Eaton, Charles James Madison, b. 1808 d. 1893
Arts administratorMd. (Show Bio)
Charles James Madison Eaton correspondence with Hiram Powers, and a letter received from Thomas Sully, 1845-1867
21 items (on partial microfilm reel).
Reel(s): 3416
Nineteen letters from Hiram Powers in Florence to Eaton, 1845-1867, concerning: the future of the Fine Arts in America; sculpture for the Capitol building; government patronage and politics; his commissions for portrait busts and ideal figures; his biographer, C.E. Lester, whom Powers rejects as "a scroundrel capable of any amount of falsehood"; the London exhibition and the American tour of the sculpture the GREEK SLAVE; European reaction to the outcome of the American Civil War; the art community in Florence; Powers' 1846 trip to Turin and Rome; and his health, family, and personal ambitions. In closing his letters, Powers often sends regards from Miner Kellogg.
Also included is a letter from Eaton to Powers, December 5, 1864, regarding a shipment of modelling clay from Baltimore to Florence, and a letter from Thomas Sully in Philadelphia to Eaton, September 27, 1847. Eaton was disappointed to learn that a painting he had inspected was not a Sully. "I am mortified at your disappointment," Sully wrote, "...had the picture been an original by me, I should have charged double the price."
Location of Originals: Originals in Maryland Historical Society, Baltimore, Maryland.
Lent for microfilming 1985 by the Maryland Historical Society.
How to Use this Collection
- Patrons must use microfilm copy.
- Microfilm reel 3416 available at Archives of American Art offices and through interlibrary loan.
microfilm reel also available in the Maryland Historical Society. - For more information on using resources at the Archives of American Art, please visit our Ask Us page