TABLE OF CONTENTS


Collection Overview

Administrative Information

Restrictions

Index Terms

Biographical Note

Scope and Content Note

Arrangement

Series Descriptions/Container Listing

Biographical Material, 1895-1964, undated

Subject Files, 1873-1955

Correspondence, 1841-1956

Business Records, 1903-1951

Notes, 1902-1920

Writings, 1896-1926

Artwork, 1897-1923

Project Files, 1912-1987

Photographs, 1859-1950

Scrapbook, 1934

Printed Material, 1875-1981

Artifacts, ca. 1863

Glass Negatives, undated


Allen Tupper True and True Family

A Finding Aid to the Allen Tupper True and True Family Papers, 1841-1987, in the Archives of American Art

by Jean Fitzgerald

1994
    Contact Information
    Reference Department
    Archives of American Art
    Smithsonian Institution
    Washington. D.C. 20560
    www.aaa.si.edu/askus

Collection Overview

Creator:Allen Tupper True and True family
Title:Allen Tupper True and True family papers
Dates:1841-1987
Abstract: The Allen Tupper True and True family papers date from 1841 to 1987 and measure 7.8 linear feet. The collection presents a good overview of True's personal life and and his career as mural painter and illustrator specializing in Western themes.
Extent: 7.8 linear feet

Administrative Information

Provenance

The Allen Tupper True and True family papers were donated in February and April 1988 by True's daughter Jane True Mueller and his son, Frank True.

Processing Information

The collection was processed and the finding aid written by Jean Fitzgerald, February 28, 1994. The finding aid was modified by Stephanie Ashley in 2002 during EAD conversion.

Preferred Citation

The Allen Tupper True and True family papers, 1841-1987

Alternative Forms Available

The collection is available on microfilm reels 4891-4898. The microfilm is available for interlibrary loan.

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Restrictions

Restrictions on Access

The collection is open for research. Patrons must use microfilm copy.

Ownership and Literary Rights

The Allen Tupper True and True family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

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Index Terms

This collection is indexed in the online catalog of the Archives of American Art under the following index terms. People, families and organizations are listed under "Subjects" when they are the topic of collection contents and under "Names" when they are creators or contributors.
Subjects:
  Brangwyn, Frank, Sir, 1867-1956
  Pyle, Howard, 1853-1911
  Wyeth, N. C. (Newell Convers), 1882-1945
Subjects-Topical:
  Artists' studios -- Photographs
  Illustrators -- Colorado -- Denver
  Indians of North America -- Portraits
  Mural painting and decoration, American
  Muralists -- Colorado -- Denver
Types of Materials:
  Cartoons (working drawings)
  Christmas cards
  Diaries
  Drawings
  Illustrated letters
  Photographs
  Sketchbooks
  Sketches
  Works of art
Names:
   Borglum, Gutzon, 1867-1941

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Biographical Note

Allen Tupper True (1881-1955) was born in Colorado Springs, Colorado in 1881. He was a student at the University of Denver, and studied at the Corcoran School of Art, Washington, D.C. between 1901 and 1902. In 1902, he was accepted into Howard Pyle's classes in Chadd's Ford, Pennsylvania, and studied there until 1908, befriending classmates George Harding, Gordon McCouch, Thornton Oakley, and N.C. Wyeth. Through Pyle, True began his career as a magazine illustrator.

From approximately 1913-1915, True worked with British muralist Frank Brangwyn, assisting Brangwyn in the execution of murals at the Panama-Pacific Exposition in San Francisco, California.

After marrying Emma Goodman Eaton in 1915 (divorced 1934), True launched his career as a mural painter. His most notable works include the mural decorations in the state capitol buildings of Colorado, Missouri, Nebraska, and Wyoming, as well as murals for the Mountain States Telephone and Telegraph Company Building and the Civic Center in Denver, Colorado. True specialized in depicting Western and Native American themes.

From 1934-1945, True acted as consultant for the U.S. Bureau of Reclamation, in charge of and designing all decoration and color schemes for the Boulder Dam power plant, Grand Coulee Dam, and the Shasta Dam, among others.

True was a Unitarian Mason, and a member of the Mural Painters of America, Beta Theta Pi, Cactus Club of Denver, and the Author's Club, London. He died in 1955.

