Forbes Watson papers, 1840-1967, bulk 1900-1960
A Finding Aid to the Forbes Watson Papers, 1840-1967, bulk 1900-1960, in the Archives of American Art, by Jean Fitzgerald
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Table of Contents:
- Biographical Information
- Overview of the Collection
- How to Use the Collection
- Detailed Description and Container Inventory
Biographical Information
Forbes Watson (1879-1960) worked primarily in New York City and Washington, D.C. as an art critic, writer, lecturer, and consultant to the U. S. Treasury Department's Public Works of Art Project and Section of Painting and Sculpture (Section of Fine Arts).
Forbes Watson was born on November 27, 1879 in Boston, the son of stockbroker John Watson and his wife Mary. Watson grew up in Cambridge, Massachusetts, attending the Phillips Academy in Andover, and graduating from Harvard University in 1902. After a brief period of freelance writing, he was hired by The New York Evening Post as an art critic in 1911 and worked there until 1917. In 1910, he married Agnes, professionally known as painter Nan Watson.
During World War I, Watson served with an American volunteer ambulance unit with the French army, later working with the American Red Cross in Paris. After the war, he moved back to New York City and worked as art critic for The World, from the early 1920s until 1931 and as editor of The Arts magazine from 1923-1933. Watson also lectured at the Art Students League, and at various universities and arts organizations.
In 1933, Watson moved to Washington, D.C. to serve as technical director of the U. S. Treasury Department's short-lived Public Works of Art Project. In October 1934, Watson was employed as Chief Adviser to the Treasury Department's Section of Painting and Sculpture (later renamed the Section of Fine Arts) and later as Consultant to the Secretary's Office of the Treasury. During World War II, he organized various traveling exhibitions including "Art for Bonds" that promoted the sale of war bonds. Watson retired in 1946 and lived in Gaylordsville, Connecticut.
Watson was the author of numerous essays and reviews, and several books including American Painting Today and Winslow Homer, a biography of the noted American artist. With Edward Bruce, he produced a pictorial volume Art in Federal Buildings, Vol. I: Mural Designs. At his death he was working on his autobiography.
Forbes Watson died on May 31, 1960 in New Milford, Connecticut.
Overview of the Collection
Scope and Contents
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.5 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.
Biographical material includes Watson's Harvard diploma, documents concerning his service with the Red Cross in World War II, biographical accounts, and obituaries.
Correspondence is primarily with colleagues and includes scattered letters from Alfred H. Barr, Jr., Ira Glackens, Allen Tucker, and Max Weber. Other letters are from artists, art historians, and museum curators. A notebook contains shorthand drafts of letters from Watson.
Business records include personal business records consisting of various tax and stock records. The Arts Publishing Corporation records concern Watson's tenure as editor of The Arts magazine and contains a contract, correspondence, financial records, stockholders reports, press releases, a scrapbook, and issues of The Arts.
The U.S. Treasury Department file is the largest series and documents Watson's federal employment as technical director, chief advisor, and consultant for Treasury Department's public art programs - the Public Works of Art Project and the Section of Painting and Sculpture. The files contain correspondence, financial reports, prospectuses, exhibition files, typescripts, clippings, exhibition catalogs, miscellaneous printed material, and photographs, and a scrapbook. The files contain a record of Watson's and other federal administrators' interactions with many artists during the Depression Era. Correspondence is primarily between Watson and Edward Bruce, Olin Dows, Henry and Elinor Morgenthau, and Edward B. Rowan. Found are scattered letters from artists including Yasuo Kuniyoshi, Paul Manship, and William Zorach, among many others. There are exhibition files for "Art for Bonds," "Army at War," and "War Against Japan." There are also photographs of U. S. Treasury Department events including a radio broadcast by John Dewey, Robert La Follette, Jr., and Sumner Welles.
Documents from the Pepsi-Cola Company's Third Annual Exhibition at the National Academy of Design contains a prospectus, an exhibition catalog and artists' statements.
Artist/Patron files contain reference material concerning painters, sculptors, photographers, dancers, composers, authors, art collectors, art dealers, and museum administrators. Files may include writings, notes, artworks, exhibition catalogs and other printed materials. Of particular note are photographs, which include portrait photographs of artists and of artists in their studios. Notable photographers include Ansel Adams, Arnold Genthe, Man Ray, photographs of New York City by Charles Sheeler and a photo of Henri Matisse by A. E. Gallatin. Files for Nan Watson, Symeon Shimin, and Glenn O. Coleman contain artworks. A file for Constantin Brancusi contains legal documents concerning U. S. Customs vs. Brancusi.
Art and Architecture files consist of reference material including photographs and notes concerning miscellaneous unattributed art works, American architecture, and furnishings.
Notes and writings consist of miscellaneous notes and typescripts of lectures and published articles, and notebooks.
Nine scrapbooks and loose scrapbook pages contain clippings of articles written by Watson, lists, and exhibition announcements and catalogs. Additional printed material includes clippings, copies of the Hue and Cry newspaper, exhibition announcements and catalogs, press releases, calendars of events, brochures for the Art Students League, book catalogs, published books, and miscellaneous printed material.
Photographs are of Forbes Watson; family members including his wife, painter Nan Watson; and members of the Art Students League including Peggy Bacon, Minna Citron, Stewart Klonis, Yasuo Kuniyoshi, and Reginald Marsh. There are also photographs of juries for the Carnegie Institute International Exhibitions that include colleagues Alfred H. Barr, Jr., Gifford Beal, Guy Pene DuBois, Leon Kroll, Henri Matisse, Homer Saint-Gaudens, and Maurice Sterne.
Arrangement and Series Description
The collection is arranged as 11 series:
- Series 1: Biographical Material, 1902-1960 (Box 1; 4 folders)
- Series 2: Correspondence, 1913-1960 (Box 1; 33 folders)
- Series 3: Business Records, 1920-1942 (Box 1-3, 14; 2.0 linear feet)
- Series 4: U. S. Treasury Department File, 1926-1945 (Box 3-6, 14, 17, OV 21; 3.4 linear feet)
- Series 5: File for Pepsi-Cola Company's Third Annual Exhibition "Paintings of the Year," 1946 (Box 6; 5 folders)
- Series 6: Artist/Patron Files, 1840-1967 (Box 6-9, 15, OV 21; 2.8 linear feet)
- Series 7: Art and Architecture File, 1929-1930 (Box 9; 35 folders)
- Series 8: Notes and Writings, 1875-1950 (Box 9-10; 1.2 linear feet)
- Series 9: Scrapbooks, 1904-1951 (Box 9, 11, 14, BV 18, BV 19, BV 20; 1.8 linear feet)
- Series 10: Printed Material, 1900-1961 (Box 10, 12-13, 16-17; 1.5 linear feet)
- Series 11: Photographs, 1900-1950 (Box 13; 6 folders)
All material is arranged chronologically, with the exception of the Artist/Patron Files which are arranged alphabetically.
Subjects and Names
This collection is indexed in the online catalog of the Archives of American Art under the following terms:
- Subjects:
- Bacon, Peggy, 1895-1987, Photographs
- Barr, Alfred Hamilton, 1902-
- Beal, Gifford, 1879-1956, Photographs
- Brancusi, Constantin, 1876-1957
- Citron, Minna Wright, 1896-1991
- Du Bois, Guy Pène, 1884-1958
- Klonis, Stewart, 1901-1989
- Kroll, Leon, 1884-1974, Photographs
- Kuniyoshi, Yasuo, 1889-1953, Photographs
- Marsh, Reginald, 1898-1954, Photographs
- Matisse, Henri, 1869-1954
- Saint-Gaudens, Homer, b. 1880, Photographs
- Sterne, Maurice, 1878-1957
- Art Students League (New York, N.Y.)
- Pepsi-Cola Company
- Public Works of Art Project
- Red Cross
- United States -- Dept. of the Treasury. Section of Painting and Sculpture
- United States -- Dept. of the Treasury. Section of Fine Arts
- United States -- Public Buildings Administration. Section of Fine Arts
- Arts (Magazine)
- Subjects-Topical:
- Architecture -- New York, N.Y. -- Photographs
- Architecture, New York State, New York -- Photographs
- Art, American
- Art and state
- Art critics -- New York (State) -- New York
- Art publishing
- Arts administrators, New York (State) -- New York
- Authors, New York (State) -- New York
- Federal aid to the arts
- New Deal, 1933-1939
- World War, 1939-1945 -- Art and the war
- Subjects-Geographical:
- New York N.Y. -- Buildings, structures, etc., Photographs
- United States -- Social conditions, 1933-1945
- Types of Materials:
- Photographs
- Drafts (documents)
- Notes
- Scrapbooks
- Names:
- Adams, Ansel, 1902-1984
- Barr, Alfred Hamilton, 1902-
- Bruce, Edward, 1879-1943
- Coleman, Glenn O., 1887-1932
- Dows, Olin, 1904-
- Gallatin, A. E. (Albert Eugene), 1881-1952, photographer
- Genthe, Arnold, 1869-1942
- Glackens, Ira, 1907-1990
- Kuniyoshi, Yasuo, 1889-1953
- Mangravite, Peppino, 1896-
- Manship, Paul, 1885-1966
- Morgenthau, Henry, 1891-1967
- Ray, Man, 1890-1976
- Rowan, Edward Beatty, 1898-1946
- Sheeler, Charles, 1883-1965, photographer
- Shimin, Symeon, 1902-
- Tucker, Allen, 1866-1939
- Watson, Nan, 1876-1966
- Weber, Max, 1881-1961
- Zorach, William, 1887-1966
Provenance
The Forbes Watson papers were donated by Watson's widow, Nan Watson, in 1961.
