Lucy R. Lippard papers, 1930s-2007, bulk, 1960s-1990

A Finding Aid to the Lucy R. Lippard Papers, 1930s-2007, bulk 1960s-1990, in the Archives of American Art, by Stephanie L. Ashley and Catherine S. Gaines

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Funding for the processing of this collection was provided by the Terra Foundation for American Art

Table of Contents:



Biographical Information

New York writer, curator, art critic, and teacher, Lucy R. Lippard (1937-) is the curator of numerous exhibitions and the author of 20 books and other writings that trace the emergence of minimalist, post-minimalist, and conceptual art and document Lippard's committment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith college in 1958 and a M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark "Eccentric Abstraction" exhibition at the Fischbach Gallery in New York City which established the standard for what would be considered post-minimalist art. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers shows," each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, "557,087" was followed by "955,000" in Vancouver, Canada, a few months later. "2,972,453" was held at the Centro de Arte y Comunicac�on in Buenos Aires in 1971 and "c.7500" opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, intending to write a novel. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Artists Meeting for Cultural Change, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing publications by artists. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, and San Francisco Art Institute, as well as awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal and the ArtTable Award for Distinguished Service to the Visual Arts.

Lippard has lived in New Mexico since 1992 and continues to work as a freelance writer and speaker.

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Overview of the Collection

Scope and Contents

The papers of New York writer, art critic, curator, and teacher, Lucy R. Lippard, measure 53.3 linear feet and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relatiohnships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distrubution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual, minimalist and post-minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as "A Different War: Vietnam in Art" (1989-1991) "557,087" and "955,000" (1969, 1970), "2,972, 453" (1971) "c.7,500" (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes 16 items by unidentified artists, including 2 by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

Arrangement and Series Description

The collection is arranged as eight series:

Subjects and Names

This collection is indexed in the online catalog of the Archives of American Art under the following index terms:

  • Christo, 1935-
  • Edelson, Mary Beth
  • Evergood, Philip, 1901-1973
  • Hesse, Eva, 1936-1970
  • Johnson, Ray, 1927-
  • Judd, Donald, 1928-
  • Lewitt, Sol, 1928-
  • Long, Richard, 1945-
  • Oldenburg, Claes, 1929-
  • Reinhardt, Ad, 1913-1967
  • Smith, Tony, 1912-
  • Art criticism--New York (State)--New York
  • Art critics
  • Art, Modern--20th century
  • Art--Study and teaching
  • Artists--Political activity
  • Curators--New York (State)--New York
  • Exhibition catalogs
  • Interviews
  • Photographs
  • Sound recordings
  • Works of art

Provenance

Lucy R. Lippard donated her papers in several increments between 1972-1995, and 2006.

Separated and Related Materials

Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.

How the Collection was Processed

The papers were processed to a minimal level by Catherine S. Gaines between 2004-2006. All accessions were merged and fully processed, and the finding aid was revised by Stephanie Ashley in 2012-2014 with funding provided by the Terra Foundation for American Art. For materials containing social security numbers, the numbers were redacted in photocopies filed in the collection; the originals are filed separately.


How to Use the Collection

Restrictions on Use

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Ownership & Literary Rights

The Lucy R. Lippard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

How to Cite this Collection

Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.

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Detailed Description and Container Inventory

Series 1: Biographical Material, circa 1960s-circa 1980s
2 Folders; Box 1

Resumes summarize Lippard's professional acheivements and an address book includes a list of birthdays, as well as addresses and phone numbers of a large number of Lippard's colleagues, family and friends.

Box Folder
1 1 Resumes, circa 1960s-circa 1980s
1 2 Address Book, 1967-1981

Series 2: Correspondence, 1950s-2006
28.8 Linear feet; Boxes 1-28, 51, OVs 54-63

Correspondence forms the bulk of the collection and is between Lippard and artists, writers, galleries, art institutions and organizations, educational institutions, political organizations, and publishers. Also found is a small amount of personal and family correspondence. The bulk of the correspondence is incoming with scattered copies of Lippard's outgoing replies.

In addition to correspondence and notes, the series includes a significant amount of printed matter, such as clippings, journals, exhibition catalogs and announcements, and scattered publications of the Mail Art network, photographic material including photographs of artwork and artists, and original artwork found in some of the artist's files.

The series also includes recordings on 7 sound tape reels and 18 sound cassettes.

Lippard appears to have sorted incoming mail into very rough alphabetical order prior to donation, generally mixing correspondence with files that could more accurately be described as subject or reference files. Although the latter primarily consist of photographic and/or printed material, the basic alphabetical arrangement of the creator has been maintained and sorted into 2 subseries. All correspondents and subjects with 4 or more related items are housed in a named file; all other items are housed in a "General" file at the end of the file group for the appropriate letter of the alphabet.

2.1: Correspondence by Name, 1950s-2006

The series documents all aspects of Lippards professional life, primarily from the 1960s on, including her relationship with artists such as Carl Andre, Iain Baxter (N. E. Thing Co.), Bruce Barber, Carole Berge, Steve Cagan, Don Celender, Judy Chicago, Hanne Darboven, Ken Friedman, Donna Henes, Hera, Alexis Hunter, Ray Johnson, Joseph Kossuth, Sol LeWitt, Martha Rosler, Henry Pearson, Arthur and Irene Siegel, Tal Streeter, Bill Vazan and many more. Lippard's interest in and committment to the emerging feminist art scene can be traced in correspondence with artists such as Joan Braderman, Mary Beth Edelson, Harmony Hammond, Ruth Hardinger, Elizabeth Hess, Miriam Schapiro, May Stevens and Merle Temkin, many of whom, along with Lippard, were founding members of the New York-based Heresies Collective.

Also found here is correspondence and other material documenting Lippard's involvement with art galleries, art instutions and activist groups including Addison Gallery of American Art, Alliance for Cultural Democracy, and Political Art Documentation/Distribution (PAD/D). PAD/D material consists of 11 audio recordings from circa 1984 related to "Artists Call Against U.S. Intervention in Central America" and other activities of the group. Eight folders document the founding and early years of the Women's Caucus for Art from the early 1970s to 1981 and the series includes Lippard's correspondence with related individuals and organizations such as Arlene Raven, Sheila de Bretteville and the College Art Association. Records on the Art Workers Coalition (AWC) and the Museum of Modern Art document Lippard's involvement in the AWC's artists' rights protests aimed at pressurizing the Museum of Modern Art and other museums to implement certain reforms, including a weekly free admission day.

Correspondence with Ray Johnson includes original letters from Johnson to Lippard and many examples of his mail art. A folder of letters from Christo and Jean-Claude includes a letter illustrated with sketches of artwork that had impressed Christo at a University of British Columbia art show and describing a meeting with Ray Johnson. Six folders of correspondence from Hanne Darboven are interspersed with her distinctive colors, dashes, numbers and wavy lines and letters and postcards from Sol LeWitt include sketches and descriptions of artwork.

Lippard corresponded with many artists outside the United States, including Australian artists Vivienne Binns and Peter Kennedy, and New Zealand artist Bruce Barber, and wrote an article for Arts Canada on the Canadian group Pulsa. Her interest in landscape art can be traced in her correspondence with artists such as Bill Vazan and British artist Richard Long.

There are 4 folders of correspondence between Lippard and James (Jim) Fitzimmons regarding her work for the publication Art International during the 1960s, and two folders of correspondence with publisher Harry N. Abrams, Inc., but the bulk of the correspondence related to Lippard's writings can be found in Series 3.1. Other writers with whom Lippard corresponded include New York art critic Frederick Ted Castle, artist and writer Judy Loeb, writer and storyteller Gioia Timpanelli and Argentine-born critic Susana Torre, who designed the cover for Lippard's book From the Center: Feminist Essays on Women's Art (1976).

The series includes one folder each of correspondence from Lippard's parents Margaret Lippard and Vernon W. Lippard.

Sound recordings are on 7 sound tape reels and 17 sound cassettes.

