<html> <head> <META http-equiv="Content-Type" content="text/html; charset=UTF-16"> <style> h1, h2, h3, h4 {font-family: arial} </style> <title>A Finding Aid to the Jackson Pollock Papers, circa 1914-1975, in the Archives of American Art</title> <meta name="dc.title" content=" A Finding Aid to the Jackson Pollock Papers, circa 1914-1975, in the Archives of American Art"> <meta name="dc.author" content=" Jackson Pollock "> <meta name="dc.title" content="Jackson Pollock papers"> <meta name="dc.type" content="text"> <meta name="dc.format" content="manuscripts"> <meta name="dc.format" content="finding aids"> </head> <body> <table width="100%" cellpadding="5"> <tr><td width="20%"></td><td width="80%"></td></tr> <tr> <td valign="top" bgcolor="#CCCCCC"><h3>TABLE OF CONTENTS</h3><br><p><b><a href="#a1">Collection Overview</a></b></p> <p style="margin-top:-5pt"><b><a href="#a14">Administrative Information</a></b></p> <p style="margin-top:-5pt"><b><a href="#a14">Restrictions</a></b></p> <p style="margin-top:-5pt"><b><a href="#a6"> Related Material </a></b></p> <p style="margin-top:-5pt"><b><a href="#a2">Biographical Note</a></b></p> <p style="margin-top:-5pt"><b><a href="#a3">Scope and Content Note</a></b></p> <p style="margin-top:-5pt"><b><a href="#a4">Arrangement</a></b></p><a href="#a23"><p style="margin-top:-5pt"><b>Series Descriptions/Container Listing</b></p></a><p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series1">Photographs, circa 1914-1969, undated </a></font></b></p> <p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series2">Biographical Material, 1938-1959, undated </a></font></b></p> <p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series3">Correspondence, 1929-1975, undated </a></font></b></p> <p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series4">Writings by Others, 1950-1967, undated </a></font></b></p> <p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series5">James Valliere Research Material on Jackson Pollock, 1963-1972 </a></font></b></p> <p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series6">Printed Material, 1943-1973 </a></font></b></p> <p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series7">Scrapbooks, 1943-1957 </a></font></b></p> <p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series8">Artwork by Others, undated</a></font></b></p> <p style="margin-left:10pt; margin-top:-5pt"><b><font size="-1"><a href=" #series9">Audio and Video Recordings, 1949-1968, undated</a></font></b></p> </td> <td valign="top" bgcolor="#FFFFFF"><center><a name="a0"><img src="../../images/website/36aaa.gif"></a></center><br><h2><center></center></h2> <h3><center>A Finding Aid to the Jackson Pollock Papers, circa 1914-1975, in the Archives of American Art</center></h3> <h4> <center>by Erin Corley</center> </h4> <h5 align="center">October 18, 2005</h5> <ul><b>Contact Information</b><dd>Reference Department</dd> <dd>Archives of American Art</dd> <dd>Smithsonian Institution</dd> <dd>Washington. D.C. 20560</dd> <dd>www.aaa.si.edu/askus</dd> </ul> <hr> <table width="100%"> <tr><td width="5%"> </td><td width="20%"> </td> <td width="75"> </td></tr> <tr><td colspan="3"><h3><a name="a1">Collection Overview</a></h3> </td></tr> <tr><td> </td><td valign="top"><b>Creator:</b></td><td>Jackson Pollock</td></tr> <tr><td> </td><td valign="top"><b>Title:</b></td><td>Jackson Pollock papers</td></tr> <tr><td> </td><td valign="top"><b>Dates:</b></td><td>circa 1914-1975</td></tr> <tr><td> </td><td valign="top"><b>Abstract: </b></td><td>The papers of abstract expressionist painter Jackson Pollock measure 5.4 linear feet and date from circa 1914 to 1975. The collection documents Pollock's personal and professional life through photographs, biographical material, correspondence, writings by others, research material collated by James Valliere, printed material, two scrapbooks, artwork by others, and audio and video recordings of interviews.</td></tr> <tr><td> </td><td valign="top"><b>Extent: </b></td><td>5.4 linear feet</td></tr> </table> <hr> <h3><a name="a14"><b>Administrative Information</b></a></h3> <h4 style="margin-left : 15pt"><b>Provenance</b></h4> <p style="margin-left : 30pt">The collection was donated in 1983 by Lee Krasner, Pollock's widow. The Archives microfilmed a portion of the collection on Reels 3046-3049 upon receipt.</p> <h4 style="margin-left : 15pt"><b>Processing Information</b></h4> <p style="margin-left : 30pt">The collection was processed and a finding aid prepared by Erin Corley in 2005 as part of the Terra Foundation for American Art Digitization Project.</p> <h4 style="margin-left : 15pt"><b>Preferred Citation</b></h4> <p style="margin-left : 30pt">Jackson Pollock papers, circa 1914-1975. Archives of American Art, Smithsonian Institution.</p> <p><a href="#a0">Return to the Table of Contents</a></p> <hr> <h3><a name="a14"><b>Restrictions</b></a></h3> <h4 style="margin-left : 15pt"><b>Restrictions on Access</b></h4> <p style="margin-left : 30pt">The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.</p> <h4 style="margin-left : 15pt"><b>Ownership and Literary Rights</b></h4> <p style="margin-left : 30pt">The Jackson Pollock papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.</p> <p><a href="#a0">Return to the Table of Contents</a></p> <hr> <h3><a name="a6"><b>Related Material</b></a></h3> <p style="margin-left : 30pt">Found in the Archives of American Art are the Lee Krasner papers, 1905-1984, which include biographical material, correspondence, exhibition materials, business records, audio tapes, and other material relating to Jackson Pollock.</p> <p style="margin-left : 30pt">Also found are the Charles Pollock Papers, 1902-1990, which includes correspondence, photographs, and other files relating to his brother, Jackson Pollock.