How the Collection was Processed
Portions of the papers were separated and microfilmed in 1961 on reels D47-D57, 440, 1192-1194, 3480, and 4361. The microfilm reels are no longer in circulation because they do not reflect the current arrangement of the papers. All portions were merged and processed in 2010 by Jean Fitzgerald.
How to Use the Collection
Restrictions on Use
Use of original papers requires an appointment.
Ownership & Literary Rights
The Forbes Watson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
How to Cite this Collection
Forbes Watson papers, 1840-1967, bulk 1900-1960. Archives of American Art, Smithsonian Institution.
Detailed Description and Container Inventory
Series 1: Biographical Material, 1902-1960 (Box 1; 4 folders)
Biographical material consists of Watson's Harvard diploma, documents concerning his service with the Red Cross in World War II, biographical accounts, and obituaries.
| Box | Folder | |
|---|---|---|
| 1 | 1 | Harvard Diploma, 1902 |
| 1 | 2 | Documents Concerning World War I Service in the Red Cross, 1917-1918 |
| 1 | 3 | Biographical Accounts, 1932-1940 |
| 1 | 4 | Obituaries for Forbes Watson, 1960 |
Series 2: Correspondence, 1913-1960 (Box 1; 34 folders)
The correspondence series contains letters regarding general topics. A notebook contains shorthand drafts of letters from Watson to Concetta Scaravaglione, Eugene Speicher, Margit Varga, and Jane Wasey, among others. Correspondence is primarily with colleagues and includes scattered letters from Alfred H. Barr, Jr., Ira Glackens, Allen Tucker, and Max Weber. There are also scattered letters from Gifford Beal, George Bellows, Thomas Hart Benton, George Biddle, Isabel Bishop, Stirling Calder, Mabel Choate, Andrew Dasburg, Guy Pene Du Bois, Juliana Force, Albert E. Gallatin, Robert Henri, Edward Hopper, William James, Robert Laurent, Reginald Marsh, Duncan Phillips, Henry Varnum Poor, Henry E. Schnakenberg, Aaron Sopher, Raphael Soyer, Gertrude Vanderbilt Whitney, and Virginia Woolf.
| Box | Folder | |
|---|---|---|
| 1 | 5 | Shorthand Notebook of Letters from Watson, undated |
| 1 | 6 | Correspondents with Surnames "A" - "C," undated |
| 1 | 7 | Correspondents with Surnames "D," undated |
| 1 | 8 | Correspondents with Surnames "H" - "R," undated |
| 1 | 9 | Correspondents with Surnames "S" - "Z," undated |
| 1 | 10 | Correspondence, 1913-1924 |
| 1 | 11-12 | Correspondence, 1925 (2 folders) |
| 1 | 13-14 | Correspondence, 1926 (2 folders) |
| 1 | 15-16 | Correspondence, 1927 (2 folders) |
| 1 | 17 | Correspondence, 1928 |
| 1 | 18-19 | Correspondence, 1929 (2 folders) |
| 1 | 20-21 | Correspondence, 1930 (2 folders) |
| 1 | 22-24 | Correspondence, 1931 (3 folders) |
| 1 | 25 | Correspondence, 1932 |
| 1 | 26 | Correspondence, 1933-1935 |
| 1 | 27 | Correspondence, 1936-1939 |
| 1 | 28 | Correspondence, 1940-1941 |
| 1 | 29 | Correspondence, 1942-1946 |
| 1 | 30 | Correspondence, 1947 |
| 1 | 31 | Correspondence, 1948 |
| 1 | 32 | Correspondence, 1949 |
| 1 | 33 | Correspondence, 1950-1953 |
| 1 | 34-36 | Correspondence, 1954 (3 folders) |
| 1 | 37 | Correspondence, 1955 |
| 1 | 38 | Correspondence, 1956-1960 |
Series 3: Business Records, 1920-1942 (Box 1-3, 14; 2.0 linear feet)
Found are records relating to Watson's personal business and the Arts Publishing Corporation.
The Business Records series is arranged into 2 subseries:
- Subseries 3.1: Personal Business Records, 1937-1942
- Subseries 3.2: Arts Publishing Corporation Records, 1920-1932
Subseries 3.1: Personal Business Records, 1937-1942
Found are tax and stock records.
| Box | Folder | |
|---|---|---|
| 1 | 39 | Personal Business, 1937-1942 |
Subseries 3.2: Arts Publishing Corporation Records, 1920-1932
Found are materials concerning Watson's tenure as editor of The Arts magazine, including legal records, corresopndence, financial materials, stockholder reports, printed material, and a scrapbook. Also found are issues of The Arts dating from 1921 until 1931.
| Box | Folder | |
|---|---|---|
| 1 | 40 | Contract, 1922 |
| 1 | 41-47 | Correspondence, 1931-1932 (7 folders) |
| 1 | 48 | Advertising Costs, 1923-1930 |
| 1 | 49 | Subscriptions, 1930-1931 |
| 1 | 50 | Stockholders Report, 1929-1930 |
| 1 | 51 | Brochures, undated |
| 1 | 52 | Press Releases, undated |
| 1 | 53-68 | The Arts, 1920-1924 (16 folders) |
| Box | Folder | |
|---|---|---|
| 2 | 1-18 | The Arts, 1924-1928 (18 folders) |
| Box | Folder | |
|---|---|---|
| 3 | 1-10 | The Arts, 1929-1931 (10 folders) |
| Box | Folder | |
|---|---|---|
| 14 | 1 | Scrapbook, 1923-1931 |
Series 4: U.S. Treasury Department records, 1926-1945 (Boxes 3-6, 14, 17, OV 21; 3.4 linear feet)
This series contains correspondence, financial materials, mural competition files, exhibition files, writings and lists, printed mateirals including exhibition catalogs, and photographs related to Watson's work for the U.S. Treasury Department.
The U.S. Treasury Department records series is arranged into 8 subseries:
- Subseries 4.1: Correspondence, 1933-1945
- Subseries 4.2: Business and Financial Records, 1935-1942
- Subseries 4.3: Mural Competition Files, 1935-1939
- Subseries 4.4: Exhibition Files, 1942-1945
- Subseries 4.5: Writings and Lists, 1934-1945
- Subseries 4.6: Printed Material, 1934-1945
- Subseries 4.7: Photographs, 1934, undated
- Subseries 4.8: Scrapbooks, 1944-1945
Subseries 4.1: Correspondence, 1933-1945
This subseries consists of correspondence between Watson and Edward Bruce, Olin Dows, Henry and Elinor Morgenthau and Edward B. Rowan.
| Box | Folder | |
|---|---|---|
| 3 | 11 | Undated |
| 3 | 12 | 1933-1935 |
| 3 | 13-15 | 1936 (3 folders) |
| 3 | 16-18 | 1937 (3 folders; Oversized material housed in OV21) |
| 3 | 19-31 | 1938 (13 folders) |
| 3 | 32-41 | 1939 (10 folders) |
| 3 | 42-48 | 1940 (7 folders) |
| 3 | 49-52 | 1942 (4 folders) |
| 3 | 53-59 | 1942 (7 folders) |
| Box | Folder | |
|---|---|---|
| 4 | 1-2 | 1943 (2 folders) |
| 4 | 3-10 | 1944 (8 folders) |
| 4 | 11 | 1945 |
| Box | ||
|---|---|---|
| OV 21 | Oversized Christmas Card by Peppino Mangravite, 1937 (from Box 3, F18) |
Subseries 4.2: Business and Financial records, 1935-1942
| Box | Folder | |
|---|---|---|
| 4 | 12-15 | Inspection Tour File, 1937 (4 folders) |
| 4 | 16 | Financial Summary Reports, 1935-1942 |
| 4 | 17 | National competitions Committee Report, 1938 |
Subseries 4.3: Mural Competition Files, 1935-1939
This subseries contains four prospectuses for various mural competitions at post offices throughout the United States sponsored by the U.S. Treasury Department. Another prospectus is for the Forty-Eight State competition.
| Box | Folder | |
|---|---|---|
| 4 | 18 | Dubuque, Iowa, 1935 |
| 4 | 19 | Summerville, Massachusetts, 1936 |
| 4 | 20 | Poughkeepsie, New York, 1937 |
| 4 | 21 | Wausau, Wisconsin, 1938 |
| 4 | 22 | Forty-Eight State Competition, 1939 |
Subseries 4.4: Exhibition Files, 1942-1945
This subseries consists of correspondence, writings, notes, printed materials, and photographs
The Exhibition Files series is arranged into 3 subseries:
- Subseries 4.4.1: "Art for Bonds," 1942-1945
- Subseries 4.4.2: "Army at War," 1943-1945
- Subseries 4.4.3: "War Against Japan," 1944-1945
Subsubseries 4.4.1: "Art for Bonds," 1942-1945
The "Art for Bonds" exhibition promoted the sale of war bonds during World War II. Found are letters of correspondence, litsts of works of art and of patrons, notes, press releases, writings, and printed materials. Typescripts of Watson's letters to his wife describe his activities in Paris while he organized the "Art for Bonds."