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Scope and Content Note

The Allen Tupper True and True family papers date from 1841 to 1987 and measure 7.8 linear feet. The collection presents a good overview of True's personal life and and his career as mural painter and illustrator specializing in Western themes. Through art work, project files, photographs, and printed material, the collection offers a rich resource, both textually and visually of True's research and work on documenting early twentieth century Native Americans cultural traditions. The papers also document True's childhood and his relationship with his family through various family papers, such as correspondence, genealogies, subject files, photographs, and a scrapbook. The collection is a particularly rich resource for the study of Allen Tupper True's work, as well as original documentation of the American West and Native American culture.

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Arrangement


The collection is arranged into thirteen series according to material type. The contents of each series have been arranged chronologically.
Series 1: Biographical Material, 1895-1964, undated (box 1, 7 folders)
Series 2: Subject Files, 1873-1955 (box 1, 16 folders)
Series 3: Correspondence, 1841-1956 (boxes 1-4, 3.5 linear ft.)
Series 4: Business Records, 1903-1951 (box 4, 4 folders)
Series 5: Notes, 1902-1920 (box 5, 10 folders)
Series 6: Writings, 1896-1926 (box 5, 5 folders)
Series 7: Artwork, 1897-1923 (boxes 5, 10, and OV folder, 0.5 linear ft.)
Series 8: Project Files, 1912-1987 (box 5, 0.75 linear ft.)
Series 9: Photographs, 1859-1950 (boxes 6-7, 1.5 linear ft.)
Series 10: Scrapbook, 1934 (box 7, 1 volume)
Series 11: Printed Material, 1875-1981 (box 7, 20 folders)
Series 12: Artifacts, ca. 1863 (box 10, 9 items)
Series 13: Glass Negatives, undated (boxes 8-9, 0.4 linear ft.)

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Series Descriptions/Container Listing

 

Series 1:  Biographical Material, 1895-1964, undated (box 1, 7 folders)


This series includes family genealogies, biographical accounts, passports, school papers, an award medal for horsemanship, membership cards, and copies of True's will.

Box

Reel
1 4891  True family genealogies, 1964, undated  
 Biographical accounts for Allen Tupper True, 1959, undated  
 Passports (4), 1923-1950  
 School papers, 1895-1899  
 Award medal for horsemanship, 1909  
 Membership cards (2), 1948-1949  
 Copies of True's will, 1926-1951  
 

Series 2:  Subject Files, 1873-1955 (box 1, 16 folders)


This series includes letters, journals and autobiographical accounts, notes, ephemera, printed material, and legal documents such as mining and stock certificates and wills, concerning members of the True family and organizations with which they were associated.

Files relating to Margaret Allen Tupper True contain: an undated journal written by Margaret Tupper True's mother, Ellen Smith Tupper (transcript precedes handwritten journal); receipts for purchase of land, 1879-1892; and a diary, 1881-1888, which contains entries primarily concerning Allen Tupper True as a baby, and includes 2 photographs of True, a lock of his hair, and a cyanotype of Franklin School, El Paso, Texas. The files also contain a diary from 1891-1926, that includes entries primarily concerning Katherine Goodrich True as a baby, and includes a family tree chart; notes about the family; 4 photographs of Katherine True, 1891-1905; 1 photograph of Allen Tupper True, 1905; a composition by Katherine True; a notebook on conditions in various schools, 1907-ca. 1911; 4 real estate deeds, 1908-1913; and inheritance tax documents, 1926. The Cactus Club file contains undated miscellaneous writings by True.

See also Series 9: Photographs, and Series 12: Artifacts.

Box

Reel
1 4891  Margaret Allen Tupper True (True's mother), 1873-1926 (5 folders) 
 Henry Alphonso True (True's father), 1883-1925 (2 folders) 
 Ira Goodrich True (True's uncle), 1904-1914  
 James Polk True (True's uncle), undated  
 Mary Josephine True (True's aunt), 1888-1918  
 Eliza Tupper Wilkes (True's aunt), 1879-1917  
 James Beaman True (True's brother), 1878-1920  
 American Smelting & Refining Company, 1880-1916  
 Author's Lodge (Masons), 1908-1955  
 Cactus Club, 1929-1947  
 Central City Opera House Association, Colorado, 1933-1948  
 

Series 3:  Correspondence, 1841-1956 (boxes 1-4, 3.5 linear ft.)


