MacKenzie, Warren, b. 1924
CeramicistStillwater, Minn. (Show Bio)
Oral history interview with Warren MacKenzie, 2002 Oct. 29
Sound recording, master: 3 sound discs (3 hr.) : digital ; 2 5/8 in.
Sound recording, duplicate: 3 cassettes Transcript: 44 p.
An interview of Warren MacKenzie conducted 2002 Oct. 29 by Robert Silberman for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Stillwater, Minn. MacKenzie speaks of his early childhood and eagerness to become a painter; being drafted in 1943; returning from active duty in the Army to find all the painting classes full and registering for a ceramic class; the significance of Bernard Leachs A Potters Book to his early ceramic education, and fellow classmates; his studies at the Chicago Art Institute; museums in Chicago; his first wife, potter, Alix MacKenzie; traveling to England to receive further training from Leach, first being rejected and then returning a year later to work 2 years at Leach Pottery at St. Ives;
contacts such as Shoji Hamada, Ben Nicholson, Barbara Hepworth, Terry Frost, Peter Lanyon, and others; his lack of interest in sculptural ceramics; the good remnants of Leach pottery pots in his pottery today; Korean and Japanese influences; the International Potters and Weavers Conference in 1952 and returning to the U.S.; Alixs role in arranging Hamadas tour of the U.S. and exhibition in St. Paul; building their first pottery; exhibitions at the Walker Arts Center; purchasing the best Hamada pot at the St. Paul exhibit;
teaching at the University of Minnesota; his experiences at craft schools; his involvement with NCECA [National Council on Education in Ceramic Art] and the Minnesota Craft Council; his travels; the self-service showroom on his property; changes in the field of ceramics; the 1968 fire that destroyed his barn studio; his working process; his experience with a salt kiln; experimenting in each firing; and his monthly work schedule. MacKenzie also recalls Kathleen Blackshear, Lucie Rie, Hans Coper, Soetsu Yanagi, Jerry Liebling, Allen Downs, Walter Quirt, Phil Morton, Curt Heuer, Karen Karnes, David Weinrib, Josef Albers, Kenneth Ferguson, Rudy Autio, Peter Voulkos, Tatsuzo Shimaoka, David Lewis, Michael Cardew, and others.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
How to Use this Interview
- Transcript available on the Archives of American Art website.
- Transcript available on line at http://www.aaa.si.edu/collections/oralhistories/transcripts/macken02.htm
- A transcript of this interview is available online.
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