</p> <p><a href="#a0">Return to the Table of Contents</a></p> <hr> <h3><a name="a2">Biographical Note</a></h3> <p style="margin-left: 30pt">Jackson Pollock was born in 1912, in Cody, Wyoming, the youngest of five sons. His family moved several times during his childhood, finally settling in Los Angeles. In 1930 he joined his older brother, Charles, in New York City, and studied with Regionalist painter Thomas Hart Benton at the Art Students League of New York. Pollock worked during the 1930s for the Works Progress Administration's Federal Art Project. During 1936 he worked in artist David Alfaro Siqueiros's Experimental Workshop. In 1938 he began psychiatric treatment for alcoholism, and his artwork was greatly influenced by Jungian analysis and the exploration of unconscious symbolism.</p> <p style="margin-left: 30pt">In 1943 Pollock had his first one-man exhibition at Peggy Guggenheim's New York gallery, Art of this Century, and continued to exhibit there over the next several years. A major turning point in Pollock's life and art was in 1945 when he married fellow artist Lee Krasner and moved to East Hampton, Long Island. There he developed his mature painting style, and became famous for his abstract pouring technique on large canvases. The height of his creativity spanned from 1947 to 1952, and his work was promoted by art critic Clement Greenberg. Along with other abstract expressionists including Hans Hoffman, Alfonso Ossorio, and Barnett Newman, he joined the Betty Parsons Gallery in 1947. He had his most successful one-man show in 1950 which was widely publicized and praised. This exhibition, combined with a 1949 feature article in <i>LIFE</i> magazine, made Pollock an American celebrity.</p> <p style="margin-left: 30pt">In 1952 Pollock moved his work to Sidney Janis Gallery and returned to earlier motifs in a search for new breakthroughs. The last few years of his life he suffered from mental and physical health problems, and in August, 1956 he died in a car accident. His wife, Lee Krasner, oversaw his estate and worked with many museums, including the Museum of Modern Art, on Pollock retrospective exhibitions. </p> <p><a href="#a0">Return to the Table of Contents</a></p> <hr> <h3><a name="a3">Scope and Content Note</a></h3> <p style="margin-left: 30pt">The papers of abstract expressionist painter Jackson Pollock measure 5.4 linear feet and date from circa 1914 to 1975. The collection documents Pollock's personal and professional life through photographs, biographical material, correspondence, writings by others, research material collated by James Valliere, printed material, two scrapbooks, artwork by others, and audio and video recordings of interviews.</p> <p style="margin-left: 30pt">Numerous rare photographs found in the collection include those of Pollock as a child, with his family, with his wife Lee Krasner, and at work in his Long Island studio, some of which were taken by photographer Hans Namuth. Also found are photographs of exhibitions, family, and friends. Biographical material includes artist statements and notes, lists of exhibitions and owners of paintings, an interview transcript, and identification items such as Pollock's birth certificate and passport. Correspondence, both personal and professional, includes Pollock's and Krasner's correspondence with museums, gallery owners, biographers, students, fans, family, and fellow artists, including, among others, Pollock's teacher Thomas Hart Benton and friends Reginald Isaacs, Clyfford Still, Alfonso Ossorio, and Tony Smith. Writings contain drafts of essays, articles, lectures, and biographies about Pollock, including essays by Lee Krasner and Clement Greenberg.</p> <p style="margin-left: 30pt">Also found in this collection are research materials compiled by James Valliere while he was working for Lee Krasner on a catalog of Pollock's work. The materials were never used for a publication and were kept by Krasner. Documents include Valliere's correspondence with Krasner, Pollock's family, friends, and colleagues, research notes, an inventory of Pollock's library, transcripts of interviews with Pollock's family and friends, including, among others, Reuben Kadish, James Brooks, and Clement Greenberg, and photographs of two interview sessions.</p> <p style="margin-left: 30pt">Printed material includes book proofs, numerous newspaper and magazine clippings spanning nearly thirty years, a few magazines, and other publications. Also included in this series are exhibition catalogs, announcements, and invitations for solo and group exhibitions. The collection also contains two scrapbooks kept by Pollock and Krasner of news clippings and exhibition announcements, and one sketchbook by an unidentified artist.</p> <p style="margin-left: 30pt">Audio and video recordings include interviews with Jackson Pollock and Lee Krasner. Included are the film, "Jackson Pollock: A Reconsideration," a 1949 interview with Jackson Pollock, and two radio interviews of Lee Krasner. This series also contains seven reel-to-reel audio tapes of interviews, including Alphonso Ossorio, Willem De Kooning, and Clement Greenberg, conducted by James Valliere during his research. </p> <p><a href="#a0">Return to the Table of Contents</a></p> <hr> <table width="100%"> <tr><td width="5%"> </td><td width="5%"> </td> <td width="90%"> </td></tr> <tr><td colspan="3"> <h3><a name="a4">Arrangement</a></h3> </td></tr> <tr><td> </td><td colspan="2"><br>The collection is arranged into 9 series: <br></td></tr> <tr><td> </td><td colspan="2"> </td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series1">Series 1: Photographs, circa 1914-1969, undated (Box 1, 6; 0.7 linear feet)</a></td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series2">Series 2: Biographical Material, 1938-1959, undated (Box 1; 9 folders)</a></td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series3">Series 3: Correspondence, 1929-1975, undated (Box 1-2; 0.7 linear