This series is organized into two subseries:
3.1: Correspondence Between Family Members, 1841-1955
3.2: Correspondence With Business Associates, Colleagues, and Friends, 1902-1956

3.1:  Correspondence Between Family Members, 1841-1955 


This subseries documents True's thoughts concerning his career and the interaction among members of the True family. Various individuals discuss Tupper and True family business and events. Allen Tupper True describes his art classes at the Corcoran Gallery School, 1901-1902, Howard Pyle's class, 1902-1904, which included George Harding, Gordon McCouch, Thornton Oakley, and N. C. Wyeth, and his work with Frank Brangwyn in 1914. True also discusses his travels and projects.

The following letters contain photographs: 04 Nov 1901 (1 photo of Harry True, Jr.); 08 Dec 1901 (13 photos of family members); May 1902 (1 cyanotype of Pyle's class); 27 Jun 1902 (1 photo of True in front of the U.S. Capitol); 22 Feb 1914 (1 photo of True and his work in his studio and 1 photo of Murphy in True's studio); 30 May 1914 (1 photo of the Robinsons' home); 09 Jun 1914 (1 photo of the Orchestre Louis Berki); 30 Jan 1915 (1 panorama photo of the Panama-Pacific Exposition); 26 Mar 1915 (1 photo of Peggie); 07 Aug 1924 (5 photos of family in an orchard)

Box

Reel
1 4891  Correspondence between family members, 1841-1888, undated (11 folders) 

Box

Reel
1 4892  Correspondence between family members, 1888-1900 (6 folders) 

Box

Reel
2 4892  Correspondence Between Family Members, 1901-Nov. 1913 (58 folders) 

Box

Reel
2 4893  Correspondence between Family Members, Nov. 1913-Jan. 1914 (6 folders) 

Box

Reel
3 4893  Correspondence between Family Members, Feb. 1914-May 1935 (61 folders) 

Box

Reel
4 4894  Correspondence Between Family Members, May 1935-1955 (37 folders) 

3.2:  Correspondence With Business Associates, Colleagues, and Friends, 1902-1956,  


This subseries focuses more directly on the events of True's career. Fourteen illustrated letters from True to his wife and daughter can also be found here. Notable correspondents are listed below.

