Painter, Photographer, Lithographer
New York, N.Y.; Mt. Vernon, N.Y.; Irvington, N.Y.; Irvington-on-Hudson, N.Y.; Doylestown, Pa.
Collection size: 4.9 linear ft.
Collection Summary: The papers of painter, photographer, lithographer and industrial designer Charles Sheeler measure 4.9 linear feet and date from circa 1840s to 1966, with the bulk of the material dating from 1923-1965. The collection documents Sheeler's family, personal life and career through financial and medical records, awards, correspondence, writings, an autobiography, journal and notebooks, scrapbooks, exhibition catalogs and announcements, printed materials, photographs, funeral records and artwork by Sheeler and others. The collection is particularly rich in Sheeler's writings, and also includes Sheeler's industrial designs and manufactured artwork. There are photographs of Sheeler with Edward Weston, Edward Steichen, and John Marin.
Biographical/Historical Note: Charles Sheeler (1883-1965) was a painter, lithographer, and photographer from Irvington-on-Hudson, N.Y.
Charles Sheeler's wife Musya initially loaned the papers to the Archives of American Art for microfilming in 1958, 1965, and 1966. In June, 1966, she donated most of the earlier loaned materials. In 1964, Sheeler's friend Howard Lipman donated three photographs of Sheeler with Edward Steichen and John Marin. The third accrual was transferred to the Archives by the Smithsonian American Art Museum and National Portrait Gallery Library in June 1979.
Watercolor study on reel 1811 (fr. 972-973), "American Interior 1934" transferred to NMAA Prints and Drawings Department.
Funding for processing of this collection was provided by the Terra Foundation for American Art.
How to Use this Collection
- Read the Finding Aid for this collection
- Portions of the collection are available on microfilm reels NSH1-NSH3, 1811-1812 and D10 at Archives of American Art offices, and through interlibrary loan. Researchers should note that the arrangement of the collection as described in this finding aid does not reflect the order of the collection on microfilm.
- Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
- For more information on using the Archives’ resources, see the FAQ or Ask Us.
Also in the Archives
- Charles Sheeler letter collection, 1939-1958
- Charles Sheeler letter to E.P. Richardson, 1958 Sept. 16
- Charles Sheeler letter to Frank Crowninshield, 1939 Sept. 27
- Oral history interview with Charles Sheeler, 1958 Dec. 9
- Oral history interview with Charles Sheeler, 1959 June 18
- Image Gallery items from other collections related to Sheeler, Charles
Related MaterialsSeparated materials: Portions of Sheeler's papers that were originally loaned for microfilming were not included in the later gifts and are available only on microfilm reel NSH1. A watercolor study microfilmed on reel 1811 was later transferred to the Smithsonian American Art Museum. These materials are not described in the container list of the finding aid.
There are two oral history interviews with Sheeler conducted by Mary Bartlett Cowdrey in December 1958, and by Martin Friedman in June 1959. The Archives also has the records of the Macbeth Gallery, which include a substantial amount of correspondence with Sheeler from 1907-1921, and the Downtown Gallery records, which also include correspondence with Sheeler, photographs of Sheeler and his artwork, exhibition publications, clippings, press releases, and audio visual materials dating from 1904-1972.
Also found in the the Archives is a loan of Charles Sheeler letters microfilmed on reel NY/59-5 containing letters written by Sheeler to his psychologist and art collector, Dr. Helen Boigon, art student George Craven, and friend William Carlos Williams, dating from 1939-1958. There is a collection of six letters from Sheeler addressed to Doris Royce, possibly an art critic, dating from 1949-1957. Miscellaneous manuscript collections include one letter written by Sheeler to E.P. Richardson in 1958, and another letter written to Frank Crowninshield in September, 1939.