Painter, Sculptor, Performance artist
New York, N.Y.
Size: Transcript: 11 p.
Collection Summary: Interview of Faith Ringgold conducted by Doloris Holmes in 1972 for the Archives of American Art "Art World in Turmoil" oral history project. Ringgold speaks of her involvement and the origins of WSABAL (Women, Students, and Artists for Black Artist Liberation); her attempts to raise awareness of the under-representation of women in art (writing to the Times/ performing surveys); her hopes for the upcoming WSABAL show on June 22 (the first black female show in New York); her feelings towards the NYUNBAYAASANAA (the male neo-African Harlem group); her reaction to the '68 Venice Biennale which excluded women and blacks; her subsequent show named the Liberated Venice Biennale which consisted of 50% women; the She Show and the Flag Show which instigated three arrests; the upcoming He Show and Where Are We At? Show; the importance of conducting open shows; her feelings towards historical African art and its conceptual confronting nature; the influence of Augusta Savage; the influence of African art upon Minimalism and Surrealism.
Biographical/Historical Note: Painter, sculptor; New York, N.Y.
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
How to Use this Interview
- Authorization to publish, quote or reproduce must be obtained from Faith Ringgold, POB 8082 Englewood, N.J.
- Patrons must use transcript.
- For more information on using the Archives’ resources, see the FAQ or Ask Us.