TABLE OF CONTENTS


Collection Overview

Administrative Information

Restrictions

Index Terms

Related Material

Biographical Note

Scope and Content Note

Arrangement

Series Descriptions/Container Listing

Biographical Material, 1966-1977

Personal Correspondence, 1933-1978, undated

Diary and Travel Journals, 1957-1975

School of the Art Institute of Chicago Files and Records, 1920-1982, undated

Notes and Writings, 1923-1978, undated

Artist Files, 1967-1977

Hyde Park Art Center File, 1960-1977, undated

Exhibition Files, 1966-1975

Art Work, 1932-1970, undated

Photographs, 1949-1976, undated

Printed Material, 1966-1975


Whitney Halstead

A Finding Aid to the Whitney Halstead Papers, 1920-1982, in the Archives of American Art

by Jean Fitzgerald

May 2004
    Contact Information
    Reference Department
    Archives of American Art
    Smithsonian Institution
    Washington. D.C. 20560
    www.aaa.si.edu/askus

Collection Overview

Creator:Whitney Halstead
Title:Whitney Halstead papers
Dates:1920-1982
Abstract: The Whitney Halstead papers measure 7.1 linear feet and date from 1920 to 1982. They document the career of art historian, educator, critic, author, and artist Whitney Halstead. Found within the papers are scattered biographical material; a diary and travel journals; writings and notes (almost one-half of the collection); scattered correspondence; miscellaneous records and printed materials documenting Halstead's tenure at the Art Institute of Chicago; audio-cassette recordings of African and native music; artists files for Jim Nutt and Joseph E. Yoakum; exhibition files; art work by Halstead and others; and photographs of Halstead, friends and colleagues, and art projects. Also found are numerous photographs, slides, and negatives of primitive art, including American Indian art by Southwest tribes.
Extent: 7.1 linear feet
Language: The records are in English.

Administrative Information

Provenance

The Whitney Halstead papers were donated by Theodore Halkin, the executor of Halstead's estate in 1986.

Processing Information

The papers were processed in May 2004 by Jean Fitzgerald.

Preferred Citation

Whitney Halstead papers, 1920-1982. Archives of American Art, Smithsonian Institution.

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Restrictions

Restrictions on Access

The collection is open for research. Use requires an appointment.

Ownership and Literary Rights

The Whitney Halstead papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

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Index Terms

This collection is indexed in the online catalog of the Archives of American Art under the following index terms. People, families and organizations are listed under "Subjects" when they are the topic of collection contents and under "Names" when they are creators or contributors.
Subjects:
  Art Institute of Chicago. School
  Hyde Park Art Center (Chicago, Ill.)
  Nutt, Jim, 1938-
  Yoakum, Joseph, 1886-1972
Subjects-Topical:
  Art critics -- Illinois -- Chicago
  Art historians -- Illinois -- Chicago
Subjects-Geographical:
  Chicago (Ill.)
Types of Materials:
  Drawings
  Journals (accounts)
  Photographs
  Sketchbooks
  Sketches
  Sound recordings
  Works of art

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Related Material

Additional Whitney Halstead papers are held by the Art Institute of Chicago.

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Biographical Note

Art historian, educator, critic, author, and artist Whitney Halstead was born in 1926. After receiving a B.F.A. and an M.F.A. from the School of the Art Institute of Chicago, Halstead worked as an assistant in the Field Museum's anthropology department. He also taught art history at several Chicago-area universities, including the Art Institute, where he developed a series of courses on primitive art. Some historians have indicated that these courses were an important influence on the work of several artists of the "Chicago School" who studied with Halstead, including Roger Brown, Phil Hanson, Gladys Nilsson, Jim Nutt, and Karl Wirsum, among others. Halstead also played a prominent role in the 1965 Art Institute's faculty strike that resulted in better working conditions for the instructors, and by 1967, he had become Chairman of the Division of Fine Arts. In 1970, he assumed the position of Graduate Advisor.

Halstead wrote critical reviews for Artforum, the Chicago Daily News, and numerous articles and essays promoting local and primitive art, including the work of Jim Nutt and naïve artist Joseph E. Yoakum. He also curated several exhibitions, including Made In Chicago and Ulu/Inua: Form and Fantasy in Eskimo Art. Halstead's own art work, exhibitied primarily during the 1950s and early 1960s, was in a variety of media and reflected his interest in Dadaism and Surrealism.

