MIT Interview Transcript, 1986, 1988 (2 folders)
28 30 David Nolan Gallery, New York, NY (1990), circa 1990
28 31 Simca Print, circa 1982-1985
28 32 Art Part Restoration Report, 1986
28 33 Muscarelle Museum of Art, VA, 1990, 1993
28 34 Prints, Derriere L'Etoile Studios, 1984
28 35 Prints, Hand on Head, 1984
28 36 Prints, Sanchez/Cooper & Alexander, 1980-1981
28 37 Mostly Mozart Print and Poster, 1980-1983
28 38 ULAE Prints, 1986-1990
28 39-40 Exhibition Announcements, Postcards and Posters, 1972-1996 (2 folders)
Box Folder
29 Murray, Elizabeth,
29 1-6 Exhibition Announcements, Postcards and Posters, 1972-1996 (6 folders)
29 7-17 Press (1977-1995) [Photocopies], circa 1977-1990s (11 folders)
29 18 Jeff Perrone Essay on Murray, circa 1992-1993
29 19 Complete Biography, circa 1996
29 20 Complete Bibliography, circa 1996
29 21 Selected Bibliography, circa 1996
29 22 Public Collections, circa 1996
29 Murray, Elizabeth, Photographs,
29 23 Gemini Prints Not at Gallery, 1994
29 24 Paintings (1995), circa 1995
29 25 Paintings (1994), circa 1994-1995
29 26 Drawings and Installations (1994), 1994
29 27 Gemini Prints at Gallery, 1994
29 28 Drawings (1993), 1993
29 29 Paintings (1993), 1993-1994
29 30 Gemini G.E.L. Prints, 1993
29 31 Drawings and Installations (1992), 1992
29 32 Paintings (1992), circa 1992
29 33 Paintings (1991), circa 1991-1996
29 34 Drawings (1991), 1991, 1995
29 35 Paintings (1990), circa 1989-1996
29 36 Drawings (1990), circa 1989-1996
29 37 Installations (1989), circa 1989-1990s
29 38 Paintings (1989), circa 1989-1996
Box Folder
30 Murray, Elizabeth, Photographs,
30 1 Drawings (1989), circa 1988-1996
30 2 Installations (Apr. - June 1988), 1988-1989
30 3 Drawings (1988), circa 1987-1996
30 4 Paintings (1988), circa 1987-1996
30 5 Paula Cooper Gallery Installation (Apr. 25 - May 23, 1987), circa 1987
30 6 Drawings (1987), circa 1987-1996
30 7 Paintings (1987), circa 1987-1996
30 8 Drawings (1986), circa 1986-1996
30 9 Paintings (1986), circa 1986-1996
30 10 Paintings (1985), circa 1985-1996
30 11 Drawings (1985), circa 1985-1996
30 12 Drawings (1984), circa 1984-1996
30 13 Paintings (1984), circa 1984-1996
30 14 Paula Cooper Gallery Installation (Oct. 2-27, 1984), circa 1984
30 15 Drawings (1983), circa 1983-1996
30 16 Paintings (1983), circa 1983-1996
30 17 Drawings (1982), circa 1982-1996
30 18 Paintings (1982), circa 1982-1996
30 19 Photographic Materials and Printed Materials, 1980s-1990s
30 20 Installations (1981), 1981-1990s
30 21 Paintings (1981), circa 1981-1996
30 22 Drawings (1981), circa 1981-1996
30 23 Paintings (1980), circa 1980-1996
30 24 Drawings (1980), circa 1980-1996
30 25 Paintings (1979), circa 1979-1996
30 26 Drawings (1979), circa 1979-1996
30 27 Paintings (1978), circa 1978-1996
30 28 Drawings (1978), circa 1978-1996
30 29 Artwork (1977), circa 1977-1996
30 30 Artwork (1976), circa 1976-1996
30 31 Artwork and Installation (1975), circa 1975-1996
30 32 Artwork and Installation (1974), circa 1974-1996
30 33 Prints, circa 1982-1996
30 34 Poloroids, circa 1970s-1990s
30 Murray, Elizabeth,
30 35 Photographs and Transparencies, Changed Paintings, circa 1994-1996
30 36 Negatives, circa 1970s-1990s
30 37 Negatives, Eeva-Inkeri, circa 1980s
30 38 Color Separations, circa 1980s
30 Murray, Elizabeth, Transparencies,
30 39 Paintings and Drawings (1995), circa 1995-1996