Blashfield, Edwin: 25 Sep 1924 letter to Frank Brangwyn
Borglum, Gutzon: 12 Mar 1936, 07 Apr 1936, 20 Feb 1937, 01 Mar 1937, 05 Jul 1937 (with autographed photo of Mount Rushmore under construction)
Brangwyn, Frank: [Jan 1913], 26 Jan 1913, 30 Mar 1913, 08 Jun 1913, 03 Aug 1913, 29 Aug 1915, 20 Nov 1916, 17 Feb 1920, 2 illustrated letters, 1920? (with transcripts), 30 Sep [1920?], 07 May 1922 (with transcript), 22 Oct 1922 (illustrated letter with transcript), 06 May 1923 (illustrated letter with transcript), 1923? (with transcript), an illustrated letter, 1923? (with transcript), 26 Sep 1924 (with transcript), 18 Jun 1933, [1933], 05 Apr 1936 (with transcript). Also see references to Brangwyn in True's letters to his family and in Blashfield's letter to Brangwyn; see True's notebook on Brangwyn in Series "Notes"; see a print by Brangwyn under "Artworks"; and see photographs of Brangwyn and his works under "Photographs"]
Brousse-Jacobson, Oscar: 29 Sep 1913, 1 Dec 1915
Bruce, Edward: 18 Aug 1934
Cook, James H.:27 Aug 1924 letter to John G. Neihardt
Cornwell, Dean: 04 June 1932 (illustrated letter), 10 Apr 1954
Guerin, Jules: Jan 31, 1918
Heye, George G.: 19 Feb 1926, 12 Mar 1926, 07 Jul 1926
McCouch, Gordon M: 08 Jul 1911, (09 May 1956 obituary notice) [also see "Photographs of friends"]
Minnigerode, C. Powell: 10 Mar 1937
Naismith, Grace: 23 Mar 1935, [16 letters, 1935?], 06 Jun 1936, 20 Jun 1935, 24 Jun 1935, [1935?], 29 Jul 1935, [2 letters, 1935?], 08 Sept [1935?], [1935?], 28 Sept 1935, [1935?], 29 Oct 1935], 17 Nov 1935, 04 Dec 1935, 16 Dec 1935, 26 Dec 1935, [3 letters, 1936?], 09 Mar 1936, [1936?], 09 Apr 1936, 16 May [1936?], 08 Jun 1936, 30 Jun 1936, 18 Oct [1936?], 01 Nov 1936, 02 Jun 1937, 15 Jun 1937, 24 Jun 1937, [1937?], 11 Jul 1937, 21 Nov 1955
Neihardt, John G. (poet laureate of Nebraska): 28 Jun 1923, 04 Oct 1923, 05 Dec 1923, 25 Feb 1924 (with 14 reproductions of art work by True), [see letter, 27 Aug 1924, from James H. Cook to Neihardt], 5 May 1925, 26 Jun 1925, 25 Jul 1925, 16 Aug 1934
Oakley, Thornton: 5 Jul 1933 [also see "Photographs of friends"]
Phipps, Lawrence C. (Senator from Colorado): 04 Oct 1930
Pyle, Howard: 18 May 1902, 25 May 1902, July 11, 1902, 06 Nov [1903], 04 Jun 1906 [also see references to Pyle's classes in True's letters to family members, including letter dated May 1902 containing a cyanotype of Pyle and his students; see additional photographs under "Photographs of friends"; and see exhibition catalog for Pyle under "Printed material"]
Rowan, Edward: 24 Sep 1934
Rush, Olive: undated
Rutherford, Forest: 08 Mar 1914 letter to Rutherford from True contains a photo of True
Thornton, Dan (Governor of Colorado): 25 Jan 1954
Winter, Ezra: 23 Feb 1922
Wyeth, N. C.: 06 Jan 1909 [also see "Photographs of friends" and "Album I"]


Box

Reel
4 4894-4895  Correspondence With Business Associates, Colleagues, and Friends, 1901-1980, undated (36 folders) 
 

Series 4:  Business Records, 1903-1951 (box 4, 4 folder)


This series consists of stocks and a deed for Colorado real estate, miscellaneous receipts, insurance policies, and a studio lease and inventory.

Box

Reel
4 4895  Stocks and deed for Colorado real estate, 1903-1942  
 Receipts for miscellaneous goods and hotels, 1904-1946  
 Insurance policies, 1933-1949  
 Studio lease and inventory, 1951  
 

Series 5:  Notes, 1902-1920 (box 5, 10 folders)


This series include an address book, lists of art work, and seven notebooks documenting travel, work with Frank Brangwyn, and a record of mural work, and notes on technique. The travel journal include sketches and drawings.

Box

Reel
5 4895  Address book, undated  
 Chemistry notebook, undated  
 "Notes in the Field" and notebook containing miscellaneous notes, undated  
 Notebook containing thoughts and observations on travel to England, undated  
 Notebook Cover, 1902-1915  
 Notebook containing thoughts and observations on Frank Brangwyn, 1902-1915  
 Notebook containing miscellaneous thoughts and observations, 1904-1908  
 Notebook containing a record of murals and notes on techniques, 1920  
 Lists of works, undated  
 Miscellaneous notes, undated  
 

Series 6:  Writings, 1896-1926 (box 5, 5 folders)


Material in this series consists of childhood writings, miscellaneous writings by True, and poems.

Box

Reel
5 4895  Miscellaneous childhood writings, 1896-1899  
 "The Mountain Pony" by Allen Tupper True, 1906  
 Miscellaneous writings by True, 1906-ca. 1910  
 Essay by True on article from the Museum Journal, "Another Fresco from Moon Hill Monastery" by Helen Fernald, 1926  
 Poems, undated  
 

Series 7:  Artwork, 1897-1923 (boxes 5, 10 and OV folder, 0.5 linear ft.)