Whitney Halstead died in 1979.

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Scope and Content Note

The Whitney Halstead papers measure 7.1 linear feet and date from 1920 to 1982. They document the career of art historian, educator, critic, author, and artist Whitney Halstead. Found within the papers are scattered biographical material; a diary and travel journals; writings and notes (almost one-half of the collection); scattered correspondence; miscellaneous records and printed materials documenting Halstead's tenure at the Art Institute of Chicago; audio-cassette recordings of African and native music; artists files for Jim Nutt and Joseph E. Yoakum; exhibition files; art work by Halstead and others; and photographs of Halstead, friends and colleagues, and art projects. Also found are numerous photographs, slides, and negatives depicting primitive art, mostly native American Indian art by Southwest tribes.

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Arrangement


The collection is arranged into 11 series by either type of material or subject file, and chronologically within each series. Oversized material from various series has been housed in OV folder 8 and is noted in the Series Description/Container Listing Section at the appropriate folder title with see also/see references.
Series 1: Biographical Material, 1966-1977 (Box 1; 1 folder)
Series 2: Personal Correspondence, circa 1933-1978 (Box 1; 6 folders)
Series 3: Diary and Travel Journals, 1957-1975 (Box 1; 3 folders)
Series 4: School of the Art Institute of Chicago Files, circa 1920-1982 (Box 1-2; 1.1 linear feet)
Series 5: Notes and Writings, circa 1923-1978 (Box 2-5; 3.4 linear feet)
Series 6: Artist Files, 1967-1977 (Box 5-6, OV 8; 36 folders)
Series 7: Hyde Park Art Center File, circa 1960-1977 (Box 6; 4 folders)
Series 8: Exhibition Files, 1966-1975 (Box 6, OV 8; 17 folders)
Series 9: Art Work, circa 1932-1970 (Box 6, OV 8; 21 folders)
Series 10: Photographs, circa 1949-1976 (Box 7; 0.9 linear feet)
Series 11: Printed Material, 1966-1975 (Box 7; 5 folders)

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Series Descriptions/Container Listing

 

Series 1:  Biographical Material, 1966-1977 (Box 1; 1 folder)


Biographical material consists of resumes and notes concerning Halstead's career.

Box
1  Resumes and notes, 1966-1977  
 

Series 2:  Personal Correspondence, 1933-1978, undated (Box 1; 6 folders)


Personal correspondence consists of letters concerning Halstead's activities outside of his tenure at the School of the Art Institute of Chicago. Included are three letters from Jim Nutt, one of which is illustrated.

Box
1  Personal Correspondence, 1933-1978, undated (6 folders) 
 

Series 3:  Diary and Travel Journals, 1957-1975 (Box 1; 3 folders)


The diary contains notes concerning Halstead's daily thoughts rather than a record of daily activities. It also contains references to Jim Nutt. The travel journals contain notes concerning his travels to Europe and to Peru.

Box
1  Diary, 1970-1975  
 Travel Journal about Europe, 1957  
 Travel Journal about Peru, 1971  
 

Series 4:  School of the Art Institute of Chicago Files and Records, 1920-1982, undated (Box 1-2; 1.1 linear feet)


This series contains records of Halstead's teaching activities at the School of the Art Institute of Chicago, including inter-departmental correspondence, minutes of meetings, reports, a scrapbook concerning the 1965 faculty strike, clippings, school publications, exhibition catalogs, and photographs.

Box
1  Correspondence, 1951-1982, undated (20 folders) 
 Articles of Incorporation and By-Laws, 1981  
 Faculty Handbook, 1982  
 Minutes of Meetings, 1957-1960  
 Miscellaneous Reports, 1957-1968 (7 folders) 
 Self-Study Reports, 1980-1982 (3 folders) 
 Faculty Report in Response to Self-Study Reports, 1982  
 Scrapbook on the Faculty Strike, 1962-1965 (4 folders) 
 Notes on the Curriculum, 1958-1982 (2 folders) 
 Catalogs of Courses, 1920-1982 (4 folders) 

