Marcel Breuer papers, 1920-1986

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A Finding Aid to the Marcel Breuer Papers, 1920-1986, in the Archives of American Art, by Jean Fitzgerald

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Funding for the microfilming of this collection was provided by the Gerta Charitable Trust. Funding for the digitization of the microfilm was provided by the Terra Foundation for American Art.

Table of Contents:

• Biographical Information
• Overview of the Collection
• How to Use the Collection
• Detailed Description and Container Inventory
• Appendices

Biographical Information

Marcel Lajos Breuer was born on May 21, 1902, in the Danube valley town of Pécs, Hungary, to Jacques Breuer, a physician, and Franciska (Kan) Breuer. His siblings were Hermina and Alexander. Throughout his life, Breuer used his first name only on official documents and preferred that his friends use his middle name, the Hungarian form of "Louis." The diminutive form of this name was usually spelled "Lajkó" and pronounced "Lye-ko."

In 1920, Breuer graduated from the Magyar Királyi Föreáliskola in Pécs. He had received a scholarship to study art in Vienna but took an immediate dislike to the Art Academy there, so searched elsewhere for training. He started working in the studio of a Viennese architect and soon became interested in training in the cabinetmaking shop of the architect's brother. Breuer was not satisfied with this arrangement either, and, upon hearing about the year-old Bauhaus school in Germany, he departed for Weimar in 1921.

Founded and directed by Walter Gropius, the Bauhaus combined the teaching of the pure arts with training in functional technology. Breuer received a master's degree from the Bauhaus in 1924, then studied architecture in Paris, where he first met Le Corbusier.

In 1925, Gropius enticed Breuer to return to the Bauhaus, now relocated in Dessau, by offering him a post as master of the carpentry workshop and a commission to design the interiors of the new Bauhaus buildings. Inspired by his new bicycle's handlebars, Breuer designed his first tubular steel chair, the Wassily chair, named for his friend Wassily Kandinsky. This chair and dozens of other Breuer designs for furnishings were mass-produced by the Thonet Brothers in Germany.

Two years later, in 1928, Breuer left the Bauhaus to begin a private architecture practice in Berlin, emphasizing prefabricated housing and the use of concrete in building. During this time Breuer worked on a designs for the Potsdamer Platz, Spandau-Haselhorst Housing, and a hospital in Elberfeld, and he completed work on the Lewin House and the Harnischmacher Apartment. Due to the deteriorating economic and political conditions in Germany, Breuer closed his Berlin office in 1931 and traveled to Budapest, Zurich, Morocco, Greece, and Spain. Returning to Germany in the following year, he began designing furniture in aluminum. Breuer established his reputation as an architect upon completion of the Harnischmacher House in Wiesbaden, a house notable for the use of contrasting materials and distinctive interiors.

The Nazis closed the Bauhaus in 1933. The following year, Breuer designed the Dolderthal Apartments in Zurich for the Swiss architectural historian Sigfried Giedion. From 1935 to 1937, Breuer settled in London, and became partners with F. R. S. Yorke. During this time he designed for the Isokon ("isometric unit construction") Control Company laminated plywood furniture that became widely imitated.

In 1937, Breuer accepted an invitation from Walter Gropius to join the faculty of the School of Design at Harvard University to teach architecture, and he moved to the United States. Among his students were Edward Larrabee Barnes, Ulrich Franzen, Philip Johnson, I. M. Pei, and Paul Rudolph. Breuer formed a partnership with Gropius in Cambridge, Massachusetts, from 1937 to 1941. Their firm was engaged primarily in the design of private homes.

In 1946, Breuer moved to New York City, where he established an office in an East 88th Street townhouse. The number of his commissions began to grow slowly, and it was during this time he constructed his own notable residence in New Canaan, Connecticut. He developed the bi-nuclear, or "two-center" house, which was designed to meet the living requirements of modern families by creating functional areas for separate activities.

Breuer's architectural reputation was greatly enhanced when, in 1953, he was commissioned to design, in collaboration with Pier Luigi Nervi and Bernard Zehrfuss, the United Nations Educational, Scientific and Cultural Organization (UNESCO) World Headquarters in Paris. During this year, he also began work on a series of innovative buildings for St. John's Abbey and University in Collegeville, Minnesota.

Between 1963 and 1964, Breuer began work on what is perhaps his best-known project, the Whitney Museum of American Art, in New York City. He also established an office with the name Marcel Breuer Architecte, in Paris, to better orchestrate his European projects. Also during this time, Herbert Beckhard, Murray Emslie, Hamilton Smith, and Robert F. Gatje became partners in Marcel Breuer and Associates. When Murray Emslie left a year later, he was replaced by Tician Papachristou, who had been recommended by Breuer's former student, I. M. Pei.

After several moves to increasingly larger office space in New York, Breuer established his largest office at 635 Madison Avenue and 59th Street in 1965. After suffering the first of a series of heart attacks, Breuer reduced his travel to Europe, eventually leaving the management of the Paris office in the hands of Mario Jossa.

Between 1965 and 1973, Marcel Breuer and Associates continued to receive many diverse and important commissions, including the Department of Housing and Urban Development Headquarters Building (Washington, D.C.), showrooms for Scarves by Vera (New York City), the IBM Corporation (La Gaude, France), the Baldegg Convent (Lucerne, Switzerland), Bryn Mawr School for Girls (Baltimore, Maryland), a third power plant for the Grand Coulee Dam, the Australian Embassy (Paris, France), the Armstrong Rubber Company (New Haven, Connecticut), and the State University of New York Engineering Complex (Buffalo). Breuer also designed residences including a second Gagarin House (Litchfield, Connecticut), the Saier House (Glanville-Calvados, France), the Soriano House (Greenwich, Connecticut), and a third Rufus Stillman House (Litchfield, Connecticut).

Due to failing health in 1972, Breuer sold his New Canaan house and moved into Manhattan so he could more easily commute to the office. By 1976, Breuer's health had declined further, and he retired from practice. The name of his firm was subtly changed from Marcel Breuer and Associates to Marcel Breuer Associates, and later to MBA/Architects and Planners.

Marcel Breuer died on July 1, 1981, in New York City.

This chronology below is based on evidence found within the Marcel Breuer Papers. The dating of projects reflects the range of dates encompassed by the files for each project, not the project's actual construction time. Most architectural projects have several equally significant dates from which it is difficult to assign a single date. Significant dates for a building may include the date of groundbreaking, the laying of the cornerstone, or the first opening day. When a project's dates are unknown or uncertain, a question mark in brackets appears at the end of the entry.

Date

Event

1902

Marcel Lajos Breuer is born on May 21 in Pécs, Hungary.

1920

Breuer graduates from Magyar Királyi Föreáliskola (high school) in Pécs. Breuer travels to Vienna to study art.

1921

Breuer enrolls at the Bauhaus, Wiemar, Germany. Furniture designs: tea table; wooden cabinet.

1922

Furniture designs: poltrana chair; side chairs. Exhibition: Bauhaus Exhibition, Berlin, Germany Haus-am-Horn

1923

Architectural project: apartment house (multistory duplex with continuous terrace gardens). Furniture designs: miscellaneous bureaus.