feet)</a></td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series4">Series 4: Writings by Others, 1950-1967, undated (Box 2; 0.2 linear feet)</a></td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series5">Series 5: James Valliere Research Materials on Jackson Pollock, 1963-1972 (Box 2; 0.2 linear feet)</a></td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series6">Series 6: Printed Material, 1943-1973 (Box 2-4, 6; 2.1 linear feet)</a></td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series7">Series 7: Scrapbooks, 1943-1957 (Box 6; 2 folders)</a></td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series8">Series 8: Artwork by Others, undated (Box 4; 1 folder)</a></td></tr> <tr><td> </td><td> </td><td colspan="1"><a href="#series9">Series 9: Audio and Video Recordings, 1949-1968, undated (Box 4-6; 1.2 linear feet)</a></td></tr> </table> <p><a href="#a0">Return to the Table of Contents</a></p> <hr> <h3><a name="a23">Series Descriptions/Container Listing</a></h3> <p style="margin-left: 25 pt"><i></i></p> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series1"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 1:  Photographs, circa 1914-1969, undated  (Box 1, 6; 0.7 linear feet)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>This series contains photographs of Pollock with his family when he was a child and teenager, and numerous photos of Pollock with Lee Krasner in the studio, outdoors, and at their home on Long Island. Other photos include Pollock and Krasner with various family members and friends, as well as Pollock working in his studio. Also found are photos of various exhibitions of Pollock's work, Pollock's studio, and a few other miscellaneous images. Items of note are photographs of Pollock and Krasner in his studio taken by Wilfrid Zogbaum, Hans Namuth, and Rudy Burckhardt. Other significant figures photographed with Pollock include Clement Greenberg, Helen Frankenthaler, James Brooks, and David Alfaro Siqueiros. Photographs are arranged according to the microfilm arrangement on reels 3046 and 3049.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">1</td> <td valign="top">1-2</td> <td colspan="8" align="left" valign="top"><a name="1.1"> Pollock and Family, circa 1914-1955 (2 folders) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">3</td> <td colspan="8" align="left" valign="top"><a name="1.2"> Pollock and Krasner, 1949-1950, undated (See Box 6) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">4-5</td> <td colspan="8" align="left" valign="top"><a name="1.3"> Pollock, Krasner, and Others, circa 1928-1967 (2 folders; see also Box 6) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">6</td> <td colspan="8" align="left" valign="top"><a name="1.4"> Pollock in His Studio, circa 1942-1952, undated (See also Box 6) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">7-12</td> <td colspan="8" align="left" valign="top"><a name="1.5"> Exhibitions, 1951-1969 (6 folders; see also Box 6) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">13</td> <td colspan="8" align="left" valign="top"><a name="1.6"> Pollock's Studio, undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">14</td> <td colspan="8" align="left" valign="top"><a name="1.7"> Miscellaneous, circa 1950-1956, undated (See Box 6) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">15-21</td> <td colspan="8" align="left" valign="top"><a name="1.8"> Copy prints and Negatives, Miscellaneous, circa 1914-1955 (7 folders) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">22</td> <td colspan="8" align="left" valign="top"><a name="1.9"> Copy prints and Negatives, Exhibitions, 1952, undated  </a></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">6 (sol)</td> <td valign="top"></td> <td colspan="8" align="left" valign="top"><a name="1.10"> Oversize Photographs, Exhibitions  (3 folders; see also Box 1, F7-12) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top"></td> <td colspan="8" align="left" valign="top"><a name="1.11"> Oversize Photographs, Pollock and Krasner  (See also Box 1, F3) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top"></td> <td colspan="8" align="left" valign="top"><a name="1.12"> Oversize Photographs, Pollock, Krasner, and Others (See also Box 1, F4-5) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top"></td> <td colspan="8" align="left" valign="top"><a name="1.13"> Oversize Photographs, Pollock in His Studio (2 folders; see also Box 1, F6) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top"></td> <td colspan="8" align="left" valign="top"><a name="1.14"> Oversize Photographs, Miscellaneous (See also Box 1, F14) </a></td> </tr> </table> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series2"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 2:  Biographical Material, 1938-1959, undated  (Box 1; 9 folders)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>Biographical material includes biographical statements and various notes by Pollock, as well as identification items such as his birth certificate and passport. Also found are lists of exhibitions and owners of his paintings, and a guest book from the 1950 Venice Biennale. This series also includes a transcript of an interview of Jackson Pollock by his neighbor William Wright. The original audio tapes for this interview are located in Series 8: Audio and Video Recordings.