Box
2  Student Handbook, 1980-1982  
 Clippings, 1958-1977, undated  
 Exhibition Catalogs from the Art Institute of Chicago, 1952-1982 (3 folders) 
 Graduation Programs, 1959-1966  
 Booklets on the M.F.A. Candidates, 1968-1969  
 Miscellaneous Printed Material, 1954, undated  
 Photographs of Protest Marches, 1965  
 Photographs of Art Work, undated  
 Photographs of Fellowship Exhibition, 1968  
 

Series 5:  Notes and Writings, 1923-1978, undated (Box 2-5; 3.4 linear feet)


Notes include notebooks pertaining to various art history topics, including the art of primitive cultures, Impressionism, Dadaism and Surrealism, American art, collage and assemblage, ceramics, and photography. Other notebooks contain reproductions of examples of late 19th century art and illustrations of primitive art styles. An index card file contains notes for art history lectures and bibliographic entries. Also found are six audiocassettes recordings of African, Native American, and Oceanic music. Writings include typescripts on various art history topics written for publications, including Artforum and the Chicago Daily News. There are also typescripts concerning individual artists, including Roger Brown, Ed Paschke, Kerig Pope, Christina Ramberg, and Barbara Rossi.

Box
2  Notebooks on Art History, 1923-1978, undated (18 folders) 

Box
3  Notebooks on Art History, 1923-1978, undated (8 folders) 
 Notebook of Reproductions of Paintings and Drawings, undated (4 folders) 
 Notebook of Illustrations of Primitive Art, 1954, undated (3 folders) 
 Notes on Chicago Art, 1971-1974  
 Miscellaneous Notes, undated  

Box
4  Index Card File of Lecture Notes and Bibliographies, undated (1.0 linear feet) 

Box
5  Audiocassettes of African Music, undated  
 Audiocassettes of Native American Music, undated  
 Audiocassette of Oceanic (Maori) Music, undated  
 Miscellaneous Typescripts, 1950-1974, undated (8 folders) 
 Typescript "Distortion and Proportion" for Delphian Charter Extension VII Program Fifteen, 1963-1964, undated (6 folders) 
 Typescripts for Artforum, 1965-1969 (15 folders) 
 Typescripts for Chicago Daily News, 1967-1973 (7 folders) 
 Miscellaneous Typescript Fragments, undated  
 

Series 6:  Artist Files, 1967-1977 (Box 5-6, OV 8; 36 folders)


Artist files contain biographical material, correspondence primarily discussing exhibitions and sales of art work, notes, writings, printed material, and photographs pertaining to painters Jim Nutt and Joseph E. Yoakum.

Box
5  Jim Nutt  
 Typescripts for Museum of Contemporary Art Exhibition Catalog, 1973-1974  
 Miscellaneous Typescripts about Jim Nutt, 1973-1974 (4 folders) 
 Clippings, 1974-1975  
 Press Release and Exhibition Catalogs, 1974  
 Joseph E. Yoakum  
 Biographical Material, 1972-1975  
 Correspondence, 1968-1977 (5 folders) 
 Miscellaneous Notes, 1972-1976 (3 folders) 
 Typescript for Whitney Museum Exhibition Catalog, 1972  
 Drafts of a Manuscript, 1975 (8 folders) 

Box
6  Drafts of a Manuscript, 1975 (5 folders) 
 Typescript "Joseph E. Yoakum" by Philip H. Hanson, 1969  
 Photographs of Yoakum, 1967-1969, undated  
 Photographs of Art Work and an Exhibition, undated  
 Slides of Art Work, undated  
 Clippings, 1971-1972  
 Exhibition Announcements, 1968-1976 (see also OV 8) 

Box
OV 8  Oversize Exhibition Poster for Yoakum, 1968  
 Oversize Exhibition Poster for Yoakum, 1976  
 

Series 7:  Hyde Park Art Center File, 1960-1977, undated (Box 6; 4 folders)


Miscellaneous printed material documenting the exhibitions and art-related activities of the Hyde Park Art Center of Chicago.

Box
6  Brochures and Announcements, 1960-1977, undated  
 Exhibition Announcements and Catalogs, 1962-1977, undated (2 folders) 
 Newsletters, circa 1966  
 

Series 8:  Exhibition Files, 1966-1975 (Box 6, OV 8; 17 folders)


Exhibition files contain correspondence, notes, writings, photographs, and printed material pertaining to miscellaneous exhibitions. The file for the "Two Artists" exhibition contains a photograph of Pauline Simon.