1924

Breuer earns a master's degree from the Bauhaus. Breuer studies architecture in Paris, where he meets Le Corbusier. Furniture designs: desk and bookcase.

1925

Breuer returns to the Bauhaus, now located in Dessau, and takes post of master of the carpentry workshop. Architectural projects: Canteen, Bauhaus-Dessau, Germany; Kleinmetallhaus (prefabricated house in steel); Gropius House, Dessau, Germany; Wissinger Apartment, Berlin, Germany [1925?]. Furniture designs: Wassily chair; Rückenlehnstuhl ("back-leaning chair"); tubular steel stool; modular system for cabinets.

1926

Breuer marries Martha Erps. Architectural projects: Gröte Residence, Dessau, Germany; Moholy-Nagy Apartment and Studio, Berlin, Germany; Muche House, Dessau, Germany; Piscator Apartment, Berlin, Germany; Thost House, Hamburg, Germany. Furniture designs:(modular) system for unit furniture; dining room chair; tubular steel chair; office chair; storage wall unit. Exhibition: Bauhaus Exhibition, Dessau, Germany; table for Kandinsky's Master's Studio.

1927

Architectural project: Bambos Houses, Dessau, Germany. Furniture designs: folding chair; theater chairs; tubular steel and wood desks.

1928

Breuer leaves the Bauhaus and establishes business in Berlin. Architectural projects: Potsdamer Platz, Berlin, Germany; Spandau-Haselhorst Housing, Spandau, Germany; Elberfeld Hospital, Elberfeld, Germany; Breuer Apartment, Berlin, Germany; Heinersdorff House, Berlin, Germany; Melder House, Mährisch-Ostrau, Czechoslovakia. Furniture designs: folding chair; Cesca dining room chair; tubular steel coffee table; tea wagon

1929

Architectural projects: Fuld Factory Competition, Frankfurt, Germany; Kharkov Theater, Kharkov, Ukraine, U.S.S.R.; De Francesco Apartment, Berlin, Germany; Harnischmacher Apartment, Wiesbaden, Germany; Heydt Apartment, Berlin, Germany; Lewin House, Berlin, Germany; Schneider House, Wiesbaden, Germany. Furniture design: armchair.

1930

Breuer meets György Kepes in Berlin. Architectural project: Boroschek Apartment, Berlin, Germany. Exhibitions: Bauhaus Exhibition, Berlin-Germany, House for a Sportsman, Cork Industry Display; Paris Werkbund Exhibition, Paris, France, Wohn Hotel, Vitrine and Cabinets, and Klubraum Gropius.

1931

Breuer closes the Berlin office and travels in Europe and North Africa. Architectural project: Reidemeister Residence, Berlin, Germany. Furniture design: bookcase. Exhibition: Bauausstellung Exhibition, Berlin, Germany, Mitarbeiter Hassenpflug Apartment.

1932

Breuer returns to Germany.

1933

Nazis close the Bauhaus. Architectural project: Harnischmacher House I, Wiesbaden, Germany. Furniture designs: aluminum chairs; aluminum tables.

1934

Breuer divorces Martha Erps. Architectural project: Dolderthal Apartments, Zurich, Switzerland. Exhibition Building Competition, Budapest Spring Fair, Budapest, Hungary.

1935

Breuer moves to London and forms partnership with F. R. S. Yorke. Furniture designs: Isokon chairs; plywood nesting tables; plywood dining table. Exhibition: Heal's "Seven Architects" Exhibition, London, England; Designs for two chairs.

1936

Architectural projects: Motley Fashion Shop, London, England; London Theatre Studio, London, England; Clifton House (Crofton Gane House), Bristol, England; Sea Lane House, Angmering-on-Sea, Sussex, England; Ventris Apartment, London, England. Exhibitions: Royal Show, Bristol, England, Gane's Pavilion; British Cement and Concrete Association Exhibition, London, England, Garden City of the Future (civic center).

1937

Breuer and Yorke dissolve their partnership. Breuer moves to the United States to teach at Harvard. Breuer and Walter Gropius establish Walter Gropius and Marcel Breuer, Associated Architects. Architectural project: Obergurgl Ski Lodge, Obergurgl, Austria.

1938

Architectural projects: Wheaton College Competition, Art Center, Norton, Massachusetts; Fischer House and Studio, Newtown, Pennsylvania; Gropius House, Lincoln, Massachusetts; Haggerty House, Cohasset, Massachusetts; Margolius House, Palm Springs, California. Furniture design: cabinet with hinged drawers. Exhibition: "Marcel Breuer and the American Tradition in Architecture," Harvard University, Cambridge, Massachusetts.

1939

Architectural projects: Black Mountain College, Black Mountain, North Carolina; Breuer House, Lincoln, Massachusetts; Ford House, Lincoln, Massachusetts; Frank House, Pittsburgh, Pennsylvania. Exhibition: New York World's Fair, Flushing Meadows, New York; Pennsylvania Pavilion.

1940

Breuer marries Constance Crocker Leighton. Architectural projects: Chamberlain Cottage, Wayland, Massachusetts; Weizenblatt House, Asheville, North Carolina.

1941

Breuer and Gropius dissolve their partnership. Architectural project: New Kensington Defense Housing, New Kensington, Pennsylvania.

1942

Architectural projects: Plas-2-Point Demountable Houses; Yankee Portables.

1943

Architectural projects: South Boston Redevelopment Project, Boston, Massachusetts; Stuyvesant Six (housing development), New York, New York; Wellfleet Housing Development, Bi-Nuclear "H" House, Wellfleet, Massachusetts.

1944

Architectural projects: Van Leer Vatenfabrieken N.V., Office Building, Amstelveen, The Netherlands; 1200 Square Foot House, Florida; Geller House I, Lawrence, Long Island, New York; East River Apartments, New York, New York; Long Beach Nurses' Residence, Long Beach, Long Island, New York.

1945

Architectural projects: Eastern Airlines Ticket Office, Boston, Massachusetts; Smith College Competition, Dormitories, Northampton, Massachusetts; Unidentified Memorial, [location unknown]; Cambridge War Memorial, Cambridge, Massachusetts; Florida House, Miami Heights, Florida; Tompkins House, Hewlett Harbor Village, Long Island, New York.

1946

Breuer and family move to New York City. Breuer establishes an office on East 88th Street. Architectural projects: Small House Competition; Martine House, Stamford, Connecticut; Preston Robinson House, Williamstown, Massachusetts.

1947

Architectural projects: Breuer House I, New Canaan, Connecticut; Scott House, Dennis, Massachusetts; Thompson House, Ligonier, Pennsylvania.

1948

Architectural projects: Ariston Club, Mar del Plata, Argentina; Breuer Cottage, Wellfleet, Massachusetts; Kniffin House, New Canaan, Connecticut; Witalis House, Saddle Rock, Kings Point, New York; Wise Cottage, Wellfleet, Massachusetts. Exhibition: Low Cost Furniture Competition, Museum of Modern Art, New York, Cutout plywood chair.