Box Folder
1 3 A.I.R. Gallery, 1973-1980, 1996
1 4 Abakamowicz, Magdalene, circa 1970-circa 1984
Includes phots of Abakamowicz
1 5 Abish, Cecile and Walter, circa 1971-circa 1975
1 6 Acconci, Vito, circa 1969-circa 1970
1 7 Acconci, Vito, 1969-1970
1 8 Acconci, Vito, 1971-1975
Oversized material housed in OV 54
1 9 Acconci, Vito, 1976-1977
1 10 Acconci, Vito, circa 1978-1987
Oversized material housed in OV 54
1 11 Ace Space Co., circa 1970-circa 1984
1 12 Ada, circa 1980-circa 1981
1 13 Adams, Alice, 1960s-1980s
1 14 Adams & Goldbard (Adams, Don and Goldbard, Arlene), 1984-1992
1 15 Adams, Mac, circa 1970s
1 16 Addison Gallery of American Art, 1980
1 17 Addison Gallery of American Art, 1980-1993
1 18 Alaska Design Forum, 2003-2004
1 19 Albers, Josef, 1967-1968
1 20 Allen, Francie, circa 1977-1978
1 21-22 Alliance for Cultural Democracy, circa 1982-1984
1 23-24 Alliance for Cultural Democracy, circa 1985-1988
1 25 Alliance for Cultural Democracy, circa 1988-1991
1 26 Alliance for Cultural Democracy, 1981-1982
Oversized material housed in Box 51, Folder 1
1 27 Alliance for Cultural Democracy, 1983 January-April
1 28 Alliance for Cultural Democracy, 1983 May-October
1 29 Alliance for Cultural Democracy, 1983 October
1 30 Alliance for Cultural Democracy, 1983 October-December
1 31 Alliance for Cultural Democracy, 1984
1 32 Alliance for Cultural Democracy, 1985-1986
1 33 Alliance for Cultural Democracy, 1986
1 34-35 Alliance for Cultural Democracy, 1987
Oversized material housed in Box 51, Folder 1
1 36 Alliance for Cultural Democracy, 1988
1 37 Alliance for Cultural Democracy, 1988-1990
1 38 Alliance for Cultural Democracy, 1990-1992
Oversized material housed in OV 54
1 39 Allyn, Jerri, 1979-1993
1 40 Amateau, Mich�le, circa 1974-circa 1983
1 41 And/Or Gallery, Seattle, circa 1974-circa 1976
1 42 Anderson, Laurie, circa 1979-circa 1987
1 43 Andre, Carl, circa 1973-circa 1992
1 44 Anglesey, Zoe, 1983
1 45 Antin, Eleanor, 1971-1973
1 46 Antioch University, 1975-1991
1 47 Antonakos, Stephen, circa 1967-circa 1991
1 48 Appalachian State University, 1995-1996
1 49 Apple, Billy, circa 1971-circa 1972
1 50 Applebroog, Ida, circa 1978-circa 1983
1 51 Araeen, Rasheed, circa 1980-circa 1984
1 52 Archaeological Conservancy, 1980s
1 53 Archives of American Art, circa 1967-circa 1990
1 54 Arizona State University, 1970s
Oversized material housed in Box 51, Folder 1
1 55 Armajani, Siah, circa 1970
Box Folder
2 1-2 Arnatt, Keith, circa 1967-circa 1972
Includes photos of Arnatt; oversized material housed in OV 58
2 3 Art In America, circa 1970-1980
2 4-7 Art International (Jim Fitzimmons), circa 1964-circa 1970
2 8-9 Art Workers Coalition, circa 1969-circa 1970s
Oversized material housed in OV 54
2 10 Art Workers Coalition, 1968-1969
2 11-13 Art Workers Coalition, 1969
2 14 Art Workers Coalition, 1970
2 15 Art Workers Coalition, 1970-1971
Oversized material housed in Box 51, Folder 1
2 16 Art Workers Coalition, Slide Show Discussion, Simon Frasier University (1969 Feb), 1969
1 sound tape reel
2 17 Art Workers Coalition, 2nd Discussion Group, Alternatives Committee (1969 May 29), 1969
1 sound tape reel
The only attendee that is named in the recording is Lucy Lippard. Others present may include Robert Morris and Rudolph Baranik.
2 18 Art Workers Coalition, Open Hearing Tapes 1-2, circa 1960s
2 sound tape reels
2 19 Art Workers Coalition, Open Hearing Tapes 3-4, circa 1960s
2 sound tape reels
2 20 Artemesia, circa 1970s-1990
2 21 Artes Visuales, 1975-1976
2 22 Artforum, 1972
2 23 Artists Against the Expressway, 1969
2 24 Artists Residents of Chicago (ARC), circa 1974-circa 1979
2 25 Arts Magazine, circa 1970-circa 1976
2 26 ArtsCanada, 1968-1969
2 27 Artschwager, Richard, circa 1967-circa 1969
2 28 Asbury, Jane, circa 1975-circa 1977
2 29 Aschenbrenner, Michael, circa 1981-circa 1991
2 30 Ascher, Mary, 1971
2 31 Asher, Michael, circa 1969-circa 1971
2 32 Askevold, David, circa 1967-circa 1974
Includes photo of Askevold
2 33 Atkinson, Conrad, 1990s
2 34 Ault, Julie, 1984-1999
2 35 Aycock, Alice, circa 1971-circa 1978
2 36 Aylon, Helane, circa 1978-circa 1980
2 37 A, General: A.-Adz, 1970s-1990s
2 38 A, General: Af-Ak, 1970s-1980s
2 39 A, General: Al-Am, 1960s-1990s
2 40 A, General: An, 1970s-1990s
2 41 A, General: Ap-Arm, 1970s-1990s
2 42 A, General: Art, 1960s-1990s
2 43 A, General: Arte-Arv, 1970s-1990s
2 44 A, General: As, 1970s-2002
2 45 A, General: At-Az, 1950s-1980s
2 46 A, First Names Only, 1960s-1990s
2 47 A, Illegible, circa 1970s
Box Folder
3 1 Baden, Mowry, circa 1960s
Oversized material housed in Box 51 Folder 1
3 2 Bail, Murray, 1970s
3 3 Baker, Betsy, 1966-1979
3 4-5 Baldessari, John, circa 1960s-circa 1970s
3 6 Balkind, Alvin, 1968-1980
3 7 Baracks, Barbara, 1970s-1980
3 8 Baranik, Rudolf, 1970s-1991
3 9 Barber, Bruce, 1970s-1980s
Includes photo of Barber; oversized material housed in OV 54
3 10 Barber, Pauline and Bruce, 1970s-1988
3 11 Bardo, Arthur, circa 1960s-circa 1970s
3 12 Barry, Judith, circa 1970s-circa 1980s
3 13 Barry, Robert, circa 1969-1972
Oversized material housed in OV 58
3 14 Barry, Robert, 1973-1980
Oversized material housed in OV 58
3 15-16 Barthelme, Rick, 1950s-1970s
3 17 Barthelme, Rick, circa 1970s
3 18 Bas, Jan Ader, 1970-1975
3 19 Bates, Elizabeth, circa 1970s-circa 1980s
3 20 Baumann, Jim, circa 1970s
3 21 Becher, Bernard and Hilla, 1970s-1980s
3 22 Beckley, Bill, 1970s
3 23 Beebe, Mary L. (Portland Center for Visual Arts), circa 1970s-circa 1980s
3 24 Beens, Olivia, 1983-1990
3 25 Benglis, Lynda, 1970s-circa 1990
3 26 Berge, Carol, circa 1975-1979
3 27 Berge, Carol, circa 1980-1992
3 28 Berkeley Art Project, 1989-1990
3 29 Berkley, Sheila, circa 1976-1987
3 30 Bernheim, Stephanie, circa 1977-circa 1982
3 31 Bernstein, Judith, 1977-1985
3 32 Berry, Gene, circa 1969
3 33 Beuys, Joseph, circa 1972-1979
Oversized material housed in Box 51, Folder 1 and OV 60
3 34 Bien, Ania, circa 1979-circa 1981
3 35 Bienal del Grabado Latinoamericano, 1971-1972
3 36 Binns, Vivienne, circa 1975-1978
3 37 Binns, Vivienne, 1979-1981
3 38 Binns, Vivienne, 1982-1991
3 39 Blevino, J. R., circa 1973
3 40 Blocher, Heidi, 1977-1978
3 41 Bloom, Miriam, 1970s
3 42 Bloom, Suzanne, circa 1970s-1991
3 43 Blumenthal, Lyn, 1970s
3 44 BobsBand, 1970s
3 45 Bochner, Mel, circa 1969-circa 1973
3 46 Boetti, Anne-Marie, circa 1970s-circa 1980s
3 47 Bornstein, Gloria, circa 1977-1993
3 48 Bornstein, Gloria, "Public Document," 1977 May 30
1 Sound cassette ; Cassette is copy of original recording. Location of original is unknown.
3 49 Borofsky, Jonathan, circa 1969-circa 1986
Oversized material housed in OV 54
3 50 Borstein, Elena, circa 1970s
3 51 Boston Visual Artists Union Incorporated, 1973-1974
3 52 Bourgeois, Louise, circa 1969-1990
3 53 Bowen, Jerry, circa 1960s-circa 1970s
3 54 Boyce, Janet, circa 1978-1987
3 55 Braderman, Joan, circa 1970s-1984
3 56 Brandeis University, Rose Art Museum, 1966, 1995-1996
3 57 British Broadcasting Corporation (BBC), 1990-1991
3 58 Bromm, Hal (Hal Bromm Gallery), circa 1979-1980
Box Folder
4 1 Broner, Esther (E. M.) and Robert, 1970s-1989
4 2 Bronx Museum of the Arts, 1979, 1998
4 3 Broodthaers, Marcel, circa 1968-circa 1973
4 4 Brown, Carol, 1981-1991
4 5 Brown, Francis (Frank), 1970s-1986
Includes 5 "splatter-dash" paintings on postcards
4 6 Brouwn, Stanley, 1960s-1970s
4 7 Buchanan, Beverly, 1970s-1987
Includes photos of Buchanan
4 8 Buchanan, Nancy, circa 1980s
4 9 Buffalo State College, 1994-1995
4 10 Burckhardt, Rudolph, 1970s-1980s
Oversized material housed in OV 55
4 11 Burgin, Victor, 1960s-1970s
4 12 Burgy, Donald, 1968-1972
4 13 Burton, Dennis, 1960s
4 14 Butterfield, Jan, 1970s-1980s
4 15 Button, John, circa 1960s-circa 1980s
4 16 Byars, James Lee, circa 1969-circa 1973
Oversized material housed in OV 60
4 17 B, General: B.-Bai, 1970s-1980s
4 18 B, General: Bak-Ban, 1960s-1990s
4 19 B, General: Bar-Bay, 1970s-1980s
4 20 B, General: Bea-Ben, 1970s-2002
4 21 B, General: Ber-Bev, 1960s-1980s
4 22 B, General: Bi-Bj, 1970s-1980s
4 23 B, General: Bl, 1970s-1980s
4 24 B, General: Bo, 1960s-1990s
4 25 B, General: Bra-Bri, 1960s-1980s
4 26 B, General: Bro-Bry, 1970s-1990s
4 27 B, General: Bu, 1960s-1990s
Oversized material housed in Box 51, Folder 2
4 28 B, General: By, 1970s-1980s
4 29 B, First Names Only, 1970s-1980s
4 30 B, Illegible, 1970s-1980s
4 31 Caccaro, Carey, 1970s-1980s
4 32-34 Cagan, Steve, 1980-1988
4 35 Caglioti, Victor, circa 1968-circa 1980
4 36 Cajori, Marion, 1980s-1991
4 37 Calender, Arden, 1979-1984
4 38 California Institute of the Arts, 1970s
4 39 Carson, Neke, 1970s
4 40 Caruthers-Aiken, Maryanne, 1970s
4 41 Caruthers-Aiken, Maryanne, 1978-1982
4 42 Caruthers-Aiken, Maryanne, NPR Options Broadcast, circa 1980s
1 Sound cassette ; Labels read: Side 1, "Land As Symbol" Peter Navakoff. Side 2, N. Scot Monoday.
Box Folder
5 1-2 Castle, Frederick, circa 1968-circa 1973
5 3 Cavellini, Guglielmo Achille, circa 1977
5 4 Celant, Germano, 1970s
5 5 Celender, Don, circa 1965-1970
5 6 Celender, Don, 1971-1985
5 7 Center for Constitutional Rights, 1984-1991
5 8 Center for Ecology and Social Justice, 1990-1992
5 9 Centre Georges Pompidou, 1995-1996
5 10 Chicago, Judy, circa 1971-1992
5 11 Chin, Daryl, 1981-1982
5 12 Christo and Jean-Claude, 1960s-1970s
5 13 Chrysalis, circa 1977-circa 1980
5 14 Ciobataru, Gillian Wise, 1979-1980
5 15 Claire Copley Gallery Inc., 1976
5 16 Clarke, Richard and Masters, Deborah, 1987
5 17 Cohen, Mirit, circa 1975-1978
5 18 Colby College Museum of Art, 1984
5 19 Colette, 1970s
Oversized material housed in Box 51, Folder 2
5 20 College Art Association, 1971-1977
5 21 Collins, James, circa 1960s-1977
5 22 Committee for the Visual Arts, 1970s
5 23 Community Artists Cultural Survey Committee, 1970
5 24 Cone, Fred Cornell, circa 1970s
Oversized material housed in Box 51 Folder 4
5 25 Connell, Clyde, circa 1970s-circa 1980s
5 26 Contemporary Arts Museum, Houston, Texas, 1970s, 1991
5 27 Conwill, Houston, circa 1970s-1983
5 28-29 Cook, Christopher C., 1970s
5 30 Cook, Christopher C., 1970-1974
5 31 Copp, Fletcher, 1974-1977, 1970s
5 32 Cornell University, 1970-1982
5 33 Cotton, Paul, 1960s-1970s
5 34 Cowden, Brian, 1974
Includes photo of Cowden
5 35 Crickmay, Chris, 1970s-1988
5 36 Criteria, circa 1970s
5 37 Culbertson, Janet, 1970s-1992
5 38 Curman, Billy, circa 1977
5 39 Curnoe, Greg, "Recorded Letter to Lucy Lippard," 1969 February 26
1 Sound cassette
5 40 Cutforth, Roger, circa 1971-circa 1972
5 41 C, General: C.-Cal, 1960s-1980s
5 42 C, General: Cam-Cay, 1960s-1980s
Oversized material housed in OV 55
5 43 C, General: Ce, 1970s-1990s
Oversized material housed in OV 55
5 44 C, General: Ch, 1960s-1990s
5 45 C, General: Ci-Cl, 1960s-1990s
5 46 C, General: Coc-Col, 1970s-1990s
5 47 C, General: Com-Cop, 1960s-1990s
5 48 C, General: Cor-Cou, 1970s-1990s
5 49 C, General: Cr-Cy, 1960s-1990s
5 50 C, First Names Only, 1970s-1990s
Box Folder
6 1-2 Daddaland/Bay Area Daddaists, circa 1970s-circa 1980s
6 3 Daddaland/Bay Area Daddaists, 1970-1975
Oversized material housed in Box 51, Folder 2
6 4 Daddaland/Bay Area Daddaists, 1985-1988
6 5 Darboven, Hanne, circa 1960s-1970s
Oversized material housed in Box 51, Folder 2
6 6 Darboven, Hanne, 1968-1972
6 7 Darboven, Hanne, 1973-1974
6 8 Darboven, Hanne, 1974-1975
Oversized material housed in Box 51, Folder 2
6 9 Darboven, Hanne, 1975
6 10 Darboven, Hanne, 1976-1993
Oversized material housed in Box 51, Folder 2
6 11 Davidovich, Jaime, 1971-1972
Includes photo of Davidovich
6 12 Davidson Carol Kreeger, circa 1973-circa 1977
6 13 Davis, Aubrey, circa 1970-1973
6 14 Day, Worden, 1970s-1980s
6 15 de Antonio, Emile, 1983-1986
6 16 De Appel (Wies Smals and Aggy Smeets), 1978
6 17 De Bretteville, Sheila, 1974-1990
6 18 De Gogorza, Patricia, circa 1973-1990
6 19 De Mott, Helen, circa 1970-1985
6 20 Dean, Peter, 1971-1990
6 21 Denes, Agnes, circa 1976-1980
6 22 Dennis, Charles, circa 1980s
6 23 Dias, Antonia, 1969
6 24 Dibbets, Jan, 1960s
6 25 Dibbets, Jan, circa 1970-1975
6 26 Dikeakos, Christos, circa 1969-1973
6 27 Dimitrijevic, Braco, 1971-1978
6 28 Doner, Michele, circa 1980-1991
6 29 Dordevic, Goran, 1979-1981
6 30 Downey, Margaret, 1987
6 31 Downsbrough, Peter, circa 1969-1980
6 32 Drescher, Tim, 1981-1983
6 33 Dubroof, Patricia, circa 1983
6 34 Dwyer, Gary C., 1982
6 35 D, General: D.-Da, 1970s-2000
6 36 D, General: De, 1960s-1990s
6 37 D, General: Dee-Dev, 1960s-1990s
6 38 D, General: Di, 1960s-1990s
6 39 D, General: Dj-Do, 1969-1980s
6 40 D, General: Dr-Dy, 1960s-1990s
6 41 D, First Names Only, 1960s-1980s
6 42 D, Illegible, 1970s-1990s
6 43 E. P. Dutton & Co., Inc., 1967-1970
6 44 Eastern Michigan University, 1972-1973
6 45 Edelson, Mary Beth, circa 1972-1989
6 46 Edelson, Mary Beth, 1972-1977
6 47 Edelson, Mary Beth, 1977-1978
6 48 Edelson, Mary Beth, 1979-1983
6 49 Edelson, Mary Beth, 1984-1989
Box Folder
7 1 Efrat, Benni, 1971-1975
7 2 Eisenberg, Ed, 1990
7 3 Elder, Gene Wesley, 1980s
7 4 Ely, Bonita, 1977
7 5 Evans, Georgann, 1977-1978
7 6 Evans, Jan, circa 1972-1984
7 7 Everman, Welch, 1979-1980
7 8 Ewing, Lauren, circa 1979-circa 1984
7 9 Exit Art, 1990-1992
7 10-11 Experiments in Art and Technology (E.A.T.), circa 1965-circa 1969
7 12 Experiments in Art and Technology (E.A.T.), 1965-1969
7 13 Export, Valie, 1970s
7 14 E, General: E.-Em, 1970s-1990s
7 15 E, General: En-Er, 1970s-2000
7 16 E, General: Es-Ex, 1960s-1990s
7 17 E, First Names Only, 1970s-1980s
7 18 Faris, James, 2000-2006
7 19 Fashion Moda, circa 1980-circa 1981
7 20 Fat City School of Fine Arts, circa 1970-1972
7 21 Feckner, John/Don Leicht, 1980s
includes 45 rpm vinyl record
7 22 Feigenbaum, Harriet, 1970s-1980s
7 23 Feminist Writer's Guild, 1970s
7 24 Ferguson, Gerald, circa 1970-circa 1974
7 25 Ferguson, Kathleen, 1970s-1980s
7 26 Ferrer, Raphael, circa 1970s
7 27 Fischer, Konrad, 1969-1971
7 28 Fisher, Carole, 1974-1982
7 29 Fisk, Anita K., 1980-1981
7 30 Five/Cinco Aesthetics Limited, 1974-1977
7 31 Flanagan, Barry, circa 1962-circa 1978
7 32 Flavin, Dan, 1967-1977
7 33 Fleming, Avis, circa 1970-circa 1987
7 34 Fleming, Madeline Frost, circa 1974-1983
7 35 Florida State University, Museum of Fine Arts, 1998
Concerns catalog essay Lippard wrote for Judy Chicago retrospective
7 36 Flynt, Henry, 1968-1974
7 37 Focke, Anne (And/Or Gallery), circa 1973-1980
7 38 Follett, Lyn, 1970s-1992
7 39 Formanek, David, 1970s-1980s
7 40 Fox, Geoffrey, 1980s
7 41 Franklin Furnace, 1976-1978
7 42 Franklin Furnace, 1979-1997
7 43 Fredman, Faiya, 1974-1980
7 44 Friedman, Ken, circa 1965-1972
7 45 Friedman, Ken, circa 1972-1976
7 46 Friedrich, Susi, 1970s-1993
7 47 Frye, Hugo N., circa 1970-circa 1971
7 48 Fulton, Hamish, 1969-1974
7 49 Fusco, Coco, 1987
7 50 F, General: Fa, 1970s-1990s
7 51 F, General: Fe, 1970s-1980s
7 52 F, General: Fi, 1960s-1998
7 53 F, General: Fl-Fo, 1970s-1990s
7 54 F, General: Fr-Fu, 1970s-1990s
7 55 F, First Names Only, 1970s
7 56 Gaess, Jacquie, 1977-1978
7 57 Gaines, Charlie, 1980-1983
Box Folder
8 1 Gallagher, Carole, 1979-1988
8 2 Galligan, J.A.N., 1973-1976
8 3 George and Gilbert, 1960s-1978
8 4 Gettysburg College, 1990-1991
8 5-6 Giii, Ron, 1988-1989
8 7 Gilardi, Piero, 1967
8 8 Giorno, John, circa 1970s
8 9 Glier, Mike, circa 1976-circa 1991
Oversized material housed in OV 55
8 10 Goldbard, Arlene, 1982-1992
8 11 Golden, Eunice, 1973-1983
8 12 Golub, Leon, 1960s-1989
8 13 Goodyear, John, 1971-1973
8 14 Gordh, Bill, circa 1980-1983
Oversized material housed in OV 55
8 15 Gordh, Bill, 1983-1989
Oversized material housed in OV 55
8 16 Graham, Dan, circa 1960s
8 17 Graham, Dan, 1960s-1970s
8 18 Graham, Dan, 1967-1975
Oversized material housed in OV 55
8 19 Graves, Nancy, circa 1970-1975
Oversized material housed in Box 51, Folder 2
8 20 Graves, Nancy, 1976-1988
8 21 Gray, Jane K., 1986-1990
8 22 Greenberg, Gloria and Martin, circa 1965-circa 1978
8 23 Greenstein, Ilise, 1970s
8 24 Groh, Klaus, circa 1970-circa 1974
8 25 Guerilla Art Action Group (Jon Hendricks and Jean Toche), circa 1960s-circa 1970s
8 26 Guerilla Art Action Group (Jon Hendricks and Jean Toche), 1971-1992
8 27 Guerilla Girls, 1987-1993
8 28 Gussow, Alan, 1966, 1980-1986
8 29 G, General: Ga, 1960s-1990s
8 30 G, General: Ge, 1970s-1980s
8 31 G, General: Gh-Gil, 1970s-1990s
8 32 G, General: Gin-Gl, 1970s-2000
8 33 G, General: Go, 1960s-1980s
8 34 G, General: Gr, 1960s-1990s
8 35 G, General: Gu, 1970s-1990s
8 36 G, First Names Only, 1970s-1990s
8 37 Haacke, Hans, 1971, 1982
8 38 Haber, Joel, circa 1970-1972
8 39 Hall, Susan, 1970s-1980s
8 40 Hammond, Harmony, circa 1977-1993
8 41 Hamouda, Amy, circa 1978
8 42 Hamrod, Lloyd, circa 1973-circa 1976
8 43 Harding, David, 1980-1987
8 44 Hardinger, Ruth, circa 1975-1991
Box Folder
9 1 Harlam, Meg, circa 1970s-circa 1980s
Oversized material housed in OV 58
9 2 Harris, Ethelyn, circa 1977-1984
9 3 Harrison, Charles, circa 1970-circa 1974
9 4 Harrison, Margaret, circa 1977-1987
9 5 Harry N. Abrams, Inc., 1969-1970
9 6 Harry N. Abrams, Inc., Ad Reinhardt Manuscript, 1966-1981
9 7 Hartman, Arleen, 1986-1988
9 8 Harvard University Graduate School of Design, 1995-1998
9 9 Hatje, Verlag Gerd, 1968-1970
9 10 Healy, Anne, circa 1978-1985
9 11 Heath, Gloria W., 1979
9 12 Heimann, Anne, 1970s
9 13 Heiss, Alanna, 1972-1975
9 14 Hemenway, Audrey, circa 1970s-1984
9 15 Hendricks, Geoff, 1967-1980
9 16 Henes, Donna, 1960s-1980
9 17 Henes, Donna, 1975-1978
9 18 Henes, Donna, 1979
9 19-20 Henes, Donna, 1980
9 21 Henes, Donna, 1981-1989
9 22 Hera (aka Betty Voelkner), 1970s-1989
9 23 Hera (aka Betty Voelkner), circa 1981-circa 1984
9 24 Hera (aka Betty Voelkner), circa 1987-circa 1989
9 25 Heresies Collective, circa 1970s-1989
9 26 Heresies Collective, circa 1989-1992
9 27 Heresies Collective, circa 1990s
1 Sound cassette (microcassette)
9 28 Hess, Elizabeth (Betsy), circa 1968-circa 1983
9 29 Hicks, Margaret, 1976-1988
9 30 Higgins, Dan, circa 1980-circa 1985
9 31 Higgins, Dick, 1976-1979
9 32 Higgins, E. F., 1970s
9 33 Highwater, Jamake, 1970s-1980s
9 Hills, Patricia, 1989-2000
9 35 Hitner, Charles (Chuck), 1980s
9 36 Holt, Nancy, 1973-1992
9 37 Holt, Virginia, circa 1970s
9 38 Holter Museum of Art, 1999-2000
9 39 Holtzmann, Harry, 1969-1982
9 40 Holzer, Jenny, circa 1970s-1980s
9 41 Holzer, Jenny, 1979-1988
9 42 Hompson, Davi Det, circa 1973
Oversized material housed in OV 58
9 43 Hoo Hoo Archives, circa 1973
9 44 Horvitz, Robert, 1970s
9 45 Hudson Review, 1966-1969
9 46 Hudson River Museum, 1970s
9 47 Hui, Helene, 1970s-1985
9 48 Hunter, Alexis, 1970s-1980s
9 49 Hunter, Alexis, 1976-1979
9 50 Hunter, Alexis, 1980-1987
9 51 Hunter College of the City of the University of New York (Mac Wells Exhibition), 1980, 1995-1996
9 52 Hynes, Frances, 1979-1983
9 53 H, General: Haa-Hal, 1960s-1990s
9 54 H, General: Ham-Han, 1960s-1990s
9 55 H, General: Har-Hay, 1970s-1990s
Oversized material housed in OV 55
9 56 H, General: He, 1960s-1990s
Box Folder
10 1 H, General: Hi, 1970s-1980s
Oversized material housed in OV 58
10 2 H, General: Hoc-Hol, 1960s-1970s
10 3 H, General: Hoo-Hy, 1970s-1990s
10 4 H, First Names Only, circa 1970s-circa 1980s
10 5 H, Illegible, 1970s-1980s
10 6 Illinois Institute of Technology, 1976
10 7 Image Blank/New Era Social Club, 1971-1977
10 8 Images and Issues Magazine, 1979-1981
10 9 Independent Curators Incorporated, 1976-1980
10 10 Indianapolis Museum of Art, 1976, 1999
10 11 Indyke, Dottie (Doris), circa 1980s-1992
10 12 Institute for Women and the Future, 1985
10 13 Institute of Contemporary Arts, London, 1970s-1980s
10 14 Iskin, Ruth, 1975-1992
10 15 Iwamoto, Ralph, circa 1973-1974
10 16 I, General: I.-In, 1960s-1990s
10 17 I, General: In-Iv, 1970s-1990s
10 18 I, First Names Only, 1960s-1980s
10 19 Jagger, Gillian, circa 1979-1987
10 20 Jarden, Richards, circa 1970-1974
10 21 Jean Freeman Gallery, 1971
10 22 Jeff, 1982
10 23 Jemison, Noah, circa 1983-circa 1993
10 24 Jerome Foundation Fellowship Program, 1985
10 25 Jochimsen, Margarethe, 1970s
10 26 John Gibson Commissions, Inc., circa 1968-1970
10 27 John Simon Guggenheim Memorial Foundation, 1977-1980
10 28 Johnson, Elaine, 1967-1979
10 29 Johnson, Ellen, 1972-1983
10 30 Johnson, Martha, 1970s
10 31 Johnson, Patricia, 1975-1979
10 32 Johnson, Poppy, circa 1970s
10 33 Johnson, Ray, circa 1960s-circa 1970s
Oversized material housed in OV 58
10 34 Johnson, Ray, 1946-1968
10 35 Johnson, Ray, 1969-1970
10 36 Johnson, Ray, 1971-1982
10 37 Johnson, Ray, New York Corres-Sponge-Dance School of Vancouver, circa 1968-1974
Includes 2 issues of File; oversized material housed in Box 51, Folder 3
10 38 Jones, Diane Allen, 1972-1973
10 39 Judd, Donald, circa 1956-1976, 1994
Oversized material housed in OV 58
10 40 Junior League of Chicago, Inc., 1968
10 41 Just Above Midtown, Inc., 1980
10 42 J, General: Ja, 1960s-1980s
10 43 J, General: Je, 1970s-1990s
10 44 J, General: Ji-Joh, 1970s-2000
10 45 J, General: Jon-Ju, 1960s-1980s
10 46 J, First Names Only: Ja-Ji, 1970s-1990s
10 47 J, First Names Only: Jo-Ju, 1960s-1992
10 48 Kahn, Douglas, 1980s
Oversized material housed in OV 55
10 49 Kahrl, Marguerite B., 1991-1994
10 50 Kalkmann, Hans-Werner, 1960s-1980s
10 51 Kalmia, circa 1978-1979
10 52 Kaltenbach, Stephen, circa 1968-circa 1972
Oversized material housed in OV 55
Box Folder
11 1 Kaprow, Allan, 1967-1980s
11 2 Karlin, Renata, circa 1972-circa 1981
11 3 Karras, Maria, circa 1974-1980
11 4 Katz, Leandro, 1970s-1981
11 5 Katzen, Lila, 1970s
11 6 Kawara, On, circa 1969-1978
Oversized material housed in OV 60
11 7 Kazis, Jill, 1980s
11 8 Kelly, Mary, 1970s-1980s
Oversized material housed in OV 58
11 9 Kenedy, Robert C., circa 1968-1980
11 10 Kennedy, Peter and Barbara, circa 1970s
11 11 Kennedy, Peter and Barbara, 1974-circa 1987
11 12 Kiddle, Catherine and Peter, circa 1970s-circa 1990s
11 13 Kiddle, Catherine and Peter, 1979
11 14 Kiddle, Catherine and Peter, 1980-1981
11 15 Kiddle, Catherine and Peter, 1982-1985
11 17 Kindness, John, 1980s-1990s
11 18 Kinmont, Bob, circa 1969-1972
Oversized material housed in Box 51, Folder 3 and OV 58
11 19 Kirby, Michael, 1960s-1970s
Includes photo of Kirby
11 20 Kirili, Alan, circa 1969-1970
11 21 Kitchel, Nancy Wilson, 1970s
11 22 Korell, Karen S. (The Accumulation), 1970s
11 23 Kornblum, Helen, 1995-1997
11 24 Kossuth, Joseph, circa 1960s-circa 1970s
11 25 Kossuth, Joseph, 1960s
Oversized material housed in OV 60
11 26 Kossuth, Joseph, 1969-1979
11 27 Kostelantz, Richard, 1969-1980
11 28 Kozloff, Joyce, 1970s-1980s
11 29 Kramer, Margia, 1976-1981
11 30 Kramer, Margia, 1981-1989
11 31 Krasilovsky, Alexis Rafael, 1971
11 32 Kruger, Barbara, 1980s
Oversized material housed in OV 56
11 33 Kunz, Alesia, 1978-1980
11 34 Kunzle, David, 1980
11 35-37 Kusama, Yayoi, 1960s-1970s
Includes photos of Kusama and a photo of her with Joseph Cornell
11 38 Kusama, Yayoi, circa 1966-1978
Oversized material housed in OV 56
11 39 K, General: Ka, 1970s-1990s
11 40 K, General: Ke-Ki, 1960s-2000
11 41 K, General: Kj-Ko, 1970s-1998
11 42 K, General: Kr-Ky, 1960s-1995
11 43 K, First Names Only, 1970s-1980s
11 44 K, Illegible, circa 1970s
11 45 La Noue, Terence, circa 1970
11 46 Lacy, Suzanne, 1980s-1990s
11 47 Ladda, Justen, 1980s
11 48 Lamelas, David, circa 1970-1975
11 49-50 Langer, Sandra (Cassandra) L., 1970s-1991
11 51 Langmuir, Elizabeth Cross, 1960s-1991
11 52 Lanyon, Ellen, 1970s-1992
Box Folder
12 1 Lark, Sylvia, 1970s-1980
12 2 Lasch, Pat, 1975-1984
12 3 Latham, John, 1970s-1985
12 4 Leeson, Loraine, 1970s-1983
12 5 Les Petites Bon-Bons, circa 1971-1974
Oversized material housed in OV 56
12 6 Levine, Jack, 1980s
12 7 Levine, Les, circa 1970-circa 1986
12 8-9 LeWitt, Sol, circa 1960s-circa 1990s
12 10 LeWitt, Sol, 1966-1969
12 11 LeWitt, Sol, 1970-1971
12 12 LeWitt, Sol, 1972-1973
Oversized material housed in OV 61
12 13 LeWitt, Sol, 1974-1975
12 14 LeWitt, Sol, 1976-1978
Oversized material housed in OV 61
12 15 LeWitt, Sol, 1979-1983
12 16 LeWitt, Sol, 1984-1988
Oversized material housed in OV 61
12 17 LeWitt, Sol, 1990-1991
12 18 Licht, Jenny, circa 1970s
12 19 Light Impressions Gallery, 1970s
12 20 Lijn, Liliane, 1978-1981
12 21 Lindeman, Susan Nicky, circa 1980s
12 22 Lippard, Margaret, 1960s-1984
12 23 Lippard, Vernon W., 1970s-1984
12 24 Lischka, Gerhard Johann, 1973-1975
12 25 Loeb, Judy, 1970s
12 26 Logemann, Jane, 1960s-1980s
12 27 Lois de la Haba Associates, 1981-1985
12 28 Long, Richard, circa 1960s-1970s
Oversized material housed in OV 56
12 29 Long, Richard, 1969-1975
12 30 Long, Richard, 1976-1989
Oversized material housed in OV 56
12 31 Louw, Roelof, 1967-1971