30 40 Glass Pieces (1994), circa 1994-1996
30 41 Paintings (1994), circa 1994-1996
30 42 Drawings (1993), circa 1993-1996
30 43 Paintings (1993), circa 1993-1996
Box Folder
31 Murray, Elizabeth, Transparencies,
31 1 Drawings (1992), circa 1992-1996
31 2 Paintings (1992), circa 1992-1996
31 3 Drawing 4x5 (1991), circa 1991-1996
31 4 Paintings (1991), circa 1991-1996
31 5 Paintings (1990), circa 1990-1996
31 6 Drawings (1990), circa 1990-1996
31 7 Installations (1990), circa 1990-1996
31 8 Paintings (1989), circa 1989-1996
31 9 Saatchi London Installation (Oct. 1988 - Feb. 1989), circa 1988-1996
31 10 Drawings (1989), circa 1989-1996
31 11 Paintings (1988), circa 1988-1996
31 12 Whitney Museum of Art Exhibition, Extras, 1988
31 13 Drawings (1988), circa 1988-1996
31 14 Paintings (1987), circa 1987-1996
31 15 Drawings (1987), circa 1987-1996
Box Folder
32 Murray, Elizabeth, Transparencies,
32 1 Paintings (1986), circa 1986-1996
32 2 Drawings (1986), circa 1986-1996
32 3 Drawings (1985), circa 1985-1996
32 4 Paintings (1985), circa 1985-1996
32 5 Drawings (1984), circa 1984-1996
32 6 Paintings (1984), circa 1984-1996
32 7 Drawings (1983), circa 1983-1996
32 8 Paintings (1983), circa 1983-1996
32 9 Paintings (1982), circa 1982-1996
32 10 Drawings (1982), circa 1982-1996
32 11 Paula Cooper Gallery Installation (May 1-30, 1981), 1980s-1990s
32 12 Drawings (1981), circa 1981-1996
32 13 Paintings (1981), circa 1981-1996
32 14 Paintings (1980), circa 1980-1996
32 15 Artwork (1978-1979), circa 1978-1996
32 16 Artwork (1976-1977), circa 1976-1996
32 17 Artwork (Pre-1976), circa 1970s-1996
32 18 Prints, circa 1984-1996
32 19-20 Murray, Robert, 1974-1977, 1984 (2 folders)
Box Folder
33 1-2 Murray, Robert, 1974-1977, 1984 (2 folders)
33 Noland, Cady,
33 3 Louisiana Museum of Modern Art, Denmark, 1992-1993
33 4-5 American Fine Arts Dispute, circa 1989-1992 (2 folders)
33 6-7 Correspondence, 1992-1997 (2 folders)
33 8 John Silberman, 1994-1995
33 9 Certificates of Authenticity, 1994
33 10 SFMOMA Pricing, 1994-1995
33 11 Ron McPherson Estimates, Bills, Etc., 1994
33 12 Agreements With Paula Cooper Gallery, 1994-1995
33 13 Museum Boymans-van Beuningen, Rotterdam, Netherlands, 1994-1995
33 14-15 Dragoslav Scepanovic, 1994-1995 (2 folders)
33 16-18 Press (1989-1994) [Photocopies], circa 1989-1995 (3 folders)
33 19 Complete Biography, circa 1994
33 20 Complete Bibliography, circa 1994
33 21-22 [Correspondence], circa 1989-1995 (2 folders)
33 23 Phelan, Ellen, circa 1979-1980
33 24 Pinchbeck, Peter, Slides, 1971
33 25-27 Piper, Adrian, Correspondence, 1992-2004 (3 folders)
Box Folder
34 Piper, Adrian,
34 1-2 Correspondence, 1992-2004 (2 folders)
34 3 Inventory, 2003-2004
34 4-5 Retrospective, 2001-2004 (2 folders)
34 6 Exhibition Agreement and Original Transfer of Work of Art, 1997-1998
34 7 Contract of Sale [Generali Foundation Acquisition?], circa 2000s
34 8-9 Generali Foundation Acquisition, Vienna, Austria, 2002-2003 (2 folders)
34 10 Museu d'Art Contemporani de Barcelona, Spain, 2002, 2004
34 11 Institut d'Art Contemporain, Lyon, France, 2002-2004
34 12 Copies of Notebooks, circa 2002-2003
34 13 Publication, circa 2002-2003
34 14 Documenta XI, 2001-2002
34 15-19 European Retrospective, 2002, 2004 (5 folders)
34 20 "L'Hiver de l'Amour," Musee d'Art Moderne de la Ville de Paris, France, 1993-1994
34 21 Liverpool Biennial, 1999