| Box | Folder | |
|---|---|---|
| 4 | 23 | Correspondence, 1942 |
| 4 | 24-38 | Correspondence, 1943 (15 folders) |
| 4 | 39-40 | Correspondence, 1944 (2 folders) |
| 4 | 41-43 | Correspondence, 1945 |
| 4 | 44-46 |
From Forbes Watson to Nan Watson, 1945 (3 folders) (Describes Watson's activities while organizing "Art for Bonds" in Paris, France) |
| 4 | 47 | Lists of Works of Art, undated |
| 4 | 48 | Lists of Art Patrons, undated |
| 4 | 49 | Captions, undated |
| 4 | 50 | Notes, undated |
| 4 | 51 | Press Releases, undated |
| 4 | 52-53 | Lectures, 1943 (2 folders) |
| 4 | 54 | "Concerning Life at Camp Barnes in New Caledonia," by Unknown, 1943 |
| 4 | 55 | Forward for a Catalog by Elinor B. Morgentuau, undated |
| 4 | 56 | Clippings, 1943-1945 |
| 4 | 57 | Exhibition Announcements and Catalogs, 1943 |
| 4 | 58 | Programs, 1943 |
| 4 | 59 | Posters, undated (Oversized material housed in OV21) |
| 4 | 60 | Brochure, undated |
| 4 | 61-74 | Photographs of the Exhibition in Paris, France, 1945 (14 folders) |
| Box | ||
|---|---|---|
| OV 21 | Oversized Poster, undated (from Box 4, F59) |
4.4.2: "Army at War," 1943-1945
Found are correspondence, a typescript for a radio talk, writings and lectures, reports, printed materials, and photographs. Photographs include those of Henry Morgenthau, Forbes Watson and Eleanor Roosevelt at exhibitions as well as exhibition photographs from New York City, Buffalo, Detroit, Chicago, Minneapolis, Portland, Los Angeles, and Denver.
| Box | Folder | |
|---|---|---|
| 4 | 75-94 | Correspondence, 1944 (Oversized material housed in OV21; 20 folders) |
| 4 | 95-102 | Correspondence, 1945 (8 folders) |
| 4 | 103-105 | Radio Talk Typescript, 1944-1945 (3 folders) |
| Box | Folder | |
|---|---|---|
| 5 | 1 | "Our Artists Paint the Army at War," 1943 |
| 5 | 2 | Lecture, Rochester, New York, 1944 |
| 5 | 3 | Exhibition Report, 1944-1945 |
| 5 | 4-10 | Writings and Notes, 1944, undated (7 folders) |
| 5 | 11-17 | Clippings, 1944-1945 (7 folders) |
| 5 | 18-19 | Exhibition Announcements and Catalogs, 1944 (2 folders) |
| 5 | 20-21 | Press Releases, 1944 (2 folders) |
| 5 | Photographs of Exhibitions | |
| 5 | 22 |
Washington, D.C., 1944 (Henry Morgenthau and Forbes Watson, held at National Gallery of Art) |
| 5 | 23-24 |
1944 New York City, New York, (2 folders) (Eleanor Roosevelt) |
| 5 | 25 | Buffalo, New York, 1944 |
| 5 | 26 | Detroit, Michigan, 1944 |
| 5 | 27-28 | Chicago, Illinois, 1944 (2 folders) |
| 5 | 29 | Minneapolis, Minnesota, 1945 |
| 5 | 30 | Portland, Oregon, 1945 |
| 5 | 31 | Los Angeles, California, 1945 |
| 5 | 32 | Denver, Colorado, 1945 |
| 5 | 33 | Negatives of Works of Art, undated |
| Box | ||
|---|---|---|
| OV 21 | Oversized Floor Plan for Detroit Exhibition, 1944 (from Box 4, F89) |
4.4.2: "War Against Japan," 1944-1945
Found are correspondence, artist biographies, lists and writings, printed material, and photographs of service men, David Finley, Henry Morgenthau, Forbes Watson, and art work.
| Box | Folder | |
|---|---|---|
| 5 | 34-39 | Correspondence, 1945 (6 folders) |
| 5 | 40 | Artist Biographies, undated |
| 5 | 41-42 | Lists of Works of Art, 1944-1945 (2 folders) |
| 5 | 43 | Miscellaneous Notes, undated |
| 5 | 44 | "War Against Japan," undated |
| 5 | 45 | Printed Materials, 1944-1945 |
| 5 | Photographs | |
| 5 | 46 | Service Men and Artwork, undated |
| 5 | 47 |
Washington, D.C., 1945 (David Finley, Henry Morgenthau, and Forbes Watson at the National Gallery of Art) |
| 5 | 48 | Works of Art, undated |
4.5: Wrtitings and Lists, 1934-1945
Found are lists concerning artwork, art patrons, artists, and purchases; transcripts of radio talks by Forbes Watson, Edward Bruce, Mrs. Henry Morgenthau and Mrs. Esther Van Wagoner Tufty; typescripts of writings, lectures, and talks, the majority of which do not have specified authors and are undated; and miscellaneous notes.
| Box | Folder | |
|---|---|---|
| 5 | Lists | |
| 5 | 49 | Mural Painters and Locations, undated |
| 5 | 50-52 | Lecture Slides, undated (3 folders) |
| 5 | 53 | Works of Art, undated |
| 5 | 54 | Sponsors, undated |
| 5 | 55 | Artists, undated |
| 5 | 56 | Artists' Addresses, 1938, undated |
| 5 | 57 | Artists and Works, 1941 |
| 5 | 58 |
Works of Art, 1942 (Works purchased by the Office of Emergency Management) |
| 5 | 59 | Publications Concerning Art, 1942 |
| 5 | 60 | Notes Concerning Artists War Program in New England, 1943 |
| 5 | 61 | Radio Talk, Draft, undated |
| 5 | Typescripts of Radio Talks and Interviews | |
| 5 | 62 | Forbes Watson and Edward Bruce, 1934 |
| 5 | 63 | Forbes Watson by Mrs. Richard Casey of Australia, 1942 |
| 5 | 64 |
Forbes Watson by Charles Coiner, 1942 (From Home of the Brave Radio Program) |
| 5 | 65 | Mrs Henry Morgenthau and Mrs. Esther Van Wagoner Tufty, 1942 |
| 5 | 66 | Lecture Manuscript, undated |
| 5 | 67 | "An American Experiment in Art," undated |
| 5 | 68 | "American Mural Painting," undated |
| 5 | 69 | "The Army Artist Unit" and "Art in the U.S.A.," undated |
| 5 | 70-71 | "Art in Federal Buildings," undated |
| 5 | 72 | "Art in the Democracy" and "Art in the Storms," undated |
| 5 | 73 | "Art in War Time" and "Art is a Weapon," undated |
| 5 | 74 | "The Artist and His People" and "The Artists' War Message," undated |
| 5 | 75 | "Art Projects of the U.S. Treasury Department," undated |
| 5 | 76 |
"Bridge the Gap," undated (for the Colonial Dames) |
| 5 | 77 | "Dignity of Wages," "Educational and Wealth-Producing Advantages of Art in Federal Buildings," and "The Fate of Unheralded Acts," undated |
| 5 | 78 | "Federal Encouagement and Private Support of Art," undated |
| 5 | 79 | "Federalizing the American Artist," undated |
| 5 | 80 | "Five Months of Federal Act," undated |
| 5 | 81 | "Glycerine Tears," "Government and Art in the United States," and "Edward Laning Drawings," undated |
| 5 | 82 |
Talks, undated (In Nashville and for National Women's Democratic Club Talk) |
| 5 | 83 | "The National World War Institute," Painting a People's War," "Paintings from the United States," "Paying the Artists' Bills," undated |
| 5 | 84 | "The People and Their Art," undated |
| 5 | 85-87 |
"Procurement Architecture," undated (3 folders) (Includes Photographs) |
| 5 | 88 | "The Public Works of Art Project: A New Deal for the Artists," undated |
| 5 | 89 | "The Section of Fine Arts," and "Sergeant Glen Rounds," undated |
| 5 | 90 | "A Survey Guide Containing Suggestions for a Survey to be Made by Every Branch of the A.W.U.W. for the Purpose of Bringing the Artist and the Community into More Effective Relationship," undated |
| 5 | 91 | "To Know the Art of Mural Painting in America Everybody Finds it Necessary to Visit the National Capitol," and "The treasury Department Art Projects," undated |
| 5 | 92 | "Treasury Department Section of Fine Arts 1933-1938," "Uncle Sam the Art Collector," and "The Uses of Art," undated |
| 5 | 93 | "Visiting Artists Praise Exhibition of Works by Section of Fine Arts," "War Art," and "Washington's New Art," undated |
| 5 | 94 | "We Did Not Need a Bombing," and Woodstock Talk, undated |
| 5 | 95 | "This About America," 1934 |
| 5 | 96 | "Easel Paintings Supplement Treasury Department Mural Projects," 1936 |
| 5 | 97 |
Talks, 1936-1938 (At Howard University and Worcester Museum of Art) |
| 5 | 98 |
"Art in Federal Buildings," 1938 (Talk Delivered at the White House) |
| 5 | 99-100 | "This Art Belongs to You," 1938 (2 folders) |
| 5 | 101 | Lecture at American Association of University Women, 1939 |
| 5 | 102 |
"Painting and Sculpture Designed for Federal Buildings," 1939 (Introduction for Exhibition Catalog) |
| 5 | 103 | "Edward Bruce," 1940 |
| 5 | 104 | Lecture at National Mural Painters Society, 1940 |
| 5 | 105 | Phillips Gallery Talk, 1940 |
| 5 | 106 | American Institute of Decorators Talk, 1941 |
| 5 | 107 | John Herron Institute Talk, 1941 |
| 5 | 108 | "Catalogue," 1942 |
| 5 | 109 | "Art in War," 1942 |
| 5 | 110 | "Introduction: Wartime Painting," and "Foreward," 1944 |
| 5 | 111 |
"The Function of a War Museum," 1944-1945 (Richmond Lecture to the Tuckahoe Women's Club) |
| 5 | 112-113 |
"Public Works Art Project," "The Section of Fine Arts," "A Short Account of the Background of the Procurement Division," and "Artists!...Please Note," undated (2 folders) (by Edward Bruce) |
| 5 | 114 |
"Six Month Study of Art in the United States," 1940 (by Charlotte R. Partridge) |
| Box | Folder | |
|---|---|---|
| 6 | 1 | Writings on the History of the Section of the Fine Arts undated |
| 6 | 2-3 | Notes and Writings, 1936-1943, undated (2 folders) |
Subseries 4.6: Printed Material, 1926-1944
Found are clippings, copies of The Bulletin, press releases, exhibition catalogs, materials relating to Art Guide, and published works.