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">1</td> <td valign="top">23</td> <td colspan="8" align="left" valign="top"><a name="2.1"> Biographical Statements, circa 1947-1956  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">24</td> <td colspan="8" align="left" valign="top"><a name="2.2"> Birth Certificate Copy, 1938  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">25</td> <td colspan="8" align="left" valign="top"><a name="2.3"> Exhibition Lists, 1942-1959  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">26</td> <td colspan="8" align="left" valign="top"><a name="2.4"> Guest Book, Venice "Biennale," 1950  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">27</td> <td colspan="8" align="left" valign="top"><a name="2.5"> List of Owners of Paintings, undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">28</td> <td colspan="8" align="left" valign="top"><a name="2.6"> Notes by Pollock, circa 1949, undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">29</td> <td colspan="8" align="left" valign="top"><a name="2.7"> Passport, 1955  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">30</td> <td colspan="8" align="left" valign="top"><a name="2.8"> Selective Service Form, 1945  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">31</td> <td colspan="8" align="left" valign="top"><a name="2.9"> Social Security Card, 1954  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">32</td> <td colspan="8" align="left" valign="top"><a name="2.10"> Transcript, Jackson Pollock Interviewed by William Wright, 1949  </a></td> </tr> </table> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series3"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 3:  Correspondence, 1929-1975, undated  (Box 1-2; 0.7 linear feet)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>This series includes personal and professional correspondence to Jackson Pollock and Lee Krasner. The bulk of the correspondence prior to 1956 is to Jackson, while all of the correspondence after 1956 is to and from Lee Krasner concerning Pollock's artwork and estate. Files are arranged alphabetically by the correspondents name or the subject matter. Included are files on galleries that exhibited Pollock's work, and several files of correspondence concerning specific exhibitions at the Museum of Modern Art. Also found are files of fan mail, student inquiries, requests for publications, and correspondence concerning restoration work. Folders of note include Thomas Hart Benton, Tony Smith, Reginald Isaacs, Clyfford Still, and Alfonso Ossorio, gallery owners Betty Parsons, Sidney Janis, and Martha Jackson, and biographers B.H. Friedman, Francis O'Connor, and Bryan Robertson. Items of note in miscellaneous correspondence include a 1936 letter to Pollock from David Alfaro Siqueiros and postcards from Helen Frankenthaler and Clement Greenberg. Documents are arranged chronologically within each folder.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">1</td> <td valign="top">33</td> <td colspan="8" align="left" valign="top"><a name="3.1"> Baltimore Museum of Art, 1968  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">34</td> <td colspan="8" align="left" valign="top"><a name="3.2"> Thomas Hart Benton, 1935-1938, undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">35</td> <td colspan="8" align="left" valign="top"><a name="3.3"> Betty Parsons Gallery, 1949-1953, undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">36</td> <td colspan="8" align="left" valign="top"><a name="3.4"> Dallas Museum For Contemporary Arts, 1959  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">37</td> <td colspan="8" align="left" valign="top"><a name="3.5"> Bill Davis, 1948-1952  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">38</td> <td colspan="8" align="left" valign="top"><a name="3.6"> Violet De Laszlo, 1941  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">39-41</td> <td colspan="8" align="left" valign="top"><a name="3.7"> Gerald Dickler, 1956-1969 (3 folders) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">42</td> <td colspan="8" align="left" valign="top"><a name="3.8"> Exhibitions and Artwork Loans, 1950-1974  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">43</td> <td colspan="8" align="left" valign="top"><a name="3.9"> Fan Mail to Pollock, 1948-circa 1955  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">44</td> <td colspan="8" align="left" valign="top"><a name="3.10"> Fogg Museum of Art, 1964  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">45</td> <td colspan="8" align="left" valign="top"><a name="3.11"> B. H. Friedman, 1955-1961, 1968, 1972  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">46</td> <td colspan="8" align="left" valign="top"><a name="3.12"> David Gibbs, 1960-1964  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">47</td> <td colspan="8" align="left" valign="top"><a name="3.13"> Ben Heller, 1955-1963  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">48</td> <td colspan="8" align="left" valign="top"><a name="3.14"> Douglas Howell, 1954-1955, 1965-1968  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">49</td> <td colspan="8" align="left" valign="top"><a name="3.15"> Reginald Isaacs, 1949, 1952, 1954  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">50</td> <td colspan="8" align="left" valign="top"><a name="3.16"> Martha Jackson, 1955  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">51</td> <td colspan="8" align="left" valign="top"><a name="3.17"> Sidney Janis, 1943, 1953-1963, 1975  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">52</td> <td colspan="8" align="left" valign="top"><a name="3.18"> Richard Kluger (Simon and Schuster, Inc.), 1966-1967  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">53</td> <td colspan="8" align="left" valign="top"><a name="3.19"> Lee Krasner (corresp. with Pollock), 1943, 1956  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">54</td> <td colspan="8" align="left" valign="top"><a name="3.20"> Kulicke Frames, Inc., 1958, 1968  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">55</td> <td colspan="8" align="left" valign="top"><a name="3.21"> William H. Littlefield, 1967  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">56-57</td> <td colspan="8" align="left" valign="top"><a name="3.22"> Marlborough Fine Art, Ltd., 1961-1969 (2 folders) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">58</td> <td