This series consists of a sketchbook, cartoons and caricatures, sketches and drawings, paintings on cardboard, designs based on Native American pottery and artifacts, designs for murals in Denver Civic Center, the Colorado State Capitol, the U.S. National Bank building, Boulder Dam, and the Voorhies Memorial Arch in Denver. There are also original Christmas cards, illustrated letters in the Correspondence Series, an illustrated travel journal, a print by Frank Brangwyn, and miscellaneous art work by others.

Box

Reel
5 4895  Sketchbook, undated  
 Cartoons and caricatures (13), 1897-1898  
 Drawings (6) (see also sol box 10 ), undated  
 Paintings (2) (see also ov folder), 1908 (2 folders) 
 Designs based on Native American pottery (54) (see also sol box 10), undated (5 folders) 
 Designs based on Native American artifacts (25) (see also sol box 10), 1923  
 Art work for Christmas cards (6 drawings), 1913-1921  
 Art work by Frank Brangwyn (1 print), undated  
 Miscellaneous art work by others, undated  
 

Series 8:  Project Files, 1912-1987 (box 5, 0.75 linear ft.)


This series contains letters, legal documents, printed material, and photographs concerning True's mural projects for the state capitol buildings of Colorado, Missouri, Nebraska, and Wyoming.

True acted as color consultant for the Bureau of Reclamation on Bouder Dam and Grand Coulee Dam (Washington State) and during the construction of several other dams and their power houses, including Bonneville (Oregon), Shasta (California), Friant (California), and Minidoka (Idaho)]. His consultation work on these projects is also documented here.

Files typically contain any or all of the following types of material: photographs of the installed murals; related letters, contracts, copyright cards and purchase orders; illustrated notebooks, sketches, and paintings; schematic drawings; and printed material.

Box

Reel
5 4895  Unidentified mural, undated  
 Colorado Psychopathic Hospital, undated  
 Graland School, undated  
 Waring Residence, undated  
 Anne Evans House, Mural "Free Trappers," 1912  
 Dickinson Branch Library, Denver, Colorado, Murals: "Miners," "Trappers," and "Pioneers," 1912-1913  
 Warren Branch Library, Denver, Colorado, Mural: "Commerce of the Prairies," 1913  
 Panama-Pacific International Exposition, San Francisco, California, Union Oil Panorama, 1914-1915  
 Utah State Capitol, Salt Lake City, Utah, 1915-1919  
 Denver Public Library, Civic Center, Denver, Colorado, Murals: "Cliff Dwellers" and "Hopi Potter," 1916  
 Union Station, Denver, Colorado, 1916-1917  
 America Theatre, Denver, Colorado, Murals: "Indians" and "Trappers," 1916-1917  
 Hamilton County Court House, Cincinnati, Ohio, 1916-1918  
 Wyoming State Capitol, Cheyenne, Wyoming, Murals: "Frontier Cavalry Officer" ("The Soldier"), "Railroad Builders, Surveyors," "Pony Express Rider," "Indian Chief Cheyenne," "Stagecoach," "Cattlemen," "Trappers," 1917-1918 (includes 1 illustrated notebook) 
 Montana National Bank, Billings, Montana, Mural: "The Buffalo Hunter," 1918 (includes 1 schematic drawing of location of murals) 
 Missouri State Capitol, Jefferson City, Missouri, Murals include: "Aborigines," "Buffalo Hunter," "Early Rivermen," "Free Trapper," "Missionary Explorers," "Pioneer Mother," "Railroad Builder," "A River Pilot," and "Spanish Governors," 1919-1925  
(3 folders; includes 6 sketches, 1 photograph of a stagecoach carrying African-American soldiers, 5 photographs of riverboats, and 19 photographs of True and his murals)
 Greek Theatre and Voories Memorial, Civic Center, Denver, Colorado, Murals: "The Trapper," "The Prospector," and "Bison," 1919-1925  
(contains 1 schematic drawing of location of murals, and 2 oversize paintings of Bisons)
 Criminal Court Building, Denver, Colorado, 1920  
 Morey Junior High School, Denver, Colorado, 1920-1921  
 Nebraska State Capitol, Lincoln, Nebraska (see also sol box 10), 1921-1954  
(3 folders; includes 1 blueprint for location of murals, 2 sketches, and a schematic drawing of location of murals)