| Box | Folder | |
|---|---|---|
| 6 | 4-7 | Clippings, 1926-1939 (4 folders) |
| 6 | 8-12 | The Bulletin, 1935-1940 (5 folders) |
| 6 | 13-14 | Press Releases, 1933-1943 (2 folders) |
| 6 | Exhibition Catalogs | |
| 6 | 15 | Unidentified, undated |
| 6 | 16 | Colorado Springs Fine Arts Center, undated |
| 6 | 17 | Mural Designs Executed Under the Federal Works Agency, undated |
| 6 | 18 | Exhibition of Photographs of Murals and Sculpture, undated |
| 6 | 19 | National Exhibition of Art by the Public Works of Art Project, Whitney Museum of American Art, 1934, |
| 6 | 20 | Mural Designers and Sculpture Models by Appointed and Competing Artists Submitted for Federal Buildings Projects,Corcoran Gallery of Art, 1935 |
| 6 | 21 | Sculpture and Paintings for Federal Buildings, Whitney Museum of American Art, 1936 |
| 6 | 22 | Painting and Sculpture for Federal Buildings, Corcoran Gallery of Art, 1936 |
| 6 | 23 | Painting and Sculpture Designed for Federal Buildings, Corcoran Gallery of Art, 1939 |
| 6 | 24-26 | Mural Designs for Federal Buildings, National Gallery of Canada, Ottawa and Whitney Museum of American Art, 1940 (3 folders) |
| 6 | 27 | 200 American Watercolors, 1941 |
| 6 | 28 | An Exhibtion of 200 American Water Colors, National Gallery of Art, 1941 |
| 6 | 29 | Two Hundred American Water Colors, Whitney Museum of American Art, 1941 |
| 6 | 30 | American Artists' Record of War and Defense, National Gallery of Art, 1942 |
| 6 | 31 | The Edward Bruce Memorial Collection, 1943 |
| 6 | 32-33 |
Art Guide, 1938 (2 folders) (Includes a mock-up and copies for the Justice Building and for the Post Office) |
| 6 | 34 | Art in Federal Buildings, Volume I: Mural Designs by Edward Bruce and Forbes Watson, 1936 (Oversized material housed in Box 17) |
| 6 | 35 | Miscellaneous Printed Material, 1936-1944, undated |
| Box | Folder | |
|---|---|---|
| 17 | 5 | Oversized Art in Federal Buildings, Volume I: Mural Designs by Edward Bruce and Forbes Watson, 1936 (from Box 6, F34) |
Subseries 4.7: Photographs, 1934, undated
Found are photographs taken at receptions, radio talks, events, and of murals.
| Box | Folder | |
|---|---|---|
| 6 | 36 | Presentation of Painting of National Archives Building by Dorsey Doniphan, undated |
| 6 | 37 | Radio Talk with John Dewey, Robert LaFollette, Jr., and Sumner Welles, undated |
| 6 | 38 | Procurement Division Luncheon, undated |
| 6 | 39 | Department of Justice Reception, undated |
| 6 | 40 | Exhibition at Art Guild of Washington, undated |
| 6 | 41 | Washington Post Office Murals, undated |
| 6 | 42 | Regional Directors and Washington Administrative Staff of Public Works of Art Project, 1934 |
| 6 | 43 | Miscellaneous, undated |
Subseries 4.8: Scrapbooks, 1944-1945
Found is one scrapbook from the "Army at War" exhibition held in Milwaukee, Wisconsin.
| Box | Folder | |
|---|---|---|
| 14 | 2 | Scrapbook, 1944-1945 |
Series 5: File for Pepsi-Cola Company's Third Annual Exhibition Paintings of the Year, 1946 (Box 6; 5 folders)
This file concerns the Pepsi-Cola Company's Third Annual Exhibition at the National Academy of Design in which Watson was interested after his service in the U. S. Treasury Department. It contains a prospectus, an exhibition catalog and artists' statements.
| Box | Folder | |
|---|---|---|
| 6 | 44 | Prospectus and Exhibition Catalog, 1946 |
| 6 | 45-48 | Artists' Statements, 1946 (4 folders) |
Series 6: Artist/Patron Files, 1840-1967 (Box 6-9, 15, OV 21; 2.8 linear feet)
The Artist/Patron Files contain reference material including notes, typescripts, scattered art work, printed material including exhibition catalogs, and photographs concerning painters, sculptors, photographers, dancers, composers, authors, art collectors, art dealers, and museum administrators. Many files include notable portrait photographs and of artists at work, which are noted at the folder level. A file for Edward Rowan includes a letter from Bruce describing his philosophy regarding the PWAP and the Section of Fine Arts. A file for Constantin Brancusi contains legal documents concerning U. S. Customs vs. Brancusi. A file for John Gadsby Chapman contains a booklet The Picture: Baptism of Pocahontas (1840). Notable photographers includea photograph of Andrew Dasburg by Arnold Genthe, a photograph of Eugene McConn by Man Ray, photographs by Ansel Adams of art work by Maurice Sterne, and photographs of New York City by Charles Sheeler.