1949

Publication of book, Marcel Breuer: Architect and Designer, by Peter Blake. Architectural projects: United States Educational, Scientific and Cultural Organization (UNESCO); Headquarters, Paris, France; Clark House, Orange, Connecticut; Herrick House, Canajoharie, New York; Hooper Residence Additions, Baltimore, Maryland; Marshad House, Croton-on-Hudson, New York; Smith House, Aspen, Colorado; Tilley House, Middletown, New Jersey; Wolfson Trailer House, Pleasant Valley, New York. Exhibition: Museum of Modern Art Exhibition, New York, New York, House in museum garden.

1950

Breuer moves his office to East 37th Street, New York. Architectural projects: Alaska Air Terminal, Anchorage, Alaska [1950?]; Sarah Lawrence College, Arts Center, Bronxville, New York; Vassar College, Dwight Ferry House (a cooperative dormitory), Poughkeepsie, New York; Aspen House, Aspen, Colorado; Englund House, Pleasantville, New York; Hanson House, Lloyd Harbor, Huntington, Long Island, New York; Lauck House, Princeton, New Jersey; McComb House, Poughkeepsie, New York; Mills House, New Canaan, Connecticut; Pack House, Scarsdale, New York; Rufus Stillman House I, Litchfield, Connecticut.

1951

Architectural projects: Grosse Pointe Public Library, Grosse Pointe, Michigan; Aufricht House Addition, Mamaroneck, New York; Breuer House II, New Canaan, Connecticut; Caesar House, Lakeville, Connecticut. Furniture design: Canaan desk.

1952

Architectural projects: Scarves by Vera, Showroom, New York, New York; Levy House, Princeton, New Jersey; George Robinson House, Redding Ridge, Connecticut; Tibby House, Port Washington, New York.

1953

Architectural projects: Bantam Elementary School, Litchfield, Connecticut; Litchfield High School, Litchfield, Connecticut; Northfield Elementary School, Litchfield, Connecticut; St. John's Abbey and University, Monastery Wing, Abbey Church and Bell Banner, Collegeville, Minnesota; Torrington Manufacturing Company, Oakville, Ontario, Canada; De Bijenkorf Department Store and Garage, Rotterdam, The Netherlands; Calabi House, Lagrangeville, New York; Crall House, Gates Mills, Ohio; Gagarin House I, Litchfield, Connecticut; Neumann House, Croton-on-Hudson, New York; Snower House, Kansas City, Missouri; Edgar Stillman House, Wellfleet, Massachusetts. Exhibition: Tile Council of America Exhibition, New York, New York, Patio-Bathroom.

1954

Architectural projects: New London Railroad Station, New London, Connecticut; Institute for Advanced Study, Princeton University, Princeton, New Jersey; Grieco House, Andover, Massachusetts; Harnischmacher House II, Wiesbaden, Germany; Karsten House, Owings Mills, Maryland; Starkey House (formerly Alworth House), Duluth, Minnesota.

1955

Publication of book, Sun and Shadow: The Philosophy of an Architect, edited by Peter Blake. Architectural projects: New York, New Haven, and Hartford Railroad, Train "X," Budd "Hot Rod," Budd "Flying Cloud," and ACF Talgo Locomotives and Passenger Cars, Rye Railroad Station, Rye, New York [1955?]; Connecticut Junior Republic Association Dormitory, Litchfield, Connecticut; Torrington High School, Torrington, Connecticut; Hunter College, Library, Classrooms, and Administration Building, Bronx, New York; Annunciation Priory, Bismarck, North Dakota; O. E. McIntyre, Inc. Plant, Westbury, Long Island, New York; Laaff House, Andover, Massachusetts; McGinnis Apartment, Biltmore, New York, New York; McGinnis House, Charlmont, Massachusetts. Exhibition: Good Design Exhibition, Museum of Modern Art, New York, New York, Hyperbolic Paraboloid.

1956

Breuer moves his office to Third Avenue and 57th Street, New York. Breuer is the first recipient of La Rinascente's Compasso d'Oro Prize. Architectural projects: U.S. Embassy, The Hague, The Netherlands; Boston and Maine Railroad, North Station Industrial Building; Boston and Maine Railroad, Fairbanks Morse Locomotive and Passenger Cars; New Haven Railroad Station, New Haven, Connecticut; New York University, University Heights Campus, Bronx, New York; Torrington Manufacturing Company, Van Nuys, California; Wohnbedarf Furniture Showroom, Zurich, Switzerland; Hooper House, Baltimore, Maryland; Krieger House, Bethesda, Maryland; Staehelin House, Feldmeilen, Switzerland.

1957

Breuer receives an honorary doctorate from the University of Budapest. Architectural project: Westchester Reform Temple, Scarsdale, New York. Exhibitions: International Autumn Fair, Vienna, Austria, U.S. Pavilion; "Amerika Baut" ("America Builds"), Marshall House, Berlin, Germany.

1958

Breuer becomes a Fellow of the American Institute of Architects. Architectural projects: El Recreo Urban Center, Caracas, Venezuela; St. John's Abbey and University, St. Thomas Aquinas Residence Hall, Collegeville, Minnesota; Halvorson House, Dryberry Lake Area, Kenora, Ontario, Canada; Recreational Apartments, Tanaguarena, Venezuela. Exhibitions: "Ars Sacra" Exhibition, Louvain, France; Concrete Industries Exposition, Cleveland, Ohio, The Pavilion.

1959

Architectural projects: Whitby Elementary School, Greenwich, Connecticut; Ustinov House, Vevey, Switzerland. Exhibitions: "U.S. Architecture in Moscow," Moscow, U.S.S.R.; "1960 National Gold Medal Exhibition of the Building Arts," Museum of Contemporary Crafts, New York, New York, Photographic Displays of Various Breuer Projects; "Form Givers at Mid-Century" (traveling exhibition), Photographic Displays of Various Breuer Projects.

1960

Architectural projects: Flaine Ski Resort Town, Haute-Savoie, France; St. John's Abbey and University, Library, Collegeville, Minnesota; Brookhaven National Laboratory (for Nuclear Research), Upton, Long Island, New York; Torrington Manufacturing Company, Rochester, Indiana; Abraham & Straus Department Store, Facade, Hempstead, Long Island, New York; McMullen Beach House, Mantoloking, New Jersey.

1961

Architectural projects: St. Francis de Sales Church, Church and Rectory, Muskegon, Michigan; Temple B'Nai Jeshurun, Short Hills, Millburn Township, New Jersey; One Charles Center, Baltimore, Maryland; International Business Machines Corporation (IBM), Research Center, La Gaude, France; Fairview Heights Apartments, Ithaca, New York. Exhibitions: "Bauhaus" [location unknown]; "New Forms in Concrete," American Federation of Arts (traveling exhibition).

1962

Publication of book, Marcel Breuer Buildings and Projects, 1921-1961, by Cranston Jones. Architectural projects: Torrington Manufacturing Company, Machine Division, Torrington, Connecticut; Scarves by Vera, Showroom, Los Angeles, California; Kacmarcik House, St. Paul, Minnesota. Exhibition: "Fourth Biennale of Present-Day Christian Art," Salzburg Dome, Salzburg, Austria.