Box

Reel
5 4896  Colorado National Bank, Denver, Colorado, Mural: "Indian Memories" (see also sol box 10), 1921-1987  
 Taylor Day Nursery, Colorado Springs, Colorado, 1922-1923  
 Colorado Springs Day Nursery, Colorado Springs, Colorado, 1924  
 Colorado State Capitol, Denver, Colorado (see also sol box 10), 1924-1940 (2 folders; includes 18 sketches) 
 Cosmopolitan Hotel, Denver, Colorado, 1925-1926  
 U.S. National Bank Building, Denver, Colorado, 1925-1933  
 Washington State Capitol, Olympia, Washington (see also sol box 10), 1925-1948 (includes 1 blueprint) 
 Mountain States Telephone and Telegraph Company Building, Denver, Colorado, Murals include: "Primitive Communication--The Smoke Signal," "Pioneer Communication--The Pony Express," "Mountain Construction," "The Crucible of Science," "The Wings of Thought," and "The Spirit of Service" (see also sol box 10), 1927-1929 (5 folders) 
 Ingersoll Residence, Colorado Springs, Colorado, 1930  
 North Dakota State Capitol, Bismarck, North Dakota, 1931-1932  
 City and County Building, Denver, Colorado, 1931-1950  
 Colorado Room, Century of Progress Exposition, Chicago, Illinois, 1933  
 Boulder Dam Power Plant, Nevada-Arizona State Line (see also sol box 10 and project file for Bureau of Reclamation, Department of the Interior), 1934-1938 (6 folders; includes 1 illustrated notebook) 
 Golden Gate International Exposition, San Francisco, California, 1936  
 Brown Palace Hotel, Denver, Colorado, 1936-1937  
 Bureau of Reclamation, Department of the Interior, Washington, D.C. (see project file for Boulder Dam Power Plant), 1940-1945 (8 folders) 
 Colorado University Student Union, Boulder, Colorado, 1943-1953  
 

Series 9:  Photographs, 1859-1950 (boxes 6-7, 1.5 linear ft.)


This series includes photographs of True, his studios, his works, True family members, friends, residences, and reference photographs of Native Americans, cowboys, settlers, and other Western subjects.

Photographs of True family members include Minnie True; Hattie Cherry (sister of Henry True) and Susie Cherry; Ira Goodrich True; Margaret True Thompson; Diemer True; Leland True; and Jamie True and his grandmother Mrs. Beyer. There is also a tintype of 2 unidentified children.

Photographs of the Tupper family include Noah and Hannah Wheaton Smith (grandparents of Margaret Tupper True); Ellen Smith Tupper; Holmes Tupper; Lucille Tupper; Mila Tupper; Madge Tupper; Kate Tupper Galfin; Wilhelmina Wilkes; and William F. Wilkes (husband of Eliza Tupper Wilkes)

Photographs of Allen Tupper True and family members include True as an infant; True and his siblings; True as an adult including 1 cyanotype;True and his children; Hans Mueller (Jane's husband); and miscellaneous family members.

The two photograph albums found here show True, his friends, his studio, N.C. Wyeth and True at the easel in his studio, and various outdoor scenes.

See also Series 13: Glass Negatives

Box

Reel
6 4896  Photographs of True family members, 1862-ca. 1900  
 Photographs of Tupper family members, 1888-1889  
 Photographs of Henry True and Margaret Tupper True, 1880-1890  

Box

Reel
6 4897  Photographs of Allen Tupper True and family members, 1881-1950 (7 folders) 
 Photographs of True and his various studios, (51) undated  
 Photographs of Howard Pyle's studio and classes, ca. 1902  
(14 photographs including 1 cyanotype of: George Harding, Gordon M. McCouch, Thornton Oakley, Howard Pyle, Allen Tupper True, and N.C. Wyeth)
 Photograph of Frank Brangwyn and William Merritt Chase in London and photograph of Brangwyn's studio, 1914, undated  
 Photographs of family friends, 1859-1933  
 Miscellaneous Friends, undated  
 10 Photographs of Victoria Kirby, undated, 1964  
 Terry the Dog, undated  
 5 Photographs of family residences, undated   
 6 Photographs of family places of business, ca. 1880-1894   
 Photograph Album I, undated  
 Photograph Album II, undated  
 10 Photographs of exhibition installations, undated   
 5 Photographs of the Panama-Pacific Exposition, 1915   
 4 Mexican border travel photographs, undated  
 Pancho Villa and his men, undated  
 13 England travel photographs, ca. 1905   
 20 Europe travel photographs, undated  
 Model posing as Revolutionary War soldier, undated  
 Pueblo architecture (160) (4 folders) 
 Native Americans (2 folders) 