Oversized material housed in OV 58
12 32 Los Angeles County Museum of Art, 1971-1998
12 33 Los Angeles Institute of Contemporary Art, 1975-1980
12 34 Lowe, R. Edward, 1980s
12 35 Lunden, Duane, 1960s-1970s
12 36 L, General: L.-Lak, 1960s-1980s
12 37 L, General: Lam-Lay, 1970s-1990s
12 38 L, General: Le-Len, 1960s-2005
12 39 L, General: Leo-Ley, 1960s-1990s
12 40 L, General: Li, 1970s-1980s
12 41 L, General: Ll-Lo, 1970s-1990s
12 42 L, General: Lu-Ly, 1960s-2000
Oversized material housed in OV 61
12 43 L, First Names Only, 1960s-1980s
12 44 L, Illegible, circa 1980s
12 45 Majeski, Mark, 1980s
12 46 Malloy, Mike, circa 1971-1972
12 47 Malloy, Mike, "Conference of the Society of Cemetery Aestheticians," 1971
1 sound tape reel ; includes transcript in Box 12, Folder 46
Box Folder
13 1 Maloney, Martin, circa 1970-1971
13 2 Mangold, Robert and Sylvia, 1960s-1981
13 3 Marioni, Tom and Fish, Allan (Museum of Conceptual Art), circa 1969-circa 1975
13 4 Markovitz, Sherry, 1979-1980
13 5 Matta-Clark, Gordon, 1979-1980
13 6 Mayers, Natasha, circa 1980s-1990
13 7 Mazzello, Carolyn, 1970s
Oversized material housed in Box 51, Folder 3
13 8 McGinnis, Mark W., circa 1982-1988
13 9 McLean, Bruce, circa 1969-1973
13 10 McMaugh, Alison, 1970s-1983
13 11 Mendieta, Ana, circa 1978-1984
Includes note from Carl Andre
13 12 Merz, Mario, circa 1960s-circa 1973
13 13 Metropolitan Museum of Art, circa 1970-1973
13 14 Metzger, Deena, 1970s-1980
13 15 Miami University, 1975-1993
13 16 Miller, Brenda, 1971, 1987
13 17 Miller, Lee Anne, 1970s
13 18 Miller, Marc H. and Ringma, Bettie, 1975-1976
includes "paparazzi self-portraits" of Miller and Ringma with Bella Abzu, Angela Davis, Michael Collins, Joseph Hirshhorn, Andy Warhol and others
13 19 Millet, Kate, 1960s-1970s
13 20 Missoula Museum of the Arts, 1990-1991
13 21 Mogul, Susan Roberta, 1970s
13 22 Mollett, Michael, 1980s
13 23 Montano, Linda, 1980s-1991
13 24 Moore, Claire, 1971-1978
13 25 Moore College of Art, 1970-1986
13 26 Moore, Lindy Lyman, 1974-1988
13 27 Moore, Sabra, circa 1988-1993
13 28 Moore, Sasha, circa 1980s-1992
13 29 Mother Jones, 1976
13 30 Morgan, Maud, 1970s
13 31 Morgan, Robert, circa 1972-1984
13 32 Morris, Robert, 1960s-1972
13 33 Ms. Magazine, 1972-1983
13 34 Mulick, Nancy, circa 1976-1987
13 35 Muntadas, Antonio, 1980s
13 36 Murphy, Marilyn, circa 1979-1980
13 37 Murray State University, 1994-1995
13 38 Mus�e National d'Art Moderne, 1987-1989
13 39-40 Museum of Modern Art, circa 1967-1969
13 41-43 Museum of Modern Art, 1969
13 44 Museum of Modern Art, circa 1969-1970
13 45 Museum of Modern Art, 1970
13 46 Museum of Modern Art, 1971-1973
13 47 Museum of Modern Art, 1974-1990
13 48 M, General: M.-Mann, 1970s-2000
13 49 M, General: Mano-Mar, 1960s-1990s
Oversized material housed in OV 56
13 50 M, General: Mas-Maz, 1970s-1998
13 51 M, General: McC-McF, 1960s-1990s
13 52 M, General: McG-McT, 1970s-1980s
13 53 M, General: Mea-Men, 1960s-1997
13 54 M, General: Mer-Mez, 1970s-1995
Box Folder
14 1 M, General: Mi, 1970s-1990s
14 2 M, General: Mob-Mon, 1970s-1990s
14 3 M, General: Moo-Mori, 1970s-1990s
14 4 M, General: Morr-Moz, 1970s-1990s
14 5 M, General: Mu-My, 1960s-1980s
14 6 M, First Names Only: M.-Ma, 1970s-1980s
14 7 M, First Names Only: Mc-Mu, 1960s-1990s
14 8-10 N. E. Thing Co. (Iain Baxter), circa 1966-1968
14 11-12 N. E. Thing Co. (Iain Baxter), 1966-1968
14 13 N. E. Thing Co. (Iain Baxter), circa 1966-1974
14 14 N. E. Thing Co. (Iain Baxter), 1968
14 15 N. E. Thing Co. (Iain Baxter), 1968-1969
14 16 N. E. Thing Co. (Iain Baxter), 1969-1970
14 17 N. E. Thing Co. (Iain Baxter), 1971-1974, 1992
Oversized material housed in OV 56
14 18 Nabakowski, Gislind, 1976-1978
14 19 Nading, Lee, circa 1981-circa 1984
14 20 Naidus, Beverly, 1979-1992
14 21 National Council on the Arts/National Endowment for the Arts, 1970-1978
14 22 National Museum of Women in the Arts, 1984-1990
14 23 Nauman, Bruce, circa 1966-1976
Oversized material housed in OV 56
14 24 Nechvatal, Joseph, 1981
14 25 Nelson, Donna, 1970s
14 26 Nemec, Vernita, circa 1976-1980
14 27 Neuhaus, Max, 1966-1975
Oversized material housed in OV 56
14 28 New Dimensions, 1975
14 29 New Museum, 1970s-1987
14 30 New York Civil Liberties Union, 1970s
14 31 New York Cultural Center, 1970-1971
14 32 New York Feminist Art Institute, 1977-1980
14 33 New York State Council on the Arts, 1970
14 34 New York University, 1970-1977
14 35 Newmarch, Annie, 1970s-1980s
14 36 Nicaraguan Cultural Alliance, 1987-1988
14 37 Ninart and Cuban-American Art, 1989-1991
14 38 Nixon, John, 1979
14 39 Noah, Barbara, 1970s-1984
14 40 Non-Phenomena Foundation, 1973
14 41 North Carolina Museum of Fine Arts, 1976-1977
14 42 Notable American Women, 1976-1978
14 43 Nova Scotia College of Art and Design, 1971-1974
14 44 N, General: N.-National A, 1970s-1997
14 45 N, General: National C-Naz, 1970s-1980s
14 46 N, General: Nef-Nev, 1970s-2000
14 47 New Art-New York, 1960s-2006
14 48 Newark-Newton, 1980s-1990s
14 49 N, General: Ni-Ny, 1960s-1990s
Oversized material housed in Box 51 Folder 3
14 50 N, First Names Only, circa 1970s-circa 1980s
14 51 Oatman, Christine, 1970s-1980
14 52 Ogust, Richard, 1985
Box Folder
15 1-2 O'Hara, Morgan, 1980s
15 3 Ohio State University, 1967-1989
15 4 Oldenburg, Claes, circa 1960s-1970s
15 5 Oldenburg, Claes, 1965-1974
15 6 Onslow-Ford, Gordon, 1965-1970
Oversized material housed in OV 56
15 7 Oppenheim, Dennis, 1960s-1970s
15 8 Orders and Co., 1971
15 9 O'Shea, Hannah, 1970s-1985
15 10 Ostrow, Saul, 1969
15 11 O, General: Ob-Ol, 1960s-1990s
15 12 O, General: Om-Or, 1970s-1990s
15 13 O, General: Os-Ow, 1960s-2000
15 14 O, First Names Only, circa 1980s
15 15 Pagonis, Illyas, 1960s-1980s
15 16 Parks, Ti, 1970s-1980s
15 17 Parr, Herb, circa 1980-1987
15 18 Parsons, Bruce, 1971-1983
15 19 Paternosta, Cesar, 1969-1991
15 20 Pearson, Henry (Hank), circa 1960s-circa 1970s
15 21 Pearson, Henry (Hank), 1961-1974
Oversized material housed in Box 51, Folder 3
15 22 Pearson, Henry (Hank), 1975-1988
15 23 Pearson, John, circa 1970-1971
15 24 Pechter, Paul, circa 1969-1972
15 25 Perreault, John, circa 1969-1972
15 26 Pezold, Frederike, circa 1960s-circa 1970s
Oversized material housed in OV 61
15 27 Phillips Academy, 1977-1979
15 28 Picard, Lil, circa 1974-1976
15 29 Pindell, Howardena, circa 1970s-circa 1980s
15 30 Pindell, Howardena, 1970-1984
15 31 Pinto, Jody, 1977-1981
15 32 Piper, Adrian, 1977-1978
15 33 Pittore, Carlo, 1981-1984
15 34 Plural, 1972-1973
15 35 Poe, Joy, 1970s-1980s
15 36 Political Art Documentation/Distribution (PAD/D) Recordings, circa 1980s
3 Sound cassettes ; cassette labels include: "Union Made," "Diaz and Monterosa," and "Alejria" side A and "Sosa" side B.
15 37 Political Art Documentation/Distribution (PAD/D) Recordings, circa 1980s
3 Sound cassettes ; cassette labels include: "Arturo Arias at Roland's with Artists Call May 4th 1984," presumably PADD journal "Artists Call Against US Intervention in Central America" "Missik Saenz/Gallo" side A and "Michele Nachlios" side B; "end of beginning Miguel Angel Parada Oct. 6 '83" side A and "Middle Miguel Angel Parada" side B.
15 38 Political Art Documentation/Distribution (PAD/D) Recordings, circa 1980s
2 Sound cassettes ; cassette labels include "Coe/Van Dalen, 2nd Sunday April '84"
15 39 Political Art Documentation/Distribution (PAD/D) Recordings, circa 1980s
3 Sound cassettes ; cassette labels include "Asian-Hispanic PADD" and "Artists Call"
15 40 Polony, Csaba, 1970s
15 41 Portland Center for the Visual Arts, 1970s
15 42 Powerhouse Gallery, 1975-1979
15 43 Price, Sally, circa 1990-1991
15 44 Printed Matter, Inc., 1970s-1989
15 45 Pulsa, circa 1967-circa 1975
15 46 Pulsa, 1967-1969
15 47 Pulsa, 1970-1975
Oversized material housed in OV 56
15 48 Purdue University, 1995-1998
15 49 P, General: P.-Pal, 1960s-1980s
15 50 P, General: Pan-Pau, 1960s-1990s
15 51 P, General: Pea-Pen, 1970s-1990s
15 52 P, General: Per-Ph, 1960s-1990s
Box Folder
16 1 P, General: Pi-Pl, 1960s-1990s
16 2 P, General, Po, 1970s-1990s
16 3 P, General: Pr-Pu, 1960s-2000
16 4 P, First Names Only, 1970s-1990s
16 5 Queen's University at Kingston, 1969
16 6 Q, General, 1960s-1980s
16 7 Q, First Names Only, circa 1980s
16 8 Rabinovitch, Bill (Rabinovitch and Guerra Gallery), 1974-1981
16 9 Rabkin, Dorothy and Leo, 1960s-1982
16 10 Rahmani, Aviva, 1973-1989
16 11 Ramos, Tony D., 1970s-1987
16 12 Randolph, Lynn, 1980s-1990s
16 13 Raven, Arlene, 1982-1987
16 14 Red Belt Club, circa 1977
16 15 Reder, Ronnie, circa 1970s
16 16 Reed College, 1997-1998
16 17 Reid, Terry, circa 1970s-1984
Oversized material housed in OV 57
16 18 Reif, Russell Eliot, 1975
16 19 Reise, Barbara, 1960s-1977
16 20 Revelle, Barbara Jo, 1980s-1990
16 21 Rice, Shelley, circa 1970s-circa 1980s
16 22 Richard Demarco Gallery Ltd., 1975-1989
16 23 Rickaby, Tony, 1970s
16 24 Ringgold, Faith, 1970s-1983
16 25 Rinke, Klaus, circa 1970s
Includes photos of Rinke; oversized material housed in Box 51, Folder 5
16 26 Roberts, Mimi, 1976-1977
16 27 Rockburne, Dorothea, 1970s
16 28 Rohm, Robert, 1968-1971
16 29 Rolfe, Nigel and Angela, 1970s-1980
16 30 Romero, Rachel and Klayman, Leo, 1970s-1980s
16 31 Root, Step. L., circa 1970
16 32 Rosenbach, Ulrike, circa 1970-1976
16 33 Rosenbach, Ulrike, 1976-1979
16 34 Rosenberg, Avis Lang, circa 1970s
16 35 Rosenberg Era Art Project, 1985-1988
16 36 Rosenblum, Illith (I. Rose), 1982-1987
16 37 Rosenquist, James, circa 1960s-circa 1980s
Oversized material housed in OV 61
16 38 Rosenquist, James, 1964-1986
Oversized material housed in OV 61
16 39 Rosenquist, James, Photographs, circa 1960s-circa 1980s
Includes photos of Rosenquist
16 40 Rosenthal, Rachel, circa 1970s
16 41 Rosler, Martha, circa 1970s-circa 1980s
Includes photos of Rosler
16 42 Rosler, Martha, 1975-1976
16 43 Rosler, Martha, 1977-1988
16 44 Ross, Laura, 1970s-1983
16 45 Ross, Nan and Stu, 1960s-1980s
16 46 Roth, Moira, circa 1980-1992
16 47 Rubinstein, Linda, 1980
16 48 Rupp, Christy, 1970-1990
Oversized material housed in OV 57
16 49 Ruppersberg, Allen, 1960s-1970s
16 50 Ruscha, Edward, 1960s-1970s
16 51 Russo, Carol, 1960s-1970s
16 52 Rutovsky, Paul, 1980s
16 53 Rutzky, Ivy Sky, circa 1970s-1980
16 54 Ryman, Ethan and Family, circa 1960s-circa 1970s
16 55 R, General: R.-Ra, 1970s-1990s
16 56 R, General: Re, 1970s-1980s
16 57 R, General: Rh-Ri, 1970s-1990s
16 58 R, General: Rob-Rom, 1970s-1990s
Box Folder
17 1 R, General: Ros, 1960s-1980s
17 2 R, General: Rot-Roy, 1960s-1990s
17 3 R, General: Ru-Ry, 1970s-1990s
17 4 R, First Names Only: R.-Ri, 1970s-1990s
17 5 R, First Names Only: Ro-Ru, 1960s-1980s
17 6 R, Illegible, 1980, 1990
17 7 St. James Press Ltd., 1974-1975
17 8 Saint Louis Art Museum, 1996-1997
17 9 Salas, Vincent J., Jr., 1984-1985
17 10 San Francisco Art Institute, 1960s-1989
Oversized material housed in OV 57
17 11 San Francisco Mime Troupe, 1980s
17 12 San Francisco State University, 1974, 1997-1999
17 13 Sandler, Irving, 1970
17 14 Santa Monica Museum of Art (Trisha Ziff), 1994-1995
17 15 Santorro, Suzanne, 1976-1980
17 16 Sao Paulo Biennale, 1960s-1970s
Oversized material housed in OV 59
17 17 Save the Children Foundation, 1970s
17 18 Schapiro, Miriam (Mimi), 1961-1980
Oversized material housed in Box 51 Folder 5
17 19 Schneeman, Carolee, circa 1967-1988
17 20 School of the Art Institute of Chicago, circa 1972-1973
17 21 Seaman, Terry, 1970s-1981
17 22 Semmel, Joan, 1970s
17 23 Sentis, Mireia, 1999-2000
17 24 Serra, Richard, circa 1967-1972
17 25 Shapiro, Anna, 1972-1973
17 26 Sharon, Miriam, circa 1976-1988
17 27 Sharon, Miriam, circa 1975-1976
Includes photos of Sharon; oversized material housed in OV 59
17 28 Sharon, Miriam, 1976-1977
Includes photos of Sharon
17 29 Sharon, Miriam, 1978-1980
17 30 Sharon, Miriam, 1981-1984
Oversized material housed in OV 59
17 31 Sharon, Miriam, 1985-1993
17 32 Shaw, Joyce Cutler, circa 1971-1992
Includes photo of Shaw
17 33 Shaw, Karen, 1970s
Oversized material housed in OV 57
17 34 Shelton, Laurie, circa 1970s
17 35 Sherk, Bonnie, 1970s-1985
17 36 Siegel, Arthur and Irene, circa 1960s-circa 1980s
17 37 Siegel, Arthur and Irene, 1969-1977
17 38 Siegel, Irene, 1978-1989
17 39 Siegel, Julie, circa 1970s-circa 1980s
17 40 Siegel, Julie, 1977-1979
17 41 Siegel, Julie, 1980-1983
17 42 Siegel, Julie, 1984-1989
17 43 Siegelaub, Seth, 1985-1995
17 44 Sills, Leslie, 1978-1984
17 45 Singer, Michael, circa 1973-1987
Oversized material housed in OV 57
17 46 Sjoo, Monica, 1977-circa 1987
Oversized material housed in OV 57
17 47 Skoglund, Sandy, circa 1974
17 48 Smith, Barbara, circa 1970s
17 49 Smith College Museum of Art, 1970-1990
17 50 Smith, M. J., 1970s-1980s
17 51 Smithsonian Institution, 1973-1991
17 52 Smock, Kristine, 1980s
17 53 Snow, Michael, 1960s-1970s
17 54 Snyder, Joan, 1970s-1980s
17 55 Society for Contemporary Art, 1971-1977
Box Folder
18 1 Society for Folk Arts Preservation, Inc. (Evelyn A. Stern), 1977-1981
18 2 Society of North American Goldsmiths, 1999-2000
18 3 Sondheim, Alan, 1970-1973
18 4 Sonfist, Alan, circa 1971-1972
18 5 Sonnier, Keith, circa 1968-1973
18 6 Specter, Naomi, circa 1968-1982
18 7 Spero, Nancy, circa 1970s-1988
18 8 Spodarek, Diane, circa 1978-1979
18 9 Stamets, Billl, circa 1978-circa 1988
18 10 Stamets, Bill, 1978-1988
18 11 Stark, Suzanne, 1960s-1980s
18 12 State University College, Fredonia, New York, 1975-1976
18 13 Stein, Sally, circa 1980s
18 14 Steir, Pat, 1970s-1981
Oversized material housed in Box 51 Folder 5
18 15 Stevens, May, circa 1971-1994
18 16 Stokes, Charlotte, 1970-1982
18 17 Stone, Suzi, circa 1970s-circa 1980s
18 18 Streeter, Tal, 1967-1969
Oversized material housed in OV 59
18 19 Strider, Marjorie, 1967-1978
18 20 Stromsten, Amy, circa 1971-1981
18 21 Stuart, Michelle, circa 1970s-1991
18 22 Stubbs, Ann, 1970s-1980s
18 23 Student Mobilization Committee Benefits Fund, circa 1968-1969
18 24 Studio International (Richard Cork), 1975-1977
18 25 Sweeney, Alice, 1979-1983
18 26 S, General: S.-Sam, 1970s-1990s
18 27 S, General: San-Sav, 1960s-2002
18 28 S, General: Sc, 1960s-1990s
18 29 S, General: Se, 1960s-1980s
18 30 S, General: Sh, 1960s-1990s
18 31 S, General: Si, 1960s-1990s
18 32 S, General: Sk-Sl, 1970s-1990s
18 33 S, General: Sm, 1960s-1990s
18 34 S, General: Sn, 1970s-1990s
18 35 S, General: Sod-Sot, 1970s-1990s
18 36 S, General: Sou-Sq, 1960s-1990s
18 37 S, General: Sta, 1970s-1980s
18 38 S, General: Ste, 1960s-1990s
18 39 S, General: Sto-Stu, 1970s-1990s
18 40 S, General: Su-Sz, 1960s-2000
18 41 S, First Names Only, 1970s-1990s
18 42 S, Illegible and Unidentified, 1978, 1982
18 43 Tacha, Athena, 1989-1993
18 44 Tate Gallery, 1992-1993
18 45 Tavenner, Patricia, 1970s-1980
Oversized material housed in Box 51 Folder 5
18 46 Tavins, Paula, 1970s
18 47 Temkin, Merle, 1970s-1980s
18 48 Tetamare, Don and Ragna, circa 1970s
18 49 Texas Commission on the Arts and Humanities, 1973-1974
18 50 Thea, Carolee, circa 1979-1980
18 51 Tickner, Lisa, 1978-1989
18 52 Timpanelli, Gioia, circa 1970s-circa 1980s
18 53 Torre, Susana, 1970s-1990s
18 54 Torres, Francesc, circa 1978-1983
18 55 Turyn, Anne, circa 1970s-circa 1980s
18 56 Twitty, Anne, circa 1970s-circa 1990s
18 57 T, General: Ta-Te, 1960s-1999
Box Folder
19 1 T, General: Th-Ti, 1960s-1990s
19 2 T, General: To, 1960s-1980s
Oversized material housed in Box 51 Folder 5
19 3 T, General: Tr-Tu, 1960s-1990s
19 4 T, First Names Only, 1960s-1990s
19 5 Ukeles, Mierle Laderman, 1977-1988
19 6 Ulrichs, Timm, 1960s
19 7 Underhill, Nancy, circa 1980s
19 8 University of California and University of California Press, 1967-2000
19 9 University of Chicago and University of Chicago Press, 1978-1994
19 10 University of Colorado, 1970s-1980
19 11 University of Florida, 1987-2000
19 12 University of Minnesota, 1971-1974
19 13 University of New Mexico and University of New Mexico Press, 1975-1990
19 14 University of Oregon, 1987-2004
19 15 University of Rhode Island, 1970-1971
19 16 Urata, Sunao, circa 1965
19 17 Urbach, Marina, circa 1973-circa 1981
19 18 U, General, 1960s-2006
19 19 Van Elk, Ger, 1973-1975
19 20 Van Raay, Jan, 1974-1985
19 21 Van Saun, John, circa 1970-1971
19 22 Vancouver Art Gallery (Alvin Balkind), 1968-1978
19 23 Varble, Stephen, 1960s-1970s
19 24 Varga, Judy, circa 1981-1982
19 25 Vater, Regina, circa 1970s
19 26 Vazan, Bill, circa 1969-1988
19 27-28 Vazan, Bill, circa 1973-1981
Includes photo of Vazan
19 29 V�hicule Art (Montr�al) Inc., 1970s
19 30-31 Venet, Benar, circa 1966-circa 1972
19 32 Vergine, Lea, 1971-1980
19 33 Videogalerie Schum, 1960s-1970s
19 34 Viner, Frank Lincoln, 1974-1979
19 35-36 Viva Latina!, circa 1988-circa 1990
Includes 1 sound cassette of "Woman of Color Meeting Jan 2 90"
Documents relate to an issue of Heresies
19 37 V, General, Va, 1960s-2005
19 38 V, General, Ve-Vo, 1960s-1970s
19 39 V, First Names Only, 1960s-1980s
19 40 Waisler, Lee, 1980s
19 41 Walker, Kate, circa 1977-1980
Oversized material housed in OV 57
19 42 Wall, Jeff, 1969-1971
19 43 Wallace, Ian, circa 1970
19 44 Wallace, Michele, 1970s-1990s
19 45 Wapner, Grace, circa 1970-1984
19 46 Weber, John Pitman, 1980s-1990s
19 47 West East Bag (W.E.B.), 1970s
19 48 Westwater, Angela, 1970s
19 49 Wexner Center for the Arts, "Ray Johnson: Correspondence" Exhibition Publication, 1997-1998
50-51 Wexner Center for the Arts, "Ray Johnson: Correspondence" Exhibition Publication, 1998
Contains photocopies of printed material on Ray Johnson used by Lippard while working on her contribution to a publication accompanying the exhibition
19 52 White, John, 1973
19 53 Whitecross, Iain, 1970s-1981
19 54 Whitney Museum of American Art, 1960s-1970s
19 55 Wilding, Faith, 1975-1989
19 56 Williams College, 1975-1990
19 57 Wills, Marlene, circa 1979-1981
19 58 Wilson, Ann, circa 1970s-circa 1980s
Box Folder
20 1 Wilson, Ian, circa 1968-1976
20 2 Wilson, Martha, 1974-1979
20 3 Wise, Gillian Ciobotaru, 1977-1988
20 4 Wolin, Ron, circa 1969-circa 1991
20 5 Woman's Building, 1970s-1990s
20 6 Women's Art Symposium, 1976-1977
20 7 Women's Caucus for Art, circa 1972-1978
20 8 Women's Caucus for Art, 1974-1978
20 9 Women's Caucus for Art, circa 1979
20 10-12 Women's Caucus for Art, 1979
20 13 Women's Caucus for Art, circa 1980
20 14 Women's Caucus for Art, 1981
20 15 Women's Press Ltd., circa 1978
20 16 Woodward, Tilly, circa 1980s
20 17 W, General: W.-Wa, 1970s-1990s
20 18 W, General: Wea-Wel, 1960s-1990s
20 19 W, General: Wer-Wex, 1970s-1990s
20 20 W, General: Wh-Wic, 1970s-1990s
20 21 W, General: Wie-Williams, 1970s-1990s
Oversized material housed in OV 59
20 22 W, General: Williamson-Witt, 1970s-1999
20 23 W, General: Wo, 1970s-1990s
20 24 W, General: Wr-Wy, 1970s-1980s
20 25 W, First Names Only, 1985
20 26 W, Illegible, 1978
20 27 X, General, 1970s-1985
20 28 Yale University, 1969-1992
20 29 Yalter, Nil, 1970s-1980s
20 30 Yang, Gu, 1980
20 31 Yates, Marie, 1970s
20 32 York University, Faculty of Fine Arts, 1973-1980
20 33 Yoshida, Minoru, circa 1968-circa 1975
Includes photos of Yoshida; oversized material housed in OV 57
20 34 Y, General, 1970s-1990s
20 35 Y, First Names Only, 1970s-1990s
20 36 Zelasnick, Laura Sue, circa 1980s
20 37 Ziff, Trisha (Santa Monica Museum of Art), 1992-1996
20 38 Zucker, Barbara M., 1970s-1980s
20 39 Zusman, Barbara, 1970s
20 40 Zusman, Barbara, "Putting Mentor Klaw to Bed," 1977 January
1 Sound cassette ; cassette is a copy of an original recording; location of original is unknown.
20 41 Z, General: Za, 1970s-1980s
Oversized material housed in OV 59
20 42 Z, General: Ze-Zw, 1960s-1980s
20 43 Z, First Names Only, 1984
20 44-45 Illegible/Unidentified, circa 1960s-circa 1990s
20 46 Illegible/Unidentified, 1960-1978
20 47 Illegible/Unidentified, 1978-1992
Box Folder
51 1 Oversized Alliance for Cultural Democracy housed with Box 1, Folders 26, 34-35
51 1 Oversized Arizona State University housed with Box 1, Folder 54
51 1 Oversized Art Workers Coalition housed with Box 2, Folder 15
51 1 Oversized Baden, Mowry housed with Box 3, Folder 1
51 1 Oversized Beuys, Joseph housed with Box 3, Folder 33
51 2 Oversized B, General: Bu housed with Box 4, Folder 27
51 2 Oversized Colette housed with Box 5, Folder 19
51 2 Oversized Daddaland/Bay Area Daddaists housed with Box 6, Folder 3
51 2 Oversized Darboven, Hanne housed with Box 6, Folders 5, 8 and 10
51 2 Oversized Graves, Nancy housed with Box 8, Folder 19
51 3 Oversized Johnson, Ray, New York Corres- Sponge-Dance School of Vancouver housed with Box 10, Folder 37
51 3 Oversized Kinmont, Bob housed with Box 11, Folder 18
51 3 Oversized Mazzello, Carolyn housed with Box 13, Folder 7
51 3 Oversized N, General: Ni-Ny housed with Box 14, Folder 49
51 3 Oversized Pearson, Henry Hank housed with Box 15, Folder 21
51 4 Oversized Cone, Fred Cornell housed with Box 5, Folder 24
51 5 Oversized Rinke, Klaus housed with Box 16, Folder 25
51 5 Oversized Schapiro, Miriam (Mimi) housed with Box 17, Folder 18
51 5 Oversized Steir, Pat housed with Box 18, Folder 14
51 5 Oversized Tavenner, Pat housed with Box 18, Folder 45
51 5 Oversized T, General: To housed with Box 19, Folder 2
Box
OV 54 Oversized Acconci, Vito housed with Box 1, Folders 8 and 10
OV 54 Oversized Alliance for Cultural Democracy housed with Box 1, Folder 38
OV 54 Oversized Art Workers Coalition housed with Box 2, Folders 8-9
OV 54 Oversized Barber, Bruce housed with Box 3, Folder 9
OV 54 Oversized Borofsky, Jonathan housed with Box 3, Folder 49
Box
OV 55 Oversized Burckhardt, Rudolph housed with Box 4, Folder 10
OV 55 Oversized C, General: Cam-Cay housed with Box 5, Folder 42
OV 55 Oversized C, General: Ce housed with Box 5, Folder 43
OV 55 Oversized Glier, Mike housed with Box 8, Folder 9
OV 55 Oversized Gordh, Bill housed with Box 8, Folders 14-15
OV 55 Oversized Graham, Dan housed with Box 8, Folder 18
OV 55 Oversized H, General: Har-Hay housed with Box 9, Folder 55
OV 55 Oversized Kahn, Douglas housed with Box 10, Folder 48
OV 55 Oversized Kaltenbach, Stephen housed with Box 10, Folder 52
Box
OV 56 Oversized Kruger, Barbara housed with Box 11, Folder 32
OV 56 Oversized Kusama,Yayoi housed with Box 11, Folder 38
OV 56 Oversized Les Petites Bon-Bons housed with Box 12, Folder 5
OV 56 Oversized Long, Richard housed with Box 12, Folders 28 and 30
OV 56 Oversized M, General: Mano-Mar housed with Box 13, Folder 49
OV 56 Oversized N. E. Thing Co. (Iain Baxter) housed with Box 14, Folder 17
OV 56 Oversized Nauman, Bruce housed with Box 14, Folder 23
OV 56 Oversized Neuhaus, Max housed with Box 14, Folder 27
OV 56 Oversized Onslow-Ford, Gordon housed with Box 15, Folder 6
OV 56 Oversized Pulsa housed with Box 15, Folder 47
Box
OV 57 Oversized Reid, Terry housed with Box 16, Folder 17
OV 57 Oversized Rupp, Christy housed with Box 16, Folder 48
OV 57 Oversized San Francisco Art Institute housed with Box 17, Folder 10
OV 57 Oversized Shaw, Karen housed with Box 17, Folder 33
OV 57 Oversized Singer, Michael housed with Box 17, Folder 45
OV 57 Oversized Sjoo, Monica housed with Box 17, Folder 46
OV 57 Oversized Walker, Kate housed with Box 19, Folder 31
OV 57 Oversized Yoshida, Minoru housed with Box 20, Folder 33
Box
OV 58 Oversized Arnatt, Keith housed with Box 2, Folder 2
OV 58 Oversized Barry, Robert housed with Box 3, Folders 13-14
OV 58 Oversized Harlam, Meg housed with Box 9, Folder 1
OV 58 Oversized Hompson, Davi Det housed with Box 9, Folder 42
OV 58 Oversized H, General: Hi housed with Box 10, Folder 1
OV 58 Oversized Johnson, Ray housed with Box 10, Folder 33
OV 58 Oversized Judd, Donald housed with Box 10, Folder 39
OV 58 Oversized Kelly, Mary housed with Box 11, Folder 8
OV 58 Oversized Kinmont, Bob housed with Box 11, Folder 18
OV 58 Oversized Louw, Roelof housed with Box 12, Folder 31
Box
OV 59 Oversized Sao Paulo Biennale housed with Box 17, Folder 16
OV 59 Oversized Sharon, Miriam housed with Box 17 Folders 27 and 30
OV 59 Oversized Streeter, Tal housed with Box 18, Folder 18
OV 59 Oversized W, General: Wie-Williams housed with Box 20, Folder 21
OV 59 Oversized Z, General: Za housed with Box 20, Folder 41
Box
OV 60 Oversized Beuys, Joseph housed with Box 3, Folder 33
OV 60 Oversized Byars, James Lee housed with Box 4 Folder 16
OV 60 Oversized Kawara, On housed with Box 11, Folder 6
OV 60 Oversized Kossuth, Joseph housed with Box 11 Folder 25
Box
OV 61 Oversized LeWitt, Sol housed with Box 12, Folders 12, 14 and 16
OV 61 Oversized L, General: Lu-Ly housed with Box 12, Folder 42
OV 61 Overszied Pezole, Frederike housed with Box 15, Folder 26
OV 61 Overszied Rosenquist, James housed with Box 16, Folders 37-38

