Neagle, John, b. 1796 d. 1865
Active in Philadelphia, Pa.
Collection size: 0.3 items (on 2 partial microfilm reels).
Collection Summary: Letters, writings, business records, sketches and printed material.
Reel 3909: Letters from Neagle to Mary Sully Neagle, his children and a draft of a letter to Thomas Sully, and others; two journals kept by Neagle, "History of Painting, 1817" and "Lessons in Landscape Painting, 1827"; loose sheets of autobiographical matters such as "Thomas Sully's palette," an 1850 cashbook; a sketch of John Brown by Neagle; and a lease cosigned by George Catlin, 1822.
Reel 3910: Notebooks kept by Neagle including "Hints for a painter with regard to his study, 1837," "a volume containing discussions of artists such as Titian and Raphael, and another providing technical information on cleaning pictures and recipes.
Biographical/Historical Note: Portrait painter; Philadelphia, Penn. Neagle studied under Bass Otis. Influences on Neagle's work include Thomas Sully and Gilbert Stuart. Neagle's painting "Pat Lyon at the Forge" was exhibited at the Pennsylvania Academy in 1827 and brought him notoriety. Neagle married Sully's step-daughter, Mary, in 1826.
The American Philosophical Society owns five Neagle notebooks, of which the APS filmed three. The Archives pruchased a copy of the film, and filmed the remaining two notebooks along with Neagle correspondence, printed matter and writings.
How to Use this Collection
- Microfilm reel 3909 available at Archives of American Art offices, through interlibrary loan and at the Free Library of Philadelphia.
microfilm reel 3910 available for use at Archives of American Art offices and through interlibrary loan.
- The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
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