About the Rockwell Kent Papers

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.

Date

Event

1882

born, Tarrytown, New York

1887

death of Rockwell Kent, Sr.

1894-1896

attended Cheshire Academy

1895

toured Europe with Aunt Jo

1896

attended Horace Mann School, New York City

1900-1902

studied architecture at Columbia University

1900-1902

attended William Merritt Chase's summer school, Shinnecock Hills, Long Island

1903

studied with William Merritt Chase, New York City

1904

first sale of a painting

1904

met Rufus Weeks and attended first Socialist meeting

1905

lived and worked with Abbott H. Thayer, Dublin, New Hampshire

1905

first painting trip to Monhegan Island, Maine

1907

first one-man show, Claussen Galleries, New York City

1908

marriage to Kathleen Whiting

1908

studied with Robert Henri

1908

joined Socialist Party

1909

birth of Rockwell, III

1910

ran Monhegan Summer School of Art

1910

first trip to Newfoundland

1910

helped to organize first Independent Exhibition

1911

birth of Kathleen

1912

moved to Winona, Minnesota

1913

birth of Clara

1914

settled in Newfoundland

1915

deported from Newfoundland

1915

birth of Barbara

1917

served as full-time organizer and administrator of Independent Exhibition

1918-1919

in Alaska with son Rocky

1919

purchased Egypt Farm, Arlington, Vermont

1919

incorporated self

1920

publication of Wilderness

1920

birth of Gordon

1922

traveled to Tierra del Fuego

1924

publication of Voyaging

1925

trip to France

1925

divorced from Kathleen

1926

marriage to Frances Lee

1926

traveled to Ireland

1927

purchased Asgaard Farm, AuSable, New York

1927

editor of Creative Art

1927

helped organize National Gallery of Contemporary Art, Washington, D.C.

1929

sailed to Greenland on Direction

1930

publication of N by E

1932-1933

returned to Greenland

1934-1935

final trip to Greenland

1935

publication of Salamina

1936

trip to Puerto Rico

1937

trip to Brazil

1937-1938

Post Office Department mural commission and controversy over Eskimo-language message interpreted as encouraging Puerto Rican independence

1939

divorced from Frances

1939

General Electric Co. mural commission for New York World's Fair

1940

publication of This Is My Own

1940

marriage to Shirley Johnstone (Sally)

1942

solo exhibition, Know and Defend America, at Wildenstein Galleries, New York City

1946

elected to Executive Committee of American Labor Party

1948

congressional candidate, American Labor Party

1948

transferred ownership of dairy to remaining employees after boycott resulting from support of Wallace for president

1949

attended World Congress for Peace, Paris

1950-1958

denied U.S. passport; lawsuit, appeals, and Supreme Court decision reinstating right to travel

1953

testified before House Un-American Activities Committee

1955

publication of It's Me, O Lord

1958

one-man show at Hermitage Museum, Leningrad

1959

publication of Of Men and Mountains

1960

gift of Kent Collection to Friendship House, Moscow

1960

exhibition at Pushkin Museum, Moscow

1963

publication of Greenland Journal

1966

elected to Academy of Arts of the USSR

1967

awarded Lenin Peace Prize, Moscow

1969

oral history interview, Archives of American Art

1969

home at Asgaard destroyed by fire; papers survived with some water and smoke damage

1969

first installment of Rockwell Kent Papers donated to Archives of American Art

1971

died, Plattsburgh, New York

1971

gift of additional Rockwell Kent Papers to Archives of American Art

1979

gift of textile samples to the Archives of American Art

1996

gift of additional Rockwell Kent Papers to Archives of American Art

2000

death of Sally [Shirley Johnstone] Kent Gorton

2000

previously sealed correspondence of wives Frances and Sally (Series 1) opened to researchers

2001

gift of additional Rockwell Kent papers to the Archives of American Art from the Estate of Sally Kent [Shirley Johnstone] Gorton

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs. HIDE

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent Papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers' Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributorships for grain, feed, and farm implements.

Letters to Rockwell Kent from wives Frances and Sally (Shirley Johnstone), sealed during Sally's lifetime, became available for research in 2000 and were microfilmed later on reels 5740-5741. HIDE