Los Angeles Institute of Contemporary Art records, 1973-1988
A Finding Aid to the Los Angeles Institute of Contemporary Art Records, 1973-1988, in the Archives of American Art, by Michael Yates
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Funding for the processing of this collection was provided by the Getty Foundation.
Table of Contents:
- Historical Note
- Overview of the Collection
- How to Use the Collection
- Detailed Description and Container Inventory
Historical Information
The Los Angeles Institute of Contemporary Art was formed between 1973-1974 to provide a permanent exhibition venue for the visual contemporary arts in the Los Angeles area. The founding principle was to establish an arts organization that operated democratically and spoke with a multiplicity of voices. In order to remain flexible and minimize operating expense, LAICA did not establish a permanent collection.
Members of the Board of Directors included Peter Alexander, John Baldessari, Rosamund Felsen, Peter Plagens, Judy Spence, and other artists, gallery owners, and members of the art community. Committees that supervised exhibition programming and LAICA's published Journal were elected by members, and the duties of exhibition curator and periodical editor rotated among members, rather than being the responsibility of permanent staff. A registry of slides and biographical materials, begun in 1971, was open to submission by any Southern California artist. LAICA's first exhibitions were held in the fall of 1974, under founding director Robert Smith, a former curator at the Brand Library and Art Center in Glendale, California. The first issue of Journal was published in June of the same year.
LAICA's first exhibition space consisted of 4,200 square feet on the fifth floor of the Century City complex. During the mid-1970s, the organization hosted numerous exhibitions and events - all were were well attended, despite the lack of parking and restrooms. Exhibitions focused on a wide variety of contemporary painting, sculpture, decorative arts, fashion, performance art, video, music, architecture, social issues, and public art. Exhibitions were curated by both LAICA staff and guest curators, including Walter Hopps. Desiring to expand their space, LAICA had hopes of Frank Gehry redesigning the Century City space. The institute, however, was forced to relocate after losing their lease.
In March of 1977, LAICA reopened in an 8,000 square foot facility on 2020 South Robertson Boulevard. In addition to their public programming, the organization created an Artist-in-Residence program with funding made available by the Comprehensive Employment Training Act (CETA). By the end of the 1970s, LAICA was flourishing with increased budget and staff, and, by 1980, opened a second exhibition space at 815 Traction Avenue, referred to as the "Downtown Gallery." An additional storefront exhibition space in the Eastern Columbia building was donated by State Senator Alan Sieroty.
A decrease in public funding in the early 1980s forced LAICA to cut some of its public programs. The organization, however, still staged ambitious exhibitions, including one of contemporary Italian art that traveled to nine different venues, and a show of nine contemporary Australian artists in connection with the 1984 Olympics Art Festival.
Robert Smith resigned from his position as director in early 1985. Ben Marks, the former director of the Center of Contemporary Art in Seattle, was hired that summer. By March of 1986, however, Marks had resigned and the Board of Directors decided to sell LAICA's South Robertson location. Faced with financial burdens and the lack of a permanent exhibition space, LAICA staged exhibits at temporary spaces around Los Angeles. The Los Angeles Institute of Contemporary Art officially closed in 1987 after thirteen years of operation.
Overview of the Collection
Scope and Contents
The Los Angeles Institute of Contemporary Art records measure 18 linear feet, date from 1973 to 1988, and document the founding of the organization, board activities, general operations and administration, exhibitions, programs, events, and publications.
Founding documents and Board of Director's files contained in the collection include the articles of confederation, by-laws, constitution, director's reports, board meeting minutes, and scattered correspondence of Peter Plagens and Judy Spence, both of whom served as Chair of the Board. These records detail the mission, organization, objectives, and goals of LAICA.
More than half of the records are comprised of exhibition, program, and event files covering LAICA's entire history of operation. Included are exhibition announcements and catalogs; correspondence with artists, curators, and organizers; press releases and other publicity; grant applications and proposals; and photographs, contact sheets, negatives, and slides which depict the exhibition's installation and works of art.
Two series of photographs and slides provide additional visual documentation of LAICA's exhibitions and events, including the installations and work of LAICA's Artists-in-Residence program. Slides depicting LAICA's buildings, offices, and staff activities are also found.
LAICA's production of its publications, including material related to their regular periodical, Journal, is well-documented through correspondence, manuscripts, and editorial files. Also found are unedited transcripts of interviews and material that was not used for publication. Meeting minutes and correspondence represent the activities of the publication committee from the mid 1970s to 1987.
The correspondence of LAICA directors Robert Smith (18 folders) and Ben Marks (one folder) contain information on almost all of the organization's activities, including exhibitions, events, funding, staffing, and general operations. General Operations files include Administrative Files and Financial Files that document members and donors, staff, financial activities, fundraising efforts, income, expenses, and grants.
Arrangement and Series Description
The collection is arranged into 8 series.
Slides were separated from Series 1-6, and filed in Series 8 for better preservation housing.
- Series 1: Board of Directors, 1973-1987 (Box 1; 0.5 linear feet )
- Series 2: Correspondence, early 1970s-1987 (Boxes 1-2; 0.75 linear feet )
- Series 3: General Operations, 1974-1988, undated (Boxes 2-3; 1.25 linear feet)
- Series 4: Publicity, 1974-1986 (Box 3; 15 folders)
- Series 5: Exhibitions and Programs, 1974-1987 (Boxes 3-13; 9.5 linear feet)
- Series 6: Publications, 1974-1987 (Boxes 13-15; 2.75 linear feet)
- Series 7: Photographs, mid-1970s-1983 (Box 15; 11 folders)
- Series 8: Slides, 1974-1987 (Boxes 16-18; 3.0 linear feet)
Subjects and Names
This collection is indexed in the online catalog of the Archives of American Art under the following terms.
- Subjects-Topical:
- Art, Modern -- 20th century
- Art centers -- California -- Los Angeles
- Art, Modern -- 20th century -- California, Southern -- Exhibitions
- Painters
- Photographers
- Sculptors
- Types of Materials:
- Sound Recordings
- Slides (photographs)
- Photographs
- Names:
- Smith, Robert Lewis
- Marks, Ben
- Plagens, Peter
- Spence, Judy
Provenance
The bulk of the Los Angeles Institute of Contemporary Art records were donated by Judy Spence, the former Chair of the LAICA Board of Directors, in 1986. Additional material was donated in 1997 by her husband, Stuart Spence.
Separated and Related Materials
Found in the Archives of American Art are the Peter Plagens papers, 1941-1987, which include meeting minutes and correspondence relating to LAICA.
How the Collection was Processed
This collection was processed by Kym Wheeler in 1993 and Michael Yates in 2007.
How to Use the Collection
Restrictions on Use
The collection is open for research. Use requires an appointment.
Ownership & Literary Rights
The Los Angeles Institute of Contemporary Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
How to Cite this Collection
Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Detailed Description and Container Inventory
Series 1: Board of Directors, 1973-1987 (Box 1; 0.5 linear feet)
Found here are the records of LAICA's Board of Directors, including scattered correspondence. Members of the Board included Peter Alexander, John Baldessari, Rosamund Felsen, Peter Plagens, Judy Spence, and other artists, gallery owners, and members of the art community. Arranged within this series are founding and governing documents, such as the articles of confederation, constitution, by-laws, meeting minutes and notes, lists and biographies of board members, director's reports to the board, and prospectus. Three folders of correspondence contain letters to and from board members, primarily Peter Plagens and Judy Spence, both of whom served as Chair.
| Box | Folder | |
|---|---|---|
| 1 | 1 | Articles of Confederation, 1973-1974, 1985 |
| 1 | 2 | Biographies of Board Members, early 1980s |
| 1 | 3 | By-laws, circa 1974-1975, 1979, 1985-1986 |
| 1 | 4 | Constitution, circa 1974 |
| 1 | 5 | Director's Reports, circa 1977 |
| 1 | 6-7 | Election Materials, circa 1979 (2 folders) |
| 1 | 8 | List of Board Members, 1978-1986, undated |
| 1 | 9-17 | Meeting Minutes and Agendas, 1973-1974, 1977-1987 (9 folders) |
| 1 | 18 | Notes, late 1970s, 1980s |
| 1 | 19 | Proposal For Cooperation with Beyond Baroque, circa 1980s |
| 1 | 20 | Prospectus, circa 1977 |
| 1 | 21 | Prospectus, Draft, circa 1977 |
| 1 | 22 | Correspondence, 1977-1979 |
| 1 | 23 | Correspondence, 1981-1986 |
| 1 | 24 | Correspondence, Undated, circa late 1970s-early 1980s |
Series 2: Correspondence, early 1970s-1987 (Boxes 1-2; 0.75 linear feet)
LAICA Director Robert Smith's correspondence comprises the bulk of this series. Smith was director from 1974-1985, and his correspondence dates from 1979-1985. Robert Smith was followed by Ben Marks who served from 1985-1986 when LAICA folded, and one folder of his correspondence is found here. In addition, there is one file of general staff correspondence and one file of form letters. The correspondence contains information about a wide range of operating topics including exhibitions, funding, and staffing.
The correspondence of Robert Smith has been arranged alphabetically by correspondent.
Additional correspondence relating to LAICA's exhibitions, programs, and publications is found in Series 5, Exhibitions and Programs and Series 6, Publications.
| Box | Folder | |
|---|---|---|
| 1 | 25 | Robert Smith, "A," 1980-1984 |
| 1 | 26 | Robert Smith, "B," 1981-1985 |
| 1 | 27 | Robert Smith, "C," 1981-1985 |
| 1 | 28 | Robert Smith, "D-E," 1981-1985 |
| 1 | 29 | Robert Smith, "F," 1981-1985 |
| 1 | 30 | Robert Smith, "G," 1981-1985 |
| 1 | 31 | Robert Smith, "H-I," 1981-1984 |
| 1 | 32 | Robert Smith, "J," 1981-1984 |
| 1 | 33 | Robert Smith, "K," 1981-1984 |
| 1 | 34 | Robert Smith, "L," 1981-1984 |
| 1 | 35 | Robert Smith, "M," 1981-1985 |
| 1 | 36 | Robert Smith, "N-O," 1981-1985 |
| 1 | 37 | Robert Smith, "P-Q," 1982-1985 |
| 1 | 38 | Robert Smith, "R," 1979-1985 |
| 1 | 39 | Robert Smith, "Sa-Sn," 1981-1985 |
| 1 | 40 | Robert Smith, "So-Sz," 1982-1985 |
| 1 | 41 | Robert Smith, "T-V," 1982-1985 |
| 1 | 42 | Robert Smith, "W-Z," 1981-1985 |
| Box | Folder | |
|---|---|---|
| 2 | 1 | Ben Marks, 1985-1986 |
| 2 | 2 | General Correspondence, 1979-1987 |
| 2 | 3 | Form Letters, early 1970s-early 1980s |
Series 3: General Operations, 1974-1988 (Boxes 2-3; 1.25 linear feet)
This series consists of records that document the the administrative, financial, and legal activities of LAICA. Administrative materials include files about LAICA's members and donors, lists of LAICA's staff, and information about LAICA's organizational structure. Financial records consist of financial reports, bank account information, and invoices. Legal materials include leases for LAICA's South Robertson and Traction Avenue properties, tax filings, and financial documents filed with the city of Los Angeles. This series also contains extensive documentation of LAICA's applications to receive funding from federal and state agencies.