34 22 The Color Wheel Series, 2000-2001
34 23 Medi(t)Ations, 2001-2002
34 24 LSD Paintings, 2002
34 25 Adrian Piper Miscellaneous Texts [Photocopies], circa 1990s-2000s
34 26 Quaytman, Harvey, 1970-1973
34 27 Quaytman, Harvey, Correspondence, 1969-1973
34 28 Quaytman, Harvey, Onnasch Galerie (June 18 - Aug. 20, 1971), 1971-1973
34 29 Reich, Steve and William Wiley, 1968-1972, 2006
34 30 Rockburne, Dorothea, circa 1970
34 31 Roldandini, Livia, circa 1969-1970
34 Rückriem, Ulrich,
34 32 Biographies, 1971-1973, 1995
34 33 Exhibitions, circa 1971-1975
Box Folder
35 Rückriem, Ulrich,
35 1 Correspondence, circa 1971-1979
35 2-3 Photographic Materials, circa 1970s (2 folders)
35 Ruda, Edwin,
35 4 Correspondence, 1966-1977
35 5 Artist's Statements, circa 1965-1970s
35 6 Biography and Bibliography, circa 1970s
35 7 Collections, circa 1970s
35 8 Reviews, 1971-1975
35 9 Exhibitions, 1960s-1970s
35 10 Photographs, circa 1969-1975
35 11 Transparencies, circa 1971-1975
35 12 Negatives, circa 1973
35 13 Slides, circa 1966-1976 (2 slide boxes)
35 Sanderson, Doug,
35 14 Biography, circa 1973
35 15 Correspondence, 1971-1976
35 16 Exhibitions and Reviews, 1973-1975
35 17 Photographic Materials, circa 1970s
35 Shields, Alan,
35 18 [Correspondence], 1986-1999
35 19 Prints, circa 1980s-1990s
35 20 Johnson County Community College, Kansas, 1988
35 21 Kalamazoo Institute of Arts (Thru June 1989), 1987-1988
35 22 Richland College, Dallas, TX, 1988
35 23 Tandem Press Documentation, 1988
35 24 Nicholas Roukes, "The Art of Paper Sculpture", 1989
35 25 Commission, Rudin Management Co., Inc., 1989-1991
35 26 Experimental Printmaking Slides, 1978
35 27 Summit Art Center, New Jersey, 1987
35 28 The Standard Club, Chicago, IL, 1990
35 29 Robert Kleinschmidt (Private Commission), 1990
35 30 Application for Mid-Atlantic Arts Foundation Grant, circa 1990
35 31 Port of Portland Proposal, circa 1989-1990
35 32 Computerized Sewing Machine, circa 1980s-1990s
35 33 Prints, Tyler Graphics, 1980s
35 34 Sushi Bar, Sanchez Print, circa 1981
35 35 Alaska Prints, 1989
35 36 Tyler Graphics, 1986-1989
Box Folder
36 Shields, Alan,
36 1 Omar Account, 1970-1977
36 2 Stonybrook Exhibition (1982), 1982
36 3 Newspaper Clippings and Miscellaneous, 1970s
36 4 Commune di Milano (1979), 1979
36 5 On Consignment (1974-1975), 1975-1978
36 6 Gallery Ueda, Tokyo, Japan (1983), 1982-1983
36 7 Paula Cooper Gallery Exhibition Lists, 1980s
36 8 Mobile, AL, 1980-1983
36 9 Dallas Public Library, Dallas, TX, 1983
36 10-11 Correspondence, 1970-1981 (2 folders)
36 12 NEA Art in Public Places Madison Project, 1977-1978
36 13 Japan Fellowship (1978), 1978
36 14 Memphis Brooks Museum of Art Exhibition, TN (1984), 1983
36 15 Tyler Graphics, 1978
36 16 Announcements, 1977-1983
36 17 Zurich Exhibition, Switzerland (1979), 1979-1980
36 18 [Snapshots of Strung Beads], circa 1972
36 19-20 Correspondence, 1971-1985 (2 folders)
36 21 [Miscellaneous], 1987-1992
36 22 Commission, The Port Authority [World Trade Center?] (1990), 1990-1994
36 23-24 Williams College of Art Exhibition, MA (1979), 1979-1980 (2 folders)
36 25 [Lists of Works and Miscellaneous], circa 1993-1994
36 26 [Correspondence, Commissions], 1987-1988
36 27 Metro-Dade Art in Public Places, 1990-1991
36 28 James Madison University, VA, 1987
36 29 Cleveland Center for Contemporary Art, OH, 1984-1986
36 30 Guggenheim Museum Proposal, 1991-1995