| Box | Folder | |
|---|---|---|
| 6 | 49 | Photographs of Unidentified Individuals, undated |
| 6 | 50 | Art Work by Unidentified Artists, undated (Oversized Material Housed in Box 15) |
| 6 | 51 | George Aarnes; Alanova, undated |
| 6 | 52 | Washington Allston; Cuno Amiet; Albert André, undated |
| 6 | 53 | Alexander Archipenko, 1920 |
| 6 | 54 | Paul Arlt, undated |
| 6 | 55 |
Peter Arno with Lupe Velez; Maurice Asselin; Milton Avery, undated (Includes portrait photograph of Milton Avery) |
| 6 | 56 | George and Martin Baer, undated |
| 6 | 57 | Kenneth Bald, undated |
| 6 | 58 | Alfred H. Barr, Jr., undated |
| 6 | 59 | Erwin J. Barrie, undated |
| 6 | 60 | A. S. Baylinson; Gifford Beal, undated |
| 6 | 61-63 | George Bellows, 1925-1965, undated (3 folders) |
| 6 | 64 | Benjamin Greenstein Benno; Parmello Bianco, undated |
| 6 | 65 | George Biddle; Henry Billings, undated |
| 6 | 66 | Edwin S. Blashfield, undated |
| 6 | 67-68 | Robert Blum, 1923, undated (2 folders) |
| 6 | 69 | Peter Blume; Ernest Blumenschein, undated |
| 6 | 70 |
Simone Brangier Boas, undated (Includes portrait photograph) |
| 6 | 71 | Aaron Bohrod, undated (Oversized Material Housed in Box 15) |
| 6 | 72 |
Louis Bouché, undated (Includes portrait photograph) |
| 6 | 73 | Clare Shenehon Boyd; Fiske Boyd; Thomas Boyd, 1940, undated |
| 6 | 74-76 | Constantin Brancusi, 1927, undated (3 folders) |
| 6 | 77 |
Frank Brangwyn; Georges Braque, John Breeze, 1920-1933, undated (Includes portrait photograph of Frank Brangwyn) |
| 6 | 78 | Edgar Britton, undated |
| 6 | 79-81 | Manuel Bromberg, undated (3 folders) |
| 6 | 82 |
Alexander Brook, 1930-1952, undated (Includes portrait photograph) |
| 6 | 83-85 |
Edward Bruce, 1926-1943, undated (3 folders; Includes portrait photograph) |
| 6 | 86 |
Beiamino Bufano; Charles E. Burchfield, 1930, undated (Includes portrait photograph of Beiamino Bufano) |
| 6 | 87 | Henri Burkhard; Edith Woodman Burroughs, undated |
| 6 | 88 | Stirling Calder; William V. Caldwell, undated |
| 6 | 89 | William Calfee; Blendon Campbell; Georges Capon, undated |
| 6 | 90-91 | Mary Cassatt, 1935, undated (2 folders) |
| 6 | 92 | Marc Chagall; Robert Winthrop Chanler, undated |
| 6 | 93 | John Gadsby Chapman; William Merritt Chase, 1840-1879, undated |
| 6 | 94 | Clarence K. Chatterton, 1931, undated |
| 6 | 95 |
Carlos Chavez; Russell Cheney; Nicholas Cikovsky, undated (Includes portrait photograph of Carlos Chavez) |
| 6 | 96 |
Glenn O. Coleman, undated (Oversized Material Housed in OV 21; Includes portrait photograph) |
| 6 | 97 | Alfred Quentin Collins, undated |
| Box | Folder | |
|---|---|---|
| 7 | 1-4 |
Howard Cook, 1937-1960, undated (4 folders; Oversized Material Housed in Box 15) (Includes portrait photograph) |
| 7 | 5 | J. Halley Cox, undated |
| 7 | 6 | Kenyon Cox, undated |
| 7 | 7 | Alfred DiGiorgio Crimi, 1928-1962, undated |
| 7 | 8 | John Steuart Curry, undated |
| 7 | 9 | James D'Agostino, undated |
| 7 | 10 | Andrew Dasburg, undated |
| 7 | 11 | Randall Davey; Jo Davidson, undated |
| 7 | 12-15 | Arthur B. Davies, 1897-1967, undated (4 folders) |
| 7 | 16 | Gladys Rockmore Davis, undated |
| 7 | 17 | Richard Davis, undated |
| 7 | 18 | Stuart Davis; Roger de La Fresnaye; Charles Demuth, undated |
| 7 | 19 | André Derain, undated |
| 7 | 20 | Gleb Derujinsky; André Dunoyer de Segonzac, undated |
| 7 | 21 | Maurice de Vlaminck; Henri de Waroquier; Thomas Dewing; Preston Dickinson, undated |
| 7 | 22-23 | Arthur G. Dove, 1930-1967, undated (2 folders) |
| 7 | 24-27 |
Olin Dows, 1936-1946, undated (4 folders; Includes portrait photograph) |
| 7 | 28 | William F. Draper, undated |
| 7 | 29 |
Elsie Driggs; Guy Pene Du Bois; Charles Dufresne; Raoul Dufy, undated (Includes portrait photograph of Guy Pene Du Bois) |
| 7 | 30 | Frank D. Duncan, undated |
| 7 | 31 | Thomas C. Dunn, undated |
| 7 | 32 | Joseph Albert Duveen, 1961, undated |
| 7 | 33 | Elizabeth Boott Duveneck; Frank Duveneck, undated |
| 7 | 34 | Thomas Eakins, 1929, undated |
| 7 | 35 | Stuart Edie, undated |
| 7 | 36 | Paul R. Ellsworth; Max Ernst; Stephen Etnier, undated |
| 7 | 37 | A. Favori; John Duncan Ferguson, undated |
| 7 | 38 | Hamilton Easter Field, undated |
| 7 | 39 | Mitchell Fields, undated |
| 7 | 40 |
Ernest Fiene, 1927, undated (Includes portrait photograph) |
| 7 | 41 |
James Montgomery Flagg; John Bernard Flannagan; J. L. Forain, undated (Includes portrait photograph of James Montgomery Flagg) |
| 7 | 42 |
Juliana Force, undated (Oversized Material Housed in Box 15; Includes portrait photograph) |
| 7 | 43-44 | David Fredenthal, 1942-1944, undated (2 folders) |
| 7 | 45 | Karl Free, undated |
| 7 | 46 |
Daniel Chester French; E. Othon Friesz, undated (Includes portrait photograph of Daniel Chester French) |
| 7 | 47 | Ted R. Gamble, undated |
| 7 | 48 | Emil Ganso; Edith Geiger, undated |
| 7 | 49-53 |
William J. Glackens, 1920-1949 (5 folders; Includes portrait photograph) |
| 7 | 54 | Albert Gleizes; Charles Goeller, undated |
| 7 | 55 | E. Gondouin; Xavier Gonzales, undated |
| 7 | 56 |
A. Conger Goodyear; Mordecai Gorelik, undated (Oversized Material Housed in Box 15; Includes portrait photograph) |
| 7 | 57 | Harry Gottlieb, undated |
| 7 | 58 |
Martha Graham, undated (Includes portrait photograph) |
| 7 | 59 | Dorothea Greenbaum; M. Gromaire; William Gropper, undated (Oversized Material Housed in Box 15) |
| 7 | 60 | Chaim Gross; Edwin Booth Grossman; A Guillaumin, undated (Oversized Material Housed in Box 15) |
| 7 | 61 | Paul Haakon; Robert Hallowell; Hamilton Hamilton, undated |
| 7 | 62 |
George M. Harding, undated (Oversized Material Housed in Box 15; Includes portrait photograph) |
| 7 | 63 | Marie Harriman; George "Pop" Hart, undated (Oversized Material Housed in Box 15) |
| 7 | 64 | Marsden Hartley, undated |
| 7 | 65 | Rosella Hartman; Leon Hart, undated |
| 7 | 66 | Herbert Haseltine, undated |
| 7 | 67 | Charles Hawthorn; Milton Hebald, undated |
| 7 | 68 | Robert Henri, undated |
| 7 | 69 | John Holmer, undated (Oversized Material Housed in OV 21) |
| 7 | 70 | Winslow Homer, undated |
| 7 | 71 | Charles Hopkinson, undated |
| 7 | 72-75 | Edward Hopper, 1924, undated (4 folders) |
| 7 | 76 | Doris Humphrey, undated |
| 7 | 77 | Sidney Hunt, 1923-1927 |
| 7 | 78 | Harry Jackson; G. W. James, III; Roland G. James, undated |
| 7 | 79 | Mitchell Jamieson, 1942-1954, undated |
| 7 | 80 | Richard Jansen, undated |
| 7 | 81 | C. Paul Jennewein; George Jensen, undated |
| 7 | 82 | Avery Johnson; Erle Loran Johnson, undated |
| 7 | 83 | Joseph Jones, 1938, undated |
| 7 | 84 | Robert Edmond Jones, 1932, undated |
| 7 | 85 | Charles Kaeselau; John Kane, undated |
| 7 | 86 | Morris Kantor, undated |
| 7 | 87 | Bernard Karfiol, undated |
| 7 | 88 | Georges Kars, undated |
| 7 | 89 |
Rockwell Kent, 1933, undated (Includes portrait photograph) |
| 7 | 90 | Fiske Kimball; M. Kisling, undated |
| 7 | 91 | Georgina Klitgaard, undated |
| 7 | 92 | George Kratina; John F. Kraushaar, undated (Oversized Material Housed in Box 15) |
| 7 | 93-94 | Henry Kreis, undated (2 folders) |
| 7 | 95 | Harald Kreutzberg, undated |
| 7 | 96 | Leon Kroll, undated |
| 7 | 97 | Max Kuehne, 1944, undated |
| 7 | 98 | Walt Kuhn, undated |
| 7 | 99 | Yasuo Kuniyoshi, 1941, undated |
| 7 | 100 | Gaston Lachaise; John LaFarge; Richard Lahey, undated |
| 7 | 101 | Pierre LaPrade; Robert Laurent, undated |
| 7 | 102 | Tom Lea; Henri Lebasque, undated |
| 7 | 103 | Arthur Lee; Doris Lee; Jules Lefebvre, undated |
| 7 | 104 | Fernand Leger; Henri Le Sidaner, undated |
| 7 | 105 | Jack Levine, undated |
| 7 | 106 | André Lhote; William Littlefield, undated |
| 7 | 107 | Ward Lockwood; Frank Long, 1947, undated |
| 7 | 108-109 |
Carlos Lopez, undated (2 folders; Includes portrait photograph) |
| 7 | 110 | Robert Lotiron, undated |
| 7 | Folder Title undated | |