Additional administrative and financial records are found in Series 5, Exhibitions and Programs and Series 6, Publications.
This series is arranged into 2 subseries:
| Box | Folder | |
|---|---|---|
| 2 | 4 | Address Lists, mid 1970s-late 1980s |
| 2 | 5 | Advisory Council, 1982, undated |
| 2 | 6 | Advocates and Sponsors, circa 1985 |
| 2 | 7 | Art Sales, 1982-1984 |
| 2 | 8 | Floor Plans, circa 1974-1980 |
| 2 | 9 | Forms, circa late 1970s-early 1980s |
| 2 | 10 | Fundraising Materials, circa early 1980s |
| 2 | 11-12 | Grant Applications, Institute of Museum Services, 1982-1985 (2 folders) |
| 2 | 13-25 | Grant Applications, National Endowment for the Arts, 1980-1988 (13 folders) |
| 2 | 26 | Grant Applications, National Museum Act, 1982-1985 |
| 2 | 27 | Grant Applications, Southern California Center for the Arts, 1982 |
| 2 | 28 | Grant Applications, Letters of Support, 1982-1983 |
| 2 | 29 | Grant Applications, Other Materials 1982-1986 |
| 2 | 30 | Grant Funding List, circa 1980 |
| 2 | 31 | Job Descriptions, circa late 1970s-mid 1980s |
| 2 | 32 | Membership Lists, circa 1970s |
| 2 | 33 | Member Questionnaire, circa 1983 |
| 2 | 34 | Museum Assessment Program, 1984-1987 |
| 2 | 35 | Organizational Charts, late 1970s-mid 1980s |
| 2 | 36 | Salary Survey, circa late 1970s |
| 2 | 37 | Staff Lists, 1970s and circa 1985 |
| 2 | 38 | 2020 South Robertson Building, Purchase 1979-1982 |
| 2 | 39-40 | 2020 South Robertson Building, Sale 1985-1986, undated |
| 2 | 41-43 | 811 Traction Avenue Building, 1979-1983 (3 folders) |
| 2 | 44 | Affirmative Action Materials, 1978-1985 |
| 2 | 45 | Bank Account Information, circa late 1970s |
| 2 | 46 | Chart of Accounts, circa 1980s |
| 2 | 47 | Contributions, 1983-1984 |
| Box | Folder | |
|---|---|---|
| 3 | 1-4 | Financial Reports, 1974-1987 (4 folders) |
| 3 | 5 | Financial Reports, undated, circa late 1970s-mid 1980s |
| 3 | 6 | Invoices, 1984-1985 |
| 3 | 7 | Notes, circa 1980s |
| 3 | 8 | Promissory Notes and Loans, 1985-1986 |
| 3 | 9 | Taxes, 1974-1986 |
| 3 | 10 | Typesetting Materials, 1982-1983 |
| 3 | 11 | Workers Compensation, 1980 |
3.1 Administrative Files, circa 1974-1988
Found here are records relating to the general operations and administration of LAICA. The bulk of the files relate to grant fund applications and general fundraising. Grant proposals are to the National Endowment for the Arts, Institute of Museum Services, and the Southern California Center for the Arts, and include funded projects and denied proposals. The denied grants provide information about proposed exhibits and programs that are not documented elsewhere.
Also found in this subseries are files concerning membership and donors, staff, committees and an advisory council, space and floor plans, and works of art sold by LAICA which were possibly donated by artists for fundraising purposes. The material is arranged in a rough alphabetical order according to either topic, activity, or type of material.
3.2 Legal and Financial Records, 1974-1987
Financial records found within this subseries include financial reports, lists of financial contributions, banking and tax documentation, and files concerning the purchase and sale LAICA's property at 2020 South Robertson Boulevard and 811 Traction Avenue. Legal records including leases, and government business filings. Also included are scattered records relating to a typesetting service ran by LAICA in the early 1980s.
Series 4: Publicity, 1974-1986 (Box 3; 15 folders)
This series consists of publicity materials. Found are membership brochures, announcements and clippings about LAICA and its programs, chronologies, press lists and press releases, and other miscellenous promotional documents.
Press releases, publicity, and clippings about specific exhibitions and programs are also found in Series 5, Exhibitions and Programs.
| Box | Folder | |
|---|---|---|
| 3 | 12 | Chronologies, early 1970s-mid 1980s |
| 3 | 13-22 | Clippings, 1974-1982, 1984-1986 (10 folders) |
| 3 | 23 | Brochures and Announcements, late 1970s-mid 1980s |
| 3 | 24 | Press Lists, 1980s |
| 3 | 25 | Press Releases, 1985-1986 |
| 3 | 27 | Quotations, late 1970s |
Series 5: Exhibitions and Programs, 1974-1987 (Boxes 3-13; 9.5 linear feet)
Found within this series are the records documenting LAICA's exhibition and public programming. Exhibition Committee Files and Exhibition Files provide comprehensive documentation of LAICA's exhibition history, including exhibitions curated by LAICA staff and notable guest curators Walter Hopps, Llyn Foulks, and Mike Kelley. Focusing on broad and varied contemporary visual arts, the exhibitions included established and emerging artists of the Los Angeles area, the West Coast, Europe, and Asia. Contemporary Italian and Japanese artists were widely exhibited. Contemporary social and environmental issues were also covered in exhibitions, such as The James Bay Project, which documented the impact of hydroelectric stations in northwestern Quebec.
Extensive files are found for several significant LAICA exhibitions, such as Nine Senior California Painters, 1974-1975, which featured the work of Florence Arnold, Nick Brigante, Hans Burkhardt, Annita Delano, Lorser Feitelson, Peter Krasnow, Helen Lundeberg, John McLaughlin, and Emerson Woelffer, an exhibition of Leroy Neiman and Andy Warhol, 1981-1982, Cabin, Temple, Trailer curated by Charles Moore in 1983, Il Modo Italiano, 1984 that featured the work of 10 contemporary Italian artists, and Australia: Nine Contemporary Artists, 1984. The organization provided opportunities for emerging artists as well, including a "painting of the month" exhibition series.
Program Files document LAICA's public programming, including lecture series, workshops, and conferences. This series contains files for innovative fundraising events, such as fashion shows, film screenings, and "LAICA Sells Out", an innovative program that invited donors and artists to purchase portions of LAICA's exhibition space to display their artwork. Extensive documentation of LAICA's Artist Registry of Southern California artists and the CETA-funded Artist-in-Residence program is found here as well.
Also found in this series are LAICA's Artist Files, comprised of printed materials, photographs, and resumes of artists, as well as scattered correspondence.
The Exhibition and Programs series is arranged into 4 subseries:
- 5.1: Exhibition Committee Files, mid 1970s-1987
- 5.2: Exhibition Files, 1974-1987
- 5.3: Program Files, 1975-1986
- 5.4: Artist Files, circa 1980s
| Box | Folder | |
|---|---|---|
| 3 | 27 | Exhibition Budgets, circa 1980s |
| 3 | 28 | Committee Members, circa early 1980s |
| 3 | 29 | Correspondence, 1981-1987 |
| 3 | 30 | Exhibition Schedules, 1977-1984 |
| 3 | 31 | Form Letters, late 1970s-mid 1980s |
| 3 | 32 | Lists of Exhibitions and Events, 1977-1984 |
| 3 | 33 | Library Contents, 1970s |
| 3 | 34 | Meeting Minutes and Agendas, 1978, 1982, 1985-1986 |
| 3 | 35 | Notes, mid 1970s-mid 1980s |
| 3 | 36 | Policies and Procedures, mid 1970s-1985 |
| 3 | 37 | Proposal Evaluations, 1983-1985 |
| 3 | 38 | Video Library, circa 1980 |
| 3 | 39 | Syncantics, circa 1970s |
| 3 | 40 |
Nine Senior California Artists, November 1974-January 1975
|
| 3 | 41 | Nina Sobel, November 1974 |
| 3 | 42 | The Kipper Kids, December 1974 |
| 3 | 43 |
Current Concerns Part One, January 1975-Febuary 1975 Curated by Walter Hopps |
| 3 | 44 |
Current Concerns Part Two, February 1975-March 1975 Curated by Walter Hopps |
| 3 | 45 |
Relay, March 1975 Joan Jonas |
| 3 | 46 |
Collage and Assemblage, April 1975-May 1975 Curated by Hal Glickman |
| 3 | 47 | John White and Guy de Cointet, May 1975 |
| 3 | 48 |
Object/Subject, May 1975
|
| 3 | 49 |
Clay Works in Progress, July 1975-August 1975 Tom Colgrove, George Geyer, Tom McMillin, Larry Shep, Roger Sweet |