colspan="8" align="left" valign="top"><a name="3.23"> Museum of Modern Art, "Jackson Pollock," 1956-1957  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">59</td> <td colspan="8" align="left" valign="top"><a name="3.24"> Museum of Modern Art, VI Bienal, Sao Paolo, 1957  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">60</td> <td colspan="8" align="left" valign="top"><a name="3.25"> Museum of Modern Art, "Jackson Pollock: 1912-1956," 1957-1959  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">61</td> <td colspan="8" align="left" valign="top"><a name="3.26"> Museum of Modern Art, "New American Painting," 1958-1959  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">62</td> <td colspan="8" align="left" valign="top"><a name="3.27"> Museum of Modern Art, "Documenta II," 1959  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">63</td> <td colspan="8" align="left" valign="top"><a name="3.28"> Museum of Modern Art, "Jackson Pollock," 1966-1967  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">64</td> <td colspan="8" align="left" valign="top"><a name="3.29"> Museum of Modern Art, "Jackson Pollock: Works on Paper," 1967-1968  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">65</td> <td colspan="8" align="left" valign="top"><a name="3.30"> Museum of Modern Art, Miscellaneous, 1949-1970  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">66</td> <td colspan="8" align="left" valign="top"><a name="3.31"> Francis V. O'Connor, 1957, 1964-1968  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">67</td> <td colspan="8" align="left" valign="top"><a name="3.32"> Alfonso Ossorio, 1950-1955, 1965  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">68</td> <td colspan="8" align="left" valign="top"><a name="3.33"> Painting Restoration, 1957-1959, 1966  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">69</td> <td colspan="8" align="left" valign="top"><a name="3.34"> Pollock Family, 1929-1930, 1944, 1953, 1960  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">70</td> <td colspan="8" align="left" valign="top"><a name="3.35"> Howard Putzel, 1942-1945  </a></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">2</td> <td valign="top">1</td> <td colspan="8" align="left" valign="top"><a name="3.36"> Requests for Reproduction and Use of Pollock Artwork, 1952-1967  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">2</td> <td colspan="8" align="left" valign="top"><a name="3.37"> Bryan Robertson, 1959-1960  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">3</td> <td colspan="8" align="left" valign="top"><a name="3.38"> Tony Smith, 1953-1954  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">4</td> <td colspan="8" align="left" valign="top"><a name="3.39"> Clyfford Still, 1952-1955  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">5</td> <td colspan="8" align="left" valign="top"><a name="3.40"> Student Requests for Information, 1951-1968  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">6</td> <td colspan="8" align="left" valign="top"><a name="3.41"> James Johnson Sweeney, 1943-1944, 1954  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">7</td> <td colspan="8" align="left" valign="top"><a name="3.42"> Thames and Hudson, Ltd., 1959-1964, 1969  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">8</td> <td colspan="8" align="left" valign="top"><a name="3.43"> Samuel Wagstaff, Jr. (Wadsworth Athenaeum), 1962  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">9-11</td> <td colspan="8" align="left" valign="top"><a name="3.44"> Miscellaneous, 1936-1972 (3 folders) </a></td> </tr> </table> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series4"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 4:  Writings by Others, 1950-1967, undated  (Box 2; 0.2 linear feet)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>This series includes drafts of essays, articles, lectures, and biographies about Jackson Pollock. Many files included edited materials. Items of note are an original draft of the Bryan Robertson biography of Jackson Pollock, an essay by Clement Greenberg, and an essay written by Lee Krasner sometime after Pollock's death which discusses his career, personal life, and their relationship. Items are arranged alphabetically by author's last name.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">2</td> <td valign="top">12</td> <td colspan="8" align="left" valign="top"><a name="4.1"> Bruno Alfieri, "L'Arte Moderna: A Short Talk on The Pictures of Jackson Pollock," undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">13</td> <td colspan="8" align="left" valign="top"><a name="4.2"> Lance Compa, "Jackson Pollock: Art and Cosmos," undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">14</td> <td colspan="8" align="left" valign="top"><a name="4.3"> Francine du Plessix and Cleve Gray, "Who Was Jackson Pollock," undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">15</td> <td colspan="8" align="left" valign="top"><a name="4.4"> Marilyn G. Foley, "Jackson Pollock: Where the Action Is," circa 1967  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">16</td> <td colspan="8" align="left" valign="top"><a name="4.5"> B.H. Friedman, "Sketches for a Portrait: Jackson Pollock," 1955  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">17</td> <td colspan="8" align="left" valign="top"><a name="4.6"> Robert Goodnough, "Jackson Pollock," 1951  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">18</td> <td colspan="8" align="left" valign="top"><a name="4.7"> Clement Greenberg, "Jackson Pollock," circa 1957  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">19</td> <td colspan="8" align="left" valign="top"><a name="4.8"> Stanley Harrison, "<i>Lavender Mist</i> by Jackson Pollock: A Critique," circa 1966  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">20</td> <td colspan="8" align="left" valign="top"><a