1963

Herbert Beckhard, Murray Emslie, and Hamilton Smith become partners in Marcel Breuer and Associates. Architectural projects: Department of Housing and Urban Development (HUD) Headquarters Building, Washington, D.C.; Hoboken Terminal Building, Hoboken, New Jersey; Whitney Museum of American Art, New York, New York; Grand Central Air Rights Building, 175 Park Avenue, New York, New York; Torrington Manufacturing Company, Nivelles, Belgium; Koerfer House, Moscia, Tessin, Switzerland; Van der Wal House, Amsterdam, The Netherlands. Exhibitions: "Recent American Synagogue Architecture," The Jewish Museum, New York, New York; "Churches and Temples: Postwar Architecture," American Institute of Architects, Pepsi Cola Gallery, New York, New York; "On Campus: Recent Buildings," American Federation of Arts (traveling exhibition).

1964

Breuer establishes an office near the Parc des Expositions, Paris, France. Robert F. Gatje becomes a partner in Marcel Breuer and Associates. Murray Emslie leaves, and Tician Papachristou joins Marcel Breuer and Associates. Architectural projects: Boston Redevelopment Parcel 8 Competition, Boston, Massachusetts; ZUP (Zone à Urbaniser par Priorité/"Zone Designated for Priority Urbanization") Community, Bayonne, France; New York University, University Heights Campus, Technology Building II, Bronx, New York; St. John's Abbey and University, Science Hall, and Auditorium, Collegeville, Minnesota; Yale University, Becton Center for Engineering and Applied Science, New Haven, Connecticut; St. Luke's Church, Fairport, New York; Franklin Delano Roosevelt Memorial, Washington, D.C.; Scarves by Vera, Showroom and Offices, 417 Fifth Avenue, New York, New York; De Gunzburg Houses, Megève, Haute-Savoie, France; Rufus Stillman House II, Litchfield, Connecticut. Exhibition: "Art in the United States" Part III, ("Architecture in the U.S.A."), Brearley School, New York, New York.

1965

Breuer's Paris office (Marcel Breuer Architecte) moves to 48 rue Chapon in the third arrondissement. Breuer's New York office moves to 635 Madison Avenue and 59th Street. Breuer suffers the first of a series of heart attacks while in New York in August. Architectural projects: Interama (Community for Argentina, Brazil, Paraguay, and Uruguay), Miami, Fla.; Department of Health, Education, and Welfare (HEW) Headquarters, Washington, D.C.; State School for the Mentally Retarded, Nassau County, New York; Cardinal Stritch College (Tri-Arts Center), Milwaukee, Wisconsin; Mary College, Bismarck, North Dakota; University of Massachusetts, Murray Lincoln Campus Center and Parking Structure, Amherst, Massachusetts; Laboratoires Sarget, Corporate Headquarters and Pharmaceutical Plant, Bordeaux, France; Purdue Frederick Company, Corporate Headquarters, Bordeaux, France; Torrington Manufacturing Company, Swindon, England; Torrington Manufacturing Company, Administration Building, Torrington, Connecticut. Exhibition: "Architecture of Industry," Architectural League of New York, (traveling exhibition).

1966

Breuer and Robert F. Gatje move back to the New York office. Eric Cercler and Mario Jossa are left in charge of the Paris office. Architectural projects: Sports Park, Corona-Flushing Meadow Park, Queens, New York; Charlotte Hungersford Hospital, Torrington, Connecticut; Stables Competition, Central Park, New York, New York; St. John's Abbey and University, Student Residence Hall II and Student Center and Swimming Pavilion, Collegeville, Minnesota. Furniture design: Tapestries. Exhibitions: Svoboda & Company Furniture Exhibition," Selection 66," Vienna, Austria; School of Architecture Exhibition, University of Oklahoma, Norman, Oklahoma; "Rugs," Stephen Radich Gallery, New York, New York; "Bauhaus: A Teaching Idea," Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts.

1967

Architectural projects: Campus High School, Secondary Education Complex, Madison Park Urban Renewal Area, Boston, Massachusetts; Kent School, Girls' Chapel, Kent, Connecticut; St. John's Abbey and University, Ecumenical and Cultural Research Center, Collegeville, Minnesota; Cleveland Museum of Art, Education Wing, Cleveland, Ohio; Baldegg Convent, Mother House Institute, near Lucerne, Switzerland; Cleveland Trust Company, Bank and Office Building, Cleveland, Ohio; Grand Coulee Dam, Columbia Basin Project Third Power Plant and Forebay Dam, Douglas County, Washington; Geller House II, Lawrence, Long Island, New York; Kreizel House Addition, [location unknown]; Soriano House, Greenwich, Connecticut.

1968

Breuer is awarded the Gold Medal of the American Institute of Architects. Breuer is awarded the Jefferson Foundation Medal in Architecture from the University of Virginia. Architectural projects: Olgiata Parish Church, Rome, Italy; Harrison-State Development Corporation, Office Building, Bristol Center, Syracuse, New York; Armstrong Rubber Company, New Haven, Connecticut; International Business Machines Corporation (IBM), Expansion of Headquarters Facility, Armonk, New York; International Business Machines Corporation (IBM), Offices, Laboratories, and Manufacturing Facility, Boca Raton, Florida; Scarves by Vera, Showroom, 1411 Broadway, New York, New York; Rosenberg House, [location unknown].

1969

Mario Jossa is made sole director of the Paris office. Architectural projects: West Queens High School, Long Island City, Queens, New York; Harvard University, Bio-Chemistry Building, Cambridge, Massachusetts; Boston Office Building, 60 State Street, Boston, Massachusetts. Exhibition: "Le Bauhaus: 1919-1969," Musée National d'Art Moderne et Musée d'Art Moderne de la Ville de Paris, Paris, France.

1970

Breuer receives an honorary doctorate from Harvard University. Publication of book, Marcel Breuer New Buildings and Projects, by Tician Papachristou. Architectural projects: Australian Embassy, Paris, France; Bryn Mawr School for Girls, Baltimore, Maryland; State University of New York at Buffalo, Engineering and Applied Science Complex, Buffalo, New York; University of Virginia, Physics Building, Charlottesville, Virginia. Exhibition: ["Marcel Breuer"?], Szépmuvészeti Múzeum (Museum of Fine Arts), Budapest, Hungary.

1971

Architectural projects: Acquitaine Coast Resort, Port Contis, France; Atlanta Central Library, Atlanta, Georgia; Pine Ridge High School, Pine Ridge, South Dakota; Marlborough-Gerson Gallery, New York, New York; European Investment Bank, Kirchberg Plateau, Luxembourg; Torin Corporation, Tech Center, Building 1, Torrington, Connecticut.