| 3 | 50-51 |
Three L.A. Sculptors, September 1975-October 1975 (2 folders) Lloyd Hamrol, George Herms, Bruce Nauman |
| 3 | 52 | Collector's Choice, November 1975-December 1975 |
| 3 | 53 |
Autobiographical Fantasies, January 1976-Febuary 1976
|
| 3 | 54 | 3 For Icarus, December 1975 |
| 3 | 55 | Greg Calvert, Bob Covington, John Duncan, Tom Radloff, Bart Thrall, and Jim Welling, February 1976 |
| 3 | 56 |
Exhibitions and Presentations, March 1976-April 1976 Robert Cumming, Allan Kaprow, William Leavitt, Allen Ruppersberg, Ed Ruscha |
| 3 | 57-58 |
Imagination, April 1976-May 1976 (2 folders) Curated by Llyn Foulkes |
| 3 | 59 | Willoughby Sharp, April 1976 |
| Box | Folder | |
|---|---|---|
| 4 | 1 |
Eighteen Bay Area Artists, May 1976-June 1976
|
| 4 | 2 |
Reflections on the Birth of Venus, Mar. 1976-Apr. 1976 Ulrike Rosenbach |
| 4 | 3 |
Tops, May 1976 Tom Jenkins |
| 4 | 4 | Lou Nova, June 1976 |
| 4 | 5 | Two Exhibitions- Barbara Munger and Guy Williams, July 1976 |
| 4 | 6 | Jerry Anderson and Margaret Nielsen, August 1976-September 1976 |
| 4 | 7 |
Joan Snyder, August 1976-September 1976 Ulrike Rosenbach |
| 4 | 8 | Fred Eversley, September 1976-December 1976 |
| 4 | 9 |
Five Artists and Their Fashions, September 1976 Chance and Loretta, Dabi, *LA*, Paula Sweet, Susan Sandhaus for B. Noel |
| 4 | 10 |
Four Solo Exhibitions, September 1976-October 1976 Nancy Genn, John Okulick, Jack Scott, Leo Valledor |
| 4 | 11 |
Exposing: Photographic Definitions, October 1976-December 1976
|
| 4 | 12 |
In Transit, October 1976 Vito Acconci, Kevin Boyle, Roger Webster, Martha Wilson |
| 4 | 13 |
Cease to Exist, November 1976 COUM |
| 4 | 14 |
Contempo Art Lecture, December 1976 Jimmie West |
| 4 | 15 |
L.A. Tune-Up: Three Solo Dances, December 1976 Cathy Kerr |
| 4 | 16 | LAICA '76: a Retrospective, December 1976 |
| 4 | 17 | Stephen Seemayer, December 1976 |
| 4 | 18 | Michael Asher, David Askevold, and Richard Long, January 1977-February 1977 |
| 4 | 19 | 100+, March 1977-April 1977 |
| 4 | 20 | Barry Markowitz, April 1977 |
| 4 | 21 | John White, April 1977 |
| 4 | 22 |
Foundations in Clay, May 1977-June 1977
|
| 4 | 23 | Southland Video Project Part II, May 1977-June 1977 |
| 4 | 24 | Southland Video Project Part IV, May 1977-June 1977 |
| 4 | 25 | Scott Grieger, May 1977-June 1977 |
| 4 | 26 |
Stay Hungry, May 1977 Klaus Mettig, Katharina Sieverding |
| 4 | 27 |
A Byte at the Opera, June 1977 Jim Pomeroy, Paul De Marinis |
| 4 | 28 |
Evidence, June 1977-July 1977 Mike Mandel, Larry Sultan |
| 4 | 29 |
Sightseeing, June 1977 Stephen Laub |
| 4 | 30 | Beeldend Theatre Amsterdam, July 1977 |
| 4 | 31 |
Ed Newell and Lewis Palmer, July 1977-September 1977 Mike Mandel, Larry Sultan |
| 4 | 32 |
The Fab Two, July 1977 Bob and Bob |
| 4 | 33 |
A Point of View, Jul 1977-September 1977 Karen Carson, Barbara Kasten, Astrid Preston, Karen Wolff |
| 4 | 34 |
Subtle Pleasures Pass Between Us, July 1977 Michelle Miller |
| 4 | 35 |
They Turned and Swooped and Fell Into the grace and Force of Gravity Itself, July 1977 Shirley Henderson |
| 4 | 36 | Mark Keiserman, August 1977 |
| 4 | 37 |
Narrative Themes/Audio Works, August 1977-October 1977
|
| 4 | 38 |
Live From L.A., September 1977-October 1977 Richard Newton, Bradley Smith, Bob Wilhite |
| 4 | 39 |
Meager Expectations, September 1977 Nancy Buchanan |
| 4 | 40 | Silver See, September 1977 |
| 4 | 41 |
Vice, September 1977 Brian Dailey |
| 4 | 42 |
LAICA: Room For Rant, October 1977 William Alan Morrison |
| 4 | 43 |
Travel Log, October 1977 Norma Jean Deak |
| 4 | 44 | Southland Video Anthology Part V, November 1977-January 1978 |
| 4 | 45 |
Unstretched Surfaces, November 1977-December 1977
|
| 4 | 46 | Andrew Wilf, November 1977 |
| 4 | 47 |
Flesh and Form, December 1977 Jerry Burchard, Arne Lewis, Craig Morey, Arthur Ollman, Abigail Perlmutter |
| 4 | 48 |
Interactive Video, December 1977-January 1978 Wendy Clarke |
| 4 | 49 |
Architectural Views, Physical Facts, Psychic Effects, January 1978-February 1978 Richard Aldreidge, Fred Fisher, Craig Hodgetts, Coy Howard, Eugene Kupper, Robert Mangurian |
| 4 | 50 | Hazel Slawson and Bruce Wallin, January 1978 |
| 4 | 51 | Artwords and Bookworks, February 1978-March 1978 |
| 4 | 52 |
Out of Necessity, February 1978 Elaine Hartnett |
| 4 | 53 | Jean-Marie Straub, February 1978 |
| 4 | 54 |
Zeu, February 1978 Gloria Kisch |
| 4 | 55 | Peter Barton, March 1978 |
| 4 | 56 | Joe Deal, March 1978 |
| 4 | 57 |
Public Domain/Private Shadows, March 1978-May 1978
|
| 4 | 58 | Pat Hogan, April 1978-May 1978 |
| 4 | 59 | Kim Jones, Paul McCarthy, Linda Motano, and Martha Rosler, December 1977-January 1978 |
| 4 | 60 | Suzanne Lacy, April 1978 |
| 4 | 61 |
Orgies Mysteries Theatre, April 1978 Hermann Nitsch |
| 4 | 62 |
Pictures, April 1978- May 1978 Troy Brauntuch, Jack Goldstein, Sherrie Levine, Robert Longo, Philip Smith; curated by Douglas Crimp |
| 4 | 63 |
Statements and Drawings, April 1978-May 1978 Jeffrey Vallance |
| 4 | 64 | A Museum of Drawers, May 1978-June 1978 |
| 4 | 65 | Susan Kaiser Vogel, May 1978 |
| 4 | 66 |
Made in L.A., June 1978 Joyce Neimans |
| 4 | 67 |
Short Plays For a Man on the Moon and the Teachings of John Brown in Florida, June 1978 Michael Myers |
| 4 | 68 | Simone Porti and Peter Van Riper, June 1978 |
| 4 | 69 |
Fifteen Artists, July 1978-August 1978
|
| 4 | 70 | William T. Anderson and Ralph Conners, July 1978 |
| 4 | 71 |
Before the Cock Crows You Will Deny Me Thrice, August 1978 Eiko and Koma |
| 4 | 72 | Robert Mapplethorpe, August 1978 |
| Box | Folder | |
|---|---|---|
| 5 | 1 | John Divola, September 1978 |
| 5 | 2-3 |
Three Europeans: Polar Crossings, September 1978-October 1978 (2 folders) Richard Kriesche, Gina Pane, Petr Stembera |
| 5 | 4 | William Brice, October 1978-November 1978 |
| 5 | 5 | Charles Kessler, October 1978-November 1978 |
| 5 | 6 |
Magnetism, October 1978
|
| 5 | 7 | Stephen Seemayer, October 1978 |
| 5 | 8 |
Video Plus, October 1978-January 1979 Eleanor Antin, John Sturgeon, Allan Kaprow, John Baldessari |
| 5 | 9 |
Women Artists in Support of Women Candidates, October 1978
|
| 5 | 10 | Joseph Cornell, December 1978 |
| 5 | 11 |
Installations, December 1978-January 1979 Ellen Brooks, Cherie Raciti, Dorothy Reid, Ursula Schneider |
| 5 | 12 | Jimmie West, Bruce Fier, Kelsey Walker, December 1978 |
| 5 | 13 | Memorial Exhibition in Honor of Marion Palfi, December 1978-January 1979 |
| 5 | 14 |
The Arousing, January 1979 Rachel Rosenthal |
| 5 | 15 |
Unveiling a Web, January 1979 Donna Henes |
| 5 | 16 | Richard Alpert, February 1979-March 1979 |
| 5 | 17 |
Cancellation Proofs, February 1979-March 1979 Jasper Johns and Ed Ruscha |
| 5 | 18 |
Real Angelinos, February 1979-March 1979 Hildegarde Duane and Ilene Segalove |
| 5 | 19 | Robert Therrien, February 1979-March 1979 |
| 5 | 20 | Woods Davy, March 1979 |
| 5 | 21 |
Down in the Rec Room, March 1979 Michael Smith |
| 5 | 22 |
Reading, March 1979 Barbara Jo Revelle |
| 5 | 23 | Ron Linden and Gwinn Murrill, March 1979-April 1979 |
| 5 | 24 | Alan Sondheim, March 1979-April 1979 |
| 5 | 25 |
Homage to Odilon Redon, April 1979 Sandra Binion |
| 5 | 26 | James Hayward, Peter Lodato, John McLaughlin, April 1979-May 1979 |
| 5 | 27 | Don Johnson, April 1979 |
| 5 | 28 | Paul McCarthy, May 1979 |
| 5 | 29 | Paul McCarthy, May 1979-June 1979 |
| 5 | 30-31 |
Clothing Constructions, June 1979 (2 folders)
|
| 5 | 32 | Peter De Lory, June 1979 |
| 5 | 33 |
Sentimental Fables, June 1979 Robert Kushner |
| 5 | 34 |
Sex is Stupid, June 1979 Bob and Bob |
| 5 | 35 | John Sturgeon, June 1979 |
| 5 | 36 |
10 Artists, June 1979-July 1979
|
| 5 | 37 | David Seidner, July 1979 |
| 5 | 38-39 | Sound, July 1979-August 1979 (2 folders) |