name="4.9"> Lee Krasner, "Pollock," undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">21</td> <td colspan="8" align="left" valign="top"><a name="4.10"> London Exhibition Catalog, draft copy, 1961  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">22</td> <td colspan="8" align="left" valign="top"><a name="4.11"> Francis O'Connor, "Jackson Pollock and the WPA Federal Art Project: 1935 to 1943," 1966  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">23</td> <td colspan="8" align="left" valign="top"><a name="4.12"> Bryan Robertson, <i>Jackson Pollock</i>, draft copy, 1960  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">24</td> <td colspan="8" align="left" valign="top"><a name="4.13"> Alvin Schwartz, untitled essay, undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">25</td> <td colspan="8" align="left" valign="top"><a name="4.14"> Parker Tyler, "Jackson Pollock: The Infinite Labyrinth," 1950  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">26</td> <td colspan="8" align="left" valign="top"><a name="4.15"> Unidentified Author, "Jackson Pollock," 1957  </a></td> </tr> </table> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series5"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 5:  James Valliere Research Material on Jackson Pollock, 1963-1972  (Box 2; 0.2 linear feet)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>James Valliere was a graduate student at the University of New Hampshire who was employed in 1963 by Lee Krasner to begin researching Pollock's early career and compile a general catalog of his work. Valliere never published the results of his research and the materials were kept by Lee Krasner. Found here is the correspondence between Valliere and Lee Krasner, as well as Pollock's family, friends, and colleagues. The majority of the letters are replies to Valliere's inquiries about Pollock's early career and artwork. Noted correspondence is with Mr. and Mrs. Charles Pollock, Sanford McCoy (Pollock's brother), Jay Pollock, Thomas Hart Benton, Robert Motherwell, and the Art Students League of New York. Also found are transcripts of interviews conducted by Valliere with those who knew Pollock well including James Brooks, Reuben Kadish, Tony Smith, and Clement Greenberg. Of note are two interviews with Pollock's sister-in-law, Mrs. Sanford (Arloie) McCoy, who reads several letters Jackson wrote to his father from New York. Also included in this series are some of Valliere's research notes and photographs of James Brooks, and Pollock's friend Daniel Miller taken during their interviews. The original audio recordings are located in series 8: Audio and Video Recordings.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">2</td> <td valign="top">27-29</td> <td colspan="8" align="left" valign="top"><a name="5.1"> Correspondence, 1963-1967 (3 folders) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">30</td> <td colspan="8" align="left" valign="top"><a name="5.2"> Notes, 1963-1964, undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">31</td> <td colspan="8" align="left" valign="top"><a name="5.3"> Photographs of James Brooks, 1965  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">32</td> <td colspan="8" align="left" valign="top"><a name="5.4"> Photographs of Daniel T. Miller, 1965  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">33</td> <td colspan="8" align="left" valign="top"><a name="5.5"> Preliminary Catalog of Jackson Pollock's Library, 1963  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">34</td> <td colspan="8" align="left" valign="top"><a name="5.6"> Transcript, James Brooks Interview, 1965  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">35</td> <td colspan="8" align="left" valign="top"><a name="5.7"> Transcript, Clement Greenberg Interview, 1968  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">36</td> <td colspan="8" align="left" valign="top"><a name="5.8"> Transcript, Reuben Kadish Interview, circa 1965  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">37</td> <td colspan="8" align="left" valign="top"><a name="5.9"> Transcript, Mrs. Sanford McCoy Interviews, 1965  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">38</td> <td colspan="8" align="left" valign="top"><a name="5.10"> Transcript, Daniel T. Miller Interview, 1965  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">39</td> <td colspan="8" align="left" valign="top"><a name="5.11"> Transcript, Tony Smith Interview, circa 1965  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">40</td> <td colspan="8" align="left" valign="top"><a name="5.12"> Transcript, Interview with Lee Krasner, Mr. and Mrs. Charles Maddox, Dorothy Dehner, and Robert Miller, 1972  </a></td> </tr> </table> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series6"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 6:  Printed Material, 1943-1973  (Box 2-4, 6; 2.1 linear feet)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>This series contains printed material pertaining to Pollock's career. Included is a small book in Italian critiquing Pollock's work, various book printing proofs for two biographies by Frank O'Hara and Bryan Robertson, magazines, and other publications which have feature articles on his work. Also found are numerous newspaper and magazine clippings spanning nearly thirty years, covering Pollock's career as an artist and his work in the context of the abstract expressionist movement. Also included in this series are exhibition catalogs, announcements, and invitations for both Pollock's solo and group exhibitions. Items are arranged alphabetically by format and chronologically within in each folder. <br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">2</td> <td valign="top">41</td> <td colspan="8" align="left" valign="top"><a name="6.1"> Book, <i>Pollock: un saggio critico di Enrico Crispolti</i>, 1958  