Box
6  "Bauhaus,", Illinois Institute of Technology, Chicago, undated (2 folders) 
 "Object Poems," Something Else Gallery, New York City, 1966  
 "Famous Artists," Museum of Contemporary Art, Chicago, 1969 (see also OV 8) 
 "Two Artists," Pauline Simon and Joseph E. Yoakum, Wabash Transit Gallery, Chicago, 1971  
 "Illinois Painters II," Illinois Arts Council, Chicago, 1971-1972  
 "Chicago Imagist Art," Museum of Contemporary Art, Chicago, 1972 (see also OV 8) 
 "Made in Chicago," Museum of Contemporary Art, Chicago, 1973-1975 (4 folders) 
 "Ulu/Inua: Form and Fantasy in Eskimo Art," Casino Gallery, Chicago, 1974 (5 folders) 
 "Pauline Simon Retrospective," Hyde Park Art Center, Chicago, 1974  

Box
OV 8  Oversize Exhibition Poster for "Famous Artists," Museum of Contemporary Art, Chicago, 1969  
 Oversize Exhibition Poster for "Chicago Imagist Art," Museum of Contemporary Art, Chicago, 1972  
 

Series 9:  Art Work, 1932-1970, undated (Box 6, OV 8; 21 folders)


Art work includes sketchbooks, loose sketches, collage books, and prints by Halstead, several antique engravings, and miscellaneous drawings and art photographs by others. Art photographs are by Jerome Aronson, Ken Josephson, Ceil London, Tom Palazzolo, Charles Reynolds, and Roger Vail.

Box
6  Sketchbooks by Halstead, 1950, undated (3 folders) 
 Loose Sketches by Halstead, 1932-1949, undated (9 folders; See Also OV 8) 
 Collage Books by Halstead, 1949, undated (3 folders) 
 Loose Collages by Halstead, undated  
 Prints by Halstead?, 1947, undated (see also OV 8) 
 Antique Engravings, undated  
 Miscellaneous Drawings and Cut-Out Designs by Others, undated (see also OV 8) 
 Art Photographs by Others, 1965-1970, undated (2 folders) 

Box
OV 8  Oversize Sketch, undated  
 Oversize Prints, undated  
 Oversize Cut-Out Design, undated  
 

Series 10:  Photographs, 1949-1976, undated (Box 7; 0.9 linear feet)


Photographs are of Halstead, his friends and colleagues including Jack Burnham, Claes Oldenburg and Karl Wirsum, Arts Club exhibitions, works by Chicago artists, and artists from primitive times through the 20th century including Al Boutin, Christo, John Henry, David Reif, and Marguerite Weber. There are also several hundred slides of Halstead, art work, miscellaneous activities with friends and students, subjects for art work including plants and animals, exhibitions, and views of Chicago and New York.

Box
7  Photographs of Halstead and the Halstead Cemetery Plot, 1968, undated  
 Photographs of Family and Friends, 1968-1969, undated  
 Photographs of Miscellaneous Exhibitions at the Arts Club, undated  
 Negatives of Native American Pottery, undated  
 Color Transparencies of Paintings by Master Artists, undated  
 Color Transparencies of Jewelry and Sculpture by Master Artists, undated  
 Photographs of Work by Chicago Artists, undated (7 folders) 
 Photographs of Work by Miscellaneous 20th Century Artists, undated (17 folders) 
 Photographs of Karl Wirsum and his Studio, 1971  
 Photographs of the Hancock Building, Chicago, undated  
 Photographs of Miscellaneous Houses, 1963  
 Miscellaneous Photographs, undated  
 Slides of Miscellaneous Subjects, 1949-1976, undated (0.5 linear feet) 
 

Series 11:  Printed Material, 1966-1975 (Box 7; 5 folders)


Printed material consists of clippings and booklets written by Halstead about the Japanese prints and the culture of the American Southwest as it pertains to the collections of the Art Institute of Chicago.

Box
7  Clippings, 1966-1975  
 Booklets written by Halstead, undated (4 folders)