2.2: Correspondence by Subject, 1950s-1990s

This series primarily documents Lipppard's engagement with social and political issues and groups working for change through activism and art. While much of the content comprises printed material on issues such as artists rights, censorship, U. S. policy in Central Americal, conceptual art, public art, and reproductive rights, these files are interespersed with correspondence with related individuals including artists, photographic material, and some of Lippard's related notes and writings. For example, folders on conceptual art include a draft manuscript for Lippard's essay Escape Attempts. Folder headings are generally derived from those used by Lippard.

Records on Central America include material relating to the Nicaraguan Cultural Alliance. A group of folders concerning non-U.S. galleries document Lippard's interaction with artists and galleries overseas, including European and Austrialian galleries and the Centro de Arte y Comunicac�on in Buenos Aires where Lippard's third "numbers show" "2,972,453," was held in 1971.

Note that the 5 folders on "Jobs" relate specifically to work opportunities offered to Lippard such as speaking engagements and participation on committees, juries and panels.

Mail art folders comprise a mixture of printed material including copies of the Balloon Newspaper, and correspondence from mail art and fluxus artists such as Fletcher Copp and Ken Friedman.

Mail art records also include the results of Ray Johnson's mailing, "Send Slips to Lucy Lippard," which Johnson apparently undertook after Lippard omitted him from her book Pop Art (1966). Following this "slip" she was the recipient of various interpretations of the word including an actual slip to wear.

Series includes 1 recording on 1 sound cassette.

