Size: Transcript: 72 p.
Collection Summary: An interview of Ed Rossbach conducted 2002 Aug. 27-29 by Carole Austin for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, Calif.
Rossbach speaks of his early education and the influential teachers he had; his involvement with the All-Arts Club in high school; his family and the Depression; his beginnings with weaving; the rich and full experience of Cranbrook Academy of Art; his education at the University of Washington and professor Lea Miller; his use of the GI Bill; his relationship with dealers and galleries; his workplace at home; the isolation he felt as an artist; the importance of the craft movement and the very international feeling associated with it; the publications he worked on and completed, including Making Marionettes , Baskets as Textile Art , The New Basketry  and The Art of Paisley ;
his experience at Rhode Island School of Design and using the advanced power loom; Jims Caning Shop in Berkeley, where he got a lot of his materials; the community of fiber artists that formed at Fiberworks; the "long" process of working with fiber; his dear friend Lillian Elliott; and the difficulty in preserving his artwork. Rossbach also recalls Maija Grotell, Jack Lenor Larsen, Magdalena Abakanowicz, Olga de Ameral, Pat Hickman, Ginger Laky, Chere Mah Marianne Strengell, Annie Albers, Pat Charley, Mark Balken, Daphne Farago, and others. Katherine Westphal, Rossbachs wife, concludes the interview with Ms. Austin discussing several of Eds works in the catalog Ed Rossbach, 40 Years of Exploration and Innovation in Fiber Art , the accounts from Ms. Westphal add particular insight to the artwork Rossbach produced and how integral a figure Rossbach was to the field of fiber art.
Biographical/Historical Note: Charles Edmund Rossbach (1914-2002) was a fiber artist from Berkeley, Calif.Carole Austin is a curator and writer from Orinda, Calif.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.