Box Folder
37 Shields, Alan,
37 1 [Correspondence], 1993-1995
37 2-7 Exhibition Announcements, Postcards and Posters, 1970-1994 (6 folders)
37 8 Artist's Statement, 1993
37 9 Selected Bibliography (assel.bib), circa 1992
37 10 Selected Biography (assel.bio), circa 1992
37 11 Press (1975-1994) [Photocopies], circa 1975-1994
37 12 Press, Miscellaneous Reviews, circa 1978-1994
37 13 Biography, circa 1995
37 14 Public Collections (Paintings), circa 1995
37 15 Public Collections (Paper), circa 1995
37 16 Bibliography, circa 1995
37 17-20 Magazine and Newspaper Clippings, 1973-1994 (4 folders)
37 Shields, Alan, Photographs,
37 21 Prints (1994), circa 1993-1994
37 22 Paintings and Installations (1994), circa 1993-1994
37 23 Paintings and Installations (1993), 1993-1994
37 24 Paintings (1992), 1992-1993
37 25 Paintings and Installations (1991), circa 1990s
37 26 Necklaces, circa 1993
37 27 Paintings (1990), circa 1990s
37 28 Paintings (1989), circa 1989-1990s
37 29 Paper (1989), circa 1989-1990s
37 30 Prints (1989), circa 1988-1989
37 31 Paintings (1988), 1989
37 32 Paper (1988), 1988-1989
37 33 Paula Cooper Gallery Installation (Jan. 1988), circa 1988-1990s
37 34 Paper and Prints (1987), circa 1987-1990s
37 35 Paper (1986), circa 1986-1990s
37 36 Paula Cooper Gallery Installation (Jan. 1986), circa 1986-1990s
37 37 Paper (1985), circa 1985-1990s
37 38 Paintings (1985), circa 1985-1990s
37 39 Paintings (1984), circa 1984-1990s
37 40 Paula Cooper Gallery Installation (Feb. - Mar. 1984), circa 1984-1990s
37 41 Prints (1984), circa 1984-1990s
37 42 Paper and Prints (1983), circa 1983-1990s
Box Folder
38 Shields, Alan, Photographs,
38 1 Paula Cooper Gallery Installation (Apr. 1982), circa 1982-1990s
38 2 (1982), circa 1982-1990s
38 3 Paper and Prints (1981), circa 1981-1990s
38 4 Paintings (1981), circa 1981-1990s
38 5 (1980), circa 1980-1990s
38 6 (1979), circa 1979-1990s
38 7 Paintings (1978), circa 1978-1990s
38 8 Paper and Prints (1978), circa 1978-1990s
38 9 Paintings (1977), circa 1977-1990s
38 10 Paper and Prints (1977), circa 1977-1990s
38 11 (1976), circa 1976-1990s
38 12 Paintings (1975), circa 1975-1990s
38 13 Paper and Prints (1975), circa 1975-1990s
38 14 Paper and Prints (1974), circa 1974-1990s
38 15 Paintings (1974), circa 1974-1990s
38 16 Rugs (1973), circa 1973-1990s
38 17 Paintings (1973), circa 1973-1990s
38 18 Paper and Prints (1973), circa 1973-1990s
38 19 Paintings (1972), circa 1972-1990s
38 20 The Divided Eye (1972), circa 1972-1990s
38 21 Paula Cooper Gallery Installation (Oct. - Nov. 1972), circa 1972-1990s
38 22 Paintings (1971), circa 1971-1990s
38 23 Prints (1971), circa 1971-1990s
38 24 Installations (1970), circa 1970-1990s
38 25 Paintings (1970), circa 1970-1990s
38 26 Paper and Prints (1969), circa 1969-1990s
38 27 Paintings (1968-1969), circa 1968-1990s
38 Shields, Alan,
38 28 Color Photographs, circa 1972-1990s (Oversized materials housed in Box 51, Folder 6)
38 29 Color Photographs, World Trade Center, 1990s
38 30 Photographs of Alan Shields, 1980s-1990s
38 31-32 Photographs and Negatives, Miscellaneous, 1970s-1990s (2 folders)
38 33-34 Negatives, Prints and Polaroids, circa 1970s-1990s (2 folders)
38 35 Slides, Artwork, 1990s
38 36 Slides, Available Works, circa 1993
38 Shields, Alan, Transparencies,
38 37 Paintings and Prints (1994), circa 1994