Box Folder
20 48 Abstract Expressionism, 1950s-1960s
20 49-50 AIDS, Censorship and Exhibitions, 1989
Box Folder
21 1-3 All America's Dialogue, 1980s
21 4 All America's Dialogue, 1983-1984
21 5-6 All America's Dialogue, 1985
21 7 Alternative Movements/Spaces, circa 1970s-1980s
Oversized material housed in OV 62
21 8 Alternative Movements/Spaces, 1959, 1974-1975
21 9 Alternative Movements/Spaces, 1976
21 10 Alternative Movements/Spaces, 1977
21 11 Alternative Movements/Spaces, 1978-1980
21 12 Architectural and Environmental Art, circa 1978-1980
Oversized material housed in OV 63
21 13 Art and Language, circa 1960s-circa 1980s
21 14 Art and Language, 1966-1967
21 15 Art and Language, 1968-1971
21 16 Art and Language, 1972-1976
21 17-18 Art and Politics, circa 1972
21 19 Art by Working Class, circa 1982-1985
21 20 Art Strike, 1970
21 21 Artists Rights/Artists Contracts, 1970s
Oversized material housed in Box 51 Folder 6
21 22-23 Australia, circa 1974-1983
Oversized material housed in OV 62
21 24-25 Black Liberation Movement, circa 1969-1971
21 26 Carnegie Mellon University, MFA Program, circa 1992-1993
21 27-28 Cartoons, circa 1976-1987
21 29 Cartoons, 1976-1981
21 30 Cartoons, 1982-1987
21 31 Censorship, 1966, 1979-1988
21 32 Censorship, circa 1989
21 33 Censorship, 1989 April-June
21 34 Censorship, 1989 July-August
21 35 Censorship, 1989 September
Oversized material housed in OV 63
Box Folder
22 1 Censorship, 1989 October-December
22 2 Censorship, circa 1990
22 3 Censorship, 1990 January-February
22 4 Censorship, 1990 March-May
22 5 Censorship, 1990 June
22 6 Censorship, 1990 July
22 7 Censorship, 1990 August-September
Oversized material housed in OV 63
22 8 Censorship, 1990 October-December
22 9 Censorship Emergency, circa 1987-1990
22 10 Center for Constitutional Rights, circa 1987-1992
22 11 Central America, circa 1984-1988
22 12 Central America, 1984
22 13 Central America, 1985
22 14 Central America, 1986
Oversized material housed in OV 63
22 15 Central America, 1987-1988
22 16 Central America, Printed Material, circa 1970-1989
Oversized material housed in OV 63
22 17 Central America, Printed Material, 1970
22 18 Central America, Printed Material, 1972
22 19 Central America, Printed Material, 1973
22 20 Central America, Printed Material, 1974-1979
22 21 Central America, Printed Material, 1980-1981
22 22 Central America, Printed Material, 1982
22 23 Central America, Printed Material, 1982-1983
22 24-26 Central America, Printed Material, 1984
22 27 Central America, Printed Material, 1985-1988
22 28 Central Europe, circa 1969-1970s
22 29 Central Europe, circa 1970
Includes photos of artwork by artists Peter Stembera and Karel Miler; oversized material housed in Box 51, Folder 6
Box Folder
23 1 Central Europe, circa 1970
23 2 Central Europe, circa 1971-1972
23 3 Central Europe, circa 1973
23 4-5 Central Europe, 1974
23 6 Central Europe, 1975-1977
23 7-8 Chile, circa 1973-1974
23 9 China, circa 1980
23 10 Color Cartoons (Jerry Kearns), 1982-circa 1987
Oversized material housed in Box 51 Folder 6
23 11 Color Cartoons (Jerry Kearns), circa 1987-1989
23 12 Columbia, circa 1987-1988
23 13-15 Columbus and Art Quincentennial, circa 1980s-circa 1990s
23 16-17 Columbus and Art Quincentennial, circa 1989-1993
23 18 Columbus and Art Quincentennial, 1975, 1985-1988
23 19 Columbus and Art Quincentennial, 1989
23 20 Columbus and Art Quincentennial, 1989-1990
23 21-24 Columbus and Art, Quincentennial, 1990
23 25-28 Columbus and Art, Quincentennial, 1991
Oversized material housed in OV 63
23 29-30 Columbus and Art, Quincentennial, 1992
Box Folder
24 1-3 Columbus and Art, Quincentennial, 1992
24 4 Conceptual Art, circa 1969-1993
24 5 Conceptual Art, 1970-1972
24 6 Conceptual Art, 1984-1990
24 7 Conceptual Art, 1991-1993
24 8 Corporations and Culture (Business and Art), circa 1979-1986
24 9 Criticism, circa 1980-1990
24 10 Cuban Paintings Lawsuit, Ashton vs. Newcomb, 1991
24 11-12 Culture and Politics, General, circa 1976-1982
24 13 Culture, Costa Rica and Honduras, circa 1983-1985
24 14 Culture, El Salvador, circa 1980-1985
24 15 Culture, Nicaragua, circa 1982-1983
24 16 Cutlture, Nicaragua, 1983-1984
24 17 Culture, Nicaragua, 1985
24 18 "Death Show," New Museum of Contemporary Art, 1991
24 19 Disabled Artists, circa 1980s
24 20 Disabled Artists, 1981-1988
24 21 Ecology, circa 1970
24 22 El Salvador, circa 1984
24 23-24 El Salvador, Benefit Exhibitions and Sales, 1990s
24 25-26 Equal Rights Amendment, 1970s
24 27-28 Erotic Art, 1960s
24 29 Federal Bureau of Investigation, FOIA, 1981
24 30 Feminism, circa 1974
24 31 Films, circa 1985
24 32 Films, 1986-1987
24 33 Fluxus, circa 1960s-1970s
24 34 Folk Art, circa 1982-1992
24 35 Ford Foundation Grant Applications, 1961-1962
24 36 Galleries, Argentina, 1960s-1970s
24 37 Galleries, Australia, circa 1970-1974
24 38 Galleries, Belgium, 1970s
24 39 Galleries, Canada, 1970s-1980s
24 40 Galleries, Denmark, 1974
24 41 Galleries, England, 1970s
24 42 Galleries, Finland, 1973
Box Folder
25 1 Galleries, France, 1960s-1970s
25 2 Galleries, Germany, 1960s-1970s
25 3 Galleries, Holland, 1960s-1970s
25 4-6 Galleries, Italy, 1960s-1970s
25 7 Galleries, Japan, 1960s-1970s
25 8 Galleries, Switzerland, 1970s
25 9 Global Forum at Sundance, "Crossing Borders," 1991
25 10 Guggenheim Fellowships, circa 1968, circa 1980s
25 11 Housing, circa 1960s-1970s
25 12 Humor, circa 1980-1988
25 13 Jobs, circa 1986-1990
25 14 Jobs, 1986-1987
25 15-16 Jobs, 1988
25 17 Jobs, 1989
25 18 Labor and Art, circa 1979-1987
25 19 Labor and Art, 1979-1982
25 20 Labor and Art, 1982
25 21 Labor and Art, 1983
25 22 Labor and Art, 1984-1987
25 23-24 Mail Art, circa 1960-1980
25 25 Mail Art, 1960-1970
Oversized material housed in OV 62
25 26 Mail Art, 1971
25 27 Mail Art, 1972
25 28 Mail Art, 1973-1974
25 29 Mail Art, 1975-1980
25 30 Mail Art, Northwest Mounted Valise, circa 1970s
25 31 Mail Art, Northwest Mounted Valise, circa 1971-circa 1972
Box Folder
26 1 Mail Art, Send Slips to Lucy Lippard, circa 1967-circa 1974
26 2 Mail Art, Send Slips to Lucy Lippard, 1967-1969
Oversized material housed in Box 51 Folder 6
26 3 Mail Art, Send Slips to Lucy Lippard, 1969
26 4 Mail Art, Send Slips to Lucy Lippard, 1970-1974, 1983
26 5 Media Analysis/Imagery, circa 1980s
Oversized material housed in Box 51, Folder 6
26 6 Media Analysis/Imagery, 1980-1983
26 7 Media Analysis/Imagery, 1984-1987
26 8 Murals and Paintings on Doors, circa 1970s-circa 1980s
26 9 Murals and Paintings on Doors, 1975-1979
26 10 Murals and Paintings on Doors, 1980-1984
26 11 Murals and Paintings on Doors, 1985
26 12 Murals and Paintings on Doors, 1986-1992
26 13 Neighborhood Museums, circa 1969-circa 1970
26 14 New Zealand Artists, circa 1974
26 15 Nicaragua Visit, circa 1983-circa 1984
26 16 Older Artists, circa 1982-circa 1988
26 17 Peace Posters, circa 1970s
26 18 Politics, Miscellaneous, circa 1972-circa 1974
26 19 Postcards, Center for Constitutional Rights, circa 1980s
26 20-22 Public Art, circa 1970s-circa 1980s
Oversized material housed in OV 62
26 23 Public Art, 1969-1974
26 24 Public Art, 1974
26 25 Public Art, 1975-1976
26 26 Public Art, 1976-1977
26 27 Public Art, 1977
26 28-29 Public Art, 1978
26 30 Public Art, circa 1979
Oversized material housed in Box 51 Folder 6
26 31-32 Public Art, 1979
Oversized material housed in OV 62
Box Folder
27 1-3 Public Art, 1980
Oversized material housed in OV 62
27 4 Public Art, circa 1981
27 5-8 Public Art, 1981
27 9 Public Art, 1982
27 10 Public Art, 1983
Oversized material housed in OV 63
27 11 Public Art, 1984-1988
Oversized material housed in OV 63
27 12 Public Art, 1990-1994
27 13-18 Reproductions of Artwork, circa 1950s-circa 1970s
Oversized material housed in Box 51 Folder 6
27 19 Reproductive Rights, circa 1979-circa 1984
27 20 Reproductive Rights, circa 1989-circa 1991
27 21 Reproductive Rights, 1979-1980
27 22 Reproductive Rights, 1981-1984
27 23 Reproductive Rights, 1985-1991
27 24 Reproductive Rights, 1992-1993
27 25 Reproductive Rights, "Wake Up Little Suzie" Exhibition Comments, circa 1992
27 26 Royalties for Artists, circa 1971-circa 1974
27 27 Software Exhibition at the Jewish Museum, circa 1970
27 28 Style (Life) Alienation, 1970s
27 29-30 Union 1199 and Workers Art, circa 1970s-circa 1990s
27 31 Union 1199 and Workers Art, circa 1970s-circa 1990s
1 Sound cassette ; Label reads "2nd Sunday Oct 9th"
27 32 Union 1199 and Workers Art, circa 1976-1981
27 33 Union 1199 and Workers Art, 1981
27 34 Union 1199 and Workers Art, 1982-1984
27 35 Union 1199 and Workers Art, 1990-1993
Box Folder
28 1 U.S. Culture and Events in Central America, circa 1982-circa 1986
Oversized material housed in OV 62
28 2 U.S. Culture and Events in Central America, 1982-1984
28 3 U.S. Culture and Events in Central America, 1985-1986
28 4 Vietnam War, circa 1968-circa 1973
28 5 Vietnam War, 1968-1973
28 6 Women and Nature, circa 1966-1981
28 7-8 World Affairs Conference, circa 1985-1987
28 9 World Affairs Conference, 1987
Box Folder
51 6 Oversized Artists Rights/Contracts housed with Box 21, Folder 21
51 6 Oversized Central Europe housed with Box 22, Folder 29
51 6 Oversized Color Cartoons housed with Box 23, Folder 10
51 6 Oversized Mail Art, Send Slips to Lucy Lippard, housed with Box 26, Folder 2
51 6 Oversized Media Analysis/Imagery housed with Box 26, Folder 5
51 6 Oversized Public Art housed with Box 26, Folder 30
51 6 Oversized Reproductions of Artwork housed with Box 27, Folders 13-18
Box
OV 62 Oversized Alternative Movements/Spaces housed with Box 21, Folder 7
OV 62 Oversized Australia housed with Box 21, Folders 22-23
OV 62 Oversized Mail Art housed with Box 25, Folder 25
OV 62 Oversized Public Art housed with Box 26, Folder 20 and 31-32
OV 62 Oversized Public Art housed with Box 27, Folder 2
OV 62 Oversized U. S. Culture and Events in Central America housed with Box 28, Folder 1
Box
OV 63 Oversized Architectural and Environmental Art housed with Box 21, Folder 12
OV 63 Oversized Censorship housed with Box 21, Folder 35 and Box 22 Folder 7
OV 63 Oversized Central America housed with Box 22, Folder 14
OV 63 Oversized Central America, Printed Material housed with Box 22, Folder 16
OV 63 Oversized Columbus and Art, Quincentennial housed with Box 23, Folder 25-28
OV 63 Oversized Public Art housed with Box 27 Folders 10-11

Series 3: Writings, 1930s-1990s
13.24 Linear feet; Boxes 28-41, 51-52, OVs 64-66

Correspondence, manuscript drafts and galleys, extensive notes, publication records, research material including artist-related correspondence and printed matter, and photographs, document Lippard's prolific writings on the subjects of individual artists such as Philip Evergood, Eva Hesse, Ad Reinhardt, and Tony Smith, conceptual, minimalist, post-minimalist and feminist art, and the relationship between art and activism.

Recordings include 1 sound cassette, 1 sound disc (vinyl), 11 sound tape reels, and 1 electronic disc (CD).

The series is arranged as 2 subseries.

3.1: Writings by Lippard, 1930s-1990s

The series documents Lippard's writing activities, primarily from the 1960s to the 1990s, and provides insight into the content and process of her writing for books, columns, essays, and lectures.

Lippard's most renowned writings from this period, including her seminal text on conceptual art, Six Years: The Dematerialization of the Art Object (1973), her mongraph on Eva Hesse (1976), Get the Message?: A Decade Of Art For Social Change (1984), and Mixed Blessings: New Art in a Multicultural America (1990), are represented here. The series also includes Lippard's early "New York Letter" manuscripts written for Art International, and circa 100 additional essays written for publications such as Artforum, Art Voices and Hudson Review, including "The Pink Glass Swan" and "Trojan Horses: Activist Art and Power" (1984), as well as essays written for exhibitions on artists such as Rudy Burckhardt, Sol LeWitt, Ree Morton, and James Rosenquist. Also found are records documenting Lippard's role as co-editor for the Alliance for Cultural Democracy handbook How to '92: Model Actions for a Post-Columbian World.

Correspondence found in this series primarily relates to contracts and other aspects of the publication process, but there is also some correspondence with, and related to, artists including two folders of correspondence from Philip Evergood written to Lippard as she was writing The Graphic Work of Philip Evergood (1966), a detailed letter from Ethelyn Haig concerning recollections of Eva Hesse, photocopies of Hesse's correspondence and interviews, and some photocopies of correspondence from Ad Reinhardt.

The series also includes transcripts, notes and related material, including some audio recordings, of 5 interviews of Lippard and 6 interviews conducted by Lippard. These have been arranged as part of this series because they are annotated and edited by Lippard. They include recordings of interviews of Donald Judd and Robert Mangold in 1965 and 1968, transcripts of Lippard's interviews of Sol LeWitt and Tony Smith, and transcripts of interviews of Lippard conducted by Scott Marsden, and Ursula Meyer. Also found is the transcript of an interview regarding Lippard's 1998 book The Lure of the Local.

From 1970 to 1976 Lippard's speaking engagements at art schools were confined to answering written questions submitted by audiences; this series includes an extensive selection of these "questions addressed to Lippard in art schools." There are files on symposia and conferences which include notes and texts for Lippard's contributions and transcripts and notes of panel discussions edited by Lippard for publication.

Additional writings for exhibition catalogs can be found in Series 5.

Records are arranged by format in which the writings were produced i.e. books, columns, conferences and symposia, interviews, lectures and speeches, and other writings, and are arranged alphabetically by title thereafter.

Box Folder
28 Books, Ad Reinhardt (1985)
28 10 Bibliography, circa 1966-1970
28 11 Chronology, circa 1960s-1970s
28 12 Correspondence, circa 1960s-circa 1980s
28 13 Correspondence, 1966-1972
28 14 Correspondence, 1973-1974
28 15 Correspondence, 1975-1982
28 16-17 Footnotes, circa 1960s-1970s
28 18-19 Illustrations, circa 1950s-circa 1970s
28 20 Lists of Color Plates and Captions, circa 1970s
28 21-22 Manuscript, circa 1960s-1970s
28 23 Manuscript, Epilogue, 1971
28 24-26 Notes, circa 1960s-1970s
Box Folder
29 1-4 Notes, circa 1960s-circa 1970s
29 5 Original Drawings by Reinhardt, circa 1960s
29 6 Photographic Material, 1960-circa 1967
Includes photo of Ad Reinhardt and Lucy LIppard in 1960 with notation on verso "1st time we were introduced!"
29 Research Material
29 7 Announcements and Exhibition Catalogs, circa 1940s-circa 1980s
29 8 Announcements and Exhibition Catalogs, 1940s-1950s
29 9 Announcements and Exhibition Catalogs, 1960s
Oversized material housed in OV 66
29 10 Announcements and Exhibition Catalogs, 1974-1982
29 11 Printed Material About Reinhardt, circa 1940s-circa 1970s
Oversized material housed in Box 51, Folder 7
29 12 Printed Material About Reinhardt, 1944-1949
Oversized material housed in Box 51, Folder 7
29 13 Printed Material About Reinhardt, 1950-1959
Oversized material housed in Box 51, Folder 7
29 14 Printed Material About Reinhardt, 1960-1963
Oversized material housed in OV 64
29 15 Printed Material About Reinhardt, 1964-1965
Oversized material housed in Box 51, Folder 7
29 16 Printed Material About Reinhardt, 1966
Oversized material housed in OV 64
29 17 Printed Material About Reinhardt, 1967-1970
Oversized material housed in OV 64
29 18 Printed Material About Reinhardt, 1975-1982
Oversized material housed in Box 51, Folder 7
29 19-20 Printed Material, General, circa 1930s-circa 1960s
29 21 Printed Material, General, 1937-1968
29 22 Printed Material Illustrated by Reinhardt, circa 1930s-circa 1960s
Includes copies of Reinhardt's "How to Look" series of "art reports from the Art-World" and "Out of the Horse's Mouth;" oversized material housed in OV 64
29 23 Printed Material Illustrated by Reinhardt, 1930s-1953
Oversized material housed in Box 51, Folder 7
29 24 Printed Material of Writings by Reinhardt, circa 1940s-circa 1970s
29 25 Printed Material of Writings by Reinhardt, 1940s-1950s
29 26 Printed Material of Writings by Reinhardt, 1960-1963
29 27 Printed Material of Writings by Reinhardt, 1964-1966
29 28 Reinhardt Correspondence, Photocopies, 1940s-1970s
29 29-36 Reinhardt Notes and Writings, Photocopies, circa 1940s-circa 1960s
29 37 Transcript of Interview of Reinhardt by Bruce Glaser, circa 1950s
29 Books, Dadas on Art (1971)
29 38 Correspondence, circa 1960s-circa 1970s
29 39 Correspondence, 1966-1967
29 40 Correspondence, 1969-1971
29 41 Notes, 1960s
29 42-43 Research Material, circa 1960s
Box Folder
30 1-2 Research Material, circa 1960s
30 3-5 Research Material-Printed Material, circa 1930s-circa 1960s
30 Books, Eva Hesse (1976)
30 6 Correspondence and Notes, circa 1960s-circa 1970s
30 7 Correspondence and Notes, 1969-1973
30 8 Correspondence and Notes, 1974
30 9 Correspondence and Notes, 1975-1977
30 10-11 Manuscript Corrections, 1970s
30 12-15 Manuscript, Corrected Galleys, 1970s
30 16-17 Manuscript Drafts, 1970s
30 18-19 Manuscript Front and End Matter, 1970s
30 20 Notes, 1960s-1970s
30 21-22 Notes from Hesse Correspondence and Diaries, 1970s
Oversized material housed in OV 65
30 Research Material
30 23 Hesse Correspondence, Interviews and Writings, Photocopies, 1960s-1970s
30 24 Printed Material, Announcements and Exhibition Catalogs, circa 1964-1969
Oversized material housed in OV 65
30 25 Printed Material, Announcements and Exhibition Catalogs, 1970-1973
Oversized material housed in OV 65
30 26 Printed Material, Clippings, circa 1950-1968
30 27 Printed Material, Clippings, 1970-1974
30 Books, From the Center: Feminist Essays on Women's Art (1976)
30 28 Correspondence, circa 1975-1976
30 29-31 Manuscript Drafts, 1970s
30 32-33 Notes, 1970s
30 Books, Get the Message?: A Decade Of Art For Social Change (1984)
30 34-35 Captions, 1980s
30 36-38 Corrected Galleys, 1980s
30 39-40 Correspondence and Outline, 1980s
Box Folder
31 1 Index, 1980s
31 2 Miscellaneous Notes, 1980s
31 3 Part 1: The Dilemma, 1970s-1980s
31 4 Part 2: Acting Out, 1970s-1980s
31 5 Part 3: To the Third Power, 1970s-1980s
31 6 Part 4: Hot Potatoes, 1970s-1980s
31 7 Part 6: Collaborate! Demonstrate! Organize! Resist!, 1970s-1980s
31 8 Photographic and Printed Material, 1980s
31 9-11 Proof, 1980s
Oversized material housed in OV 65
31 12 Publication Permissions, 1980s
31 13 Publication Permissions, A-C, 1982-1983
31 14 Publication Permissions, D-K, 1982-1983
31 15 Publication Permissions, L-R, 1982-1983
31 16 Publication Permissions, S-Y, 1982-1983
31 Books, The Graphic Work of Philip Evergood (1966)
31 17-18 Correspondence and Notes, 1960s
31 19 Correspondence with Evergood, circa 1964
31 20 Correspondence with Evergood, 1964-1966
31 21-22 Manuscript and Page Proofs, 1960s
31 23-24 Photographs and Reproductions, circa 1960s
31 25 Books, I See/You Mean (1979), Correspondence Re. Sales, circa 1979-1981
31 Books, Mixed Blessings: New Art in a Multicultural America (1990)
31 26 Correspondence and Contract, 1980s
31 27-29 Correspondence and Notes on Publication, 1980s-1990s
31 30 Gallery Copy, Bound, 1990