1972

Breuer suffers another heart attack in Kabul, Afghanistan. Breuer sells his house in New Canaan and moves to 63rd Street, New York. Architectural projects: Clarksburg Public Library, Clarksburg, West Virginia; Southern New England Telephone Company (SNET), Traffic Service Position; Systems Building, Torrington, Connecticut; American Press Institute, Conference Center, Reston, Virginia; Afghanistan Hotels, Kabul and Bamyan, Afghanistan; Picker House, Lake Carmel, New York; Saier House, Glanville-Calvados, France. Exhibitions: "Breuer en France," Knoll International, Paris, France; "Marcel Breuer at the Metropolitan Museum of Art" (traveling exhibition), Metropolitan Museum of Art, New York, New York.

1973

Architectural projects: Heckscher Museum, Expansion Project, Huntington, New York; Defendon Pharma, Limburg an der Lahn, Germany; Torin Corporation, Sculpture, Torrington, Connecticut; Torin Corporation, Assembly Plant, Lawton, Oklahoma; Gagarin House II, Litchfield, Connecticut; Rufus Stillman House III, Litchfield, Connecticut. Exhibition: "Marcel Breuer at the Metropolitan Museum of Art" (traveling exhibition), Museum of Science and Industry, Chicago, Illinois.

1974

Architectural projects: Strom Thurmond Courthouse and Federal Office Building, Columbia, South Carolina; Massachusetts Bay Transit Authority, Red Line Subway Expansion, Cambridge, Massachusetts. Exhibitions: "The Flowering of American Folk Art," Whitney Museum of American Art, New York, New York, Installation designed by Breuer and Hamilton Smith; "Marcel Breuer at the Metropolitan Museum of Art" (traveling exhibition), Centre de Création Industrielle, Pavillon de Marsan, Musée des Arts Décoratifs, Paris, France.

1975

Architectural projects: Lawton Community, Lawton, Oklahoma; Mundipharma, Limburg, Germany; Andrew Geller Shoes, Inc., Showroom, New York, New York; Mt. Tochal Hotel, Tehran, Iran. Exhibition: "Marcel Breuer at the Metropolitan Museum of Art" (traveling exhibition), Bauhaus-Archiv, Berlin-Charlottenburg, Germany.

1976

Breuer retires from practice. Marcel Breuer and Associates becomes Marcel Breuer Associates and later MBA/Architects and Planners. Architectural projects: Sadat City Ministries Complex, Cairo, Egypt; National Museum of American Amusement, [location unknown]; Torin Corporation, Penrith, Australia; Mideast Market (fish, meat, and vegetable market), Kuwait; Cairo Airport Hotel, Cairo, Egypt; Bratti House, New Canaan, Connecticut.

1977

Mario Jossa becomes a partner in MBA/Architects and Planners. Architectural projects: BAFO Warehouse, Springfield, Virginia; ITT Palm Coast Condominiums, Flagler Beach, Florida. Exhibition: "Art and Contemporary Architecture," David Findlay Galleries, New York, New York.

1978

Breuer receives the Grand Médaille d'Or from the Academy of Architecture, France. Architectural projects: Litchfield County Courthouse, Litchfield, Connecticut; Grand Coulee Dam, Columbia River Basin Project, Visitors Arrival Center, Douglas County, Washington.

1979

Architectural project: Boyarsky House, Lawrence, New York.

1980

Breuer receives an honorary doctorate from the Parsons School of Design. MBA/Architects and Planners moves to 26th Street, New York. MBA/Architects and Planners sells the Paris practice to Mario Jossa. Architectural projects: Pall Corporation, Headquarters and Parking Structure, Glen Cove, New York; Philip Morris, Inc., Manufacturing Facility, Cabarrus County, North Carolina; Pittsburgh Convention Center Hotel, Pittsburgh, Pennsylvania.

1981

Marcel Breuer dies on July 1 in New York City. Architectural projects: N F & M Corporation, Jericho, New York; Garces House, Cali, Colombia.

1982

Herbert Beckhard leaves the partnership in November. Architectural projects: Xerox Corporation, [location unknown]; General Electric Company, Waldorf Towers Apartment, New York, New York; General Electric Company, Chairman's Office Competition, New York, New York; General Electric Company, Corporate Guest Facility and Helipad, Lewisboro, New York.

1983

Partnership now called Gatje Papachristou Smith, and is located in offices on lower Fifth Avenue, New York. Architectural project: 44th Street Precinct House, Bronx, New York.

1986

Partnership of Gatje Papachristou Smith dissolved.

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Overview of the Collection

Scope and Contents

The Marcel Breuer papers span the years 1920 to 1986 and measure 37.6 linear feet. They consist of biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document Breuer's career as an architect and designer. This material reflects the prolificacy and diversity of his creations, from tubular steel chairs to private residences, college campuses, factories, department stores, and international, municipal, and corporate headquarters and complexes.

The Biographical Material Series contains documents that list or certify significant events or associations attained by Breuer during his career, such as résumés, licenses, and certificates. The number of awards contained in this series attest to the esteem in which he was held by his colleagues.

Breuer's Correspondence Series illustrates the interaction of his various colleagues and the operation of his architectural offices in the execution of their projects, many of which were in progress simultaneously. This series includes letters from Joseph Albers, Jean Arp, Herbert Bayer, Alexander Calder, Serge Chermayeff, Naum Gabo, Sigfried Giedion, Walter and Ise Gropius, Louis I. Kahn, György Kepes, László Moholy-Nagy, Henry Moore, Eero Saarinen, and José Luis Sert.

The Business and Financial Records Series contains documents which reflect Breuer's commercial transactions that do not directly relate to one specific project. Two project books pertain to 36 architectural projects and record their basic physical and financial details, such as site measurements and cost projections. There are also miscellaneous invoices and receipts, and one of Breuer's personal income tax returns.

The Interviews Series contains typescripts of interviews. Of particular interest is the audiotape interview of Breuer, who discusses his early years as a student and his first impressions of the Bauhaus. There are also untranscribed audiotape interviews of his colleagues György Kepes and Harry Seidler, and his patrons Mr. A. Elzas, and the Koerfers, who discuss their business relationships with Breuer.

There are address lists of colleagues and patrons and résumés from architects contained within the series on Notes, while the Writings Series contains typescripts of lectures and articles written by Breuer concerning architecture and its history. Writings by others are about Breuer and his work, including typescripts, galleys, and photographs of architectural and design projects used in the publication of the book Marcel Breuer Buildings and Projects, 1921-1961 by Cranston Jones.

The Sketches Series consists of 3 small, hand-drawn depictions of unidentified floor plans.

The largest and most comprehensive series houses the Project Files, which consist of approximately 300 project files containing letters, legal documents, and photographs that record the planning and execution of many of Breuer's most important architectural projects. These include the UNESCO Headquarters Building (Paris, France), St. John's Abbey and University (Collegeville, Minnesota), the IBM Corporation Research Center (La Gaude, France), the HUD Headquarters Building (Washington, D.C.), the De Bijenkorf Department Store (Rotterdam, The Netherlands), and the third power plant and forebay dam for the Grand Coulee Dam (Washington state). The file for the Whitney Museum of American Art in New York contains an interesting set of photographs of Breuer showing Jacqueline Kennedy through the construction site.