| 5 | 40 | CETA Arts Program at LAICA, August 1979 |
| 5 | 41 | Los Angeles/Toronto Exchange Show, August 1979-September 1979 |
| 5 | 42 |
A Tribute to Dolores Hart, September 1979 Simone Gad |
| 5 | 43 | L.A. Issue, September 1979 |
| 5 | 44-45 |
Social Works, September 1979-October 1979 (2 folders)
|
| 5 | 46 | Timothy App, October 1979 |
| 5 | 47 |
Four Canadians, October 1979-December 1979 Susan Britton, Colin Campbell, Lisa Steele, Clive Robertson |
| 5 | 48 | One of a Kind, October 1979-December 1979 |
| 5 | 49 |
Autumn Sonata, November 1979-December 1979 Alexis Smith |
| 5 | 50 |
Canadian Creative Music Collective, November 1979 Peter Anson, Nobuo Kubota, Allan Mattes, Michael Snow, Casey Sokol |
| 5 | 51 | Robert Overby, November 1979 |
| 5 | 52 |
Forget Everything You Know, December 1979 Bob and Bob |
| 5 | 53 |
Infinite Gold Void, December 1979-January 1980 Eric Orr |
| 5 | 54 | Chuck Lowry, December 1979 |
| 5 | 55-56 | Michelangelo Pistoletto, December 1979-January 1980 (2 folders) |
| 5 | 57 | Survey Australia, December 1979-January 1980 |
| 5 | 58 | Jay Phillips, circa 1980s |
| 5 | 59 | Al Payne, January 1980 |
| 5 | 60 | Carl Toth, January 1980 |
| 5 | 61 | David Douke, February 1980 |
| 5 | 62 |
A Song She Sang to Herself, February 1980-March 1980 Carole Caroompas |
| 5 | 63 |
Tableau, February 1980-March 1980
|
| Box | Folder | |
|---|---|---|
| 6 | 1 | Cho Kawai, Richard Yokomi, Joan Watanabe, March 1980-April 1980 |
| 6 | 2 | Albano Guatti, March 1980 |
| 6 | 3 | John Dorrs, Rita Myers, and Amy Taubin, March 1980 |
| 6 | 4 | Carol Kaufman, March 1980 |
| 6 | 5 | David Lamelas, March 1980-May 1980 |
| 6 | 6 | Barry Le Va, March 1980-April 1980 |
| 6 | 7 |
Loose Shorts, March 1980-May 1980 Coleen Sterritt |
| 6 | 8 | Peter Van Riper, March 1980 |
| 6 | 9 | Joan Watanabe, March 1980-April 1980 |
| 6 | 10 | Peter Alexander, April 1980-June 1980 |
| 6 | 11 | William Larson, April 1980 |
| 6 | 12 | Pat Patterson, April 1980-June 1980 |
| 6 | 13 | Jill Giegrich, May 1980 |
| 6 | 14 | Jennifer Griffiths, May 1980 |
| 6 | 15 | Joan Jonas, May 1980 |
| 6 | 16 |
No Holds Barred, May 1980-June 1980 L.A. Dada |
| 6 | 17 | Carl Stone, May 1980 |
| 6 | 18 | Francesc Torres, May 1980-June 1980 |
| 6 | 19 |
Abstract Paintings 1980, June 1980 Edith Bauman-Hidson, Scott Heywood, Penny Krebs, Alan Wayne, Stephan Westfall |
| 6 | 20 | Tony Conrad, June 1980 |
| 6 | 21 |
Eight Seattle Artists, June 1980-July 1980
|
| 6 | 22 | Kenneth McGowan, June 1980 |
| 6 | 23 |
Plant War, June 1980-August 1980 Kim Jones |
| 6 | 24 | Gail Skoff, June 1980 |
| 6 | 25 | Buddy Collette, July 1980 |
| 6 | 26 | Shiro Ikegawa, July 1980-August 1980 |
| 6 | 27 | Nan Hoover and Raul Marroquin, July 1980-September 1980 |
| 6 | 28 | Bart Thrall, July 1980 |
| 6 | 29 |
Bird's Eye Bedroom, August 1980-September 1980 Al Aguilar |
| 6 | 30 | Tim Galfas, August 1980 |
| 6 | 31 |
Painting Sculpture, August 1980 Vivian Kerstein, William Mahan, George Page, Jay Phillips |
| 6 | 32-33 |
Architectural Sculpture, September 1980-November 1980 (2 folders)
|
| 6 | 34 | Artists Working at LAICA, September 1980 |
| 6 | 35 | De Ann Jennings, September 1980 |
| 6 | 36 | Rudy Perez, September 1980 |
| 6 | 37 | Portraits of Artists, September 1980 |
| 6 | 38 | Stuart Rapeport, September 1980 |
| 6 | 39 | Reesy Shaw, September 1980-October 1980 |
| 6 | 40 | Diane Blell, October 1980-November 1980 |
| 6 | 41 |
Aloha A.M., November 1980 Kevin Boyle |
| 6 | 42 | Laurence Dreiband, November 1980-December 1980 |
| 6 | 43 | Brian Forrest, November 1980-December 1980 |
| 6 | 44 | Ron George, November 1980 |
| 6 | 45 | Earl Howard, November 1980 |
| 6 | 46 | John Mandel, November 1980 |
| 6 | 47 | Luis Benedit, December 1980-January 1981 |
| 6 | 48 | Peter D'Agostino, December 1980-February 1981 |
| 6 | 49 | Constance De Jong, December 1980 |
| 6 | 50 | Susan Rawcliffe, December 1980 |
| 6 | 51 | Trungpa Rinpoche, December 1980 |
| 6 | 52-54 | Wolf Vostell, December 1980-January 1981 (3 folders) |
| 6 | 55 | Jerry Anderson, January 1981-February 1981 |
| 6 | 56 | Michael Levine, January 1981-February 1981 |
| 6 | 57 |
Southern California Artists, January 1981-February 1981
|
| 6 | 58 | Women's Performance Month, January 1981 |
| 6 | 59 | Eiko and Koma, February 1981 |
| 6 | 60 | Llyn Foulkes, March 1981-April 1981 |
| 6 | 61 | Sandro Martini, March 1981-April 1981 |
| 6 | 62 | Mary Jones, April 1981 |
| 6 | 63 | Tomoharu Murakami and Satoru Shoji, April 1981-May 1981 |
| 6 | 64 | Eleanor Antin, May 1981-June 1981 |
| 6 | 65 | Barbara Mensch, May 1981 |
| 6 | 66 |
Mobile Image, May 1981-July 1981 Kit Galloway, Sherrie Rabinowitz |
| 6 | 67 | John Wager-Schneider, May 1981 |
| 6 | 68 |
Humor in Art, June 1981-August 1981
|
| 6 | 69 | Milano Kazanjian, June 1981 |
| 6 | 70 | Stephen Pearson, June 1981 |
| 6 | 71 | Nancy Reese, June 1981 |
| 6 | 72 |
The Great Confrontation, August 1980 Douglas Hall |
| 6 | 73 | Gilbert Johnquest, July 1981 |
| 6 | 74 | Laura Lansworth, August 1981 |
| 6 | 75 | Paul Tzanetopoulos, August 1981 |
| 6 | 76 | Judy Fiskin, September 1981 |
| 6 | 77 |
Vice, September 1981 Brian Dailey |
| 6 | 78 |
Wallpaper/Roompaper, September 1981-October 1981
|
| 6 | 79 | Carole Caroompas, October 1981 |
| 6 | 80-83 | Leroy Neiman and Andy Warhol, November 1981-January 1982 (4 folders) |
| 6 | 84 | Al Ruppersberg, Patricia Ferris, Ronald In T'Hout, January 1982-February 1982 |
| 6 | 85 | Roy Dowell, January 1982-February 1982 |
| 6 | 86 | Ilona Granet, February 1982 |
| 6 | 87 |
Three Rooms, Three Views, March 1982-April 1982 Lois Colette, Marc Pally, Astrid Preston |
| Box | Folder | |
|---|---|---|
| 7 | 1 | Steve Galloway, May 1982-June 1982 |
| 7 | 2-3 |
James Bay Project, May 1982-June 1982 Claus Biegert, Rainer Wittenborn |
| 7 | 4 | David Lawson, June 1982-July 1982 |
| 7 | 5 | Canvassing L.A., July 1982-August 1982 |
| 7 | 6 | Patti Oleon, July 1982-August 1982 |
| 7 | 7 | Clytie Alexander, August 1982-September 1982 |
| 7 | 8 | Kady Hoffman, September 1982-October 1982 |
| 7 | 9 | Jeffrey Vallance and Stephen Seemayer, September 1982-October 1982 |
| 7 | 10 | Tom Wolf, September 1982-October 1982 |
| 7 | 11 | Kevin Boyle, October 1982-November 1982 |
| 7 | 12 | Laddie John Dill and James Kenney, October 1982-November 1982 |
| 7 | 13 | J. Scott Riker, October 1982-November 1982 |
| 7 | 14 | Yura Adams, November 1982 |
| 7 | 15 | Bruce Everett, November 1982-December 1982 |
| 7 | 16 | Raul Guererro, November 1982-December 1982 |
| 7 | 17 | Manipulative Photography, November 1982-December 1982 |
| 7 | 18 | Richard Sigmund, November 1982-December 1982 |
| 7 | 19-20 | Alfredo Nunez, December 1982 (2 folders) |
| 7 | 21 |
Changing Trends: Content and Style, January 1983-February 1983
|
| 7 | 22 | Allen Harrison, January 1983-February 1983 |
| 7 | 23 | Dennis Parkhurst, January 1983-February 1983 |
| 7 | 24 | War Games, January 1983-February 1983 |
| 7 | 25 | Jeff Gambill, March 1983-April 1983 |
| 7 | 26 | Steve Galloway and Jim Ganzer, March 1983-April 1983 |
| 7 | 27 | Laura Lasworth, March 1983-April 1983 |
| 7 | 28 | Amanda Jaffe, April 1983-May 1983 |
| 7 | 29 | Kharlene Boxenbaum, Scott Grieger, Megan Williams, Jeffrey Vallance, April 1983-May 1983 |
| 7 | 30 |
Performances For the Blind, April 1983 Carole Caroompas, John White |
| 7 | 31 | Matt Roberts, April 1983-May 1983 |
| 7 | 32 | Jack Balas, June 1983-July 1983 |
| 7 | 33 | Tad Savinar, June 1983-July 1983 |
| 7 | 34-35 |
10-10-10, June 1983-July 1983 (2 folders)
|
| 7 | 36-38 | Garrison Roots, Richard Roehl, and Vignir Johnannson, August 1983 (3 folders) |
| 7 | 39 | John Maggiotto, August 1983 |
| 7 | 40-41 |
Art and Language, September 1983-October 1983 (2 folders) Michael Baldwin, Mel Ramsden |
| 7 | 42 | Philip Hefferton, September 1983-October 1983 |