38 38 Paintings and Paper (1993), circa 1993-1994
38 39 Paintings and Paper (1992), 1990s
38 40 Paintings (1991), 1990s
38 41 Paintings (1990), 1990s
Box Folder
39 Shields, Alan, Transparencies,
39 1 Paintings (1989), circa 1989-1990s
39 2 Paintings (1988), circa 1988-1990s
39 3 Paintings (1986), circa 1986-1990s
39 4 Paper (1986-1987), circa 1986-1990s
39 5 Paintings (1985), circa 1985-1990s
39 6 Paintings (1984), circa 1984-1990s
39 7 Paintings (1983), circa 1983-1990s
39 8 Drawings (1983), circa 1983-1990s
39 9 Drawings (1982), circa 1982-1990s
39 10 Paintings (1982), circa 1982-1990s
39 11 Drawings and Prints (1981), circa 1981-1990s
39 12 Paintings (1981), circa 1981-1990s
39 13 Paintings and Drawings (1979-1980), circa 1979-1990s
39 14 Paintings (1977-1978), circa 1977-1990s
39 15 Prints (1977-1978), circa 1977-1990s
39 16 Paintings (1974-1976), circa 1974-1990s
39 17 Prints and Drawings (1973-1974), circa 1973-1990s
39 18 Paintings (1972-1973), circa 1972-1990s
39 19 Paula Cooper Gallery Installation (Oct. 14 - Nov. 8, 1972), circa 1972-1990s
39 20 Prints (1971), circa 1971-1990s
39 21 Paintings (1969-1971), circa 1969-1990s
39 Smith, Tony (Estate of),
39 22 Advertising, 1984-1985
39 23 Correspondence, 1987-1991
39 24 The Brooklyn Museum, NY, 1989-1991
39 25 Gilman Paper Company, 1988
39 26 Westfalisches Landesmuseum fur Kunst und Kulturgeschichte, Muenster, Germany (Mar./Apr. 1988), 1987-1988
39 27 Smith Paintings for Newark Museum, NJ, 1989
39 28 Amaryllis [Consignments], circa 1984-1988
39 29 Duck (TS19), circa 1980s
39 30 Die (TS10), 1988
39 31 81 More (TS57), 1970s
39 32 For M.S./For V.T., Denver, CO, 1973, 1987-1988
39 33 Gracehoper (TS4), 1987-1988
39 34 Marriage (TS6), Lippincott, 1989
39 35 Smug (TS61), Lower Manhattan Cultural Council, 1988-1993
Box Folder
40 Smith, Tony (Estate of),
40 1 Smug, St. John's Rotary, 1988
40 2-3 The Snake is Out, 1991-1992 (2 folders)
40 4 Tau, circa 1988
40 5 Legal, Jane Smith, 1987-1989
40 6 Xavier Fourcade, Inc., New York, NY, 1984-1989
40 7 Pending, 1991
40 8 Pending, Fabrication and Storage, 1988-1989
40 9 Pending, Long Term Loan, 1988
40 10 Price List, circa 1985-1987
40 11 Rights and Reproductions Permissions, 1986
40 12 Joan Pachner's Tony Smith Dissertation, 1985
40 13 Inventory, 1985-1987
40 14 Drawings (Xeroxes), 1980s
40 15 Fabrication Instructions [Photocopies], circa 1980s
40 16 Fabrication Specification and Quotes, Lippincott, 1996
40 17 Fabrications, Lippincott, Inc., 1986-1993
40 18 Fabrication Costs, 1988
40 19 [Correspondence], 1984-1991
40 20 Proposed Retrospective (1994), 1994
40 21 For??? Series (1969), circa 1990s
40 22 For??? Series Tour, Exhibition Description and List of Works, circa 1991-1995
40 23 For??? Series Tour, Project Agreement, 1991-1996
40 24-26 For??? Series, Correspondence, 1991-1997 (3 folders)
40 27 For??? Series, Insurance, 1995-1996
40 28 For??? Series, Catalog, 1992-1993
40 29 For??? Series, European Tour, 1991-1996
40 30 For??? Series, Agreement and Correspondence, 1993-1998
40 31 For??? Series, Legal - P. Stern/P. Huber, 1995-1998
40 32 Photo Archive Project, 1982, 1995
40 33 Susanne Hilberry Gallery, MI, 1994-1995
40 34 IVAM Centre (Sept. - Nov. 1996), 1994-1997
Box Folder
41 Smith, Tony (Estate of),
41 1 Nassau County Museum of Art, NY, 1996
41 2 Smug List, 1989
41 3 Marriage, Carter-Menil Human Rights Foundation, 1993-1994