partially scanned

31 31 Manuscript, Bibliography, 1980s
31 32 Manuscript, Chapter 1: Naming, Copy 1, 1980s
31 33 Manuscript, Chapter 2: Telling, Copy 1, 1980s
31 34 Manuscript, Chapter 3: Landing, Copy 1, 1980s
31 35 Manuscript, Chapter 4: Mixing, Copy 1, 1980s
31 36 Manuscript, Chapter 5: Turning Around, Copy 1, 1980s
31 37 Manuscript, Chapter 1: Naming, Copy 2, 1980s
31 38 Manuscript, Chapter 2: Telling, Copy 2, 1980s
31 39 Manuscript, Chapter 3: Landing, Copy 2, 1980s
31 40 Manuscript, Chapter 4: Mixing, Copy 2, 1980s
Box Folder
32 1 Manuscript, Chapter 5: Turning Around, Copy 2, 1980s
32 2 Manuscript, Chapter 1: Naming, Copy 3, 1980s
32 3 Manuscript, Chapter 2: Telling, Copy 3, 1980s
32 4 Manuscript, Chapter 3: Landing, Copy 3, 1980s
32 5 Manuscript, Chapter 4: Mixing, Copy 3, 1980s
32 6 Manuscript, Chapter 5: Turning Around, Copy 3, 1980s
32 7 Manuscript, Chapter 1: Naming, Copy 4, 1980s
32 8 Manuscript, Chapter 5: Turning Around, Copy 4, 1980s
32 9 Introduction, Mapping, 1980s
32 10 Notes, 1980s-1990
32 11 Notes in Card File Box, 1980s
32 Books, Overlay: Contemporary Art and the Art of Prehistory (1983)
32 12 Bibliography, circa 1980
32 13 Book Proposal, 1980
32 14 Bound Uncorrected Proof with Corrections by Lippard, 1983
32 15 Captions, Introductions and Chapters 1 and 2, circa 1980
32 16 Captions, Chapters 3 and 4, circa 1980
32 17 Captions, Chapters 5 and 6 and Color Plates, circa 1980
32 18 Captions, Notes, circa 1980
32 19 Correspondence, 1981-1984
32 20-23 Editing Process, 1980s
Box Folder
33 1 Footnotes, circa 1980
33 2-5 Galley, Corrected, circa 1980
33 6-7 Galley, Master Proof, Front and End Matter, circa 1982
33 8 Index, circa 1980
33 9 Manuscript, Corrected/Edited, Introduction and Chapters 1-2, circa 1980
33 10 Manuscript, Corrected/Edited, Chapters 3-4, circa 1980
33 11 Manuscript, Corrected/Edited, Chapter 5, circa 1980
33 12 Manuscript, Corrected/Edited, Chapter 6 and Conclusion, circa 1980
33 13 Manuscript, Corrected/Edited, Copy 2, Introduction and Chapters 1-2, circa 1980, 1980s
33 14 Manuscript, Corrected/Edited, Copy 2, Chapter 3, circa 1980
33 15 Manuscript, Corrected/Edited, Copy 2,Chapter 4-5, circa 1980
33 16 Manuscript, Corrected/Edited, Copy 2, Chapter 6, circa 1980
33 17 Manuscript Drafts, Dedication and Introduction, 1980s
33 18-19 Manuscript, Drafts and Notes, Chapter 1, 1980s
33 20 Manuscript, Drafts and Notes, Chapter 2, 1980s
33 21-23 Manuscript, Drafts and Notes, Chapter 3, 1970s-1980s
33 24-25 Manuscript, Drafts and Notes, Chapter 4, 1970s-1980s
Oversized material housed in OV 65
33 26-27 Manuscript, Drafts and Notes, Chapter 5, 1970s-1980s
Oversized material housed in OV 66
33 28-30 Manuscript, Drafts and Notes, Chapter 6, 1970s-1980s
33 31 Manuscript, Unedited, Dedication and Introduction, circa 1980
33 32 Manuscript, Unedited, Chapters 1-2, circa 1980
33 33 Manuscript, Unedited, Chapter 3, circa 1980
33 34 Manuscript, Unedited, Chapter 4, circa 1980
33 35 Manuscript, Unedited, Chapter 5, circa 1980
33 36 Manuscript, Unedited, Chapter 6, circa 1980
33 37 Notes, 1970s-1980s
Box Folder
34 1-2 Notes on Index Cards, circa 1970s-1980s
34 3 Notes, "Possible Additions," 1980s
34 4 Part 4: Mazes-Research Material, Correspondence and Notes, 1970s-1980s
34 5-6 Part 6: Gardens-Research Material, Correspondence and Notes, 1970s-1980s
34 7-8 Publication Permissions, 1970s-1980s
34 9 Publicity, 1982-1983
34 Books, Pop Art (1966)
34 10 Correspondence and Notes, circa 1964-1967
34 11 Correspondence and Notes, 1964
34 12-13 Correspondence and Notes, 1965
34 14 Correspondence and Notes, 1966-1967
34 15-16 Research Material, Printed Material and Notes, circa 1950s-circa 1960s
Oversized material housed in Box 52 Folder 1
34 17 Research Material, Printed Material and Notes, 1956-1962
34 18 Research Material, Printed Material and Notes, 1962-1965
34 19-20 Research Material, Printed Material and Notes, 1963
34 21 Research Material, Printed Material and Notes, 1964
34 22 Research Material, Printed Material and Notes, 1965
Oversized material housed in OV 65
34 23 Research Material, Printed Material and Notes, 1966-1967
34 Books, Six Years: The Dematerialization of the Art Object (1973)
34 24 Captions, 1970s
34 25 Correspondence and Contract, 1971-1972
34 26 Manuscript Draft, 1970
34 27 Manuscript "Uncut Version," Chapters 1966-1967, 1970s
34 28-29 Manuscript "Uncut Version," Chapter 1968, 1970s
34 30-31 Manuscript "Uncut Version," Chapter 1969, 1970s
34 32-34 Manuscript "Uncut Version," Chapter 1970, 1970s
34 35-37 Manuscript "Uncut Version," Chapter 1971, 1970s
34 38 Manuscript, Edited/Corrected, Chapters 1966-1967, 1970s
34 39 Manuscript, Edited/Corrected, Chapters 1968-1969, 1970s
34 40 Manuscript, Edited/Corrected, Chapters 1969-1970, 1970s
Box Folder
35 1 Manuscript, Edited/Corrected, Chapter 1970, 1970s
35 2 Manuscript, Edited/Corrected, Chapter 1971, 1970s
35 3 Notes, 1960s-1970s
35 4 Notes on Index Cards, 1957-1966
35 5 Notes on Index Cards, 1967
35 6 Notes on Index Cards, 1967-1969
35 7-9 Notes on Index Cards, 1969
35 10-11 Notes on Index Cards, 1970
35 12 Notes on Index Cards, 1970-1971
35 13-14 Notes on Index Cards, 1971
35 15 Notes on Index Cards, Artists A-Z, circa 1960s-circa 1970s
35 16 Notes on Index Cards, Miscellaneous, circa 1960s-1970s
35 17 Notes on Index Cards, Numbered Cards, circa 1960s-1970s
35 18 Notes on Index Cards, Rejects, 1962-1968
35 19-22 Photographs and Captions, 1970s
Includes 1 sound disc (vinyl), 45 rpm entitled "Terry Fox 'IsolationUnit', Dusseldorf Kuntsakademie 11-24-70"
Oversized material housed in OV 66
35 23 Publication Permissions, 1970s
35 24 Research Material, circa 1968-circa 1972
Oversized material housed in OV 66
35 25 Supplement to Index, circa 1971
35 Books, Surrealists on Art (1971)
35 26-27 Correspondence and Publication Permissions, circa 1966-1970
35 28-31 Research Material, 1960s-1980s
35 32-35 Research Material and Notes, 1960s-1980s
35 Books, Tony Smith (Art Now) (1972)
35 36 Correspondence, 1968-1974
35 37 Manuscript, 1970s
Box Folder
36 1-3 Notes, 1970s
36 4 Photographs, circa 1966-1969
Includes photo of Smith
36 5 Research Material, Printed Matter, 1960-1980
36 Columns
36 6 D'Ars, "New York Report," Manuscripts, 1965-1969
36 7 D'Ars, "New York Report," Correspondence, 1965-1969
36 8 "New York Letter," Manuscripts, 1964
36 9 "New York Letter," Manuscripts, 1965 January-March
36 10 "New York Letter," Manuscripts, 1965 April-December
36 11 "New York Letter," Manuscripts, 1966
36 12 "New York Letter," Manuscripts, 1967-1968
36 13 "New York Letter," Manuscript Fragments, 1960s
36 14 "Sniper's Nest," Manuscripts, 1990s
36 15 "Studio International," Manuscripts and Galleys, 1970s
36 16 "Studio International," Correspondence, 1973-1974
36 17 "Studio International," Notes, 1970s
36 Conferences and Symposia
36 18 Art and Technology Symposium, Rutgers University (1968 May 7), 1968 May
2 sound tape reels
Reel 1, side 1 contains slide lecture by Lucy Lippard. Reel 2, both sides, contains lecture by Dan Graham. Note that reel 2 is labeled "Windham Symposium," but as no other reference was found to this term, and both reels are from the same event, this recording has been given the name "Art and technology symposium." Reel 1, side 2 contains apparently unrelated recording, possibly taped off-the-air, of a news program related to the assassination of Rev. Martin Luther King, Jr.
36 19 Art and Technology Symposium, Rutgers University (1968 May 7)
1 Electronic disc (CD) ; Research copy
36 20 Art Forum on New Nihilism with Don Flavin, Don Judd and Frank Stella, Moderated by Bruce Glaser, circa 1964
36 21 "Art Without Space" Symposium, circa 1960s
36 22-23 Critica 1: L'Arte da Chi a Chi, 1980s
36 24 Frank Stella and Donald Judd, Discussion Moderated by Bruce Glaser, circa 1960s
Oversized material housed in OV 66
36 25 Ian Wilson and Robert Barry on Oral Communication, 1970
36 26-27 Mapping the Terrain, 1990s
36 28-29 National Gallery of Canada, 1969
36 30 Taller Boricua Panel, 1989
36 31 "Time," "Issues in Art" Panel Discussion Series, 1969
36 32 "Time," "Issues in Art" Panel Discussion Series, Forum 2 (1969 March 17), 1969
2 sound tape reels ; Note on original container reads "Careful when playing, 1st foot or so is twisted"
36 33 Unidentified Artist Discussion, circa 1960s-circa 1970s
2 sound tape reels ; unidentied artists in discussion; labels read "NY 1" and "NY 2."
36 Interviews
36 34 Donald Judd and Bob Mangold, 1965
2 sound tape reels
36 35 Donald Judd and Bob Mangold (1965) Duplicate, circa 1990s
1 Sound cassette
36 36-37 Donald Judd Interviewed by Lippard 1968 April 10, 1968
36 38-39 Donald Judd Interviewed by Lippard 1968 April 10, Corrected Copy, 1968
36 40 Donald Judd Interviewed by Lippard, 1968April, 1968June
2 sound tape reels
Judd is interviewed in three sessions; at the Whitney Museum, at his studio, and at his home.
36 41 Donald Judd Recording, circa 1960s
1 sound tape reel ; label reads "Judd"
36 42 Lucy Lippard Interviewed by Lyn Blumenthal and Kate Horsfield for "On Art and Artists Video Data Bank (1979), 1979
36 43 Lucy Lippard Interviewed by C.A.J. about The Lure of the Local, 1990s
36 44 Lucy Lippard Interviewed by Scott Marsden (1989), 1989
36 45 Lucy Lippard Interviewed by Ursula Meyer (1969), 1969
Box Folder
37 1 Lucy Lippard and Esther Broner Interviewed by Jody Hoy (1989), 1989-1990
37 2 "'Right Now is Always the Best Age,' Interviews with Women and Girls Age 8-80 on Notions About Youth and Age" by Lippard and Mary Mizenko, circa 1970s
37 3 Sol LeWitt Interviewed by Lippard, circa 1970s
37 4 Tony Smith Interviewed by Lippard, "The New Work: More Points on the Lattice," circa 1970s
37 Lectures and Speeches
37 5-7 Notes and Texts, 1960s-1970s
37 8 Notes and Texts, 1980s
37 9-12 Notes and Texts, 1990s
37 13-19 Notes and Texts, circa 1970s-1990s
37 20-24 Notes and Texts, Fragments, circa 1970s-1990s
37 25-26 Notes and Texts, "Gardens: Some Metaphors for Public Art," 1980s
37 27 Notes and Texts, "Headlines, Heartlines, Hardlines: Advocacy Criticism as Activism," 1980s
37 28 Notes and Texts, "Imagine Being Here Now," 1980s
37 29 Notes and Text, Power Lecture for Studio International, circa 1975-1976
37 30 Notes and Texts, "You Don't Know What I Like: The Alienation of the Avant-Garde," circa 1980s
37 31-33 Questions Addressed to Lippard in Art Schools, 1970s
Box Folder
38 1-3 Questions Addressed to Lippard in Art Schools, 1970s
38 Other Writings
38 4 "A Note on the Politics and Esthetics of a Woman's Show," circa 1970s
38 5 "After a Fashion: The Group Show and the Critical Intermurals," for Hudson Review, circa 1970s
38 6 "American Painting, 1945-1965: Cult of the Direct and the Difficult," circa 1960s
38 7 "Antipodal Anthropolitics," circa 1970s-circa 1980s
38 8 "Art Within the Arctic Circle: A Two-Part Journal," circa 1970s-circa 1980s
38 9 "As Painting is to Sculpture: A Changing Ratio," circa 1970s
38 10 "Back Again," circa 1970s
38 11 "Beauty and the Bureaucracy," circa 1970s
38 12 "Bending," circa 1970s
38 13 "Bibliography of Artists Statements," 1960s
38 14 "Biting the Hand: Artists and Museums Since 1969"
38 15 "Bladen: Black Triangle, White Box" for Artforum, 1960s
38 16 "Brought to Light: Notes on Babies, Veils, War and Flowers," 1990s
38 17 "Charitible visits by the AWC to Whitney, MOMA, Met.," circa 1970s
38 18-21 Chartres by Auguste Rodin, Translated by Albert Alhadeft and Lucy R. Lippard, 1960s
38 22 "Complexes: Architectural Sculpture as Shelter in Nature," circa 1970s
38 23 "Constellation by Harsh Daylight: The Whitney Annual," circa 1970s
38 24 "Contact Lenses, Corrected Vision," circa 1990s
38 25 "Contemporary Art in the United States," 1960s
38 26 "Cross Fires," circa 1980s
38 27-28 Cuban Book of Essays and Art Criticism, Preface, 1980s
38 29 "David Weinrib (Royal Marks Gallery); Richard Van Buren (Bykert); Charles Ross (Dwan)," circa 1960s
38 30 "Distancing: Nancy Graves Films," circa 1970s
38 31 "Distant Relations," circa 1980s
38 32 "Drawing on Strength," circa 1990s
38 33 "Equal Parts" and "Eros Presumptive," circa 1970s
38 34 "Escalation in Washington," 1967
38 35 "Escape Attempts," 1995
38 36 "Frames of Mind," 1990s
38 37 Gene Swenson Collection Catalog, 1971
38 38 "Give and Takeout: Toward a Cross-Cultural Consciousness," 1985
38 39 "The Hand of Memory in Some African American and Latina Art" for Ikon, 1990s
38 40 "Hanne Darboven: Deep in Numbers," 1973
38 41 "Henry Pearson: Black Icons into an Outer Space," circa 1970s
38 42 "Heroic Years from Humble Treasures: Notes on African and Modern Art," 1966
38 43 "His Eye is Always on the Line" and "Homage to the Square," 1960s
38 44 "Hot Potatoes: Art and Politics in 1980," 1980s
38 45 How to '92: Model Actions for a Post-Columbian World, Correspondence, circa 1990s
38 46 How to '92: Model Actions for a Post-Columbian World, Correspondence, 1988-1990
38 47 How to '92: Model Actions for a Post-Columbian World, Correspondence, 1991-1992
38 48 How to '92: Model Actions for a Post-Columbian World, Notes, 1990s
38 49 How to '92: Model Actions for a Post-Columbian World, Proofs and Final Publication, 1990s
38 50 How to '92: Model Actions for a Post-Columbian World, Photographs, 1990s
38 51 "Inside Picture from the Outside," 1980
38 52 "James Rosenquist: Aspects of a Multiple Art" for Artforum, 1960s
38 53-54 Kathe Kollwitz, Foreword, 1980s
38 55 "Larry Poons: The Illusion of Disorder," circa 1960s
38 56 "Lunch 1" and "Lunch 2," circa 1970s
38 57 "Lynda Benglis and Adrian Piper," circa 1980s
38 58 "Made in the USA-Art from Cuba," 1980s
Oversized material housed in Box 52 Folder 1
38 59 Marks in Place: Contemporary Response to Rock Art, Foreword, 1980s
38 60 "May Steven's Big Daddies," circa 1970s
38 61 "Museo, Museas, Museat," circa 1970s
Box Folder
39 1 "'New' Art as Art History," circa 1970s
39 2 "New York: Information on How to Look," 1960s
39 3 "Notes in Review of Canadian Artists '68," 1960s
39 4 "Notes on Max Ernst and a Sculpture of Fantasy," 1966-1967
39 5 "One Century One Year" for Artforum, 1960s-1970s
39 6 "Out of Turn," circa 1980s
39 7 "Parthenogenesis: Giving Birth to American History; Giving Birth to Each Other; Aunt Jemima Meets Barbie and they Fall for Each Other," circa 1970s
39 8 "Passed and Pressing Tensions: Max Ernst in Stockholm," circa 1970s
39 9 "Perverse Perspctives," 1960s
39 10 "Peter Dean: Builder on the Edge of a Weakening World," circa 1980s
39 11 "The Pink Glass Swan: Upward and Downward Mobility in the Art world and It's Effect on Women," circa 1970s
39 12 "Points of View: Stuart, DeMott, Jacquette Graves," circa 1970s
39 13 "Pulsa: New Haven/Boston," 1968
39 14-15 "Quite Contrary: Nature and Ritual in Women's Art," 1970s
39 16 "Real Estate and Art (A La Fashion Moda)," circa 1970s
39 17 "Ree Morton: At the Still Point of the Turning World," circa 1970s
39 18 "Robert Goldwater," circa 1970s
39 19 "Rudy Burckhardt: Photos and Paintings, 'The Pursuit of Happiness'," circa 1970s
39 20 "Scattering Selves," 1998
39 21 "Sensuous, Sensual, Sexual, and/or Erotic Abstraction," 1975
39 22 "Sexual Discrimination Against Women Artists (AKA Politics: Art Style)," 1970s
39 23 "The Silent Art: Monotone Painting" and "Slouching Toward a Decision," circa 1960s
39 24-27 "So What's a Wolf Ticket Anyway?" for Artforum, 1980s
39 28 "Sol LeWitt," 1970s
39 29 "Special Deliverance from the Enigmatic Mr. Johnson," 1990s
39 30 "Sweeping Exchanges: The Contribution of Feminism to the Art of the 1970s," circa 1980s
39 31 "Ten Frustrations, or Waving and Smiling Across the Great Cultural Abyss," for Artforum, 1980s
39 32 "10 Structurists in 20 Paragraphs," 1968
39 33 "The Third Stream: Constructed Painting and Painted Structures," 1965
39 34 "This is Art? The Alienation of the Avant-garde from the Audience," Correspondence and Notes, 1970s
39 35-37 "This is Art? The Alienation of the Avant-garde from the Audience," Manuscript Drafts, 1970s
39 38 "This is Art? The Alienation of the Avant-garde from the Audience," Photographs, 1970s
39 39 "Three Generations of Women: De Kooning's First Retrospective," circa 1960s
39 40 "To the Third Power: Art and Writing and Social Change," circa 1970s
39 41 "Tony Smith: The Ineluctable Modality of the Visible," 1967
39 42 "Top to Bottom, Left to Right," 1970s
39 43 "Toward Total Theatre," 1966
39 44 "Trojan Horses: Activist Art and Power," circa 1980s
39 45 "Vancouver Notes," circa 1960s
39 46 "The Virgin Microbe Comes of Age," circa 1970s
39 47 "Visual Art and the Invisible World," 1967
39 48 "Women Artists Series: Year Five," circa 1970s
39 49 "You Are Now in the Middle of a Revisionist History of Net Co.," circa 1980s
39 50-51 "Yvonne Ranier on Feminism and Her Film" and "Talking, Pictures, Silent words: Yvonne Ranier's Last Two Films," 1970s
39 52 Miscellaneous, Untitled, circa 1960s-circa 1980s
39 53-55 Unidentified, Fragments, circa 1960s-circa 1980s
39 Notes
39 56 About Titles, circa 1960s-circa 1980s
39 57-58 Daniel Seghers, circa 1960s-circa 1980s
39 59 "Fantastic Landscape," circa 1960s
39 60 Ideas, circa 1960s-circa 1980s
Oversized material housed in OV 66
39 61-62 Miscellaneous, circa 1960s-circa 1990s
Box Folder
40 1-3 Miscellaneous, circa 1960s-circa 1990s
Oversized material housed in OV 66
40 4-5 Miscellaneous, circa 1970s
40 6 Miscellaneous, circa 1980s
40 7 Miscellaneous, 1990s
40 8-11 Sandak Slides, Notes and Captions, 1960s
Box Folder
51 7 Oversized Books, Ad Reinhardt housed with Box 29, Folders 11-13, 15, 18 and 23
Box Folder
52 1 Oversized Books, Pop Art housed with Box 34, Folders 15-16
52 1 Oversized Other Writings housed with Box 38, Folder 58
Box
OV 64 Oversized Books, Ad Reinhardt, Research Material housed with Box 29, Folders 14, 16-17, and 22
Box
OV 65 Oversized Books, Eva Hesse housed with Box 30, Folders 21-22, 24-25
OV 65 Oversized Books, Get the Message? housed with Box 31, Folders 9-11
OV 65 Oversized Books, Overlay housed with Box 33, Folders 24-25
OV 65 Oversized Books, Pop Art housed with Box 34, Folder 22
Box
OV 66 Oversized Books, Ad Reinhardt housed with Box 29, Folder 9
OV 66 Oversized Books, Overlay housed with Box 33, Folders 26-27
OV 66 Oversized Books, Six Years housed with Box 35 Folders, 19-22 and 24
OV 66 Oversized Conferences and Symposia housed with Box 36, Folder 24
OV 66 Oversized Notes, Ideas housed with Box 39, Folder 60
OV 66 Oversized Notes, Miscellaneous housed with Box 40, Folders 1-3