| 7 | 43 | LAICA After Hours Video Night, September 1983 |
| 7 | 44 | Sabina Ott, September 1983-October 1983 |
| 7 | 45 | Luis E. Serrano, September 1983-October 1983 |
| 7 | 46-47 |
Cabin, Temple, Trailer, November 1983-December 1983 (2 folders) Curated by Charles Moore |
| Box | Folder | |
|---|---|---|
| 8 | 1-6 |
Cabin, Temple, Trailer, November 1983-December 1983 (6 folders) Curated by Charles Moore |
| 8 | 7 | Steve Heino, November 1983-December 1983 |
| 8 | 8 | Mako Idemitsu, November 1983-December 1983 |
| 8 | 9 | Julius, November 1983-December 1983 |
| 8 | 10 | Lavi Daniel, January 1984-March 1984 |
| 8 | 11 | Charles Gaines, January 1984-February 1984 |
| 8 | 12-13 | Les Levine, January 1984-February 1984 (2 folders) |
| 8 | 14-37 |
Il Modo Italiano, January 1984-April 1984 (24 folders)
|
| Box | Folder | |
|---|---|---|
| 9 | 1-5 |
Il Modo Italiano, January 1984-April 1984 (5 folders)
|
| 9 | 6 | Michael Scroggins, February 1984 |
| 9 | 7-8 |
The Big Candy, March 1984-April 1984 (2 folders) Franco Assetto |
| 9 | 9 | Laura Josephson, March 1984-April 1984 |
| 9 | 10 | Julia Kidd, March 1984-April 1984 |
| 9 | 11 | Tony Oursler, March 1984 |
| 9 | 12 | John Rodgers, March 1984-April 1984 |
| 9 | 13 | Tony Labat, April 1984 |
| 9 | 14 | Mari Border, May 1984-June 1984 |
| 9 | 15 | John Frame, May 1984-June 1984 |
| 9 | 16 | Llyn Foulkes and Martin Mull, May 1984-June 1984 |
| 9 | 17-37 |
Australia: Nine Contemporary Artists, July 1984-August 1984 (21 folders)
|
| 9 | 38 | Music Video/Video Music, July 1984 |
| Box | Folder | |
|---|---|---|
| 10 | 1 |
When the Conversation Turns to Art, September 1984 John Knight |
| 10 | 2-3 |
Four Installations, October 1984-November 1984 (2 folders) Richard Baker, Charles Ray, Laurie Sing, Fred Tomaselli |
| 10 | 4 |
Divisions: Seven Los Angeles Painters, December 1984-January 1985
|
| 10 | 5 | Richard Joseph, December 1984-January 1985 |
| 10 | 6 | Cathy Lightfoot, December 1984 |
| 10 | 7 | Video 74/84: the Event of a Decade, December 1984 |
| 10 | 8 |
Art and Sex, January 1985 Robert Jaye, Lynn Leatart |
| 10 | 9 | Karen Atkinson, February 1985-March 1985 |
| 10 | 10 | Antonio Mutadas, February 1985-March 1985 |
| 10 | 11-15 |
Secular Attitudes, February 1985-March 1985 (5 folders) Jenny Holzer, Fred Lonidier, The Sisters of Survival |
| 10 | 16-17 | L.A.: Recent Designs in Fashion and Furniture, April 1985-May 1985 (2 folders) |
| 10 | 18 | Eve Laramee, December 1984-January 1985 |
| 10 | 19-20 |
B and W, June 1985-July 1985 (2 folders)
|
| 10 | 21 | Alyse Green Edwards, June 1985-July 1985 |
| 10 | 22 | Michael Gonzales, June 1985-July 1985 |
| 10 | 23 | Tim Ebner, Ned Evans, and Renee Petropoulos, December 1984-January 1985 |
| 10 | 24 |
Proof and Perjury, August 1985-October 1985
|
| 10 | 25 | Nancy Evans, September 1985-October 1985 |
| 10 | 26 | Microgallery, September 1985-October 1985 |
| 10 | 27 | The Residents and Harold Budd, October 1985-November 1985 |
| 10 | 28-29 |
Pacific Connections, November 1985-December 1985 (2 folders)
|
| 10 | 30 | Sculpture (Part One and Two), January 1986-April 1986 |
| 10 | 31 |
House Monument, April 1986-May 1986 Kate Ericson, Mel Ziegler |
| 10 | 32 |
Lectio Divina, October 1986-November 1986 Jeff Matsuno |
| 10 | 33 |
5th and Fig., January 1987 Krzystof Wodiczko |
| 10 | 34 |
Projections in Public, February 1987
|
| 10 | 35 | Unknown Exhibits, mid 1970s-mid 1980s |
| 10 | Proposed Exhibits | |
| 10 | 36 | Vito Acconci, 1981 |
| 10 | 37 | Ida Applebroog, 1982 |
| 10 | 38 | Art in Public Places, 1982 |
| 10 | 39 |
Art Materialized, 1981
|
| 10 | 40 | Daniel Aulagnier, 1981-1982 |
| 10 | 41 | Paul Beattie, 1981 |
| 10 | 42 | Joyce Baronio, 1981 |
| 10 | 43 | Sandra Binion, 1983 |
| 10 | 44 | Jonathan Borofsky, 1984 |
| 10 | 45 | Anne Bray, 1984-1985 |
| 10 | 46 | John Blake, circa 1981 |
| 10 | 47 | Chris Burden, early 1980s |
| 10 | 48 | CAPS/ICI 1981 Traveling Video Festival, 1981 |
| 10 | 49 | Cave Canen Book Project, 1982 |
| 10 | 50 | Cedars-Sinai Medical Center, 1983-1984 |
| 10 | 51 | Bruce Chao, 1980-1982 |
| Box | Folder | |
|---|---|---|
| 11 | 1 | Carl Cheng, 1981 |
| 11 | 2 | Harold Cohen, 1983 |
| 11 | 3 | Paz Cohen, 1986 |
| 11 | 4-5 | Collaborations, circa 1982 (2 folders) |
| 11 | 6 | Douglas Davis, 1986 |
| 11 | 7 | Nicola De Maria and Edward Moses, circa 1984 |
| 11 | 8 | East/West, 1980-1981 |
| 11 | 9 | Pete Evaristo, circa 1981 |
| 11 | 10 | Jud Fine, 1983 |
| 11 | 11 | Fluxus, 1983 |
| 11 | 12 | Luis Frangella, 1982 |
| 11 | 13 | [furniture], 1982 |
| 11 | 14 | Generic Structure, 1985-1986 |
| 11 | 15 | Jon Gibson, 1983 |
| 11 | 16 | Dennis Gillingwater, 1985-1987 |
| 11 | 17 | Philip Glass, Elyse Grinstein, and Richard Serra, 1985 |
| 11 | 18 | Coco Gordon, 1982 |
| 11 | 19 | Mineko Grimmer, 1982 |
| 11 | 20 | Elyse Grinstein (see Philip Glass, Elyse Grinstein, and Richard Serra), 1985 |
| 11 | 21 | Heidi Hardin, circa 1982 |
| 11 | 22 | Anthony Hernandez (see Richard Turner and Anthony Hernandez), 1983 |
| 11 | 23 | Margaret Honda, 1986 |
| 11 | 24 | [Independent Contemporary Exhibition], 1982 |
| 11 | 25 | James Irwin, 1982 |
| 11 | 26 | Risa Jaroslow, 1982 |
| 11 | 27 | Allan Kaprow, 1982 |
| 11 | 28 | Harry Kipper, 1986 |
| 11 | 29 | Bill Kominski, John Miller, Megan Williams, circa 1981 |
| 11 | 30 | Kronos Quartet, 1982 |
| 11 | 31 | John Lees, 1981-1982 |
| 11 | 32 | Living Spaces, 1986 |
| 11 | 33 | Michael C. McMillen, circa 1982 |
| 11 | 34 | John Miller (Bill Komonski, John Miller, and Megan Williams), 1981 |
| 11 | 35 | Tim Miller, 1981-1982 |
| 11 | 36 | [miscellaneous photographs], circa 1980s |
| 11 | 37 | Edward Moses (see Nicola De Maria and Edward Moses), 1981 |
| 11 | 38 | Jac Mote, 1982 |
| 11 | 39 | Michael Myers, 1981 |
| 11 | 40 |
Narcissism in Contemporary Art, 1983
|
| 11 | 41 | Barbara Noah, 1980 |
| 11 | 42-44 | Olympic Arts Festival, 1984 (3 folders) |
| 11 | 45 |
Other/Strategies, 1985
|
| 11 | 46 |
A Painting Show, 1984-1987
|
| 11 | 47 |
The Pinhole Image, 1982
|
| 11 | 48 |
Poets and Painters, 1986-1987
|
| 11 | 49 |
Public Contexts, 1982-1987 Allan Kaprow |
| 11 | 50 | Roland Reiss, circa 1984 |
| 11 | 52 | Sex and Violence, 1981-1982 (2 folders) |
| 11 | 53 |
Sculpture From Germany, 1982
|
| 11 | 54 |
The Science Club, 1982
|
| 11 | 55 | Richard Serra (see Philip Glass, Elyse Grinstein, Richard Serra), 1985 |
| 11 | 56 | Stuart Sherman, 1983 |
| 11 | 57 | Buster Simpson, 1985 |
| 11 | 58 | 60s Avant Garde in Southern California, 1981 |
| 11 | 59 | Alexis Smith, circa 1983 |
| 11 | 60 | Michael Smith, 1982 |
| 11 | 61 | Alan Sonfist, 1980 |
| 11 | 62 | Southern California Women's Caucus For Art, 1982 |
| 11 | 63 | Peter Taylor, 1984 |
| 11 | 64 | Richard Teitelbaum, 1982 |
| 11 | 65 | 3 x 3, mid 1980s |
| 11 | 66 | Richard Turner and Anthony Hernandez, 1983 |
| 11 | 67 | Johanna Went, 1981 |
| 11 | 68 | Megan Williams (see Bill Komoski, John Miller, and Megan Williams), 1981 |
| 11 | 69 |
Young British Photographers, 1981
|
| 11 | Special Events | |
| 11 | 70 | T-Shirt Extravaganza, September 1975 |
| 11 | 71 |
New Dimensions of Reality, January 1976-March 1976
|
| 11 | 72 | William Wegman, February 1977 |
| 11 | 73 | Robert Irwin, June 1977 |
| 11 | 74 | Fun Dance and Artists' Jam, August 1977 |
| 11 | 75 | Open House, September 1977 |
| 11 | 76 | Claire Copley, October 1977 |
| 11 | 77 | Fund Raiser, October 1977 |
| 11 | 78 |
A Textual Analysis of Robert Frank's Book The Americans, January 1978 John Brumfield |
| 11 | 79 | Edit De Ak and Walter Robinson, February 1978 |
| 11 | 80 | Gerry Rosen, February 1978 |
| 11 | 81 |
The Ethics and Economics of Performance Art, March 1978
|
| 11 | 82 |
Louisiana Cajuns, March 1978 Turner Browne |
| 11 | 83 | Lowell Darling, April 1978 |
| 11 | 84 | The New Artspace Conference, April 1978 |