41 4 Willy, Munster, Germany, 1993
41 5 Available Works, 1997-1998
41 6 Auction Information, 1990-1991, 1998
41 7-10 Museum of Modern Art Installation (July 2 - Sept. 22, 1998), 1997-1998 (4 folders)
41 11-14 Correspondence, 1982-2001 (4 folders)
41 15-16 [Correspondence], 1989-2000 (2 folders)
41 17-18 [Miscellaneous], circa 1981-1996 (2 folders)
41 19 Provenances, 1994-1999
41 20 Matter of Exclusivity (Nov. 1999), 1997-2000
41 21 Daniel Shapiro, 1995-1997
41 22 Moondog Catalog, circa 1995-1999 (Includes 1 computer disc: 3.5")
41 23-27 Francois Pinault, Moondog, 1997-1999 (5 folders)
Box Folder
42 Smith, Tony (Estate of),
42 1-3 Stinger, 1999 (3 folders)
42 4-7 Smog (1999), 1998-2000 (4 folders)
42 8 81 More (1970-1971), circa 1990s
42 9 Xavier Fourcade, Inc. Sales and Inventory, 1987
42 10 Mailing Lists, 1990s
42 Smith, Tony (Estate of), Photographic Materials,
42 11 Unidentified Artwork, circa 1980s-2000s
42 12 TS1, Bennington College Structure (1961), circa 1960s-1980s
42 13 TS2, Cigarette (1961), circa 1960s-2000s
42 14 TS3, Cross (1960-1962), circa 1960s-2000s
42 15 TS4, Gracehoper (1961), circa 1960s-1990s
42 16 TS5, Light Box (1961), circa 1960s-2000s
42 17 TS6, Marriage (1961), circa 1960s-2000s
42 18 TS7, Spitball (1961), circa 1983-2000s
42 19 TS8, Beardwig (1962), circa 1960s-2000s
42 20 TS9, Black Box (1962), circa 1960s-2000s
42 21 TS10, Die (1962), circa 1960s-2000s
42 22 TS11, For Marjorie (1962), circa 1970s-1990s
42 23 TS12, Free Ride (1962), circa 1960s-2000s
42 24 TS13, Night (1962) [empty folder], undated
42 25 TS14, Playground (1962), circa 1960s-2000s
42 26 TS15, The Snake is Out (1962), circa 1960s-2000s
42 27 TS16, Tower of Winds (1962), circa 1990s-2000s
42 28 TS17, We Lost (1962), circa 1960s-2000s
42 29 TS18, Willy (1962), circa 1960s-2000s
42 30 TS19, Duck (1963), circa 1960s-2000s
42 31 TS20, The Elevens Are Up (1963), circa 1960s-2000s
42 32 TS21, Throne (1956), circa 1990s-2000s
42 33 TS22, Mistake (1963), circa 1990s-2000s
42 34 TS23, Wall (1964), circa 1960s-2000s
42 35 TS24, Amaryllis (1965), circa 1960s-2000s
Box Folder
43 Smith, Tony (Estate of), Photographic Materials,
43 1 TS25, Generation (1965), circa 1960s-2000s
43 2 TS26, Keys to Given (1965), circa 1960s-2000s
43 3 TS27, Memphis (1965), circa 1960s-2000s
43 4 TS28, Tau (1965), circa 1960s-2000s
43 5 TS29, New Piece (1966), circa 1980s-2000s
43 6 TS30, Dial (1967) [empty folder], undated
43 7 TS31, Maze (1967), 1989
43 8-10 TS32, Moondog (1964), circa 1960s-2000s (3 folders)
43 11 TS33, Smoke (1967), circa 1960s-2000s
43 12 TS34, Source (1967), circa 1960s-2000s
43 13 TS35, The Wandering Rocks (1967), circa 1960s-2000s
43 14 TS36, Arch (1968-1969), circa 1960s-2000s
43 15 TS37, Asteriskos (1968), circa 1960s-2000s
43 16 TS38, Domino (1968-1969), circa 1980s-2000s
43 17 TS39, Equinox (1968), circa 1960s-2000s
43 18 TS40, Moses (1968), circa 1960s-2000s
43 19-23 TS41, Stinger (1968), circa 1960s-2000s (5 folders)
43 24-25 TS42, Trap (1968), circa 1980s-2000s (2 folders)
43 26 TS43, Batcave (1969), circa 1960s-2000s
Box Folder
44 Smith, Tony (Estate of), Photographic Materials,
44 1 TS44-TS52, For??? Series (1969), circa 1960s-2000s
44 2 TS44, For D.C. (1969), circa 1960s-2000s
44 3 TS45, For D.G. (1969), circa 1960s-2000s
44 4 TS46, For J.W. (1969), circa 1960s-2000s
44 5 TS47, For M.S. (1969), circa 1960s-2000s