Of equal importance are the additional Project Files for the 100 residences designed by Breuer, including prefabricated houses such as Kleinmetalhaus and Yankee Portables, and commissioned residences such as the two Gagarin Houses (Litchfield, Connecticut), the two Harnischmacher Houses (Wiesbaden, Germany), Koerfer House (Moscia, Switzerland), the Neumann House (Croton-on-Hudson, New York), the Saier House (Glanville-Calvados, France), the Staehelin House (Feldmeilen, Switzerland), the Starkey House (Duluth, Minnesota), and the three Rufus Stillman Houses (Litchfield, Connecticut). There are also files concerning the four houses Breuer designed for himself in Lincoln and Wellfleet, Massachusetts, and in New Canaan, Connecticut.

The Project Files for Breuer's furniture designs are not as comprehensive as those for his architectural creations but contain many photographs of his early conceptions for chairs, tables, desks, cabinets, rugs, and tapestries.

The Exhibition Files Series contains primarily photographs of exhibitions in which Breuer participated. The extent of his participation is sometimes difficult to determine, because it ranged from designing a single chair, designing rooms for an apartment or an entire house specifically to be shown in an exhibition, to designing an exhibition building. Breuer was also the subject of a retrospective exhibition sponsored by the Metropolitan Museum of Art. This traveling exhibition was seen in New York City, Chicago, Paris, and Berlin.

Images contained in the Photographs Series are of Breuer, including one of him in Philip Johnson's house, Breuer family members, and colleagues, including Herbert Bayer, Alexander Calder, Serge Chermayeff, Walter and Ise Gropius, and Matta. Three photograph albums in this series contain more than 1,000 photographs of 59 architectural projects.

The Printed Material Series houses general clippings that concern groups of projects, rather than one specific project. There is also a scrapbook of tearsheets concerning architectural projects, exhibition announcements, and catalogs for others, and miscellaneous press releases and brochures.

Arrangement and Series Description

The Marcel Breuer papers are arranged into 11 series, based on type of document. Each series, except Project Files, has been arranged chronologically. The Project Files Series has been divided into 19 subseries of related architectual and design project types. The overall arrangement reflects Breuer's original arrangement. Each subseries or file group within is arranged alphabetically according to the surname of an individual, or a location name of a university. The contents of each project file have been arranged according to material type and a chronology that best reflects the progression of the project toward completion.

• Series 1: Biographical Material, 1920-1981 (Boxes 1, 36; Reel 5708; 0.4 linear ft.)
• Series 2: Correspondence, 1923-1986 (Boxes 1-6, OV 47; Reels 5708-5717; 5.3 linear ft.)
• Series 3: Business and Financial Records, 1933-1980 (Box 6; Reels 5717-5718; 0.4 linear ft.)
• Series 4: Interviews, 1963-1985 (Boxes 6-7; Reel 5718; 0.4 linear ft.)
• Series 5: Notes, 1934-1976 (Box 7; Reel 5718; 0.4 linear ft.)
• Series 6: Writings, 1923-1981 (Boxes 7-8; Reels 5718-5720; 1.0 linear ft.)
• Series 7: Sketches, circa 1920s-circa 1980 (Box 8; Reel 5720; 1 folder)
• Series 8: Project Files, 1921-1986 (Boxes 8-23, 36-40, OVs 43-57; Reels 5720-5737; 27.6 linear ft.)
• Series 9: Exhibition files, 1922-1974 (Box 34, OV 49; Reels 5737-5738; 0.8 linear ft.)
• Series 10: Photographs, 1928-1979 (Boxes 34, 41-42; Reel 5738; 0.3 linear ft.)
• Series 11: Printed Material, 1925-1984 (Boxes 35, 42; Reels 5738-5739; 1.0 linear ft.)

Subjects and Names

Provenance

The collection was donated to the Archives of American Art in five installments, 1985-1999, by Constance Breuer, widow of Marcel Breuer.

Separated and Related Materials

Additional blueprints and drawings by Breuer are located at Syracuse University.

A presentation book for the IBM Research Center in La Gaude, France, is located in the Centre Georges Pompidou, Paris.

How the Collection was Processed

This collection was processed by Jean Fitzgerald in 2000-2001 and was subsequently microfilmed on reels 5708-5739 with funding provided by the Gerta Charitable Trust. The microfilm of the collection was digitized in 2006 with funding provided by the Terra Foundation for American Art.

How to Use the Collection

Restrictions on Use

The microfilm for this collection has been digitized and is available online via the Archives of American Art website.

Ownership & Literary Rights

The Marcel Breuer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

Available Formats

The microfilm for this collection has been digitized as is available online via the Archives of American Website.

How to Cite this Collection

Marcel Breuer papers, 1920-1986. Archives of American Art, Smithsonian Institution.

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Detailed Description and Container Inventory

Series 1: Biographical Material, 1920-1981 (Boxes 1, 36; Reel 5708; 0.4 linear feet)

Series 1 contains résumés, identity cards, licenses, diplomas, certificates, applications, and awards that list or certify significant events or associations attained by Breuer during his career.

The files are arranged by type of material and then chronologically.

Series 2: Correspondence, 1923-1986 (Boxes 1-6, OV 47; Reels 5708-5717; 5.3 linear feet)

Correspondents in this series include a wide range of international architects, designers, and artists who interacted with Breuer. The letters discuss his training and the execution of his hundreds of architectural projects and designs for furnishings. Researchers will find the letters between Breuer and his Bauhaus colleagues, including Josef Albers, Herbert Bayer, Walter Gropius, and László Moholy-Nagy, of particular interest.

See Index A for List of Notable Correspondents from Series 2.

The files are arranged chronologically, with the undated letters arranged alphabetically according to the correspondents' surnames.

Series 3: Business and Financial Records, 1933-1980 (Box 6; Reels 5717-5718; 0.4 linear feet)

This series contains documents reflecting Breuer's commercial transactions that do not directly relate to one specific project. The two Project Books pertain to dozens of architectural projects and record their basic physical and financial details, such as site measurements and cost projections. There are also miscellaneous invoices and receipts, and one of Breuer's personal income tax returns.

The series is arranged into three subseries; files are arranged chronologically.

• 3.1: Contracts, 1933
• 3.2: Project Books, 1953-1980
• 3.3: Personal Financial Records, 1933-1976

3.1: Contracts, 1933

3.2: Project Books, 1953-1980

3.3: Personal Financial Records, 1933-1976

Series 4: Interviews, 1963-1985 (Boxes 6-7; Reel 5718; 0.4 linear feet)

This series includes transcripts of interviews with Breuer and untranscribed audiotaped interviews with Breuer and his colleagues, including György Kepes.

The series is arranged into two subseries; files are arranged chronologically.

• 4.1: Transcripts, 1963-1974
• 4.2: Audiocassettes, 1976-1985

4.1: Transcripts, 1963-1974

4.2: Audiocassettes, 1976-1985

Series 5: Notes, 1934-1976 (Box 7; Reel 5718; 0.4 linear feet)

This series consists primarily of address lists of colleagues and patrons. The résumés are from architects and architectural students applying for positions in Breuer's firm. Miscellaneous Resumes includes resumes for Yi-hsien Chow, Claude Gaborit, Carter Gifford, Kevin Lynch, Mrs. David Middleton, Wolfram Friedrich Niessen, Muriel Raclot, and Hamilton Smith.