| Box | Folder | |
|---|---|---|
| 12 | 1 | Contemporary Art Tour of Italy, May 1978-June 1978 |
| 12 | 2 | New Vocal Techniques in the Arts, October 1978-December 1978 |
| 12 | 3 |
Watts Towers Arts Center Lectures, November 1978 Peter Alexander, Carole Caroompas, Richard Newton |
| 12 | 4 | Christmas Sale, December 1978 |
| 12 | 5-6 | Downtown Artist Meeting, December 1978 (2 folders) |
| 12 | 7 |
Seminar on Art Criticism, December 1978 Christopher Knight, Susan Larsen, Louise Lewis, Peter Plagens, Melinda Wortz |
| 12 | 8 | Jackie Appel, February 1979 |
| 12 | 9 | Lewis Baltz, February 1979 |
| 12 | 10 | Peter Schjeldahl, February 1979 |
| 12 | 11 | LAICA Sells Out, March 1979 |
| 12 | 12 | Art Run, April 1978 |
| 12 | 13 | Maria Nordman, May 1979-July 1979 |
| 12 | 14 | Films by Babeth, Sandy Daley, Robert Mapplethorpe, and Ed Ruscha, June 1979 |
| 12 | 15 |
Urban Alterations, November 1979 Robert Janz, Ann Preston, Moira Sheehan, Judy Simonian |
| 12 | 16 | Art in the Afternoon, December 1979 |
| 12 | 17 | Carla Stellweg, December 1979 |
| 12 | 18 | Typesetting Service, circa 1980 |
| 12 | 19 |
Southern California, May 1980-June 1980 Louis Hock |
| 12 | 20 | The Empire Strikes Back , June 1980 |
| 12 | 21 | Bicentennial Block Party, December 1978 |
| 12 | 22 | Richard Ralph Roehl, November 1980 |
| 12 | 23 |
Rock For Art, February 1981 The B-People, The Boneheads, The Suburban Lawns, The Urinals |
| 12 | 24 | In and Around Little Tokyo, April 1981 |
| 12 | 25 | LAICA Sells Out, April 1981 |
| 12 | 26 |
Orestes and the Three Furious Ladies, May 1981 Lloyd Hamrol, Melya Kaplan, Evris Tsakirides |
| 12 | 27 | Games People Play, June 1981 |
| 12 | 28 | LAICA Journal Celebration, June 1981 |
| 12 | 29 | Three Films by Stelarc, August 1981 |
| 12 | 30 |
Fashion Moda, October 1981 Joe Lewis |
| 12 | 31 | Dustin Shuler and Bob Curry, September 1982-October 1982 |
| 12 | 32 | Instant Collection, October 1982 |
| 12 | 33 | Progressive Dinner, October 1982 |
| 12 | 34 | Germano Celant, November 1982 |
| 12 | 35-36 |
Official Fine Art Posters of the 1984 Olympic Games, January 1983
|
| 12 | 37 | Doumani House Tour, circa March 1983 |
| 12 | 38 | Gathering in Support of LAICA, July 1983 |
| 12 | 39 | LAICA After Hours Video Night, circa September 1983 |
| 12 | 40 | Romantic Comedy, October 1983 |
| 12 | 41 | Champagne Tasting, November 1983 |
| 12 | 42 | Trumps, circa November 1983 |
| 12 | 43-45 | Art Sale, March 1984, April 195-May 1985 (3 folders) |
| 12 | 46 | High Tea and Concert, July 1984 |
| 12 | 47 | Flowers of Life For Central America, October 1984 |
| 12 | 48 | The World of Gilbert and George, October 1984 |
| 12 | 49 | Book Sale, December 1984 |
| 12 | 50 | Frederick R. Weisman Art Collection Tour, June 1985 |
| 12 | 51 | Fashion Show, February 1986 |
| 12 | Proposed Programs | |
| 12 | 52 |
The Artist, circa mid 1970s
|
| 12 | 53 |
Women in Art, 1976
|
| 12 | 54 | Thomas McEvilley, 1982 |
| 12 | CETA Artist in Residence | |
| 12 | 55 | Larry Albright, circa 1978 |
| 12 | 56 | Peter Alexander, circa 1978 |
| 12 | 57 | Ed Cabajal, circa 1978 |
| 12 | 58 | Vija Celmins, circa 1978 |
| 12 | 59 | Anthony Hernandez, circa 1978 |
| 12 | 60 | Bob Gibson, circa 1979-1980 |
| 12 | 61 | Pat Hogan, circa 1978 |
| 12 | 62 | Mark Kaiserman, circa 1978 |
| 12 | 63 | Maria Kwong, circa 1978 |
| 12 | 64 | Leslie Labowitz Straus, circa 1978 |
| 12 | 65 | Jilly Lauren, circa 1978 |
| 12 | 66 | Peter Lodato, circa 1978 |
| 12 | 67 | John Miller, circa 1978 |
| 12 | 68 | Tommy Nation, circa 1978 |
| 12 | 69 | Allen Ruppersburg, circa 1978 |
| 12 | 70 | Doni Silver, circa 1978 |
| 12 | 71 | Judy Simonian, circa 1978 |
| 12 | 72 | Jean Thrift, circa 1978 |
| 12 | 73 | Bob Wilhite, circa 1978 |
| 12 | 74 | Richard Yokomi, circa 1978 |
| 12 | 75 | Artist Registry, circa 1976 |
| 12 | 76 | "A," circa 1980s |
| 12 | 77 | "B-C," circa 1980s |
| 12 | 78 | "D-E," circa 1978 |
| 12 | 79 | "F-H," circa 1978 |
| 12 | 80 | "I-K," circa 1980s |
| 12 | 81 | "L-Mc," circa 1980s |
| Box | Folder | |
|---|---|---|
| 13 | 1 | "Mi-R," circa 1980s |
| 13 | 2 | "S," circa 1980s |
| 13 | 3 | "T-Z," circa 1980s |
5.1 Exhibition Committee Files, mid 1970s-1987
Records of the Exhibitions Committee include meeting minutes, proposed exhibition schedules, policies, exhibition budgets, lists of exhibitions, and scattered correspondence. Also included is a list of LAICA's library holdings and video acquisitions.
5.2 Exhibition Files, 1974-1987
LAICA's exhibition files are comprehensive and form the bulk of this collection. However, the extent of documentation for each exhibition varies - most are represented with one or two folders, although a few have numerous folders of documentation. Each exhibition file may contain a wide variety of materials, typically budgets; correspondence with artists, curators, and organizers; grant applications; loan agreements; and resumes. Visual documentation includes photographs, contact sheets, and negatives of artwork, installation views, and events. The file for Lecto Divina also contains audio documentation. Files also include printed materials such as press releases, clippings, announcements and invitations, and catalogs. Of special interest are questionnaires completed by ceramicists working in California which were collected for the exhibition Foundations In Clay. Files for proposed, but unrealized, exhibitions are also found here.
Exhibition Files have been arranged chronologically by date of exhibition opening. Proposed exhibition files are filed under "P". For preservation housing, slides from the exhibition files have been removed and are now housed in Series 8, Slides. Photographs, however, have not been separated and remain within the exhibition files.
5.3 Program Files, 1975-1986
Found here are files documenting LAICA's public programming and special events, such as lectures, conferences, fund-raising events, films, dinners, concerts, and book sales. Individual files for each program or event include a wide variety of materials, including flyers, pamphlets and brochures, announcements, press releases, resumes, budgets, sales records, grant applications, and correspondence.
Files documenting LAICA's CETA-funded Artist-in-Residence program are found here. Among the participating artists were Peter Alexander, Vija Celmins, and Allen Ruppersberg. Files for LAICA's Artist Registry of Southern California artists typically consist of biographical information and representative slides and/or photographs of representative artwork.
Program files have been arranged in chronological order by the month the event took place. Slides have been filed in Series 8, Slides.
5.4 Artist Files, circa 1980s
This subseries consists of general materials collected by LAICA about contemporary artists, as well as scattered correspondence with artists. Slides have been filed in Series 8, Slides.
Series 6: Publications, 1974-1987 (Boxes 13-15; 2.75 linear feet)
Files documenting the production, editing, and publication of LAICA's quarterly Journal are found here, as well as copies of LAICA's newsletter. The Journal focused primarily on contemporary Southern California visual arts and culture, and included essays, interviews, artwork, and fiction. The cover of each issue depicted artwork specifically commissioned for the magazine. Notable writers and curators published in the Journal include Frances Colpitt, Mike Kelley, Peter Plagens, and Peter Schjeldahl.
The files contain records of the publication committee which include correspondence, editorial and production files, financial information, advertising files, and copies of several issues of the magazine.
Also found here is a complete run of LAICA's in-house newsletter and one issue of a publication entitled Artist Calendar.