44 6 TS48, For P.C. (1969), circa 1960s-2000s
44 7 TS49, For P.N. (1969), circa 1960s-2000s
44 8 Portrait With For P.N., Etc., circa 1960s-1990s
44 9 TS50, For V.T. (1969), circa 1960s-2000s
44 10 TS51, For W.A. (1969), circa 1960s-1990s
44 11 TS52, For J.C. (1969), circa 1960s-2000s
44 12 For??? Series C. Erickson Contact Sheets, circa 1990s-2000s
44 13 TS53, Haole Crater (1969) [empty folder], undated
44 14 TS54, Hubris (1969), circa 1970s-2000s
44 15 TS55, Smog (1969), circa 1980s-2000s
44 16 TS56, Bees Do It (1970-1971) [empty folder], undated
44 17 TS57, 81 More (1970-1971), circa 1970s-1990s
44 18 TS58, Light-Up (1971) [empty folder], undated
44 19 TS59, She (1971), undated
44 20 TS60, For Delores (1973), circa 1970s-1990s
44 21-23 TS61, Smug (1973), circa 1970s-2000s (3 folders)
44 24 TS62, Flat Piece (1975) [empty folder], undated
44 25 TS63, Fourth Sign (1975-1980), circa 1990s-2000s
44 26 TS64, Ten Elements (1975-1979), circa 1970s-2000s
44 27 TS65, Lippizaner (1976), circa 1970s-1990s
44 28 TS66, One-Two-Three (1976), circa 1990s-2000s
44 29 TS67, Throwback (1976-1979), circa 1970s-2000s
44 30 TS68, Last (1979), circa 1970s-2000s
44 31 TS69, Atlanta (1980), circa 1980s-2000s
44 32 TS70, Five C's (1980) [empty folder], undated
44 33 TS71, Row One (1980) [empty folder], undated
44 34 TS72, Row Two (1980) [empty folder], undated
44 35 TS83, Tetrahedron (1961), 1992
44 36 TS84, Wingbone (1962), 1992
44 37 TS86-SC, Arm (1969), circa 1960s-2000s
44 38 TS90-SC, Trunk (1969), circa 1960s-2000s
44 39 Paintings Inventory, 1987-1988
44 40 One Gate (Drawing for Stinger), circa 1998
44 41 Drawings, circa 1993-2000s
Box Folder
45 Smith, Tony (Estate of), Photographic Materials,
45 1 Paintings, circa 1980s-2000s
45 2 Paintings at Paula Cooper Gallery, Not Available, circa 1980s-2000s
45 3 Paintings Available, circa 1990s-2000s
45 4 Paintings Not Available, circa 1980s-2000s
45 5 Installation, circa 1985-1994
45 6 Polaroids of Installation: Socrates, circa 1980s-1990s
45 7-8 Installations, circa 1970s-2000s (2 folders)
45 9 Whitney Biennial, circa 1970s-1980s
45 10 Miscellaneous, circa 1970s-2000s
45 11 Negatives, circa 1970s-2000s
45 12 Stella, Frank, 1975
45 13 Tobias, Julius, Slides, undated
45 14 Torrfield, Marvin, circa 1977
45 15 Van Buren, Richard, circa 1971-1978 (Oversized material housed in Box 51, Folder 7)
45 16 White, Joseph, 1973
45 White, Joseph,
45 17 Collections, circa 1970s
45 18 Correspondence, 1970-1973
45 19 Exhibitions, circa 1972-1973
45 20 Biography, circa 1973
45 21 Reviews, circa 1970s
45 22 Wilmarth, Chris, 1968-1973
45 Wilmarth, Chris,
45 23 Reviews, circa 1971-1972
45 24 Biography and Bibliography, 1971-1973
45 25 Collections, circa 1970s
45 26 Correspondence, 1970-1977, 1988
45 27 Information About Artwork, circa 1970s
45 28 Dealer-Artist Agreement, 1973
45 29 Photographs, circa 1970s
45 30 Wudl, Tom, circa 1975-1979
45 31 Zaims, Stephen, Photographs, circa 1977-1978
45 Zapkus, Keytutis (Kes),
45 32-33 Cards, circa 1971-1984 (2 folders)
45 34 Reviews, 1973-1979
45 35 Paula Cooper Gallery Exhibition List, 1979
45 36 Miscellaneous, 1975, 1980-1981
45 37 Collections, circa 1979
45 38 Biography, circa 1971-1980
45 39 The Contemporary Art Center, Cincinnati, OH (June 28 - Aug. 20, 1978), 1978
Box Folder
46 1 Zapkus, Keytutis (Kes), Correspondence, 1962-1979
46 Miscellaneous Artists,