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">42</td> <td colspan="8" align="left" valign="top"><a name="6.2"> Book Proof, Betty Parsons Gallery Catalog, 1951  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">43</td> <td colspan="8" align="left" valign="top"><a name="6.3"> Book Proof, Edwin Miller, for the essay "The Radical Vision of Whitman and Pollock," 1970  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">44</td> <td colspan="8" align="left" valign="top"><a name="6.4"> Book Proof, Museum of Modern Art <i>Jackson Pollock</i> Exhibition Catalog, 1967  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">45</td> <td colspan="8" align="left" valign="top"><a name="6.5"> Book Proof, Frank O'Hara, <i>Jackson Pollock</i>, 1959  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">46</td> <td colspan="8" align="left" valign="top"><a name="6.6"> Book Proof, Bryan Robertson, <i>Jackson Pollock</i>, 1959-1960  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">47</td> <td colspan="8" align="left" valign="top"><a name="6.7"> Book Proofs, unidentified, circa 1964  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">48-61</td> <td colspan="8" align="left" valign="top"><a name="6.8"> Clippings, Jackson Pollock, 1943-1961  (14 folders; see also Box 6) </a></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">3</td> <td valign="top">1-5</td> <td colspan="8" align="left" valign="top"><a name="6.9"> Clippings, Jackson Pollock, 1962-1971  (5 folders; see also Box 6) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">6</td> <td colspan="8" align="left" valign="top"><a name="6.10"> Clippings, Reviews of the book <i>Jackson Pollock</i> by Bryan Robertson, 1960-1961  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">7</td> <td colspan="8" align="left" valign="top"><a name="6.11"> Clippings, Reviews of the book <i>Jackson Pollock: Energy Made Visible</i> by B.H. Friedman, 1972-1973  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">8</td> <td colspan="8" align="left" valign="top"><a name="6.12"> Exhibition Announcements and Invitations, 1944-1964, undated  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">9-11</td> <td colspan="8" align="left" valign="top"><a name="6.13"> Exhibition Catalogs, Pollock Solo Exhibitions, 1943-1964, 1969 (3 folders) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">12-18</td> <td colspan="8" align="left" valign="top"><a name="6.14"> Exhibition Catalogs, Group Exhibitions, 1942-1957  (7 folders) </a></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">4</td> <td valign="top">1-9</td> <td colspan="8" align="left" valign="top"><a name="6.15"> Exhibition Catalogs, Group Exhibitions, 1958-1975  (9 folders) </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">10</td> <td colspan="8" align="left" valign="top"><a name="6.16"> Magazines, <i>LIFE</i>, 1949, 1959  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top">11</td> <td colspan="8" align="left" valign="top"><a name="6.17"> Magazines, Miscellaneous, 1963, 1967  </a></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">6 (sol)</td> <td valign="top"></td> <td colspan="8" align="left" valign="top"><a name="6.18"> Oversize Clippings, Jackson Pollock,  (See also Box 3, F48-61 and Box 4, F1-5) </a></td> </tr> </table> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series7"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 7:  Scrapbooks, 1943-1957  (Box 6; 2 folders)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>Found in this series are two scrapbooks containing newspaper clippings, magazine clippings, and exhibition announcements documenting Pollock's career. One scrapbook was created by Pollock and Krasner, and the other was created by Krasner in the years following Pollock's death.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">6 (sol)</td> <td valign="top"></td> <td colspan="8" align="left" valign="top"><a name="7.1"> Scrapbook, 1943-1949  </a></td> </tr> <tr> <td valign="top"> </td> <td valign="top"></td> <td colspan="8" align="left" valign="top"><a name="7.2"> Scrapbook kept by Lee Krasner, 1956-1957  </a></td> </tr> </table> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series8"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 8:  Artwork by Others, undated (Box 4; 1 folder)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>This series contains one sketchbook, including ink drawings and diagrams, by an unidentified artist.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">4</td> <td valign="top">12</td> <td colspan="8" align="left" valign="top"><a name="8.1"> Sketchbook by Unidentified Artist, undated  </a></td> </tr> </table> <table width="600"> <tr> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td><td width="60"></td><td width="60"></td> <td width="60"></td> </tr><a name="series9"> </a><tr> <td colspan="10"> <h3><a name="#series1"></a>Series 9:  Audio and Video Recordings, 1949-1968, undated (Box 4-6; 1.2 linear feet)</h3> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br><br></td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>The Audio and Video Recordings series is arranged into two subseries:<br></td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br><tr> <td></td> <td></td> <td colspan="8"><a href="#9.1">9.1: Pollock and Krasner Interview Audio and Video Recordings, 1949-1968, undated</a></td> </tr> <tr> <td></td> <td></td> <td colspan="8"><a href="#9.2">9.2: Audio Interviews Conducted by James Valliere, 1965-1968</a></td> </tr><br></td> </tr> <tr> <td colspan="10"></td> </tr> <tr> <td colspan="10" align="left" valign="top"> <h4><a name="9.1">9.1:  Pollock and Krasner Interview Audio and Video Recordings, 1949-1968, undated </a></h4> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>This subseries contains audio and video recordings of interviews with Jackson Pollock and Lee Krasner. Included here is a 16 mm film about Pollock, including a reel of outtakes, entitled, "Jackson Pollock: A Reconsideration," produced in 1964 by Channel 13 WNDT, the Educational Broadcasting Corporation. Also found is a reel-to-reel recording of an interview of Pollock by his neighbor William Wright (see Series 2: Biographical Material for the transcript). There are two interviews of Lee Krasner discussing her relationship with Pollock and his career, one conducted by John Gruen for the Casper Citron radio show, and another for the Martha Dean radio show. Duplicates are available for each of these recordings.