This series is arranged into 3 subseries:
| Box | Folder | |
|---|---|---|
| 13 | 4 | Budgets, 1981-1987 |
| 13 | 5 | Catalog Exchange List, December, 1984 |
| 13 | 6 | Consignment Sheets, 1980 |
| 13 | 7 | Contracts and Agreements, early 1980s |
| 13 | 8-13 | Correspondence, 1974-1987 (6 folders) |
| 13 | 14 | Distribution Records, early 1980s |
| 13 | 15 | Income Sources, 1980s |
| 13 | 16 | Invoice Book, 1975-1986 |
| 13 | 17 | Job Descriptions, circa 1974-early 1980s |
| 13 | 18 | Journal Fact Sheets, early 1980s |
| 13 | 19 | Journal Mechanical Requirements, early 1980s |
| 13 | 20 | Meeting Minutes and Agendas, 1983-1987 |
| 13 | 21 | Publication Lists, 1984-1985 |
| 13 | 22 | Rates, early 1980s |
| 13 | 23 | Subscription Cards, late 1970s |
| 13 | Issue #29 | |
| 13 | 24 | Editorial Materials, 1981 |
| 13 | Issue #30 | |
| 13 | 25 | Editorial Materials, 1981 |
| 13 | Issue #31 | |
| 13 | 26-27 | Artist Biographical Materials and Statements, 1981 (2 folders) |
| 13 | 28 | Editorial Materials, 1981 |
| 13 | 29 | "L.A. Demystified" by Peter Schjeldahl, 1981 |
| 13 | 30 | "Schjeldahl Demystified" by Peter Plagens, 1981 |
| 13 | 31 | "Trends, Traditions, and Dirt: an Opinionated Guide to the Current State of Art in Northern California" by Robert Atkins, 1981 |
| 13 | 32 | "Exhibitions in Print," 1981 |
| 13 | Issue #32 | |
| 13 | 33 | Editorial Materials, 1982 |
| 13 | 34 | "[introduction]" by Frances Colpitt, 1982 |
| 13 | 35 | "The Importance of Permanence" by Donald Judd, 1981 |
| 13 | 36 | "Intentional Acts of Identification: Legrady and Maclay" by Mark Johnstone, 1982 |
| 13 | 37 | "Mr. Smith Goes to the Airport" by Michael Smith, 1982 |
| 13 | 38 | "Bruce Nauman Interview" by Robert Smith, 1982 |
| 13 | 39 | "Magnificent Obsession: the Drawings of David Smith" by Sally Ruth Bourrie, 1982 |
| 13 | 40 | "Anthony Caro's Emma Lake Sculptures" by Phyllis Tuchman, 1982 |
| 13 | 41 | "The Activity Art of Allan Kaprow and the Notion of Functional Sculpture" by Dan Giesler, 1982 |
| 13 | 42 | "Context: Light and Space as Art" by Jan Butterfield, 1982 |
| 13 | 43 | "Artist Pages," 1982 |
| 13 | Issue #33 | |
| 13 | 44 | Editorial Materials 1982 |
| 13 | 45 | "[introduction]" by Richard Hertz, 1982 |
| 13 | 46 | "Art Norms in 1982" by Ted Castle, 1982 |
| 13 | 47 | "Art Fashion" by David Carrier, 1982 |
| 13 | 48 | "Popular Imagery" by Jeremy Gilbert-Rolfe, 1982 |
| 13 | 49 | "The Difference Between Absence and Not Being Missed" by Geralyn Donohue and Joan Wallace, 1982 |
| 13 | 50 | "Too Good to Be True" by Thomas Lawson, 1982 |
| 13 | 51 | "Paragraphs Towards an Essay Entitled 'Restoration Comedies'" by Howard Singerman, 1982 |
| 13 | 52 | "Movies as Modern Muse" by Gerard Haggerty, 1982 |
| 13 | 53 | "A Brief Commentary on Latin American Art" by Imogen Sieveking, 1982 |
| 13 | 54 | "Photography: a Bourgeois Success Story" by James Hugunin, 1982 |
| 13 | 55 | "Words and Pictures" by John Brumfield, 1982 |
| 13 | 56 | Unused Manuscripts, 1982 |
| 13 | Issue #34 | |
| 13 | 57 | Editorial Materials, 1982 |
| 13 | 58 | "On Pictures and Meanings" by John Brumfield, 1982 |
| 13 | 59 | "On Number, Time, and Emotion" by John Whitney, 1982 |
| 13 | 60 | "Defining the Avant Garde" by Richard Hertz, 1982 |
| 13 | 61 | "Art With a Capital 'A' and Television Executives" by Michael Delgado, 1982 |
| 13 | 62 | "The Art Economist" by Ken Friedman, 1982 |
| 13 | 63 | "The Open Road of Risk: George Herms, Wallace Berman, the Beats and West Coast Visionary Poetics" by Robert L. Pincus, 1982 |
| 13 | 64 | "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw" by Michael Kohn, 1982 |
| 13 | 65 | "The Psychobiological Imperative" by Marilyn Ekdahl Ravicz, 1982 |
| 13 | 66 | "Artist Pages," 1982 |
| 13 | 67 | Unused Manuscripts, 1982 |
| 13 | 68 | Unused Photographs, 1982 |
| 13 | Issue #35 | |
| 13 | 69 | Editorial Materials, 1983 |
| 13 | 70 | "History Repeats Itself (Part One)," 1983 |
| 13 | 71 | "The Artist and Television" by Kathy Huffman, 1983 |
| 13 | 72 | "Art in search of a Public" by Susan Boettger, 1983 |
| 13 | 73 | "Interview: Henry Gajewski" by Judith Hoffberg, 1983 |
| Box | Folder | |
|---|---|---|
| 14 | Issue #36 | |
| 14 | 1-2 | Editorial Materials, 1982-1983 (2 folders) |
| 14 | 3 | "The Garret, the Boardroom and the Amusement Park" by John Chase, 1983 |
| 14 | 4 | "Golden Architecture" by Alan Hess, 1983 |
| 14 | 5 | "Micromodels: Drawings of Five Works of Architecture" by Robert Mangurian, 1983 |
| 14 | 6 | "Five Basic Classifications of Building Production" by Elizabeth McMillian, 1983 |
| 14 | 7 | "L.A. Preserving the Commonplace" by David Gebhard, 1983 |
| 14 | 8 | "David Ireland's House" by Robert Atkins, 1983 |
| 14 | 9 | "Robert Wilhite" by John Bowsher, 1983 |
| 14 | 10 | "Scott Burton" by Ronny Cohen, 1983 |
| 14 | 11 | "R.M. Fisher" by John Perreault, 1983 |
| 14 | 12 | "This Furniture is Not to Be Sat On Or Sit on My Sculpture" by Frances Colpitt, 1983 |
| 14 | 13 | "Jim Iserman" by Melinda Wortz, 1983 |
| 14 | 14 | Unused Manuscripts, 1983 |
| 14 | Issue #37 | |
| 14 | 15 | Editorial Materials, 1983 |
| 14 | 16-19 | "History Repeats Itself (Part Two)," 1983 (4 folders) |
| 14 | 20 | "Why I Go To the Movies Alone" by Richard Prince, 1983 |
| 14 | 21 | "Representational Drawing Today" by Phyllis Plous, 1983 |
| 14 | 22 | "After the Revolution: Cuba in Photographs" by Emily Hicks, 1983 |
| 14 | 23 | "Big Folks" by Susan Muchnic, 1983 |
| 14 | 24 | "Is it Curtains For the T.V. Window?" by Beverly O'Neill, 1983 |
| 14 | 25 | "The Rocket Ship Tree" by John Beach, 1983 |
| 14 | 26 | "Gordon Wagner: Magician and Mythmaker" by Judith Hoffberg, 1983 |
| 14 | Issue #38 | |
| 14 | 27 | Editorial Materials, 1983 |
| 14 | 28 | "Architecture on Film: Mallet-Stevens to Meerson" by Donald Albrecht, 1983 |
| 14 | 29 | "Confrontational Icons" by Robert Pincus, 1983 |
| 14 | 30 | "Future Video: Max Almy" by Louise Lewis, 1983 |
| 14 | 31 | "TV's Past Exposed" by Beverly O'Neill, 1983 |
| 14 | Issue #39 | |
| 14 | 32 | Editorial Materials, 1984 |
| 14 | 33 | "Portrait, in Eclipse" by Jeff Perrone, 1984 |
| 14 | 34 | "The Treatise of Narcissus" by Andre Gide, 1984 |
| 14 | 35 | "Home" by Hal Foster, 1984 |
| 14 | 36 | "Ajax" by Mike Kelley, 1984 |
| 14 | 37 | "Picasso" by Gertrude Stein, 1984 |
| 14 | 38 | "Mrs. Battle s Opinions on Whist" by Charles Lamb, 1984 |
| 14 | 39 | "The Deceitful Artist" by Giacomo Casanova, 1984 |
| 14 | Issue #40 | |
| 14 | 40-41 | Editorial Materials, 1984 (2 folders) |
| 14 | 42 | "[introduction]", 1984 |
| 14 | 43 | "The Hydrogen Jukebox: Terror, Narcissism, and Art" by Peter Schjeldahl, 1984 |
| 14 | 44 | "Crepe de Chine" by Kim MacConnel, 1984 |
| 14 | 45 | "A New Found Career" by Martha Rosler, 1984 |
| 14 | 46 | "Images That Understand Us: a Conversation With David Salle and James Welling," 1984 |
| 14 | 47 | "The Poltergeist" by David Askevold and Mike Kelley, 1984 |
| 14 | 48 | "Art Into Play" by Jean Fisher, 1984 |
| 14 | 49 | "What is to Be Learned?" by Peter Plagens, 1984 |
| 14 | 50-51 | "Interviews" by Robert Pincus, 1984 (2 folders) |
| 14 | 52 | "Introduction" by Daniel Alexander Wasil, 1984 |
| 14 | 53 | "Turning the Conversation" by Kim Gordon, 1984 |
| 14 | 54 | "On John Knight's Journals Work" by Dan Graham, 1984 |
| 14 | 39 | "The Deceitful Artist" by Giacomo Casanova, 1984 |
| 14 | Issue #41 | |
| 14 | 55-56 | Editorial Materials, 1985 (2 folders) |
| 14 | 57 | "Iceland: Gateway to Hell" by Jeffrey Vallance, 1985 |
| 14 | 58 | "Factory Sets From 'Cinderella'" by Ericka Beckman, 1985 |
| 14 | 59 | "Expressionism" by Benjamin Weissman, 1985 |
| 14 | 60 | "Jenny Bolande," 1985 |
| 14 | 61 | "Simon Weasel" by Paul McMahon and Nancy Chun, 1985 |
| 14 | 62 | "The Commodity as Country Music Theme" by John Miller, 1985 |
| 14 | 63 | "To Marie Osmond" by Jack Skelley, 1985 |
| 14 | 64 | "Scores For 'Parallel,' 'Chinks/Weathervane,' and 'Coat Dance'" by Brina Gehry, 1985 |
| 14 | 65 | "Hand in Glove" by Dennis Cooper, 1985 |
| 14 | 66 | "The Death of a Guerrilla Poet" by Dan Walworth, 1985 |
| 14 | 67 | "A Conversation with Lynne Tillman and Sheila McLaughlin" by Stephen Prina and Christopher Williams, 1985 |
| 14 | 68 | "Living With Bad Faith" by Kathi Norklun, 1985 |
| 14 | 69 | "Demenstruation" by Mitchell Syrop, 1985 |
| 14 | Issue #42 | |
| 14 | 70-71 | Editorial Materials, 1985 (2 folders) |
| 14 | 72 | "Plato's Cave, Rothko's Chapel, Lincoln's Profile" by Mike Kelley, 1985 |
| 14 | 73 | "To a Swan" by David Shapiro, 1985 |
| 14 | 74 | "Multiplicity, Proliferation, Reconvention" by Jeremy Gilbert-Rolfe, 1985 |
| 14 | 75 | "On Line" by Peter Halley, 1985 |
| 14 | 76 | "Idea as Multiplicity" by Gilles Deleuze, 1985 |
| 14 | 77 | "Stereoscope and Kaleidoscope" by Jonathan Crary, 1985 |
| 14 | 78 | "Thomas Nozkowski: Painting and Proliferation" by Joseph Masheck, 1985 |
| 14 | 79 | "Je/Autre" by Gary Parent, 1985 |
| 14 | 80 | "Nature" by Kimball Lockhart, 1985 |
| 14 | 81 | "Some Notes on Proliferation, Process, History" by Sande Cohen, 1985 |
| 14 | 82 | "Falsework" by Gregory Rukavina, 1985 |
| 14 | 83 | "Mass, Crowd and Pack" by Michel Feher, 1985 |
| Box | Folder | |
|---|---|---|