46 2 Miscellaneous Materials, 1969-1971 (Includes Allen Kaprow's "Al's Grand Hotel")
46 3 Artistes (Oct.-Nov. 1979) [Journal], 1979
46 4 "L'Annunciazione di Antonelle" Exhibition Catalog, Museo Nazionale di Palazzo Bellomo- Siracusa, 1979
46 5 1993-1994 Exhibitions Notebook [Unbound], circa 1993-1994
46 6 Diderot, Photos from Galerie Mikro, Berlin, undated
46 7 Slides, Unknown and Unlabeled, circa 1960s-2000s
46 8 Negatives, Paula Cooper Installations [179 and 198], circa 1960s-2000s (2 boxes housed in a shoebox)
Box Folder
51 3 Campus, Peter, Oversized Contact Sheets, Available Works, 1998 (Oversized material from Box 24, Folder 54)
51 4 Kuehn, George, Oversized Photograph, undated (Oversized material from Box 26, Folder 22)
51 5 Leavengood, David, Oversized Photographs, circa 1971 (Oversized materials housed in Box 26, Folder 23)
51 6 Shields, Alan, Oversized Color Photographs, circa 1972-1990s (Oversized materials from Box 38, Folder 28)
51 7 Van Buren, Richard, Oversized Drawing, circa 1971 (Oversized material from Box 45, Folder 15)

3.4: Financial Records, 1967-1984, 1992-1996

Found are sales invoices from 1967-1976 and 1981-1984, consignment records from the early to mid-1990s, payment ledgers from 1972-1983, cancelled checks, deposit receipts, general ledgers, tax files, and paid bills. Additional renovation bills and paid bills are found in Business Records. Folders are arranged alphabetically by folder title.

Box Folder
46 9 Cancelled Checks (Nov. 1968 - May 1969), 1968-1969
Box Folder
47 1-2 Cancelled Checks, 96 Prince Street (Apr. - Nov. 1970), 1970 (2 folders)
47 3-5 Cancelled Checks, 96 Prince Street (Dec. 1970 - Dec. 1971), 1970-1971 (3 folders)
47 6-10 Consignment Sheets and Purchase Records, 1992-1996 (5 folders)
47 11 Deposit Receipts, 1968-1972
47 12 Fabrication Agreements and Estimates, 1967-1974
47 13 Federal Quarterly Tax Return, 1968-1969
47 14 Frame Forwarding, 1980-1981
47 15-16 Framing Invoices, 1971-1984 (2 folders)
47 17 General Ledger (Oct. 1968 - Aug. 1969), 1968-1969
47 18 Hafers [Invoices], 1975
47 19 Ledger, 1968-1970 (Oversized material housed in Box 51, Folder 8)
Box Folder
48 1-2 Paid Bills (Jan. - Dec. 1970), 1968-1970 (2 folders)
48 3-8 Payment Ledgers (Jan. 1972 - June 1979, June 1980 - Nov. 1983), 1972-1983 (6 folders)
48 9 Sales Book, circa 1968-1980
48 10-16 Sales Invoices [Nos. 1111-2293], 1967-1974 (7 folders)
Box Folder
49 1-2 Sales Invoices [Nos. 2294-2524], 1974-1976 (2 folders)
49 3 Sales Invoices [Nos. 2525-2528], Orange, 1976
49 4-6 Sales Invoices, 1981-1984 (3 folders)
49 7 Sales Invoices, Voided, 1970-1982
49 8 Taxes (FYE Aug. 31, 1969), 1969
Box Folder
51 8 Oversized Ledger, 1968-1970 (Oversized material from Box 47, Folder 19)

3.5: Printed Materials, 1966-1980, 1991

This series contains newspaper and magazine clippings about artists, the gallery, Paula Cooper, and exhibitions; an interview transcript; and, a copy of a manuscript. Most of the printed materials related to specific artists are filed in the Artists' Files subseries. Folders are arranged alphabetically by folder title.

Box Folder
49 9 Clippings, 96 Prince Street, 1966-1977
49 10 Clippings, 1991
49 11 Clippings and Interview Transcript re: Paula Cooper, 1969-1980
49 12 Lippard, L. and A. Martin. "Fire in the Lake," Vol. 1, No. 5, 1976

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