3.2: Writings by Others, 1960s-1990s

Series includes circa 30 writings by other authors primarily on subjects related to art and culture.

Records are arranged alphabetically by author

Box Folder
40 12-14 Adams, Don and Arlene Goldbard, Picking Up the Pieces: The Transforming Power of Culture, 1986-1987
40 15 Adams, Gerry, "Culture," 1994
40 16 Ascher, Sheila, "Sheila Ascher's Chronicle," 1976-1977, 1970s-1982
40 17 Bartlett, Jennifer, circa 1974
40 18 Benavidez, Max, "Chicano Montage: Art and Cultural Crisis," 1994
40 19 Broner, E. M., "Choices," 1979
40 20 Elwood, Sean H., "The New York Art Strike of 1970" (M. A. thesis, Hunter College), 1982
40 21 Flanagan, Fionnula, "Culture Shock," 1990s
40 22 Gibbons, Luke, "Unapproved Roads: Post-Colonialism and Irish Identity," 1990s
40 23 Goldbard, Arlene, "Family Food," circa 1970s
40 24 Hickman, Mary J., "Differences, Boundaries, Community: The Irish in Britain," 1990s
40 25 King, Susan, "Trading the Maze: An Artists Journey Through Breast Cancer," 1996
40 26 Levine, Les, "The Disposable Transient Environment," circa 1970s
40 27 Mart�nez, Rub�n, "Mexico's Virgin Optimism," circa 1980s
40 28 McShine, K. L., "Joseph Cornell," 1961
40 29 Medina, Cuauht�moc, "La Ironia, La Barbane," 1990s
40 30 Melkonian, Neery E., 1988-1990
40 31 Menard, Andrew, "Pluralism/Postmodernism," 1982
Oversized material housed in Box 52 Folder 1
40 32 Mesa-Bains, Amalia, "Domesticana: The Sensibility of Chicana Rasquache," circa 1990s
40 33-35 Mosquera, Gerardo, "El Dese�o se Definio en Octobre," circa 1980s
40 36 O'Connor, Garrett, "Recognizing and Healing Malignant Shame: A Satement About the Urgent need for Psychological and Spiritual Recovery from the Effects of Colonialism in Ireland," 1990s
40 37-38 Somlo, Patty, "Painting Without Brushes: Art and Culture in the New Nicaragua," 1980s
Box Folder
41 1-2 Spivey, Bob, "Dancing till Dawn: Toward a Social Ecoloy of Art" (M. A. Thesis, Goddard College), circa 1989-1990
41 3 Villoro, Juan, "Mexicamerica Outlaws Border Literature and the Border," 1990s
41 4 Unidentified, Article About Mark Bender, circa 1960s-circa 1980s
41 5 Unidentified, Comments for the Panel "Between Art World and Mass Media," 1989
41 6 Unidentified, "Overdubbing Ireland," 1990s
41 7 Unidentified, "Unapproved Roads: Post-Colonialism and Irish Identity," 1990s
41 8 Unidentified, Miscellaneous, circa 1970s-circa 1980s
Box Folder
52 1 Oversized Menard, Andrew housed with Box 40, Folder 31

Series 4: Teaching Files, 1966-1993
0.76 Linear feet; Boxes 41, 52

Although Lippard has been a sought-after instructor for workshops and college level courses throughout her career, only a small number of records document these activities. The most detailed concern "Escape Attempts," a course offered several times at the University of Colorado, Boulder.

Records include administrative correspondence, notes on the content of courses, course readings, and some student work.

Records are arranged alphabetically by name of course location.

Box Folder
41 School of Visual Arts
41 9 Correspondence, 1970-1973
41 10 Notes, 1970s
41 11 Photographs, 1969-1971
41 12 Student Writings, 1970s
41 13 Through the Flower Corp. "Where We Stand" Workshop, 1993
41 University of Colorado, Boulder, "Crossing Cultures" Course
41 14 Notes, circa 1986
41 15 Student Papers, 1986
41 University of Colorado, Boulder, "Escape Attempts" Course
41 16 Correspondence, 1984-1986
41 17 Course Readings 1-3, 1986
41 18 Course Readings, 4-6, 8, 10-11, 1986
41 19 Course Readings, 12-15, 17, 1986
41 20 Course Readings, 18-20, 1986
41 21 Course Readings, 21-23, 1986
41 22 Course Readings, 25-26 and Miscellaneous, 1986
41 23-24 General Notes, circa 1986
41 25 Notes on "Body, Performance, Concept," 1980s
41 26 Notes on "Fifties," 1966, 1980s
41 27 Notes on "Folk Art/Fantasy," 1980s
Oversized material housed in Box 52 Folder 2
41 28 Notes on "Formalization," 1980s
41 29 Notes on "Kitsch and Willow," 1980s
41 30 Notes on "Labor," 1984-1986
41 31 Notes on "Last Day," 1980s
41 32 Notes on "Media and Representation," 1980s
41 33 Notes on "Minimalism," 1980s
41 34 Notes on "Murals," 1980s
41 35 Notes on "Museums and Distribution," 1970s-1980s
Oversized material housed in Box 52 Folder 2
41 36 Notes on "Performance," 1980s
41 37 Notes on "Photographs," 1980s
41 38 Notes on "Pop Art," 1980s
41 39 Notes on "Primitive Art," 1980s
41 40 Roster and Student Proposals, 1986
41 41 University of Colorado, Boulder, "Mixing It Up: On Crossing Cultures" Symposium, 1992
41 University of Colorado, Boulder, "Women, Arts, and Cross-Cultural Issues" Seminar
41 42-43 Correspondence, 1988-1990
41 44 Notes, 1988-1990
41 45 Student Letters, 1989
41 46 University of Oklahoma, Student-Leadership Enrichment Program, Seminar on Multiculturalism, circa 1988-circa 1990
41 47-48 University of Queensland, Australia, "Art in a Social Context" Seminar, 1970s-1980s
Box Folder
52 2 Oversized University of Colorado, Boulder, "Escape Attemtps" Course housed with Box 41, Folders 27 and 35

Series 5: Exhibitions, 1960s-1990s
4.2 Linear feet; Boxes 42-45, 52, OVs 67-68

Records primarily document Lippard's role as an exhibition curator and organizer with some of her most renowned exhibitions represented here. Of particular note are files concerning her "numbers shows." Files for "557,087" in Seattle, "955,000" in Vancouver, "2,972,453" in Buenos Aires (also titled "Arte Conceptual" in the publicity material from the Centro de Arte y Comunicac�on), and "c. 7500" in Valencia, California, include some of Lippard's questionnaire's completed and returned to her by artists who participated in the exhibitions, specifications for the installation of artwork, checklists, sketches, expense records, floor plans, scattered photographic material (although not of the exhibitions) and printed material. Other files in the series may also contain correspondence and notes, exhibition plans and checklists, research material for catalogs, manuscripts and notes, photographs and publicity material.

Many of the files document contributions to catalogs for exhibitions that Lippard did not curate. In addition to correspondence these may include research material such as printed matter, notes, drafts and manuscripts of catalog essays.

Files on a few exhibitions with which Lippard seems to have had no personal involvement are included in Series 2.1.

Records are arranged alphabetically by name of exhibition.

Box Folder
42 "A Different War: Vietnam in Art" (1989-1991)
42 1 Checklists, 1986-1987
42 2 Checklists, 1987-1988
42 3 Correspondence, 1980s
42 4 Correspondence, 1983-1986
42 5 Correspondence, 1986
42 6 Correspondence, 1987
42 7 Correspondence, 1988-1989
Oversized material housed in OV 67
42 8-10 Drafts and Notes, 1980s
42 11 Manuscript, Introduction and Part 2, 1980s
42 12-13 Manuscript, Original Version, 1980s
42 14 Manuscript, 2nd Version, 1980s
42 15 Manuscript, 3rd Version, 1980s
42 16-17 Notes on Index Cards, 1980s
42 18-19 Notes Related to Checklists and Plans, 1980s
42 20 Publicity, 1980s
42 Research Material
42 21 Events, Exhibitions, Symposia, 1980s
42 22 General Printed Material, circa 1970s-circa 1980s
42 23 General Printed Material, 1970-1992
42 24 Memorials and Memorabilia, 1980s
42 25 On Film and Video, 1980s
42 26 On Hedrick, Wally, 1976-1986
42 27 On History and Facts, 1965-circa 1980s
42 28 On History and Facts, 1978-1983
42 29 On History and Facts, 1985-1988
42 30 On Knecht, John, 1984-1987
42 31 On McJunkin, James, 1980s
42 32 On Thieme, Roberto, 1980s
42 33 On Turner, Richard, 1980s
Oversized material housed in OV 67
42 34-35 Photography and Media, 1980s
Oversized material housed in OV 67
42 36 "All's Fair in Love and War in New Feminist" Art (1983), 1980s
Oversized material housed in OV 68
42 "Art and Ideology" (1984)
42 37 Correspondence, 1983-1984
42 38 Manuscript, circa 1984
42 39-40 Notes and Draft Fragments, circa 1983-1984
42 41 "Arte Conceptual" or "2,972,453" (1971), circa 1970
42 "Artist and the Quilt" (1980s), 1980s
42 42 Correspondence, 1980s
Box Folder
43 1-2 Manuscript and Notes, 1980s
43 3 Publicity, 1980s
43 4 Research Material, Printed Matter, 1970s-1980s
43 5 Research Material, Printed Matter, 1978-1982
43 6 Research Material, Printed Matter, 1983-1984
43 7 Research Material, Printed Matter, 1985-1989
43 "Blue Star IV" (1989)
43 8 Correspondence, 1988-1989
43 9 Manuscript and Notes, 1988-1989
43 10 Publicity, 1989
43 11 Research Material, Printed Matter, 1980s
43 12 Research Material, Printed Matter, 1986-1989
Oversized material housed in Box 52, Folder 3
43 13 "Both Sides Now" (1989), 1980s
43 "c. 7,500" (1973-1974)
43 14 Correspondence, circa 1970s
43 15 Correspondence, 1972-1973 April
43 16 Correspondence, 1973 May-December
43 17 Correspondence, 1974-1977
43 18 Guest List of Signatures, circa 1973-circa 1974
43 19 Installation Instructions, circa 1973
Oversized material housed in Box 52, Folder 3
43 20 Miscellaneous Printed Material, 1970s
43 21 Notes, 1970s
43 22 Photographic Material, 1970s
43 23 Publicity, 1970s
43 24 Publicity, 1973-1974
Oversized material housed in OV 68
43 25 "Christy Rupp: Natural History Meets Coney Island and the Sandinistas" (1990?), 1990s
43 26 "Collection of Mr. and Mrs. Maxime L. Hermanos" (under the auspices of the Museum of Modern Art) (1965), 1960s
43 "Common Ground/Uncommon Vision" (1993-1994)
43 27 Correspondence, circa 1991-1992
43 28-29 Grant Proposal, circa 1989-1991
43 30 Manuscript and Notes, 1990s
43 31 "Contact: Women and Nature" (1976-1977), circa 1976
43 32 "Dwellings" (1978?), Corrected Galley, 1978
43 33 "Eccentric Abstraction" (1966), 1966
Oversized material housed in Box 52 Folder 3
43 "Eloquent Object" (1987)
43 34 Correspondence, 1985-1986
43 35 Editing Notes and Check Lists, circa 1985-1986
43 36 Manuscript Fragments, circa 1985-1986
43 "557,087" and "955,000" (1969, 1970)
43 37 Correspondence, circa 1968-1969
Oversized material housed in Box 52 Folder 3
43 38 Correspondence, 1968-1969
43 39 Correspondence, 1969-1971
43 40 Lists and Notes, circa 1968-1970
Oversized material housed in OV 67
43 41 Printed Material and Photographs, 1969-1971
43 42 "From the Background to the Foreground" (1997), 1994-1995
43 43 "Grids" (1972), circa 1971-circa 1972
43 "Groups" (1969), circa 1969
43 44-47 Photographs and Captions, circa 1969
43 48 Plans and Notes, 1960s
Oversized material housed in OV 68
43 49 "Hayward Annual" (1978), circa 1976-circa 1978
43 "In Touch: Nature, Ritual and Sensuous Art in the Northwest" (1976)
43 50 Correspondence, circa 1970-1976
Box Folder
44 1 Correspondence, 1976
Oversized material housed in Box 52, Folder 3
44 2 Manuscript, 1970s
44 3 Notes, 1970s
44 4 Photographs, 1970s
44 5 Printed Material, circa 1976-1977
Oversized material housed in OV 67
44 6 "Information," circa 1970
44 "Inside and Beyond: Photographs by Joanne Leonard" (1980)
44 7 General, circa 1973-1979
44 8 General, 1979-1980
Oversized material housed in Box 52, Folder 3
44 "Intricate Structure/Repeated Image" (1979)
44 9 Background Material for Exhibition, 1970s
44 10 Correspondence, 1979
Oversized material housed in OV 68
44 11 Photographic Material, 1970s
44 "Issue: Social Strategies By Women Artists" (1980)
44 12 Correspondence, circa 1978-1980
44 13 Manuscript, 1970s
44 14 Notes, 1970s
Oversized material housed in Box 52, Folder 4
44 15 Printed Material, 1980s
44 16 Publicity, 1980
44 17 Joanne Leonard at University of Michigan Museum of Art (1992), 1985-1991
Oversized material housed in Box 52, Folder 4
44 18 Joanne Leonard at University of Michigan Museum of Art (1992), 1991-1992
44 "Joyce Weiland: A Retrospective" (1987)
44 19 Correspondence, 1984-1986
44 20 Manuscript and Notes, circa 1986
44 21 Slides, circa 1950s-circa 1980s
44 22 "Latino New York: Cinco Pintores" (1983), 1980s
44 "Luis Jimenez Retrospective" (1993)
44 23 Correspondence, 1991-1993
44 24-25 Photocopies of Artwork, circa 1993
44 "Max Ernst: Sculpture and Recent Painting" (1966)
44 26 Correspondence, 1961-1975
includes illustrated letter from Max Ernst to Lucy Lippard
44 27-28 Notes, 1960s
44 29 Page Proofs, 1960s
44 30-31 Photographs, 1960s
Folder 30 includes photos of Ernst, not scanned due to copyright
44 32 Research Material, circa 1930s-1960s
Oversized material housed in Box 52, Folder 4
44 33 "Max Ernst: Works on Paper" (1967-1968), 1967-1968
44 34 "New York 13" (1969), circa 1968-circa 1969
44 "Partial Recall" (1993)
44 35-36 Correspondence and Notes, circa 1991-1993
Oversized material housed in Box 52, Folder 4
Box Folder
45 1-5 Manuscripts and Notes, 1990s
45 6-7 Photographs and Captions, 1990s
45 "Patrick Ireland: Drawings, 1965-1985" (1986), 1980s
45 8 Correspondence and Notes, circa 1979-1987
45 9 Research/Printed Material, 1968-1984
Oversized material housed in OV 68
45 "Rejective Art" (1967-1968)
45 10 Correspondence, 1960s, 1967-1968
45 11 Manuscripts, 1960s
45 12 Publicity, 1967-1968
45 "Richard Pousette-Dart: In One Light" (1968-1969)
45 13 Correspondence and Notes, circa 1968-circa 1969
45 14 Manuscript, 1960s
45 15 Photographs, circa 1960s
45 16 Research Materials, circa 1950s-circa 1970s
45 17-19 "The Sidney and Harriet Janis Collection: A Gift to the Museum of Modern Art" (1968), 1960s
45 20 "Soft Sculpture" (1968-1969), 1967-1968
45 "Sol LeWitt" (1978)
45 21 Correspondence, 1977-1978, 1983
45 22 Manuscript, circa 1977
45 "Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor" (1977)
45 23 Correspondence, 1976
45 24 Correspondence, 1977 January-June
45 25 Correspondence, 1977 July-December
45 26 Manuscript, 1970s
45 27 Notes, 1970s
45 28 "Tom Doyle" (1965), 1960s
45 "Women Artists of the Thirties and Forties" (1988)
45 29 Correspondence, circa 1987-1988
45 30-31 Manuscript, 1980s
45 32 "Women Choose Women" (1973), 1970s
45 "Working Women/Working Artists/Working Together" (1982)
45 33 Correspondence; Notes, 1980s
45 34 Manuscript, 1980s
45 35-36 Printed Material and Publicity, 1980s
Oversized material housed in OV 67
45 37 "Yves Tanguy" (1963), 1960s, 1976
Includes correspondence with Kay Sage and correspondence in response to a request for information about Sage for a proposed book by Stephen Miller
Box Folder
52 3 Oversized "Blue Star IV" housed with Box 43, Folder 12
52 3 Oversized "c.7500," housed with Box 43, Folder 19
52 3 Oversized "Eccentric Abstraction" housed with Box 43, Folder 33
52 3 Oversized "557,087" and "955,000" housed with Box 43, Folder 37
52 3 Oversized "In Touch: Nature, Ritual and Sensuous Art in the Northwest" housed with Box 44, Folder 1
52 3 Oversized "Inside and Beyond: Photographs by Joanne Leonard" housed with Box 44, Folder 8
52 4 Oversized "Issue: Social Strategies by Women Artists" housed with Box 44, Folder 14
52 4 Oversized Joanne Leaonard at University of Michigan Museum of Art housed with Box 44, Folder 17
52 4 Oversized "Max Ernst: Sculpture and Recent Painting" housed with Box 44, folder 32
52 4 Oversized "Partial Recall" housed with Box 44, Folders 35-36
Box
OV 67 Oversized "A Different War: Vietnam in Art" housed with Box 42, Folders 7, and 33-35
OV 67 Oversized "557,087" and "955,00" housed with Box 43, Folder 40
OV 67 Oversized "In Touch: Nature, Ritual and Sensuous Art in the Northwest" housed with Box 44, Folder 5
OV 67 Oversized "Working Women/Working Artists/Working Together" housed with Box 45, Folders 35-36
Box
OV 68 Oversized "All's Fair in Love and War in New Feminist Art" housed with Box 42, Folder 36
OV 68 Oversized "c. 7,500," housed with Box 43, Folder 24
OV 68 Oversized "Groups" housed with Box 43, Folder 48
OV 68 Oversized "Intricate Structure/Repeated Image" housed with Box 44, Folder 10
OV 68 Oversized "Patrick Ireland: Drawings, 1965-1985" housed with Box 45, Folder 9