| 7 | 111-112 |
Sherman C. Loudermilk, undated (2 folders; Includes portrait photograph) |
| 7 | 113 | Maximilian Luce, undated |
| 7 | 114-115 |
George Luks, undated (2 folders; Includes portrait photograph) |
| 7 | 116 | Jean Lurcot; Gwen Lux, undated |
| 7 | 117 | Stewart S. MacDermott; Artistide Maillol, undated |
| 7 | 118 | Peppino Mangravite, undated |
| 7 | 119-122 | Paul Manship, 1933-1959, undated (4 folders) |
| 7 | 123 | Jean Marchand; L. Marcoussis, undated |
| 7 | 124 | Berta Margoulies; Albert Marquet; Fred Dana Marsh, undated (Oversized Material Housed in Box 15) |
| 7 | 125-126 | Reginald Marsh, undated (2 folders) |
| 7 | 127 |
Fletcher Martin; Milton Marx, undated (Includes portrait photograph of Milton Marx) |
| 7 | 128 |
Henri Matisse, 1932, undated (Includes portrait photograph) |
| 7 | 129 | Donald Mattison, undated |
| 7 | 130 | Henry E. Mattson, undated |
| 7 | 131 | Milton Max, undated |
| 7 | 132 | Eugene McConn Photographed by Man Ray, 1922 |
| 7 | 133 | John R. McDermott, undated |
| 7 | 134 | Henry Lee McFee; Kindred McLeary, undated |
| 7 | 135 | William McVey, undated |
| Box | Folder | |
|---|---|---|
| 8 | 1 | Frank Mechan, undated |
| 8 | 2 | Barse Miller, undated |
| 8 | 3 | Edgar Miller; Henry Miller, 1943, undated |
| 8 | 4 | Kenneth Hayes Miller, 1953, undated |
| 8 | 5-7 |
Edward Millman, 1944-1964, undated (3 folders; Includes portrait photograph) |
| 8 | 8 | Amedeo Modigliani; Ross Moffett; Herman More; Marcel Mouillot, undated |
| 8 | 9 | William Sidney Mount; Albert K. Murray, Jerome Myers, undated |
| 8 | 10 | Frank Osborn, 1926 |
| 8 | 11 | William C. Palmer, undated |
| 8 | 12 | Jules Pascin, undated |
| 8 | 13 | James Peale; Waldo Peirce, 1935, undated |
| 8 | 14 | Charles Hovey Pepper; Pablo Picasso; Attilio Piccirilli, undated |
| 8 | 15 | Horace Pippin; Camille Pissarro, 1940, undated |
| 8 | 16 |
Ogden Pleissner, 1944, undated (Includes portrait photograph) |
| 8 | 17 | Joseph Pollet, undated |
| 8 | 18-23 |
Henry Varnum Poor, undated (6 folders; Includes portrait photograph) |
| 8 | 24-25 |
Hiram Powers, 1847, undated (2 folders) (Includes portrait photograph) |
| 8 | 26-27 | Maurice Prendergast, 1930-1955 (2 folders) |
| 8 | 28 | Edmund Quinn, undated |
| 8 | 29 |
Savo Radulovic; Ellen Emmet Rand, undated (Includes portrait photograph of Savo Radulovic) |
| 8 | 30 |
Edward Reep; Frank K. Rehn; Théophile Robert, undated (Includes portrait photograph of Frank Rehn) |
| 8 | 31-33 | Boardman Robinson, undated (3 folders) |
| 8 | 34 | Theodore Robinson; Auguste Rodin; Paul Rohland, undated |
| 8 | 35 |
Franklin D. Roosevelt, 1941, undated (Includes portrait photograph) |
| 8 | 36 | Doris Rosenthal; Georges Rouault; Glen H. Rounds, undated |
| 8 | 37 | Albert P. Ryder, undated |
| 8 | 38 | Antonio Salemme; George Samerjan, undated |
| 8 | 39 | Paul Sample; John Singer Sargent, undated |
| 8 | 40 | Eugene Francis Savage, undated |
| 8 | 41 | Bruce Wilder Saville, undated |
| 8 | 42 |
Concetta Scaravaglione, undated (Includes portrait photograph) |
| 8 | 43 | Katherine Schmidt; Carl Schmitz, undated |
| 8 | 44 | Henry E. Schnakenberg, undated |
| 8 | 45 | James W. Seese; Charles Shannon, undated |
| 8 | 46-49 |
Charles Sheeler, 1923, undated (4 folders; Includes portrait photograph) |
| 8 | 50 |
Dwight C. Shepler, 1945, undated (Includes portrait photograph) |
| 8 | 51 | Symeon Shimin; Paul Signac; Lucien Simon, undated (Oversized Material Housed in OV 21) |
| 8 | 52-54 |
Sidney Simon, 1945-1966, undated (3 folders; Includes portrait photograph) |
| 8 | 55 |
John Sloan; Lawrence Beall Smith, undated (Oversized Material Housed in Box 15; Includes portrait photograph of John Sloan) |
| 8 | 56 |
Samuel D. Smith, undated (Includes portrait photograph) |
| 8 | 57-58 | Aaron Sopher, 1940-1957, undated (2 folders) |
| 8 | 59 | Eugene Speicher, undated |
| 8 | 60 | Francis Speight; Niles Spencer, undated |
| 8 | 61 |
Robert Spencer, Ralph Stackpole, Théophile Steinlen, undated (Oversized Material Housed in Box 15; Includes portrait photograph of Ralph Stackpole) |
| 8 | 62 | Joseph Stella, undated |
| 8 | 63-65 | Maurice Sterne, undated (3 folders; Oversized Material Housed in Box 15) |
| 8 | 66 | Alfred Stieglitz, 1946, undated |
| 8 | 67 | Josef Stransky; Henry Strater, undated |
| 8 | 68 | Sara Mildred Strauss, undated |
| 8 | 69 | Dudley V. Talcott; Chuzo Tamotzu, undated |
| 8 | 70 | Frederic Taubes; Pavel Tchelitchew; Harry F. Tepker, undated |
| 8 | 71 | Elizabeth Terrell; F. C. Trucksess, undated |
| 8 | 72 |
Harry S Truman, undated (Includes portrait photograph) |
| 8 | 73-76 | Allen Tucker, 1928-1946, undated (4 folders) |
| 8 | 77 | Buk Ulreich, undated |
| 8 | 78 | Leon Underwood, undated |
| 8 | 79 | Maurice Utrillo, undated |
| 8 | 80 | Kees Van Dongen; Dorothy Varian; Henri Verge-Sarrat, undated |
| 8 | 81-83 |
Frede Jensen Vidar, undated (3 folders; Includes portrait photograph) |
| 8 | 84-85 |
Rudof C. Von Ripper, 1944, undated (2 folders; Includes portrait photograph) |
| 8 | 86 | Horatio Walker, undated |
| 8 | 87 | Abraham Walkowitz; Heinz Warneke, 1916, undated |
| 8 | 88-99 | Nan Watson, 1915-1960, undated (12 folders) |
| Box | Folder | |
|---|---|---|
| 9 | 1-2 | Max Weber, 1969, undated (2 folders) |
| 9 | 3 | Adolph Weinman, undated |
| 9 | 4 | Elmer Wexler, undated |
| 9 | 5 | Vera White; Frederic Allen Whiting, undated |
| 9 | 6 | Gertrude Vanderbilt Whitney; Isabel Whitney, undated (Oversized Material Housed in Box 15) |
| 9 | 7 | Mildred Williams; Andrew Winter, undated |
| 9 | 8 | John Kellogg Woodruff; Harold Holmes Wrenn, undated |
| 9 | 9 | Mahonri Young, undated |
| 9 | 10-11 |
William Zorach, 1940, undated (2 folders; Oversized Material Housed in Box 15; Includes portrait photograph) |
| Box | Folder | |
|---|---|---|
| 15 | 1 | Oversized Oil Painting by Unidentified Artist, undated, (from Box 6, Folder 50) |
| 15 | 2 | Oversized Photographs of Aaron Bohrod and His Work, undated, (from Box 6, Folder 70) |
| 15 | 3 | Oversized Photographs of Art Work by Howard Cook, undated, (from Box 7, Folder 4) |
| 15 | 3 | Oversized Photograph of Juliana Force, undated, (from Box 7, Folder 42) |
| 15 | 4 | Oversized Photographs of Art Work by Mordecai Gorelik, undated, (from Box 7, Folder 56) |
| 15 | 4 | Oversized Photograph of Art Work by William Gropper, undated, (from Box 7, Folder 59) |
| 15 | 4 | Oversized Photograph of Art Work by Edwin Booth Grossman, undated, (from Box 7, Folder 60) |
| 15 | 5 | Oversized Photograph of Art Work by George Harding, undated, (from Box 7, Folder 62) |
| 15 | 5 | Oversized Lithograph by George "Pop" Hart, undated, (from Box 7, Folder 63) |
| 15 | 5 | Oversized Photographs of Art Work by George Kratina, undated, (from Box 7, Folder 92) |
| 15 | 6 | Oversized Photograph of Art Work by Fred Dana Marsh, undated, (from Box 7, Folder 124) |
| 15 | 6 | Oversized Photographs of John Sloan, undated, (from Box 8, Folder 55) |
| 15 | 6 | Oversized Photograph of Ralph Stackpole, undated, (from Box 8, Folder 61) |
| 15 | 7 | Oversized Photographs of Art Work by Maurice Sterne, undated, (from Box 8, Folder 65) |
| 15 | 7 | Oversized Photograph of Art Work by Gertrude Vanderbilt Whitney, undated, (from Box 9, Folder 6) |
| 15 | 7 | Oversized Photograph of William Zorach, undated, (from Box 9, Folder 11) |
| Box | ||
|---|---|---|
| OV 21 | Oversized Lithograph by Glenn O. Coleman, undated, (from Box 6, Folder 95) | |
| OV 21 | Oversized Photographs of Art Work by John Holmer, undated, (from Box 7, Folder 69) | |
| OV 21 | Oversized Drawing by Symeon Shimin, undated, (from Box 8, Folder 51) |
Series 7: Art and Architecture File, 1929-1930 (Box 9; 35 folders)
The Art and Architecture File consists of reference files of photographs and notes concerning miscellaneous unattributed art works, American architecture, and furnishings.