Files are arranged chronologically.

Series 6: Writings, 1923-1981 (Boxes 7-8; Reels 5718-5720; 1.0 linear feet)

This series contains typescripts of lectures and articles written by Breuer concerning architecture and its history. Writings by others are about Breuer and his work and include typescripts, galleys, and photographs of architectural and design projects used in the publication of the book Marcel Breuer Buildings and Projects, 1921-1961 by Cranston Jones.

The series is arranged into four subseries and the files are arranged chronologically.

• 6.1: Speeches and Lectures by Breuer, 1923-1975
• 6.2: Articles and Books by Breuer, 1936-1978
• 6.3: Speeches by Others, 1958-1981
• 6.4: Articles and Books by Others, 1959-1981

6.1: Speeches and Lectures by Breuer, 1923-1975

6.2: Articles and Books by Breuer, 1936-1978, undated

6.3: Speeches by Others, 1958-1981

6.4: Articles and Books by Others, 1959-1981, undated

Series 7: Sketches, circa 1920s-circa 1980 (Box 8; Reel 5720; 1 folder)

This file consists of 3 original undated drawings of floor plans for unidentified buildings.

Series 8: Project Files, 1921-1986 (Boxes 8-23, 36-40, OVs 43-57; Reels 5720-5737; 27.6 linear feet)

This series has been divided into 19 subseries of related architectual and design projects. Each subseries is arranged alphabetically. The contents of each project file has been arranged according to material type and a chronology that best reflects the progression of the project toward completion.

• 8.1: Urban Development Projects, 1928-1981
• 8.2: Planned Communities, 1928-1976
• 8.3: Government Agencies, 1949-1980
• 8.4: Civic Buildings, 1928-1981
• 8.5: Elementary and Secondary Schools, 1953-1980
• 8.6: Colleges and Universities, 1938-1981
• 8.7: Museums and Galleries, 1963-1981
• 8.8: Convents, Churches, and Synagogues, 1957-1978
• 8.9: Memorials, 1945-1975
• 8.10: Office Buildings, 1961-1978
• 8.11: Industrial and Factory Properties, 1929-1984
• 8.12: Retail, 1936-1978
• 8.13: Hotels, 1937-1980
• 8.14: Theaters, 1929-1936
• 8.15: Bars and Clubs, 1922-1948
• 8.16: Miscellaneous Unidentified Municipal Projects, 1953-1958
• 8.17: Residences, 1923-1982
• 8.18: Furniture Designs, 1921-1977
• 8.19: Projects by Others, [1930?]-1986

8.1: Urban Development Projects, 1928-1981

This subseries consists of 5 project files concerning the improvement of large inner-city areas. Files include photographs of plans, drawings, and models, clippings, and related letters.

Files are arranged alphabetically.

8.2: Planned Communities, 1928-1976

This subseries consists of 10 project files concerning the construction of facilities for specific communities.

The subseries is arranged alphabetically by project.

8.2.1: Acquitaine Coast Resort, Port Contis, France, 1971-1973

8.2.2: El Recreo Urban Center, Caracas, Venezuela, 1958-1960

8.2.3: Flaine Ski Resort Town, Haute-Savoie, France, 1960-1976

8.2.4: Interama (Community for Argentina, Brazil, Paraguay, and Uruguay), Miami, Florida, 1965-1967

8.2.5: Lawton Community, Lawton, Oklahoma, Letters and Contract, 1975-1976

8.2.6: New Kensington Defense Housing, New Kensington, Pennsylvania, 1941

8.2.7: Spandau-Haselhorst Housing, Spandau, Germany, 1928

8.2.8: Sports Park, Corona-Flushing Meadow Park, Queens, New York, 1966-1974

8.2.9: Wellfleet Housing Development, Bi-Nuclear "H" House, Wellfleet, Massachusetts, 1943

8.2.10: ZUP (Zone à Urbaniser par Priorité/"Zone Designated for Priority Urbanization"), Community Bayonne, France, 1964-1972

8.3: Government Agencies, 1949-1980

This subseries consists of 6 project files concerning the construction of buildings for the U.S. government or for the governments of other countries. The subseries is arranged alphabetically.

8.3.1: Australian Embassy, Paris, France, 1970-1976

8.3.2: Department of Health, Education, and Welfare (HEW) Headquarters Building, Hubert H. Humphrey Building, "Air Rights Building-South Portal Site," Washington, D.C., 1965-1979

8.3.3: Department of Highways and Traffic, Headquarters Building Washington, D.C.

8.3.4: Department of Housing and Urban Development(HUD), Headquarters Building Washington, D.C., 1963-1974

8.3.5: Strom Thurmond Courthouse and Federal Office Building, Columbia, South Carolina, 1974-1980

8.3.6: United Nations Educational, Scientific and Cultural Organization (UNESCO) Headquarters, Paris, France, 1949-1975

See Index B for an alphabetical listing of Breuer's chronologically arranged correspondence in this project file.

8.3.7: U.S. Embassy, The Hague, The Netherlands, 1956-1961

8.4: Civic Buildings, 1928-1981

This subseries has been divided into 5 sub-groups that reflect the basic function of each of the project types. Each sub-group is arranged alphabetically.

8.4.1: Hospitals, 1928-1966

8.4.2: Libraries, 1951-1981

8.4.3: Airline Facilities, 1945, undated

8.4.4: Rail Facilities, 1954-1975

8.4.5: Miscellaneous Civic Structures, 1966-1978

8.5: Elementary and Secondary Schools, 1953-1980

This subseries is arranged alphabetically and consists of 12 project files concerning the construction of pre-college-level schools.

8.5.1: Bantam Elementary School, Litchfield, Connecticut, 1953-1957

8.5.2: Bryn Mawr School for Girls, Baltimore, Maryland, 1970-1972

8.5.3: Campus High School, Secondary Education Complex, Madison Park Urban Renewal Area, Boston, Massachusetts, 1967-1968

8.5.4: Connecticut Junior Republic Association Dormitory, Litchfield, Connecticut, 1955-1980

8.5.5: Litchfield High School, Litchfield, Connecticut, 1953-1960

8.5.6: Northfield Elementary School, Litchfield, Connecticut, 1953

8.5.7: Pine Ridge High School, Pine Ridge, South Dakota, 1971-1975

8.5.8: School for 450 Children Competition, undated

8.5.9: State School for the Mentally Retarded Nassau County, New York, 1965-1971

8.5.10: Torrington High School, Torrington, Connecticut, 1955-1957

8.5.11: West Queens High School, Long Island City, New York, 1969-1970

8.5.12: Whitby Elementary School, Greenwich, Connecticut, 1959-1961

8.6: Colleges and Universities, 1938-1981

8.6.1: Black Mountain College, Black Mountain, North Carolina, 1939-1946

8.6.2: Cardinal Stritch College, Tri-Arts Center, Milwaukee, Wisconsin, 1965-1968