Series 6: Printed Material, 1940s-2007
5.3 Linear feet; Boxes 45-49, 52, OVs 69-77

Just over 5 linear feet of printed material provide rich documentation of the intersection of art, culture and political activism, particularly from the 1960s to the 1990s, in which Lippard was involved.

Addtional printed material can be found throughout the collection, particularly in Series 2 and 5.

The series is arranged as 2 subseries.

6.1: Lippard Printed Material, circa 1950s-1999

Several folders include printed material consisting of articles written by and about Lippard. There are also several announcements and catalogs for events in which she was directly involved.

Box Folder
45 38 About Lippard, circa 1950s-circa 1990s
Oversized material housed in Box 52, Folder 5
45 39 About Lippard, 1976-1999
45 40 By Lippard, circa 1960s-circa 1990s
Oversized material housed in Box 52, Folder 5
45 41 By Lippard, 1965-1987
Oversized material housed in Box 52, Folder 5
45 42 By Lippard, 1989-1993
Box Folder
52 5 Oversized About Lippard housed with Box 45, Folder 38
52 5 Oversized By Lippard housed with Box 45, Folders 40-41

6.2: Other Printed Material, 1940s-2007

Approximately 2 linear feet of records document exhibitions and events, from the 1960s-2007 through announcements, catalogs and invitations. Other printed material includes approximately 2 linear feet of clippings, articles, and publications, and a significant collection of printed posters primarily advertizing performances and other art-related and political events.

Several issues each of some publications from the 1960s-1970s can be found at the end of the series including 8 issues from Volumes 1 and 2 of Art Workers Newsletter, 30 issues of West Coast Artweek, and a folder of items from an early publisher of Fluxus artists, Something Else Press, Inc., including 11 issues of Volume 1 of the Something Else Newsletter.

Records are arranged by type and chronologically thereafter. In general, and where known, announcements, catalogs, invitations and posters are arranged chronologically by beginning date of the event they are documenting, and otherwise by date of item when known.

Box Folder
45 43 Announcements, Catalogs and Invitations, 1940s-1950s
Oversized material housed in Box 52 Folder 5
45 44 Announcements, Catalogs and Invitations, circa 1960s
Box Folder
46 1 Announcements, Catalogs and Invitations, 1960-1962
46 2 Announcements, Catalogs and Invitations, 1963
46 3 Announcements, Catalogs and Invitations, 1964
46 4 Announcements, Catalogs and Invitations, 1965-1967
46 5 Announcements, Catalogs and Invitations, 1968-1969
46 6-7 Announcements, Catalogs and Invitations, circa 1970s
Oversized material housed in OV 70
46 8 Announcements, Catalogs and Invitations, 1970-1972
46 9 Announcements, Catalogs and Invitations, 1973-1974
Oversized material housed in OV 70
46 10 Announcements, Catalogs and Invitations, 1975
46 11 Announcements, Catalogs and Invitations, 1976
46 12 Announcements, Catalogs and Invitations, 1977
Oversized material housed in Box 52 Folder 5
46 13 Announcements, Catalogs and Invitations, 1978 January-June
Oversized material housed in OV 72
46 14 Announcements, Catalogs and Invitations, 1978 July-December
Oversized material housed in OV 70
46 15 Announcements, Catalogs and Invitations, 1979 January-April
Oversized material housed in OV 69
46 16 Announcements, Catalogs and Invitations, 1979 May-December
Oversized material housed in OV 69
46 17-19 Announcements, Catalogs and Invitations, circa 1980s
Oversized material housed in OV 69
46 20 Announcements, Catalogs and Invitations, 1980
Oversized material housed in OV 70
46 21 Announcements, Catalogs and Invitations, 1980-1982
Oversized material housed in OV 72
46 22 Announcements, Catalogs and Invitations, 1982
Oversized material housed in OV 70
46 23-24 Announcements, Catalogs and Invitations, 1983
Oversized material housed in OV 70
46 25 Announcements, Catalogs and Invitations, 1984
Oversized material housed in OV 69
46 26 Announcements, Catalogs and Invitations, 1985
Oversized material housed in OV 70
46 27 Announcements, Catalogs and Invitations, 1986
Oversized material housed in OV 72
Box Folder
47 1-4 Announcements, Catalogs and Invitations, 1987
Oversized material housed in OV 69
47 5-6 Announcements, Catalogs and Invitations, 1988
Oversized material housed in OV 70
47 7 Announcements, Catalogs and Invitations, 1989
47 8 Announcements, Catalogs and Invitations, circa 1990s
47 9-10 Announcements, Catalogs and Invitations, 1990
Oversized material housed in OV 69
47 11-14 Announcements, Catalogs and Invitations, 1991
Oversized material housed in OV 71
47 15-17 Announcements, Catalogs and Invitations, 1992
Oversized material housed in Box 52, Folder 5
47 18-19 Announcements, Catalogs and Invitations, 1993
47 20 Announcements, Catalogs and Invitations, 1994-2007
Oversized material housed in OV 71
47 21 Art-Related, 1940s
Oversized material housed in Box 52, Folder 6
47 22 Art-Related, circa 1950s
Oversized material housed in Box 52, Folder 6
47 23-24 Art-Related, 1950s
Oversized material housed in OV 71
47 25-27 Art-Related, circa 1950s-circa 1960s
Box Folder
48 1-4 Art-Related, circa 1960s
Oversized material housed in OV 71
48 5-11 Art-Related, 1960s
Oversized material housed in Box 52, Folder 6
48 12 Art-Related, 1960-1966
48 13 Art-Related, 1966-1969
48 14 Art-Related, circa 1970s
48 15-18 Art-Related, 1970s
48 19-20 Art-Related, circa 1980s
Oversized material housed in Box 52, Folder 6
48 21 Art-Related, 1980-1982
Oversized material housed in OV 71
48 22-23 Art-Related, 1983
Oversized material housed in Box 52, Folder 6
48 24 Art-Related, 1984
48 25 Art-Related, 1985-1986
48 26 Art-Related, 1986
48 27-28 Art-Related, 1987
48 29-30 Art-Related, 1988
Box Folder
49 1-2 Art-Related, 1989
49 3 Art-Related, circa 1990s
49 4 Art-Related, 1990
Oversized material housed in Box 52, Folder 7
49 5-6 Art-Related, 1991
49 7-9 Art-Related, 1992
Oversized material housed in Box 52, Folder 7
49 10 Art-Related, 1993
49 11 Art-Related, circa 1994-2000s
49 12 Art-Related Packet of Photocopied Articles, 1950s-1960s
49 13 Political and Miscellaneous, circa 1960s-circa 1970s
Oversized material housed in Box 52, Folder 7
49 14-15 Political and Miscellaneous, circa 1980s
49 16 Political and Miscellaneous, 1981-1983
Oversized material housed in Box 52, Folder 7
49 17 Political and Miscellaneous, 1984
Oversized material housed in Box 52, Folder 7
49 18 Political and Miscellaneous, 1985-1986
49 19-20 Political and Miscellaneous, 1987
49 21-22 Political and Miscellaneous, 1988
49 23 Political and Miscellaneous, 1989
49 24 Political and Miscellaneous, circa 1990-1993
Oversized material housed in Box 52, Folder 7
49 25 Posters, circa 1950s-circa 1990s
Oversized material housed in Box 53, Folder 1 and OV 73
49 26 Posters, 1950s
Oversized material housed in OV 74
49 27 Posters, 1960s
Oversized material housed in OV 75
49 28 Posters, 1960s-1970s
Oversized material housed in OV 76
49 29 Posters, 1970s
Oversized material housed in OV 77
49 30 Publications, Art and Project Bulletins, 1960s-1970s
49 31 Publications, Art Workers Newsletter, 1971-1973
Oversized material housed in Box 53, Folder 2
49 32-33 Publications, NYCS Weekly Breeder, 1972-1974
49 34 Publications, Something Else Press, Inc., circa 1965-1976
49 35 Publications, West Coast Artweek, 1971-1973
Oversized material housed in Box 53, Folder 3
49 36 Publications, Miscellaneous, 1960s-1970s
Oversized material housed in Box 53, Folder 4
Box Folder
52 5 Oversized Announcements, Catalogs and Invitations housed with Box 45, Folder 43
52 5 Oversized Announcements, Catalogs and Invitations housed with Box 46, Folder 12
52 5 Oversized Announcements, Catalogs and Invitations housed with Box 47, Folders 15-17
52 6 Oversized Art-Related housed with Box 47, Folders 21-22
52 6 Oversized Art-Related housed with Box 48, Folders 5-11, 19-20, 22-23
52 7 Oversized Art-Related housed with Box 49, Folders 4, 7-9
52 7 Oversized Political and Miscellaneous housed with Box 49, Folders 13, 16-17, 24
Oversized Posters housed with Box 49, Folder 25
Box Folder
53 2 Oversized Publications, Art Workers Newsletter housed with Box 49, Folder 31
53 3 Oversized Publications, West Coast Artweek housed with Box 49, Folder 35
53 4 Oversized Publications, Miscellaneous housed with Box 49, Folder 36
Box
OV 69 Oversized Announcements, Catalogs and Invitations housed with Box 46, Folders 15-19, and 25
OV 69 Oversized Announcements, Catalogs and Invitations housed with Box 47, Folders 1-4 and 9-10
Box
OV 70 Oversized Annoncements, Catalogs and Invitations housed with Box 46, Folders 6-7, 9, 14, 20, 22-24, and 26
OV 70 Oversized Announcements, Catalogs and Invitations housed with Box 47, Folders 5-6
Box
OV 71 Oversized Announcements, Catalogs and Invitations housed with Box 47, Folders 11-14, 20 and 23-24
OV 71 Oversized Announcements, Catalogs and Invitations housed with Box 48, Folders 1-4, 21
Box
OV 72 Oversized Announcements, Catalogs and Invitations housed with Box 46, Folders 13, 21 and 27
Box
OV 73 Oversized Posters housed with Box 49, Folder 25
Box
OV 74 Oversized Posters housed with Box 49, Folder 26
Box
OV 75 Oversized Posters housed with Box 49, Folder 27
Box
OV 76 Oversized Posters housed with Box 49, Folder 28
Box
OV 77 Oversized Posters housed with Box 49, Folder 29

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s
4 Folders; Boxes 50, 53

Artwork includes 2 pictures by children and 14 additional small pieces of artwork in various media by unidentified artists. Ephemera includes a sealed packet of seeds from an exhibition at the Moderna Galerija Ljubljana, a button and a "wooden nickel" from "Artists's" Iowa City.

Box Folder
50 1 Artwork by Unidentified Artists, circa 1960s-circa 1990s
Oversized material housed in Box 53, Folder 5
50 2 Artwork by Unidentified Artists, 1970-1982
50 3 Ephemera, circa 1980s-1992
Box Folder
53 5 Oversized Artwork by Unidentified Artists housed with Box 50, Folder 1

Series 8: Photographs, 1950s-circa 1990s
1 Linear foot; Boxes 50, 53, OV 71

Series consists primarily of photographic prints, with some negatives and slides. Photographs of exhibition installations of various artists and galleries include Tal Streeter at Ame Gallery in 1965, Walter De Maria at Paula Johnson Gallery in 1965, and Andy Warhol exhibitions at Leo Castelli, Stable Gallery and Ferus Gallery.

One folder of photographs of artists includes photos of Marcel Duchamp, Lyman Kipp (by Hans Namuth), J. J. Lebel, Sheldon Machlin and Robert Murray. Also found is a photograph of a street scene with a man identified as Red Grooms standing on a rooftop. This photo was possibly enclosed with correspondence to Lippard but the correspondent is not identified on the photograph.

A folder of movie stills includes photographic prints of Hollywood actors and actresses from films such as Jane Eyre, National Velvet, and Wuthering Heights. Actors featured include Fred Astaire and Ginger Rogers, Joan Fontaine, Sophia Loren, Laurence Olivier, Elizabeth Taylor and Spencer Tracy with Katherine Hepburn among others. The photographs were pasted on what appear to be scrapbook pages.

Additional photographic material can be found throughout the collection, particularly in Series 2.

Photographs of exhibitions are followed by photos of people, and photos of works of art arranged alphabetically by artist. Although few are dated, the photographs found here were generally produced between the 1950s and 1970s. Folder labels for photographs of works of art reflect the dates of execution.

Box Folder
50 Exhibition Artwork
50 4 "Dada, Surrealism and their Heritage" (1968), circa 1950s-circa 1960s
50 5 "Great Ideas of Western Man" (1971), circa 1950s-circa 1960s
50 6 "The Passionate Years: Expressionism in Germany" (date unknown), circa 1950s-circa 1970s
50 7 "Woman" (date unknown), circa 1950s-circa 1970s
50 8 Miscellaneous (1980), 1980-1981
50 Exhibition Installations
50 9 Installations (1959-1989), 1960s-1989
Oversized material housed in OV 71
50 10 Installations, Various (undated), circa 1950s-circa 1990s
50 11 Installatious, Unidentified, circa 1950s-circa 1990s
50 12 Miscellaneous Subjects, circa 1950s-1970s
50 13 People, Artists, circa 1960s
50 14 People, Movie Prints, circa 1930s-circa 1960s
50 15-16 People, Unidentified, circa 1960s-circa 1990s
50 Works of Art
50 17 By Artists, A, circa 1950s-circa 1970s
50 18-19 By Artists, B, circa 1950s-circa 1970s
50 20 By Artists, C, circa 1950s-circa 1970s
50 21-22 By Artists, D, circa 1950s-circa 1970s
Oversized material housed in Box 53, Folder 5
50 23 By Artists, E-F, circa 1950s-circa 1970s
50 24 By Artists, G, circa 1950s-circa 1970s
50 25 By Artists, H, circa 1950s-circa 1970s
50 26 By Artists, I, circa 1950s-circa 1970s
50 27 By Artists, J, circa 1950s-circa 1970s
50 28 By Artists, K, circa 1950s-circa 1970s
50 29 By Artists, L, circa 1950s-circa 1970s
50 30 By Artists, M, circa 1950s-circa 1970s
50 31 By Artists, N, circa 1950s-circa 1970s
50 32 By Artists, O, circa 1950s-circa 1970s
50 33 By Artists, P, circa 1950s-circa 1970s
50 34 By Artists, R, circa 1950s-circa 1970s
50 35-36 By Artists, S, circa 1950s-circa 1970s
50 37 By Artists, T, circa 1950s-circa 1970s
50 38 By Artists, V, circa 1950s-circa 1970s
50 39 By Artists, W, circa 1950s-circa 1970s
50 40 By Artists, Z, circa 1950s-circa 1970s
50 41 By Artists, Pre 20th Century, circa 1950s-circa 1970s
50 42-43 By Artists, Early 20th Century, circa 1950s-circa 1970s
50 44-45 By Artists, Unidentified, circa 1950s-circa 1970s
50 46 By Artists, Unidentified or Illegible, circa 1950s-circa 1990s
50 47 By Artists, Unidentified-Negatives, circa 1960s
50 48 By Artists, Unidentified-Transparencies, circa 1960s-circa 1970s
Box Folder
53 5 Oversized By Artists, D housed with Box 50, Folders 21-22
Box
OV 71 Oversized Exhibition Installations housed with Box 50, Folder 9