Box

Reel
7 4897  Native Americans, cont. (3 folders) 
 Miscellaneous houses, undated  
 Miscellaneous towns and settlements, undated  
 Miscellaneous saloon interiors, undated  
 Cattlemen, undated  
 Cowboy models, undated  
 Horsemen/Horses, undated  
 Rodeos, undated  
 Hunters, undated  
 Prospectors, undated  
 Zoo animals, undated  
 Boats/ships, undated  
 Wagons/stage coaches/automobiles, undated  
 Supply (wagon) trains, undated (3 folders) 
 Lumber industry, undated  
 Mining industry, 1909, undated  
 Oil wells, undated  
 Industrial sites, undated  
 Landscapes/plants, undated  
 Photographs of artwork by True, Native American themes, undated  (2 folders) 
 Photographs of artwork by True, Cowboy/settler themes, undated  (3 folders) 
 Photographs of artwork by True, Miscellaneous works by True, undated  
 Photographs of artwork by Frank Brangwyn, 1913, undated  
 Photographs of miscellaneous works by others 1930, undated (5 folders) 
 

Series 10:  Scrapbook, 1934 (box 7, 1 volume)


Box

Reel
7 4898  Scrapbook containing clippings of newspaper serial of Charles Dickens' "The Life of Our Lord," 1934  
 

Series 11:  Printed Material, 1875-1981 (box 7, 10 folders)


This series includes clippings, exhibition announcements and catalogs for True and for others, reproductions of works, programs, booklets, and miscellaneous items.

Box

Reel
7 4898  Clippings, 1879-1981 (10 folders) 
 Exhibition announcements and catalogs for True, 1908-1980   
 Exhibition announcements and catalogs for others, undated, 1908  
 Reproductions of works of art by True, undated  
 Christmas cards designed by True, undated  
 Programs, 1875-1950  
 Brochures, 1921-1939  
 Constitutions and by-laws for the Architectural League of New York and the National Society of Mural Painters, 1931, 1936  
 Booklets: "One Hundred Years of the Locomotive," "Art in Denver," and "The Rights of Man" by Harold Laski, 1916-1940  
 Picture postcards, undated   
 Miscellaneous printed material, undated, 1950  
 

Series 12:  Artifacts, ca. 1863 (box 10, 9 items)


This series includes the following: five bullets and fragments, 2 buttons, a small piece of marble, and a fragment of a flat wooden stick that have not been microfilmed. They were housed together and accompanied by three notes reading: "Found by Henry on Look Out Mtn on Oct 1898 where the battle above the clouds was fought in 1863;" "Springfield rifle balls, Spanish American War;" and "Found on Chickamauga battlefield." Also found are the following, which have not been filmed:The following artifacts have not been microfilmed: a pocket knife with initials "FET;" two small pocket compasses; a metal badge saying "Columbian Exposition, 1893;" and a small, undecorated metal disk.

Box

Reel
10 (sol) 4898  Artifacts, ca. 1863  
 

Series 13:  Glass Negatives, undated (boxes 8-9, 0.4 linear ft.)


Box

Reel
8 (pam) unfilmed  Allen Tupper True, undated  
 Paintings of Cowboys, undated (2 folders) 
 Paintings of Settlers, undated  
 Paintings of Native Americans, undated (2 folders) 
 Murals, undated (2 folders) 

Box

Reel
9 (pam) unfilmed  Mural from Montana National Bank, undated  
 Warren Branch Library Mural, undated  
 American Theatre Murals, undated  
 Colorado National Bank Murals, undated (2 folders) 
 Denver Civic Center Murals, undated  
 Denver Public Library Mural, undated