| Box | Folder | |
|---|---|---|
| 9 | 12-13 | Folk Art Sculpture, (2 folders) |
| 9 | 14 | Miscellaneous Sculpture, undated |
| 9 | 15 | Portrait Paintings of Women, undated |
| 9 | 16 | Portrait Paintings of Men, undated |
| 9 | 17-18 | Paintings of Children and Families, undated (2 folders) |
| 9 | 19 | Miscellaneous Marine Paintings, undated |
| 9 | 20 | Paintings of Landscapes and Still Life Images, undated |
| 9 | 21 | Buildings in California, undated |
| 9 | 22 | Addison Gallery of Art, Andover, Massachusetts, undated |
| 9 | 23-29 | Buildings in New York City, 1929, undated (7 folders; Oversized Material Housed in Box 16) |
| 9 | 30 | Art Work from the Brooklyn-Paramount Theatre, Brooklyn, New York, undated |
| 9 | 31-33 | Buildings in New York State, 1930, undated (3 folders) |
| 9 | 34-35 | Buildings in Washington, D.C., undated (2 folders) |
| 9 | 36 | Miscellaneous Buildings, undated |
| 9 | 37-41 | Historic Interiors at Museum of Fine Arts, Boston, undated (5 folders) |
| 9 | 42 | Historic Interiors at Metropolitan Museum of Art, New York, undated |
| 9 | 43 | Miscellaneous Historic Interiors, undated |
| 9 | 44-45 | Miscellaneous Furnishings, undated (2 folders) |
| 9 | 46 | Miscellaneous Art Work, undated |
| Box | Folder | |
|---|---|---|
| 16 | 1 | Oversized Photograph of Façade of the U. S. Assay Office at Metropolitan Museum of Art, undated, (from Box 9, Folder 23) |
Series 8: Notes and Writings, 1875-1950 (Box 9-10; 1.2 linear feet)
Notes and writings consist of miscellaneous notes and typescripts of lectures and published articles not directly related to Watson's work for the U. S. Treasury Department. There is also a set of notebook pages containing a list of articles, miscellaneous notes and typescripts.
| Box | Folder | |
|---|---|---|
| 9 | 47-55 | Notebook Pages, 1940-1946 (9 folders) |
| 9 | 56 | Lists, 1929-1930, undated |
| 9 | 57 | Manuscript Fragments, undated |
| 9 | 58 | Typescript Fragments, undated |
| 9 | 59 | Typescript "1913-1923" Concerning the Armory Show, undated |
| 9 | 60 | Radio Talk Typescripts Ghost-Written by Forbes Watson for Others, undated |
| 9 | 61 | Typescripts of Lectures 3-5, undated |
| 9 | 62 | "The American Artist's Opportunity," undated |
| 9 | 63 | Speech Delivered to American Society of Painters, Gravers, and Sculptors, undated |
| 9 | 64 | Art Students League Lecture No. 1, undated |
| 9 | 65 | Lecture for Cedar Rapids, undated |
| 9 | 66 | Lecture on Prints for Cleveland, undated |
| 9 | 67 | Columbia Lecture No. 2, undated |
| 9 | 68 | Whitney Museum of American Art Talks, undated |
| 9 | 69 | "The Accepted Thing, the New Vision, a Curious Animosity, the Enemies of Art," undated |
| 9 | 70 | "The Aftermath of Modernism," undated |
| 9 | 71 | "Art in the New America," undated |
| 9 | 72-73 | "The Background of Present-Day Painting, undated (2 folders) |
| 9 | 74 | "Evasion and Stylization," undated |
| 9 | 75 | "Cezanne," undated |
| 9 | 76 | "Civilized Contemporary Painting," undated |
| 9 | 77 | "Communism's Gift to the United States," undated |
| 9 | 78 | "Contemporary Portraits," undated |
| 9 | 79 | "The Cost of a Painting," undated |
| 9 | 80-81 | "Eighteenth Century Europe," undated (2 folders) |
| 9 | 82 | Concerning Exhibition of American Art, undated |
| 9 | 83 | "Exhibitions Coming and Going," undated |
| 9 | 84-85 | "Flemish, Dutch, and Spanish Art," undated (2 folders) |
| 9 | 86 | "Free Exhibitions," undated |
| 9 | 87 | "From Walk-Up to the Land," undated |
| 9 | 88 | "Gothic," undated |
| 9 | 89-90 | "Greek Art," undated (2 folders) |
| 9 | 91 | "The Home Product," undated |
| 9 | 92 | "How the Artist Feels about It," undated |
| 9 | 93 | "Hustling 'Em Off the Stage," undated |
| 9 | 94 | "In at the Birth," undated |
| 9 | 95 | Concerning Independents, undated |
| 9 | 96 | "Is There an American Art?," undated |
| 9 | 97 | "The Material Uses of the Fake," undated |
| 9 | 98 | "Henri Matisse" undated |
| 9 | 99 | "Modern Trends in Art," undated |
| 9 | 100 | "National Character in American Art," undated |
| 9 | 101 | "Opportunities in the Arts," undated |
| 9 | 102 | "Parisian Taste in America," undated |
| 9 | 103 | "The Power of Modesty," undated |
| 9 | 104 | "Regionalism," undated |
| 9 | 105 | "Religion in Art," undated |
| 9 | 106 | "Renaissance 2," undated |
| 9 | 107 | "The Role of the Subject in Painting," undated |
| 9 | 108 | "Roman and Byzantine Art," undated |
| 9 | 109 | "The Significance of Modern Painting," undated |
| 9 | 110 | "Social Consciousness Returns to Art," undated |
| 9 | 111 | Concerning Maurice Sterne, undated |
| 9 | 112 | "Twenty-Five Years Ago," undated |
| 9 | 113 | "Two Realities," undated |
| 9 | 114 | "Uncommissioned Portraits," undated |
| 9 | 115 | "The Word Modern," undated |
| 9 | 116 | "The World of Art," undated |
| 9 | 117 | "Lectures Held at Art Students League of New York," 1924 |
| 9 | 118 | Concerning Early American Murals, 1926 |
| 9 | 119 | "The Root of Art," 1929 |
| 9 | 120 | "The Blessings of the Crash," 1929-1930 |
| 9 | 121 | Concerning the Society of Independent Artists, Inc., 1931 |
| 9 | 122 | "Miss Lizzie Bliss," 1931 |
| 9 | 123 | "Whitney Museum Talk," 1931 |
| 9 | 124 | Concerning Exhibition of Society of Independent Artists, Inc., 1932 |
| 9 | 125 | "Dali and Rockwell," 1933 |
| 9 | 126 | Typescript Fragment, 1934 |
| 9 | 127 | "The American Scene," 1934 |
| Box | Folder | |
|---|---|---|
| 10 | 1 | "The People and Their Art," 1935 |
| 10 | 2 | "Egyptian Art," 1936 |
| 10 | 3 | "The Fate of Unheralded Acts," 1936 |
| 10 | 4 | Art Teachers' Lecture at Howard University, 1936 |
| 10 | 5 | "Bibliography of American Painting," 1937 |
| 10 | 6-8 | "The Pattern of Our Period," 1937 (3 folders) |
| 10 | 9 | "What With One Fair and Another," 1939 |
| 10 | 10 | Report "Community Arts Program," 1939 |
| 10 | 11 | "God Bless America," 1940 |
| 10 | 12 | "Serious Joys," 1940 |
| 10 | 13 | Lecture at Art Students League, 1940 |
| 10 | 14 | Lecture for Washington Dance Association at the Phillips Gallery, 1940 |
| 10 | 15 | "The Benefit of Great Art," 1941 |
| 10 | 16 | Book Review of Winslow Homer by Lloyd Goodrich, 1944 |
| 10 | 17 | "Interview with Colonel Kemper at the Pentagon," 1944 |
| 10 | 18 | "George Bellows: the Boy Wonder of American Painting," 1945 |
| 10 | 19 | Radio Talk by Forbes Watson and Nancy Osgood, 1945 |
| 10 | 20 | "Museum Public Relations," 1946 |
| 10 | 21 | "Incidents - No. 2," 1946 |
| 10 | 22 | "The Artist's Position in the Community," 1946 |
| 10 | 23 | "Art Lectures," 1946 |
| 10 | 24 | "The Picture That Mr. Widener Liked," 1947 |
| 10 | 25-28 | Art Students League Talks 2, 3, 5, and 6 Concerning 19th Century American Painting, 1947 (4 folders) |
| 10 | 29 | "Kuniyoshi," 1948 |
| 10 | 30 | "Painters, Sculptors, and Public," 1949 |
| 10 | 31 | Art Students League Talk No. 1 "Popes, Princes, and Public," 1949 |
| 10 | 32 | Art Students League Talk No. 2 "Feathers and Wings," 1949 |
| 10 | 33 | Art Students League Talk (No. 2) "El Greco, Velasquez, and Goya," 1949 |
| 10 | 34-35 | Art Students League Talk No. 3 "Portraits Commissioned and Uncommissioned," 1949 (2 folders) |