8.6.3: Harvard University, Biology-Chemistry Building, Cambridge, Massachusetts, 1969

8.6.4: Hunter College, Library, Classrooms, and Administration Building Bronx, New York, 1955-1965

8.6.5: Institute for Advanced Study, Louis Bamberger and Mrs. Felix Fuld Foundation, Members' Housing, Princeton University Princeton, New Jersey, 1954-1967

8.6.6: Kent School, Girls' Chapel, Kent, Connecticut, 1967

8.6.7: Mary College and Annunciation Priory, and the Associated Convent of the Annunciation in Dickinson, North Dakota Residence Hall, Dining Facility, Science Laboratory, and Classroom Building with Auditorium, Bismarck, North Dakota, 1954-1975

8.6.8: University of Massachusetts, Murray Lincoln Campus Center and Parking Structure Amherst, Massachusetts, 1965-1977

8.6.9: New York University, University Heights Campus, Bronx, New York, 1956-1971

8.6.10: St. John's Abbey and University, Collegeville, Minnesota, 1953-1981

8.6.11: Sarah Lawrence College, Arts Center, Bronxville, New York, 1950-1977

8.6.12: Smith College Competition, Dormitories, Northampton, Massachusetts, 1945

8.6.13: State University of New York at Buffalo, Engineering and Applied Science Complex, Buffalo, New York, 1970

8.6.14: Vassar College, Dwight Ferry House Cooperative Dormitory, Poughkeepsie, New York, 1950-1952

8.6.15: University of Virginia, Physics Building, Charlottesville, Virginia, 1970-1972

8.6.16: Wheaton College Competition, Art Center, Norton, Massachusetts, 1938

8.6.17: Yale University, Becton Center of Engineering and Applied Science, New Haven, Connecticut, 1964-1972

8.7: Museums and Galleries, 1963-1981

This subseries consists of 5 project files concerning the construction of buildings for the exhibition and study of art and artifacts.

Files are arranged alphabetically.

8.7.1: Cleveland Museum of Art, Education Wing, Cleveland, Ohio, 1967-1976

8.7.2: Heckscher Museum, Expansion Project, Huntington, New York, 1973-1980

8.7.3: Marlborough-Gerson Gallery, New York, New York, 1971

8.7.4: National Museum of American Amusement [location unknown], 1976

8.7.5: Whitney Museum of American Art, New York, New York, 1963-1981

8.8: Convents, Churches, and Synagogues, 1957-1978

This subseries consists of 6 project files concerning the construction of buildings for religious organizations.

Files are arranged alphabetically.

8.8.1: Baldegg Convent, Mother House Institute near Lucerne, Switzerland, 1967-1975

8.8.2: Olgiata Parish Church, Rome, Italy, 1968-1969

8.8.3: St. Francis de Sales Church, Church and Rectory, Muskegon, Michigan, 1961-1978

8.8.4: St. Luke's Church, Fairport, New York, 1964-1965

8.8.5: Temple B'Nai Jeshurun, Short Hills, Millburn Township, New Jersey, 1961- 1965

8.8.6: Westchester Reform Temple, Scarsdale, New York, 1957

8.9: Memorials, 1945-1975

This subseries consists of 3 project files concerning the construction of commemorative structures.

Files are arranged alphabetically.

8.10: Office Buildings, 1961-1978

This subseries consists of 10 project files concerning the construction of buildings for corporate enterprises.

Files are arranged alphabetically.

8.10.1: American Press Institute, Conference Center, Reston, Virginia, 1972-1978

8.10.2: Boston Office Building, 60 State Street, Boston, Massachusetts, 1969-1972

8.10.3: Cleveland Trust Company, Bank and Office Building, Cleveland, Ohio, 1967-1973

8.10.4: Common Market Center, Brussels, Belgium, undated

8.10.5: European Investment Bank Kirchberg Plateau, Luxembourg, 1971-1975

8.10.6: Grand Central Air Rights Building, 175 Park Avenue, New York, New York, 1963-1978

8.10.7: Harrison-State Development Corporation, Office Building, Bristol Center, Syracuse, New York, 1968-1971

8.10.8: Office Building for Airport Street, Riyadh, Kingdom of Saudi Arabia, undated

8.10.9: One Charles Center, Baltimore, Maryland, 1961

8.10.10: Xerox Corporation [location unknown], undated [1982?]

8.11: Industrial and Factory Properties, 1929-1984

This subseries consists of 27 project files concerning the construction of facilities for manufacturing products.

Files are arranged alphabetically

8.11.1: Armstrong Rubber Company, New Haven, Connecticut, 1968-1969

8.11.2: BAFO Warehouse, Springfield, Virginia, 1977

8.11.3: Brookhaven National Laboratory for Nuclear Research, Upton, Long Island, New York, 1960

8.11.4: Defendon Pharma, Limburg an der Lahn, Germany, 1973

8.11.5: Fuld Factory Competition, Frankfurt, Germany, 1929

8.11.6: Grand Coulee Dam, Columbia River Basin Project, Douglas County, Washington, 1967-1980 (5 folders)

8.11.7: International Business Machines Corporation (IBM), Expansion of Headquarters Facility, Armonk, New York, 1968-1969

8.11.8: International Business Machines Corporation (IBM), Offices, Laboratories, and Manufacturing Facility, Boca Raton, Florida, 1968-1974

8.11.9: International Business Machines Corporation (IBM), Research Center, La Gaude (near Nice), France, 1961-1979

8.11.10: Laboratoires Sarget (formerly Sarget Ambrine), Corporate Headquarters and Pharmaceutical Plant, Bordeaux, France, 1965-1984

8.11.11: O. E. McIntyre, Inc., Plant, Westbury, Long Island, New York, 1955

8.11.12: Mundipharma, Limburg, Germany, 1975-1977

8.11.13: Pall Corporation, Headquarters and Parking Structure, Glen Cove, New York, 1980

8.11.14: Philip Morris, Inc., Manufacturing Facility, Cabarrus County, North Carolina, 1980

8.11.15: Purdue Frederick Company, Corporate Headquarters, Bordeaux, France, 1965

8.11.16: Torrington Manufacturing Company (Torin Corporation from 1969), Oakville, Ontario, Canada, 1953-1981

8.11.17: Torrington Manufacturing Company (Torin Corporation from 1969), Van Nuys, California, 1956-1960

8.11.18: Torrington Manufacturing Company (Torin Corporation from 1969), Rochester, Indiana, 1960

8.11.19: Torrington Manufacturing Company, Machine Division (Torin Corporation from 1969), Torrington, Connecticut, 1962-1963

8.11.20: Torrington Manufacturing Company (Torin Corporation from 1969), Nivelles, Belgium, 1963-1978

8.11.21: Torrington Manufacturing Company (Torin Corporation from 1969), Swindon, England, 1965-1967

8.11.22: Torrington Manufacturing Company Administration Building (Torin Corporation from 1969), Torrington, Connecticut, 1965-1972

8.11.23: Torin Corporation, Tech Center, Building 1, Torrington, Connecticut, 1971