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">4</td> <td valign="top">13</td> <td> </td> <td colspan="8" align="left" valign="top"> "Jackson Pollock: A Reconsideration," 1964 (See Motion Picture Film) </td> </tr> <tr> <td valign="top"> </td> <td valign="top">14</td> <td> </td> <td colspan="7" align="left" valign="top"> "Jackson Pollock: A Reconsideration," Outtakes, 1964 (See Motion Picture Film) </td> </tr> <tr> <td valign="top"> </td> <td valign="top">15</td> <td> </td> <td colspan="7" align="left" valign="top"> "Jackson Pollock: A Reconsideration," VHS copy, 1964  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">16</td> <td> </td> <td colspan="7" align="left" valign="top"> "Jackson Pollock: A Reconsideration," Outtakes, VHS copy, 1964  </td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">5</td> <td valign="top">1</td> <td> </td> <td colspan="8" align="left" valign="top"> Jackson Pollock, William Wright Interview, 1949  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">2</td> <td> </td> <td colspan="7" align="left" valign="top"> Jackson Pollock, William Wright Interview, duplicate reel, 1949  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">3</td> <td> </td> <td colspan="7" align="left" valign="top"> Jackson Pollock, William Wright Interview, reference copy, 1949  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">4</td> <td> </td> <td colspan="7" align="left" valign="top"> Jackson Pollock, William Wright Interview, duplicate cassettes, 1949  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">5</td> <td> </td> <td colspan="7" align="left" valign="top"> Lee Krasner, John Gruen Interview, 1964  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">6</td> <td> </td> <td colspan="7" align="left" valign="top"> Lee Krasner, John Gruen Interview, duplicate cassettes, 1964  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">7</td> <td> </td> <td colspan="7" align="left" valign="top"> Lee Krasner, John Gruen Interview, vinyl phonograph records, 1964 (2 records; see Box 6) </td> </tr> <tr> <td valign="top"> </td> <td valign="top">8</td> <td> </td> <td colspan="7" align="left" valign="top"> Lee Krasner, Martha Dean Radio Show, 1968  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">9</td> <td> </td> <td colspan="7" align="left" valign="top"> Lee Krasner, Martha Dean Radio Show, duplicate cassette, 1968  </td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">6 (sol)</td> <td valign="top"></td> <td> </td> <td colspan="8" align="left" valign="top"> Oversize, Lee Krasner, John Gruen Interview, vinyl phonographic records (See also Box 5, F7) </td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">Motion Picture Film</td> <td valign="top"></td> <td> </td> <td colspan="8" align="left" valign="top"> "Jackson Pollock: A Reconsideration," (See also Box 4, F13) </td> </tr> <tr> <td valign="top"> </td> <td valign="top"></td> <td> </td> <td colspan="7" align="left" valign="top"> "Jackson Pollock: A Reconsideration," outtakes (See also Box 4, F14) </td> </tr> <tr> <td colspan="10"></td> </tr> <tr> <td colspan="10" align="left" valign="top"> <h4><a name="9.2">9.2:  Audio Interviews Conducted by James Valliere, 1965-1968 </a></h4> </td> </tr> <tr> <td style="text-align:left" valign="top" colspan="10"><br>This subseries contains reel-to-reel audio recordings of interviews conducted by James Valliere while he was researching Pollock's early career and artwork for a never-published book on Pollock. Researchers should also see Series 5: James Valliere Research Material on Jackson Pollock for transcripts of some of these interviews. Interviews are with artists James Brooks, Willem De Kooning, and Alphonso Ossorio, critic Clement Greenberg, Pollock's friends Daniel Miller and Burton Rouche and sister-in-law Mrs. Sanford (Arloie) McCoy.<br></td> </tr> <tr> <td><br><b>Box</b></td> <td><br><b>Folder</b></td> </tr> <tr> <td valign="top">5</td> <td valign="top">10</td> <td> </td> <td colspan="8" align="left" valign="top"> James Brooks, 1965  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">11</td> <td> </td> <td colspan="7" align="left" valign="top"> James Brooks, duplicate reel, 1965  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">12</td> <td> </td> <td colspan="7" align="left" valign="top"> Willem De Kooning, 1966  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">13-14</td> <td> </td> <td colspan="7" align="left" valign="top"> Clement Greenberg, 1968 (2 reels) </td> </tr> <tr> <td valign="top"> </td> <td valign="top">15</td> <td> </td> <td colspan="7" align="left" valign="top"> Mrs. Sanford McCoy, 1966  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">16-17</td> <td> </td> <td colspan="7" align="left" valign="top"> Daniel Miller, 1965 (2 copies) </td> </tr> <tr> <td valign="top"> </td> <td valign="top">18-20</td> <td> </td> <td colspan="7" align="left" valign="top"> Alphonso Ossorio, 1966 (3 copies) </td> </tr> <tr> <td valign="top"> </td> <td valign="top">21</td> <td> </td> <td colspan="7" align="left" valign="top"> Alphonso Ossorio, duplicate cassettes, 1966  </td> </tr> <tr> <td valign="top"> </td> <td valign="top">22</td> <td> </td> <td colspan="7" align="left" valign="top"> Burton Rouche, 1966  </td> </tr> </table> </td> </tr> </table> </body> </html>