| 10 | 36 | Art Students League Talk No. 4 "The Artist's Education, Etc.," 1949 |
| 10 | 37 | Art Students League Talk No. 5 "The Museum and the Artist," 1949 |
| 10 | 38-39 | Art Students League Talk No. 6 "The Achievement of Two Ladies," 1949 (2 folders) |
| 10 | 40 | Art Students League Talk No. 7 "The Army and Art," 1949 |
| 10 | 41 | Art Students League Talk (No. 7) "What the Public Buys," 1949 |
| 10 | 42-43 | Art Students League Talk No. 9 "Art on the Wall?Master or Servant?," 1949 (2 folders) |
| 10 | 44 | Art Students League Talk No. 10 "Publicity, the Modern Monster," 1949 |
| 10 | 45 | "American Painting 1750 to 1950," 1950 |
| 10 | 46-53 | Metropolitan Museum Talks 1, 2, and 3 "Twentieth Century American Painting," 1950 (8 folders) |
| 10 | 54 | "Part II (Reminiscences)" by Unidentified Author, undated |
| 10 | 55 | "Exploration of the Colorado River of the West and Its Tributaries?" by J. W. Powell, 1875 |
| 10 | 56 | "Sculpture and Americans" by Robert Cronbach, undated |
| 10 | 57 | "The Expositions in Paris" by Marc Debrol, undated |
| 10 | 58 | "Louis David: His Modern Appeal" by Alys M. Decker, undated |
| 10 | 59 | "The Third Dimension in Painting" by E. Dickson, undated |
| 10 | 60 | "Federal Character in Architecture" by Charles Goodman, undated |
| 10 | 61 | "Awards of the Mighty" by Guido, undated |
| 10 | 62 | "New Painters of sentiment and Mystery" by Henry Russell Hitchcock, Jr., undated |
| 10 | 63 | "A Note on H. E. Schnakenbert" by Mildred Palmer, undated |
| 10 | 64 | "Modernism in the Midwest" by Sam Putnam, undated |
| 10 | 65 | "Head in Natural Maine boulder," "In Affection," "Mother and Child," "The Reclining Cat," and "The Spirit of the Dance," by William Zorach, undated |
| 10 | 66 | "Random Notes" Possibly by Allen Tucker or Marget Sargent, 1926 |
| 10 | 67 | "Zapotec Urns" by E. P. Richardson, 1930 |
| 10 | 68 | "Notes on the Whitney Museum of American Art" by Eleanor Lambert, 1930-1931 |
| 10 | 69 | "Do We Need A Museum of Modern Art?" by Unidentified Author, 1931 |
| 10 | 70 | "Exhibition of Newer Super-Realism at the Morgan Memorial" by A. Everett Austin, Jr., 1931 |
| 10 | 71 | "The Modern Artist and the Modern World" by Frank Callcott, 1931 |
Series 9: Scrapbooks, 1904-1951 (Box 9, 11, 14, BV 18-20; 1.8 linear feet)
Nine scrapbooks and loose scrapbook pages primarily contain miscellaneous clippings, and exhibition announcements and catalogs. The Whitney Studio Club Scrapbook contains clippings, exhibition announcements, catalogs, annotations about sales of art work, and a list of exhibitions during the 1928-1930 seasons. Scrapbook 4 contains clippings of Watson's articles for The Evening Post and Scrapbook 7 contains clippings of Watson's articles for The World newspaper.
| Box | Folder | |
|---|---|---|
| 10 | 72 | Whitney Studio Club Scrapbook, 1924-1930 |
| 10 | 73-76 | Scrapbook Pages, 1913-1951 (4 folders) |
| Box | Folder | |
|---|---|---|
| 11 | 1 | Scrapbook 1, 1904-1943 |
| 11 | 2 | Scrapbook 2, 1912-1915 |
| 11 | 3 | Scrapbook 3, 1913-1916 |
| 11 | 4 | Scrapbook 5, 1922-1929 |
| 11 | 5 | Scrapbook Pages, 1936-1937 |
| Box | Folder | |
|---|---|---|
| 14 | 3 | Scrapbook 8, 1928-1929 |
| Box | ||
|---|---|---|
| BV 18 | Scrapbook 4, 1915-1933 |
| Box | ||
|---|---|---|
| BV 19 | Scrapbook 6, 1923-1925 |
| Box | ||
|---|---|---|
| BV 20 | Scrapbook 7, 1925-1927 |
Series 10: Printed Material, 1900-1961 (Box 10, 12-13, 16-17; 1.5 linear feet)
Printed material consists of clippings, including copies of the Hue and Cry newspaper, exhibition announcements and catalogs, press releases, calendars of events, brochures for the Art Students League, book catalogs, books The Art Spirit by Robert Henri, and Art Treasures and Intrigue by James Henry Duveen, and miscellaneous printed material.
| Box | Folder | |
|---|---|---|
| 10 | 77-78 | Clippings, undated (2 folders; Oversized Material Housed in Box 16) |
| 10 | 79-81 | Clippings, 1900-1908 (3 folders) |
| 10 | 82 | Clippings, 1914-1918 (2 folders) |
| 10 | 84-88 | Clippings, 1922-1929 (5 folders; Oversized Material Housed in Box 16) |
| 10 | 89-95 | Clippings, 1930-1939 (7 folders; Oversized Material Housed in Box 16) |
| 10 | 96-99 | Clippings, 1940-1949 (4 folders; Oversized Material Housed in Box 16) |
| 10 | 100-104 | Clippings, 1950-1953 (5 folders; Oversized Material Housed in Box 17) |
| Box | Folder | |
|---|---|---|
| 12 | 1-7 | Exhibition Announcements and Catalogs, 1921-1949, undated (7 folders; Oversized Material Housed in Box 17) |
| 12 | 8 | Prospectus from MacDowell Club of New York, 1914 |
| 12 | 9 | Prospectus for Competitive Print Exhibition at Print Club of Cleveland, 1930 |
| 12 | 10 | Press Releases, 1930-1950 |
| 12 | 11 | Calendars of Events, 1934-1945 |
| 12 | 12 | Annual Report of the Worcester Art Museum, 1934 |
| 12 | 13 | Brochures for the Art Students League, 1921-1924 |
| 12 | 14 | Book Catalogs, 1940-1942 |
| 12 | 15 | The Art Spirit by Robert Henri, 1930 |
| Box | Folder | |
|---|---|---|
| 13 | 1 | Art Treasures and Intrigue by James Henry Duveen, 1935 |
| 13 | 2 | Advancing American Art with Text by Hugo Weisgall, 1947 |
| 13 | 3 | Galley Proof Sheets for Miscellaneous Publications, undated |
| 13 | 4 | Miscellaneous Printed Material, 1938-1961, undated |
| Box | Folder | |
|---|---|---|
| 16 | 2 | Oversized Clippings, undated, from Box 10, Folder 78 |
| 16 | 3 | Oversized Issues of the Hue and Cry Newspaper, 1929, from Box 10, Folder 88 |
| 16 | 4 | Oversized Clippings, 1939, from Box 10, Folder 95 |
| 16 | 4 | Oversized Clippings, 1940, from Box 10, Folder 96 |
| 16 | 4 | Oversized Clippings, 1941, from Box 10, Folder 97 |
| 16 | 4 | Oversized Clippings, 1942, from Box 10, Folder 98 |
| 16 | 5 | Oversized Clippings, 1943-1945, from Box 10, Folder 98 |
| 16 | 6 | Oversized Clippings, 1946-1947, from Box 10, Folder 99 |
| 16 | 7 | Oversized Clippings, 1948-1949, from Box 10, Folder 99 |
| Box | Folder | |
|---|---|---|
| 17 | 1 | Oversized Clippings, 1950, from Box 10, Folder 100 |
| 17 | 2 | Oversized Clippings, 1951, from Box 10, Folder 100 |
| 17 | 3 | Oversized Clippings, 1952, from Box 10, Folder 103 |
| 17 | 4 | Oversized Exhibition Catalog for Whitney Studio Galleries, 1930, from Box 12, Folder 4 |
Series 11: Photographs, 1900-1950 (Box 13; 6 folders)
Photographs are of Forbes Watson, family members including his wife, painter Nan Watson, members of the Art Students League including Peggy Bacon, Minna Citron, Paul Juley, Stewart Klonis, Yasuo Kuniyoshi, and Reginald Marsh. There are also photographs of juries for the Carnegie Institute International Exhibitions that include colleagues Alfred H. Barr, Jr., Gifford Beal, Guy Pene DuBois, Leon Kroll, Henri Matisse, Homer Saint-Gaudens, and Maurice Sterne.
| Box | Folder | |
|---|---|---|
| 13 | 5-7 | Forbes Watson, 1900-1950, undated (3 folders) |
| 13 | 8 | Watson with Family and Friends, 1900-1950, undated |
| 13 | 9 | Watson at Art Students League, undated |
| 13 | 10 | Art Juries for Carnegie Institute International Exhibitions, 1929-1934, undated |