| 15 | 1 | "The Bubble-Child" by Jean Baudrillard, 1985 |
| 15 | 2 | "America's Borders Are Everywhere" by Alan Sekula, 1985 |
| 15 | 3 | "The Ditmarsh Tale of Lies" by the Brothers Grimm, 1985 |
| 15 | 4 | "The Procession of Udine" by T.S. Martin, 1985 |
| 15 | 5 | "Spitting Out an Eyeful at the Film Feast" by Ellen Kaufman, 1985 |
| 15 | Issue #43 | |
| 15 | 6-7 | Editorial Materials, 1986 (2 folders) |
| 15 | 8 | "If You Die in the University Hospital" by Michael Lesy, 1986 |
| 15 | 9 | "An Editorial" by Connie Fitzsimmons, 1986 |
| 15 | 10 | "The Invention of the World" by Jochen Gerz, 1986 |
| 15 | 11 | "On Criticism" by Ron Linden, 1986 |
| 15 | 12 | "From Minds Meet" by Walter Abish, 1986 |
| 15 | 13 | "Glitches" by Marina La Palma, 1986 |
| 15 | 14 | "Shoot Out in Boulder" by William Burroughs, 1986 |
| 15 | 15 | "Encounter..." by Marc Schepers, 1986 |
| 15 | 16 | "A Clever Ad" by Robert Morgan, 1986 |
| 15 | 17 | "I Have No Face" by Johanna Drucker, 1986 |
| 15 | 18 | "Hansel and Gretel" by Louis Hock and Elizabeth Sisco, 1986 |
| 15 | 19 | "VAMP R Y" by Judith Barry, 1986 |
| 15 | 20 | "Diseuse" by Theresa Hak Kyung Cha, 1986 |
| 15 | 21 | "Seduced By Analogy" by Bob Perelman, 1986 |
| 15 | 22 | "The Ricky Paul Show" by Eric Bogosian, 1986 |
| 15 | 23 | "Anniversaries of Defeat" by Gregory Lukow, 1986 |
| 15 | 24 | "All Flesh is Grass" by Amy Gerstler, 1986 |
| 15 | 25 | Unused Manuscripts, 1986 |
| 15 | Issue #44 | |
| 15 | 26 | Editorial Materials, 1986 |
| 15 | 27 | "Tiny Alice" by Nancy Evans, 1986 |
| 15 | 28 | "David Cabrera," 1986 |
| 15 | 29 | Unused Manuscripts, 1986 |
| 15 | Issue #45 | |
| 15 | 30-31 | Editorial Materials, 1986 (2 folders) |
| 15 | 32 | Manuscript, 1986 |
| 15 | Issue #46 | |
| 15 | 33 | Editorial Materials, 1987 |
| 15 | 34 | "Fear of Success" by Tim Power, 1987 |
| 15 | 35 | "TV Generations" by Judy Fiskin, 1987 |
| 15 | 36 | "Learning About Great Art" by Ilene Segalove, 1987 |
| 15 | 37 | "[editor's note]" by Marcos Sanchez-Tranqulino, 1987 |
| 15 | 38 | "The Chicano/a Artist Inside and Outside the Mainstream" by Harry Gamboa, Jr., 1987 |
| 15 | 39 | "Should Art Historians Know Their Place?" by John Tagg, 1987 |
| 15 | 40 | "Mano a Mano: an Essay On the Representation of the Zoot Suit and Its Misrepresentation by Octavio Paz" by Marcos Sanchez-Tranquilino, 1987 |
| 15 | 41 | "Art in Public Places" by Al Nodal, 1987 |
| 15 | 42 | "Untitled" by Jamey Bair, 1987 |
| 15 | 43 | Unused Manuscripts, 1987 |
| 15 | Issue #48 | |
| 15 | 44-45 | Editorial Materials, 1987 (2 folders) |
| 15 | 46 | Manuscript, 1987 |
| 15 | 47 | [cover], 1987 |
| 15 | 48 | "Local/International," 1987 |
| 15 | 49 | "Chicago Artists," 1987 |
| 15 | 50 | "London Artists," 1987 |
| 15 | 51 | "Los Angeles Artists," 1987 |
| 15 | 52 | "Eight Artists Respond to a Photo," 1987 |
| 15 | 53 | "New York Artists," 1987 |
| 15 | 54 | "Pirri Mantegna Petroiusti Roma," 1987 |
| 15 | Issue #49 | |
| 15 | 55 | Editorial Materials 1987 |
| 15 | Unknown Issue | |
| 15 | 56 | Manuscripts and Photographs, circa late 1980s |
| 15 | 57 | Artist's Calendar, 1977 |
| 15 | 58 | Journal #14, April-May 1977 |
| 15 | 59 | Journal #18, April-May 1978 |
| 15 | 60 | Journal #25, November-December 1979 |
| 15 | 61 | Journal #29, Summer 1981 |
| 15 | 62 | Newsletter #1-17, April 1974-January 1976 |
| 15 | 63 | Newsletter #18-35, February 1976-November 1977 |
| 15 | 64 | Newsletter #36-48, December 1977-December 1978 |
| 15 | 65 | Newsletter #49-60, January 1979-December 1979 |
| 15 | 66 | Newsletter #61-71, January 1980-December 1980 |
| 15 | 67 | Newsletter #72-90, January 1981-November/December 1982 |
| 15 | 68 | Newsletter #91-108, January/February 1983-March/April 1986 |
6.1 Committee Files, 1974-1987
This subseries consists of administrative and financial records relating to LAICA's publications, primarily the Journal.
6.2 Journal, 1981-1987
This subseries consists of the editorial files relating to the Journal. Files include proposals, correspondence, interview transcripts, manuscript drafts and final copy. Of special interest is an unedited transcript of an interview with Bruce Nauman in 1982, and unedited transcripts of oral history interviews with LAICA staff members (see "Interviews" by Robert Pincus in issue #40).
The files have been arranged in chronological order by issue number, and then organized by the order of that issue's contents. Manuscripts written for or published in unknown issues have been placed at the end of this subseries.
6.3 Printed Materials, 1974-1986
This subseries consists of four issues of LAICA's Journal (#14, April, 1977; #18, April, 1978; #25, December, 1979; #29, Summer, 1981). Also found here is a complete set (1974-1986) of LAICA's in-house newsletter. Early newsletters contain minutes and transcripts of committee meetings. In addition to LAICA's calendar, some newsletters contain a citywide calendar for art events. A 1977-1978 copy of the Artist Calendar provides an exhibition schedule for Los Angeles galleries.
Series 7: Photographs, mid 1970s-1983 (Box 15; 11 folders)
General photographs of LAICA facilities, staff, events, and meetings are filed here. There are photographs of LAICA's buildings on Robertson Boulevard and Traction Avenue. Staff members photographed include Robert and Tobi Smith, Debra Burchett-Lere, Michael Delgado, and Bridget Johnson. Also included are photographs of an Advocates meeting attended by Los Angeles City Councilman Joel Wachs, and a visit to LAICA by Joan Mondale.
Additional photographs are filed in the Exhibitions and Programs series. Slides are filed in Series 8, Slides.
| Box | Folder | |
|---|---|---|
| 15 | 69 | Accessibility Documentation, circa 1979 |
| 15 | 70 |
Advocates Annual Meeting, June 1983 Attended by Los Angeles City Councilman Joel Wachs |
| 15 | 71 | Buildings, mid 1970s-early 1980s |
| 15 | 72 | Contact Sheets, circa 1970s |
| 15 | 73 | Events, circa 1970s |
| 15 | 74 | Meetings, circa 1970s |
| 15 | 75 | Negatives, circa 1970s |
| 15 | 76-77 | Offices, circa 1970s (2 folders) |
| 15 | 78 | Staff, circa 1970s |
| 15 | 80 | Visit by Joan Mondale, March 1979 |
Series 8: Slides, 1974-1987 (Boxes 16-18; 3 linear feet)
All slides in the collection are filed in this series for preservation housing. The bulk of slides were separated from the Exhibitions and Programs series and provide comprehensive documentation of exhibitions, works of art, and events. Additional slides document LAICA's facilities, staff events and a staff party, the CETA-funded Artist-in-Residence program, and works of art from the Artist Files. Slides are arranged by broad program area, exhibition, or artist name and chronologically within each grouping.
| Box | Folder | |
|---|---|---|
| 16 | 1 |
LAICA: Century City Location - Offices
|
| 16 | 2 |
LAICA: Offices - Promotional Materials
|
| 16 | 3 |
LAICA Staff Party - Exhibitions
|
| 16 | 4 | Exhibitions, March 1976-March 1977 |
| 16 | 5 | Exhibitions, October 1977-December 1977 |
| 16 | 6 | Exhibitions, January 1978-June 1978 |
| 16 | 7 | Exhibitions, September 1978-October 1978 |
| 16 | 8 | Exhibitions, November 1978-February 1979 |
| 16 | 9 | Exhibitions, February 1979-May 1979 |
| 16 | 10 | Exhibitions, June 1979 |
| 16 | 11 | Exhibitions, June 1979-July 1979 |
| 16 | 12 | Exhibitions, August 1979-October 1979 |
| 16 | 13 | Exhibitions, November 1979-March 1980 |
| 16 | 14 | Exhibitions, April 1980-May 1980 |
| 16 | 15 | Exhibitions, May 1980-June 1980 |
| 16 | 16 | Exhibitions, June 1980-July 1980 |
| 16 | 17 | Exhibitions, August 1980-September 1980 |
| 16 | 18 | Exhibitions, September 1980 |
| Box | Folder | |
|---|---|---|
| 17 | 1 | Exhibitions, September 1980-December 1980 |
| 17 | 2 | Exhibitions, January 1981-March 1981 |
| 17 | 3 | Exhibitions, March 1981-September 1981 |
| 17 | 4 | Exhibitions, October 1981-November 1981 |
| 17 | 5 | Exhibitions, November 1981-January 1982 |
| 17 | 6 | Exhibitions, February 1982-October 1982 |
| 17 | 7 | Exhibitions, October 1982-March 1983 |
| 17 | 8 | Exhibitions, April 1983-November 1983 |
| 17 | 9 | Exhibitions, January 1984 |
| 17 | 10 | Exhibitions, March 1984 |
| 17 | 11 | Exhibitions, March 1984-July 1984 |
| 17 | 12 | Exhibitions, July 1984 |
| 17 | 13 | Exhibitions, October 1984 |
| 17 | 14 | Exhibitions, December 1984-April 1985 |
| 17 | 15 | Exhibitions, April 1985-June 1985 |
| 17 | 16 | Exhibitions, June 1985-October 1985 |
| 17 | 17 | Exhibitions, January 1986-February 1987 |
| 17 | 18 | Proposed Exhibits, "A-Au" |
| 17 | 19 | Proposed Exhibits, "Bu-De" |
| Box | Folder | |
|---|---|---|
| 18 | 1 | Proposed Exhibits, "Eu-Ta" |
| 18 | 2 |
Unknown Exhibitions - Events
|
| 18 | 3 | Events, May 1980-March 1983 |
| 18 | 4 |
CETA Artists in Residence: Larry Albright - Anthony Hernandez
|
| 18 | 5 |
CETA Artists in Residence: Bob Gibson - Peter Lodato
|
| 18 | 6 |
CETA Artists in Residence: John Miller - Judy Simonian
|
| 18 | 7 |
CETA Artists in Residence: Jean Thrift - CETA Day
|
| 18 | 8 |
CPR Training Session - CETA : Songwriters Resources Workshop
|
| 18 | 9 |
CETA John White Performance and Lecture - Artist Files, Merion Estes
|
| 18 | 10 |
Artist Files, Macduff Everton - Journal # 47
|